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The Art And Architecture of Islamic Cairo

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above: Interior, prayer hall <strong>of</strong> the Mosque <strong>of</strong> Amr<br />

26 <strong>The</strong> <strong>Art</strong> and <strong>Architecture</strong> <strong>of</strong> <strong>Islamic</strong> <strong>Cairo</strong><br />

and the distinguished lawyer Shafi’i (767–820), founder <strong>of</strong> one <strong>of</strong><br />

the four orthodox law schools <strong>of</strong> Sunni Islam (madhahib), taught there<br />

for many years during the eighth century. 20<br />

Amr’s mosque also formed the nucleus <strong>of</strong> the political, admin-<br />

istrative and commercial quarter <strong>of</strong> the city, and it must not be<br />

forgotten that it was first established to serve only the Ahl ar Raya<br />

area where the political and military aristocracy first settled. <strong>The</strong><br />

district also included the harbour and became the commercial<br />

centre <strong>of</strong> the city with its huge markets. Amr’s house was situated<br />

near the mosque, but political power devolved to the governors,<br />

who lived in their own palaces rather than occupying an <strong>of</strong>ficial seat<br />

<strong>of</strong> government. During the Abbasid and Tulunid periods, governmental<br />

and military power was transferred to <strong>of</strong>ficial palaces in the<br />

new suburbs <strong>of</strong> al-Askar and al-Qata’i, but the aristocracy still kept<br />

their residencies in the Ahl ar Raya district. <strong>The</strong> area became increasingly<br />

cosmopolitan as foreigners settled and invested in both trade<br />

and property. <strong>The</strong> ruling Umayyad dynasty, including Mu’awiya<br />

and his sons and daughters, owned property there, although they<br />

never permanently settled. It was during the reign <strong>of</strong> Mu’awiya that<br />

building activity accelerated and soon the quarter acquired an estimated<br />

500 houses, including 100 villas and palaces. 21<br />

After Omar’s death there were no qualms about building houses<br />

<strong>of</strong> more than one storey. Most had two, and the plans followed the<br />

introverted tradition <strong>of</strong> the Mediterranean, with rooms grouped<br />

around an inner courtyard. Some may even have had more than two<br />

storeys, reflecting the taller architectural traditions <strong>of</strong> southern<br />

Arabia. However, local building styles and methods generally<br />

prevailed because the builders were mainly Copts, familiar with the<br />

traditional unbaked mud-brick or pisé (a compound <strong>of</strong> kneaded mud<br />

and gravel rammed into shuttering). Recent archaeological evidence<br />

shows that other materials were also used, including stone and fired<br />

brick. Marble columns were occasionally used, and there was one<br />

example <strong>of</strong> a house incorporating recycled columns from<br />

Alexandria. Design features which have endured in domestic architecture<br />

for centuries were well established, such as the segregation <strong>of</strong><br />

public and private domains, and the development <strong>of</strong> the madjlis<br />

(reception room) and maq’ads (loggias on the second storey). <strong>The</strong><br />

larger houses and palaces had private mosques and their own wells<br />

and water supplies servicing bath-houses. One <strong>of</strong> the most imposing<br />

palaces was that <strong>of</strong> Dar al-Mudhahhaba, the so called Gilded House,<br />

because <strong>of</strong> its golden dome. Besides houses, other public buildings<br />

included numerous baths and covered markets. 22

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