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Know_files/FINGERPRINTS OF THE GODS.pdf - D Ank Unlimited

Know_files/FINGERPRINTS OF THE GODS.pdf - D Ank Unlimited

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Graham Hancock – <strong>FINGERPRINTS</strong> <strong>OF</strong> <strong>THE</strong> <strong>GODS</strong><br />

ordinary years, 29 again supplying the digits for basic precessional<br />

calculations. Separately there are Manvantaras (periods of Manu) of which<br />

we are told in the scriptures that ‘about 71 systems of four Yugas elapse<br />

during each Manvantara.’ 30 The reader will recall that one degree of<br />

precessional motion along the ecliptic requires 71.6 years to complete, a<br />

number that can be rounded down to ‘about 71’ in India just as easily as<br />

it was rounded up to 72 in Ancient Egypt.<br />

The Kali Yuga, with a duration of 432,000 mortal years, is, by the way,<br />

our own. ‘In the Kali Age,’ the scriptures say, ‘shall decay flourish, until<br />

the human race approaches annihilation.’ 31<br />

Dogs, uncles and revenge<br />

It was a dog that brought us to these decaying times.<br />

We came here by way of Sirius, the Dog Star, who stands at the heel of<br />

the giant constellation of Orion where it towers in the sky above Egypt. In<br />

that land, as we have seen, Orion is Osiris, the god of death and<br />

resurrection, whose numbers—perhaps by chance—are 12, 30, 72, and<br />

360. But can chance account for the fact that these and other prime<br />

integers of precession keep cropping up in supposedly unrelated<br />

mythologies from all over the world, and in such stolid but enduring<br />

vehicles as calendar systems and works of architecture?<br />

Santillana and von Dechend, Jane Sellers and a growing body of other<br />

scholars rule out chance, arguing that the persistence of detail is<br />

indicative of a guiding hand.<br />

If they are wrong, we need to find some other explanation for how such<br />

specific and inter-related numbers (the only obvious function of which is<br />

to calculate precession) could by accident have got themselves so widely<br />

imprinted on human culture.<br />

But suppose they are not wrong? Suppose that a guiding hand really<br />

was at work behind the scenes?<br />

Sometimes, when you slip into Santillana’s and von Dechend’s world of<br />

myth and mystery, you can almost feel the influence of that hand ... Take<br />

the business of the dog ... or jackal, or wolf, or fox. The subtle way this<br />

shadowy canine slinks from myth to myth is peculiar—stimulating, then<br />

baffling you, always luring you onwards.<br />

Indeed, it was this lure we followed from the Mill of Amlodhi to the<br />

myth of Osiris in Egypt. Along the way, according to the design of the<br />

ancient sages (if Sellers, Santillana and von Dechend are right) we were<br />

first encouraged to build a clear mental picture of the celestial sphere.<br />

Second, we were provided with a mechanistic model so that we could<br />

29 Ibid., pp. 353-4.<br />

30 Ibid., p. 354.<br />

31 Ibid., p. 247.<br />

258

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