The Art And Architecture of Islamic Cairo
The Art And Architecture of Islamic Cairo
The Art And Architecture of Islamic Cairo
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150 <strong>The</strong> <strong>Art</strong> and <strong>Architecture</strong> <strong>of</strong> <strong>Islamic</strong> <strong>Cairo</strong><br />
forms the oratory. Originally there was accommodation for up to<br />
one hundred Sufis, but like the khanqah-madrasa <strong>of</strong> Amir Sanjar,<br />
much <strong>of</strong> this residential accommodation has not survived.<br />
Baibars’ khanqah was a waqf foundation, and surviving deeds<br />
<strong>of</strong> endowment specify its charitable functions and give detailed<br />
information regarding the number <strong>of</strong> individuals accommodated,<br />
as well as the personnel employed to administer and maintain it.<br />
Residential accommodation in the khanqah was provided for one<br />
hundred bachelors, but up to three hundred non-residential Sufis,<br />
including married men, were also affiliated to it. Those appointed<br />
to administer and maintain the khanqah included the supervising<br />
sheikh, two prayer leaders, two prayer repeaters, an attendant, a<br />
water attendant, lamp-lighter, janitor, doorkeeper, water-sprinkler,<br />
cook, bread attendant, two broth attendants, weigher, eye doctor<br />
and washer. <strong>The</strong> hundred Sufi residents gave readings from the<br />
Qur’an, participated in the prayers, praised God and liaised with<br />
non-resident Sufis and members <strong>of</strong> the ribat. <strong>The</strong> ribat had one<br />
hundred male Muslim members, but residential accommodation<br />
was limited to house thirty. <strong>The</strong>y had to be needy and worthy<br />
Muslims, and preference was given to the freedmen <strong>of</strong> the founder<br />
and his descendants, as well as retired military personnel. <strong>The</strong><br />
maintenance and administration <strong>of</strong> the ribat was in the hands <strong>of</strong> a<br />
sheikh, a custodian in charge <strong>of</strong> cleaning and lamp-lighting, a<br />
doorkeeper, water-sprinkler, kitchen supervisor, cook and weigher.<br />
Those appointed to the mausoleum included an imam in charge <strong>of</strong><br />
prayers, thirty-six Qur’an readers, two custodians, a doorkeeper,<br />
two caretakers and two muezzins. In addition to this, the vestibule<br />
in front <strong>of</strong> the mausoleum provided space for a sheikh and reader<br />
to teach thirty students the Hadith (tradition). 18<br />
Undoubtedly the khanqah’s most distinguished director was the<br />
jurist and historian Ibn Khaldun. Born in Tunis, this great scholar<br />
served in the courts <strong>of</strong> Fez, Granada, Tlemcen and Tunis before settling<br />
in <strong>Cairo</strong>. He met most <strong>of</strong> the great figures <strong>of</strong> his day, including<br />
Tamerlane, for whom he wrote a brief history <strong>of</strong> North Africa. His<br />
greatest work was a three-volumed history <strong>of</strong> the Arab world with its<br />
influential prolegomena, the Muqaddimah. Unlike the chroniclers <strong>of</strong><br />
the time, Ibn Khaldun radically changed historiography through his<br />
analysis <strong>of</strong> the geographical, climatic, social, economic and moral factors<br />
that determine history. He is acknowledged as the first historian<br />
to evolve a sociological explanation <strong>of</strong> history. He arrived in Egypt in<br />
1384 and was appointed pr<strong>of</strong>essor <strong>of</strong> Maliki jurisprudence, and then<br />
Grand Qadi <strong>of</strong> the Malikite madhhab by the Sultan al-Zahir Barquq.