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Know_files/FINGERPRINTS OF THE GODS.pdf - D Ank Unlimited

Know_files/FINGERPRINTS OF THE GODS.pdf - D Ank Unlimited

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Graham Hancock – <strong>FINGERPRINTS</strong> <strong>OF</strong> <strong>THE</strong> <strong>GODS</strong><br />

haired men’ who had lived thousands of years earlier. 13<br />

One legend described Viracocha as being accompanied by ‘messengers’<br />

of two kinds, ‘faithful soldiers’ (huaminca) and ‘shining ones’ (hayhuaypanti).<br />

Their role was to carry their lord’s message ‘to every part of the<br />

world’. 14<br />

Elsewhere there were phrases such as: ‘Con Ticci returned ... with a<br />

number of attendants’; ‘Con Ticci then summoned his followers, who<br />

were called viracocha’; ‘Con Ticci commanded all but two of the viracocha<br />

to go east ...’ 15 ; ‘There came forth from a lake a Lord named Con Ticci<br />

Viracocha bringing with him a certain number of people ...’ 16 ; ‘Thus those<br />

viracochas went off to the various districts which Viracocha had indicated<br />

for them ...’. 17<br />

The work of demons?<br />

The ancient citadel of Sacsayhuaman lies just north of Cuzco. We reached<br />

it late one afternoon under a sky almost occluded by heavy clouds of<br />

tarnished silver. A cold grey breeze was blowing across the high-altitude<br />

tundra as I clambered up stairways, through lintelled stone gates built for<br />

giants, and walked along the mammoth rows of zig-zag walls.<br />

I craned my neck and looked up at a big granite boulder that my route<br />

now passed under. Twelve feet high, seven feet across, and weighing<br />

considerably more than 100 tons, it was a work of man, not nature. It had<br />

been cut and shaped into a symphonic harmony of angles, manipulated<br />

with apparent ease (as though it were made of wax or putty) and stood<br />

on its end in a wall of other huge and problematic polygonal blocks,<br />

some of them positioned above it, some below it, some to each side, and<br />

all in perfectly balanced and well-ordered juxtaposition.<br />

Since one of these astonishing pieces of carefully hewn stone had a<br />

height of twenty-eight feet and was calculated to weigh 361 tons 18<br />

(roughly the equivalent of five hundred family-sized automobiles), it<br />

seemed to me that a number of fundamental questions were crying out<br />

for answers.<br />

How had the Incas, or their predecessors, been able to work stone on<br />

such a gargantuan scale? How had they cut and shaped these Cyclopean<br />

boulders so precisely? How had they transported them tens of miles from<br />

13<br />

Ignatius Donnelly, Atlantis: The Antediluvian World, Harper & Brothers, New York,<br />

1882, p. 394.<br />

14<br />

From the 'Relacion anonyma de los costumbres antiguos de los naturales del Piru',<br />

reported in The Facts on File Encyclopaedia ..., p. 657.<br />

15<br />

Pears Encyclopaedia of Myths and Legends: Oceania, Australia and the Americas, (ed.<br />

Sheila Savill), Pelham Books, London, 1978, pp. 179-80.<br />

16<br />

South American Mythology, p. 76.<br />

17 Ibid.<br />

18 The Conquest of the Incas, p. 191.<br />

57

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