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mandala, etc.) until he is completely absorbed in the art symbol.<br />

The psychogram is 'in here', within; the cosmogram, as a pictorial<br />

model, is 'out there', external to the adept. The Purushakara<br />

Yantra, however, and the diagrams of Jambu-dvipa are intimately<br />

linked with the process of inner realization and are therefore allied<br />

to the psychograms.<br />

Polarity<br />

In contrast with the tranquil renderings of abstract forms, the<br />

iconographic images portraying the terrifying aspects of Prakriti<br />

are violent emotional expressions. Tantra's basic philosophy is<br />

based on a dualism, and the terrifying image projects the negative<br />

aspect of the creative life-force. In the creative aspect, Sakti appears<br />

as an enchantress - 'the fairest of the three worlds', exercising her<br />

benign powers. In her negative aspect she is demystified and<br />

transformed. The image has a naked intensity, so fierce that the<br />

incommunicable ceases to be a mystery. Kali, one of the most<br />

important tantric Dasamahavidyas, in her negative aspect appears<br />

as a conglomeration of terrifying elements. Though the picture<br />

field is tilled with awe-inspiring symbols, their real meaning is not<br />

what it first appears; they have equivocal significance. Kali is the<br />

symbol of the active cosmic power of eternal time (Kala) and in<br />

this aspect she signifies annihilation: through death or destruction<br />

creation, the seed of life, emerges. Just as the destruction of the seed<br />

leads to the birth of the tree, so disintegration is a normal and<br />

necessary step of nature moving towards further progress or<br />

unfolding. Kali is the embodiment of creation, preservation and<br />

annihilation. She inspires awe and love at the same time. As a<br />

disintegrating tendency, Kali is represented in black: 'just as all<br />

colours disappear in black, so all names and forms disappear into<br />

her' (Mahanirvana Tantra). The density of blackness is also<br />

identified with the massive, compact, unmixed, Pure Consciousness.<br />

In tantric hymns to the goddess Kali, she is described as<br />

'digambari', garbed in space in her nakedness, she is free from all<br />

covering of illusion. She is full-breasted, her motherhood a<br />

ceaseless creation denoting preservation. Her dishevelled hair,<br />

'elokeshi', forms a curtain of death which surrounds life with<br />

mystery. Her garland of fifty human heads, each representing one<br />

of the fifty letters of the Sanskrit alphabet, symbolizes the<br />

repository of power and knowledge; the letters are nuclear soundelements<br />

symbolizing the power of mantras. She wears the 'girdle<br />

of human hands': hands are the principal instruments of work and<br />

75

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