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Part II Foam of the Sea Peru and Bolivia Graham Hancock – FINGERPRINTS OF THE GODS 42
Chapter 4 Flight of the Condor Graham Hancock – FINGERPRINTS OF THE GODS I’m in southern Peru, flying over the Nazca lines. Below me, after the whale and the monkey, the hummingbird comes into view, flutters and unfolds her wings, stretches forward her delicate beak towards some imaginary flower. Then we turn hard right, pursued by our own tiny shadow as we cross the bleak scar of the Pan-American highway, and follow a trajectory that brings us over the fabulous snakenecked ‘Alcatraz’: a heron 900 feet long conceived in the mind of a master geometer. We circle around, cross the highway for a second time, pass an astonishing arrangement of fish and triangles laid out beside a pelican, turn left and find ourselves floating over the sublime image of a giant condor with feathers extended in stylized flight. Just as I try to catch my breath, another condor almost close enough to touch materializes out of nowhere, a real condor this time, haughty as a fallen angel riding a thermal back to heaven. My pilot gasps and tries to follow him. For a moment I catch a glimpse of a bright, dispassionate eye that seems to weigh us up and find us wanting. Then, like a vision from some ancient myth, the creature banks and glides contemptuously backwards into the sun leaving our single-engined Cessna floundering in the lower air. Below us now there’s a pair of parallel lines almost two miles long, arrow straight all the way to vanishing point. And there, off to the right, a series of abstract shapes on a scale so vast—and yet so precisely executed—that it seems inconceivable they could have been the work of men. The people around here say that they were not the work of men, but of demigods, the Viracochas, 1 who also left their fingerprints elsewhere in the Andean region many thousands of years ago. The riddle of the lines The Nazca plateau in southern Peru is a desolate place, sere and unwelcoming, barren and profitless. Human populations have never concentrated here, nor will they do so in the future: the surface of the moon seems hardly less hospitable. If you happen to be an artist with grand designs, however, these high 1 Tony Morrison with Professor Gerald S. Hawkins, Pathways to the Gods, Book Club Associates, London, 1979, p. 21. See also The Atlas of Mysterious Places, (ed. Jennifer Westwood), Guild Publishing, London, 1987, p. 100. 43
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Page 5 and 6: Contents Graham Hancock - FINGERPRI
Page 13 and 14: Chapter 1 A Map of Hidden Places SU
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Page 41: history ...’22 Graham Hancock - F
Page 69 and 70: Rumours of a cataclysm Graham Hanco
Page 73 and 74: Chapter 9 Once and Future King Grah
Page 75 and 76: Reed boats of Suriqui Graham Hancoc
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Page 83 and 84: Chapter 11 Intimations of Antiquity
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Part III Plumed Serpent Central Ame
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Children of the Fifth Sun Graham Ha
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Lightbringer Graham Hancock - FINGE
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Chapter 14 People of the Serpent Gr
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Fire serpents Graham Hancock - FING
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entire earth.’ Graham Hancock - F
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Chapter 17 The Olmec Enigma Graham
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Chapter 19 Graham Hancock - FINGERP
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Chapter 20 Children of the First Me
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Chapter 22 City of the Gods Graham
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A token of good faith Graham Hancoc
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Part V Graham Hancock - FINGERPRINT
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made. Graham Hancock - FINGERPRINTS
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Part VI Graham Hancock - FINGERPRIN
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Inexplicable precision Graham Hanco
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Chapter 35 Tombs and Tombs Only? Gr
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Chapter 36 Anomalies Graham Hancock
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Chapter 37 Made by Some God Graham
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Part VII Lord of Eternity Egypt 2 G
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The way of the jackal Graham Hancoc
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Chapter 43 Looking for the First Ti
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Chapter 44 Gods of the First Time G
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Chapter 45 The Works of Men and God
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Frankfort’s facts Graham Hancock
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Chapter 46 The Eleventh Millennium
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Chapter 48 Earth Measurers Graham H
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Chapter 49 The Power of the Thing G
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Part VIII Conclusion Where’s the
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Exhibit 3 Graham Hancock - FINGERPR
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Selected Bibliography Graham Hancoc
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