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Know_files/FINGERPRINTS OF THE GODS.pdf - D Ank Unlimited

Know_files/FINGERPRINTS OF THE GODS.pdf - D Ank Unlimited

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Graham Hancock – <strong>FINGERPRINTS</strong> <strong>OF</strong> <strong>THE</strong> <strong>GODS</strong><br />

years to the mythical kings who ruled the land of Sumer before the flood?<br />

And is it likewise a coincidence that this same Berossus ascribed<br />

2,160,000 years to the period ‘between creation and universal<br />

catastrophe’? 12<br />

Do the myths of ancient Amerindian peoples like the Maya also contain<br />

or enable us to compute numbers such as 72, 2160, 4320, etc. We shall<br />

probably never know, thanks to the conquistadores and zealous friars<br />

who destroyed the traditional heritage of Central America and left us so<br />

little to work with. What we can say, however, is that the relevant<br />

numbers do turn up, in relative profusion, in the Mayan Long Count<br />

calendar. Details of that calendar were given in Chapter Twenty-one. The<br />

numerals necessary for calculating precession are found there in these<br />

formulae: 1 Katun = 7200 days; 1 Tun = 360 days; 2 Tuns = 720 days; 5<br />

Baktuns = 720,000 days; 5 Katuns = 36,000 days; 6 Katuns = 43,200<br />

days; 6 Tuns = 2160 days; 15 Katuns = 2,160,000 days. 13<br />

Nor does it seem that Sellers’s ‘code’ is confined to mythology. In the<br />

jungles of Kampuchea the temple complex of Angkor looks as though it<br />

could have been purpose-built as a precessional metaphor. It has, for<br />

example, five gates to each of which leads a road bridging the crocodileinfested<br />

moat that surrounds the whole site. Each of these roads is<br />

bordered by a row of gigantic stone figures, 108 per avenue, 54 on each<br />

side (540 statues in all) and each row carries a huge Naga serpent.<br />

Furthermore, as Santillana and von Dechend point out in Hamlet’s Mill,<br />

the figures do not ‘carry’ the serpent but are shown to ‘pull’ it, which<br />

indicates that these 540 statues are ‘churning the Milky Ocean’. The<br />

whole of Angkor ‘thus turns out to be a colossal model set up with true<br />

Hindu fantasy and incongruousness’ to express the idea of precession. 14<br />

12 Ibid., p. 196.<br />

13 Skywatchers of Ancient Mexico, p. 143.<br />

14 Hamlet’s Mill, pp. 162-3; see also Atlas of Mysterious Places, pp. 168-70.<br />

254

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