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mandala, etc.) until he is completely absorbed in the art symbol.<br />
The psychogram is 'in here', within; the cosmogram, as a pictorial<br />
model, is 'out there', external to the adept. The Purushakara<br />
Yantra, however, and the diagrams of Jambu-dvipa are intimately<br />
linked with the process of inner realization and are therefore allied<br />
to the psychograms.<br />
Polarity<br />
In contrast with the tranquil renderings of abstract forms, the<br />
iconographic images portraying the terrifying aspects of Prakriti<br />
are violent emotional expressions. Tantra's basic philosophy is<br />
based on a dualism, and the terrifying image projects the negative<br />
aspect of the creative life-force. In the creative aspect, Sakti appears<br />
as an enchantress - 'the fairest of the three worlds', exercising her<br />
benign powers. In her negative aspect she is demystified and<br />
transformed. The image has a naked intensity, so fierce that the<br />
incommunicable ceases to be a mystery. Kali, one of the most<br />
important tantric Dasamahavidyas, in her negative aspect appears<br />
as a conglomeration of terrifying elements. Though the picture<br />
field is tilled with awe-inspiring symbols, their real meaning is not<br />
what it first appears; they have equivocal significance. Kali is the<br />
symbol of the active cosmic power of eternal time (Kala) and in<br />
this aspect she signifies annihilation: through death or destruction<br />
creation, the seed of life, emerges. Just as the destruction of the seed<br />
leads to the birth of the tree, so disintegration is a normal and<br />
necessary step of nature moving towards further progress or<br />
unfolding. Kali is the embodiment of creation, preservation and<br />
annihilation. She inspires awe and love at the same time. As a<br />
disintegrating tendency, Kali is represented in black: 'just as all<br />
colours disappear in black, so all names and forms disappear into<br />
her' (Mahanirvana Tantra). The density of blackness is also<br />
identified with the massive, compact, unmixed, Pure Consciousness.<br />
In tantric hymns to the goddess Kali, she is described as<br />
'digambari', garbed in space in her nakedness, she is free from all<br />
covering of illusion. She is full-breasted, her motherhood a<br />
ceaseless creation denoting preservation. Her dishevelled hair,<br />
'elokeshi', forms a curtain of death which surrounds life with<br />
mystery. Her garland of fifty human heads, each representing one<br />
of the fifty letters of the Sanskrit alphabet, symbolizes the<br />
repository of power and knowledge; the letters are nuclear soundelements<br />
symbolizing the power of mantras. She wears the 'girdle<br />
of human hands': hands are the principal instruments of work and<br />
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