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The Art And Architecture of Islamic Cairo

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elow: Bab al-Futuh.<br />

48 <strong>The</strong> <strong>Art</strong> and <strong>Architecture</strong> <strong>of</strong> <strong>Islamic</strong> <strong>Cairo</strong><br />

talismanic role. 3 Such armorial bearings are unusual in Egypt,<br />

although heraldry was used on glass and metalware during the<br />

Mamluk period. Heraldic beasts such as lions and dragons are<br />

common devices on gates and towers across the Muslim world. In<br />

their protective capacity they are the <strong>Islamic</strong> counterpart to<br />

Byzantine icons which were once frequently placed on city gates<br />

and fortifications. One <strong>of</strong> the most famous icons in the Byzantine<br />

world was the Mandylion <strong>of</strong> Edessa, an image <strong>of</strong> Christ imprinted<br />

on cloth, which according to tradition was discovered walled up in<br />

a niche above the city gate. Its whereabouts were revealed in a<br />

dream sent to the Bishop <strong>of</strong> Edessa and its miraculous powers were<br />

supposed to have saved the city from the Persians in 544. 4

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