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The Art And Architecture of Islamic Cairo

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ight: Stucco over the entrance to<br />

the mausoleum <strong>of</strong> Sultan Qala’un.<br />

134 <strong>The</strong> <strong>Art</strong> and <strong>Architecture</strong> <strong>of</strong> <strong>Islamic</strong> <strong>Cairo</strong><br />

<strong>The</strong> minaret has a sturdy appearance characteristic <strong>of</strong> early<br />

Mamluk architecture. It consists <strong>of</strong> two rectangular shafts built <strong>of</strong><br />

stone, supporting a brick cylinder capped with a domed helmet. <strong>The</strong><br />

first two storeys <strong>of</strong> the minaret were restored by Sultan Lajin, and the<br />

third was rebuilt by Sultan al-Nasir Muhammad after the earthquake<br />

<strong>of</strong> 1303. Each side <strong>of</strong> the first shaft has a horseshoe-arched recess<br />

flanked with colonnettes and pierced by an oculus. Above this is a<br />

horizontal band <strong>of</strong> Naskhi under a cornice <strong>of</strong> muqarnas supporting<br />

the first balcony. <strong>The</strong> second shaft is similarly decorated with horseshoe-arched<br />

recesses, but these have no colonnettes and the arches<br />

have cushion voussoirs. <strong>The</strong> horseshoe arches indicate the influence<br />

<strong>of</strong> North African and <strong>And</strong>alusian architecture similar to that already<br />

observed in Lajin’s other restoration work on the minaret <strong>of</strong> the<br />

mosque <strong>of</strong> Ibn Tulun. <strong>The</strong> third shaft displays a delicate tracery <strong>of</strong><br />

blind arcades which link together to form a complex interlace under<br />

a fluted cornice that curves out like the open papyrus flower <strong>of</strong> a<br />

Pharaonic capital.<br />

<strong>The</strong> entrance in the façade leads into a long passageway<br />

separating the mausoleum from the rest <strong>of</strong> the complex. At the end<br />

<strong>of</strong> this passage a doorway on the right leads into a small open courtyard<br />

surrounded on three sides by single-aisled riwaqs. Above the<br />

mashrabiyya entrance to the mausoleum the façade is covered with<br />

some <strong>of</strong> the finest stucco <strong>of</strong> the period. <strong>The</strong> sharp interlacing stellar

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