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The Art And Architecture of Islamic Cairo

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elow: <strong>The</strong> khanqah <strong>of</strong> Baibars al-Jashankir.<br />

148 <strong>The</strong> <strong>Art</strong> and <strong>Architecture</strong> <strong>of</strong> <strong>Islamic</strong> <strong>Cairo</strong><br />

orders and many <strong>of</strong> the early madrasas in Persia had their origins in<br />

Sufi foundations. However, Sufi teaching was based on a mystical<br />

theology that was frequently at odds with the law-based thinking <strong>of</strong><br />

Sunni orthodoxy. <strong>The</strong> Sufis were much esteemed, but their manner<br />

<strong>of</strong> organization and the transcendental nature <strong>of</strong> their theology were<br />

perceived by the orthodox as potentially subversive.<br />

Nothing remains <strong>of</strong> Salah al-Din’s Dar Sa’id al-Su’ada, and the<br />

oldest surviving khanqah in <strong>Cairo</strong> is that established by Salar’s part-<br />

ner and rival, Baibars al-Jashankir (1307–10). Despite his short and<br />

turbulent reign, Baibars was a generous patron <strong>of</strong> architecture, as<br />

his restoration work on the mosque <strong>of</strong> al-Hakim shows, particularly

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