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The Art And Architecture of Islamic Cairo

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imprisonment in the Red Tower on the Citadel, she was in turn<br />

murdered in her bath by the slave girls <strong>of</strong> Aybeg’s former wife.<br />

Despite the brevity <strong>of</strong> her reign, Shajar al-Durr effectively<br />

presided over the transition from Ayyubid to Mamluk rule. Her<br />

main architectural contribution was al-Salih’s mausoleum, but she<br />

also built a madrasa in the cemetery <strong>of</strong> Sayyida Nafisa where her<br />

own mausoleum (1250) stands, opposite the shrine <strong>of</strong> Sayyida<br />

Ruqayya in an area where a number <strong>of</strong> female saints are venerated.<br />

<strong>The</strong> mausoleum is a free-standing domed cube made <strong>of</strong> brick<br />

covered with stucco. Its exterior underwent a number <strong>of</strong> changes<br />

when it was incorporated into a nineteenth-century mosque<br />

complex, and for this reason there is none <strong>of</strong> the original<br />

decoration on the north-west and north-east sides. <strong>The</strong> dome, with<br />

six windows at its base, has a keel-arch pr<strong>of</strong>ile, and the stepped<br />

zone <strong>of</strong> transition is pierced on each <strong>of</strong> its four axial sides by three<br />

window lights. <strong>The</strong>re are doors at the centre <strong>of</strong> each side <strong>of</strong> the<br />

mausoleum, except in the qibla wall, which is decorated, like the<br />

south-west wall, with keel-arched panels, rosettes and lozenges.<br />

Inside, the most interesting feature is the mihrab with its mosaic<br />

hood framed by a radiating, crystalline pattern <strong>of</strong> muqarnas. <strong>The</strong><br />

mosaic in gold, green, red and black features a tree bearing mother<strong>of</strong>-pearl<br />

fruit – an allusion to Shajar al-Durr’s name, which means<br />

‘Tree <strong>of</strong> Pearls’. <strong>The</strong> hood rests on the ends <strong>of</strong> a wooden Fatimid<br />

frieze which extends into a continuous band bearing Kufic<br />

inscriptions around the walls <strong>of</strong> the mausoleum. <strong>The</strong> precise<br />

location <strong>of</strong> Shajar al-Durr’s grave is uncertain, but it is thought that<br />

the present cenotaph stands over the grave <strong>of</strong> one <strong>of</strong> the later<br />

Abbasid caliphs, either al-Mutawakkil I (d. 1406) or al-Mutawakkil<br />

III (d. 1538).<br />

Many <strong>of</strong> the earlier Abbasid caliphs are buried nearby in the<br />

mausoleum <strong>of</strong> the Abbasid caliphs in the precincts <strong>of</strong> the Sayyida<br />

Nafisa mosque. This significant monument is attributed to the<br />

Ayyubid period, and the oldest inscribed cenotaph in this<br />

mausoleum is that <strong>of</strong> Abu Nadlah, the caliph’s ambassador, who<br />

died in 1242. It is thought that this may be the original date <strong>of</strong> the<br />

tomb but whether this mausoleum was built for him (as suggested<br />

by Creswell) is uncertain. <strong>The</strong> scale <strong>of</strong> the building suggests a royal<br />

mausoleum, and there has been some speculation that it may have<br />

been intended for al-Adil II, the sultan deposed by al-Salih in 1240.<br />

What is reasonably certain is that the mausoleum was not<br />

originally built for the Abbasid caliphs. <strong>The</strong> Abbasid caliphate was<br />

wiped out later in the Mongol sack <strong>of</strong> Baghdad in 1258, but a<br />

above: Mausoleum <strong>of</strong> Shajar al-Durr.<br />

Ayyubid <strong>Architecture</strong> 121

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