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Margaret Wood trained first as a librarian<br />
from 1967 to 1969 and gained her<br />
Associateship of the Library Association, <strong>The</strong>n<br />
as a professional caIligrapher, illuminator and<br />
heraldic artist, on a full-time three year course<br />
at Reigate School of Art and Design from 1977<br />
to 1980, where she gained a First Class<br />
Honours Diploma. In 1976 she was approved<br />
as a tutor by the Inner London Educational<br />
Authority and elected a Fellow of the <strong>Society</strong> of<br />
Scribes and Illuminators of London in 1977.<br />
She was a member of the Council of the<br />
<strong>Society</strong> of Heraldic Arts for ten years and<br />
Chairman of the Blackmore Vale Scribes for<br />
seven years. She retired from both Offices<br />
because of pressure of work.<br />
She worked for the Crown Office in the House<br />
of Lords at the Palace of Westminster, initially<br />
as a librarian and then as one of the five<br />
Queen's Scribes from 1978 to 1987, producing<br />
illuminated Letters Patent creating Notaries<br />
Public, Judges, Life Peers, Heralds and Kings<br />
of Arms. She also painted heraldry for several<br />
of the Officers at the College of Arms, including<br />
John Brooke-Little (Richmond Herald and later<br />
Clarenceux King of Arms), Rodney Dennys<br />
(Somerset Herald), and Sir Colin Cole<br />
(Windsor Herald and later Garter Principal King<br />
of Arms.)<br />
She returned as a tutor and visiting lecturer at<br />
Reigate School of Art and Design, now part of<br />
East Surrey College, from 1979 to 1987. She<br />
moved to Somerset in 1987 and established an<br />
enviable reputation as one of the best tutors of<br />
the Craft in the Country. She was much in<br />
demand at Colleges of Adult Education,<br />
Community Education Centres and<br />
Universities as a resident tutor and lecturer.<br />
Her ability as a teacher was extraordinary. She<br />
was able to encourage and inspire everyone<br />
she taught, and was regarded with enormous<br />
affection by all her students and everyone who<br />
met her. She had endless patience and<br />
understanding not only with her students' work<br />
16<br />
MARGARET JEAN WOOD<br />
ALA, SDAD (Hons), FSSI, SHA<br />
but with their problems as individuals. She was<br />
someone whom all felt able to turn to and<br />
confide in. Her work was sensitive and<br />
imaginative and is much prized by everyone<br />
who owns it.<br />
Her commissioned work included the design<br />
and execution of formal documents on vellum<br />
and paper, calligraphy, manuscript painting,<br />
gilding and heraldic design and painting. She<br />
also undertook commissions for Letters Patent,<br />
illuminated addresses and scrolls for the<br />
Armed Services, County and Municipal<br />
Boroughs and the Church. For private<br />
collectors, commissions included manuscript<br />
books, genealogical and armorial family trees<br />
and armorial library paintings.<br />
Her commercial work involved calligraphic<br />
and heraldic design for reproduction,<br />
publishers' book jackets and titling, greetings<br />
cards, book tokens, logo designs and graphics<br />
for television and advertising. Her death will<br />
create a very great loss both to the craft and to<br />
all who knew her. She was married to Anthony<br />
Wood and had a son by her previous marriage.<br />
<strong>The</strong> <strong>Society</strong> sends its condolences to<br />
Margaret’s family.<br />
Published by the <strong>Heraldry</strong> <strong>Society</strong>, Charity Reg No 24156, Reg Office, 53 High Street, Burnham, Slough, SL1 7JX.<br />
Printed by Masterprint Ltd, London, SE18 5NQ