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Graham Hancock – FINGERPRINTS OF THE GODS and he gave them an insight into letters and sciences, and every kind of art. He taught them to construct houses, to found temples, to compile laws, and explained to them the principles of geometrical knowledge. He made them distinguish the seeds of the earth, and showed them how to collect fruits; in short, he instructed them in every thing which could tend to soften manners and to humanise mankind. From that time, so universal were his instructions, nothing has been added materially by way of improvement ... 12 Surviving images of the Oannes creatures I had seen on Babylonian and Assyrian reliefs clearly portrayed fish-garbed men. Fish-scales formed the dominant motif on their garments, just as they did on those worn by El Fraile. Another similarity was that the Babylonian figures held unidentified objects in both their hands. If my memory served me right (and I later confirmed that it did) these objects were by no means identical to those carried by El Fraile. They were, however, similar enough to be worthy of note. 13 The other great ‘idol’ of the Kalasasaya was positioned towards the eastern end of the platform, facing the main gateway, and was an imposing monolith of grey andesite, hugely thick and standing about nine feet tall. Its broad head rose straight up out of its hulking shoulders and its slab-like face stared expressionlessly into the distance. It was wearing a crown, or head-band of some kind, and its hair was braided into orderly rows of long vertical ringlets which were most clearly visible at the back. The figure was also intricately carved and decorated across much of its surface almost as though it were tattooed. Like El Fraile, it was clad below the waist in a garment composed offish-scales and fish symbols. And, also like El Fraile, it held two unidentifiable objects in its hands. This time the left-hand object looked more like a sheath than a case-bound book, and from it protruded a forked handle. The right-hand object was roughly cylindrical, narrow in the centre where it was held, wider at the shoulders and at the base, and then narrowing again towards the top. It appeared to have several different sections, or parts, fitted over and into one another, but it was impossible to guess what it might represent. 12 Ibid. 13 Jeremy Black and Anthony Green, Gods, Demons and Symbols of Ancient Mesopotamia, British Museum Press, 1992, pp. 46, 82-3. 86
Graham Hancock – FINGERPRINTS OF THE GODS Images of extinct species Assyrian relief of fish-garbed figure. Leaving the fish-garbed figures, I came at last to the Gateway of the Sun, located in the north-west corner of the Kalasasaya. It proved to be a freestanding monolith of grey-green andesite about 12½ feet wide, 10 feet high and 18 inches thick, weighing an estimated 10 tons. 14 Perhaps best envisaged as a sort of Arc de Triomphe, though on a much smaller scale, it looked in this setting like a door connecting 14 Figures and measurements from The Ancient Civilizations of Peru, p. 92. 87
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Contents Graham Hancock - FINGERPRI
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Chapter 1 A Map of Hidden Places SU
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Chapter 2 Graham Hancock - FINGERPR
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Page 43 and 44: Chapter 4 Flight of the Condor Grah
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Page 73 and 74: Chapter 9 Once and Future King Grah
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Page 83 and 84: Chapter 11 Intimations of Antiquity
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Chapter 19 Graham Hancock - FINGERP
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Chapter 20 Children of the First Me
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Chapter 22 City of the Gods Graham
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A token of good faith Graham Hancoc
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Part V Graham Hancock - FINGERPRINT
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Part VI Graham Hancock - FINGERPRIN
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Inexplicable precision Graham Hanco
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Chapter 35 Tombs and Tombs Only? Gr
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Chapter 36 Anomalies Graham Hancock
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Chapter 37 Made by Some God Graham
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Part VII Lord of Eternity Egypt 2 G
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The way of the jackal Graham Hancoc
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Chapter 43 Looking for the First Ti
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Chapter 44 Gods of the First Time G
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Serene stability Graham Hancock - F
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Chapter 45 The Works of Men and God
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Frankfort’s facts Graham Hancock
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Chapter 46 The Eleventh Millennium
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Chapter 48 Earth Measurers Graham H
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Chapter 49 The Power of the Thing G
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Part VIII Conclusion Where’s the
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Exhibit 3 Graham Hancock - FINGERPR
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Selected Bibliography Graham Hancoc
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