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Know_files/FINGERPRINTS OF THE GODS.pdf - D Ank Unlimited

Know_files/FINGERPRINTS OF THE GODS.pdf - D Ank Unlimited

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Graham Hancock – <strong>FINGERPRINTS</strong> <strong>OF</strong> <strong>THE</strong> <strong>GODS</strong><br />

symbolism from Ancient Egypt, depicting the Akeru, lion gods of<br />

yesterday and today (Akeru was written in hieroglyphs as ). The<br />

religions of both regions share many other common images and<br />

ideas. Also noteworthy is the fact that p’achi, the Central American<br />

word for ‘human sacrifice’, means, literally ‘to open the mouth’—<br />

which calls to mind a strange Ancient Egyptian funerary ritual known<br />

as ‘the opening of the mouth’. Likewise it was believed in both<br />

regions that the souls of dead kings were reborn as stars.<br />

Deus ex machina<br />

Villahermosa, Tabasco province<br />

I was looking at an elaborate relief that had been dubbed ‘Man in<br />

Serpent’ by the archaeologists who found it at La Venta. According to<br />

expert opinion it showed ‘an Olmec, wearing a head-dress and holding an<br />

incense bag, enveloped by a feathered serpent’. 13<br />

The relief was carved into a slab of solid granite measuring about four<br />

feet wide by five feet high and showed a man sitting with his legs<br />

stretched out in front of him as though he were reaching for pedals with<br />

his feet. He held a small, bucket-shaped object in his right hand. With his<br />

left he appeared to be raising or lowering a lever. The ‘head-dress’ he<br />

wore was an odd and complicated garment. To my eye it seemed more<br />

functional than ceremonial, although I could not imagine what its<br />

function might have been. On it, or perhaps on a console above it, were<br />

two x-shaped crosses.<br />

I turned my attention to the other principal element of the sculpture,<br />

13 The Cities of Ancient Mexico, p. 37.<br />

133

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