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Symbolism and Imagery<br />
Tantric forms are represented in a purely allegorical manner where<br />
representation of one order of ideas is achieved by an image used as<br />
a symbol. The forms have acquired meanings through usage and<br />
cultural conditioning. Many tantric symbols appear to be absorbed<br />
subliminally and produced spontaneously and unconsciously in<br />
contemplative vision or creative psychic manifestations; conversely,<br />
they have a communicative aspect and elicit ideas with<br />
strong metaphysical undertones. Their real significance lies in their<br />
function as psychic associations in the conscious mind.<br />
Symbols seldom appear directly, and their inner meaning ever<br />
eludes the eye; however enigmatic they may appear, they are<br />
only the means of knowing reality in images. Hence the wideranging<br />
symbology of tantric art necessitates some acquaintance<br />
with the tantric texts. Most of the symbols are very old and can be<br />
traced back to the Vedic period (c. 2000 BC). In the Rig Veda, the<br />
creative principle of life is conceived of as a 'golden embryo' or<br />
Hiranya-garbha, the womb of energy from which the universe<br />
develops. The same symbol is crystallized in the conception of the<br />
Siva-linga, or Cosmic Egg, in the tantras. Ageless symbols live<br />
incarnate from one period to the other and continue to survive<br />
Salagrama, symbol of Lord<br />
Narayana or Vishnu, in his aspect<br />
as Sridhara. Banaras, contemporary<br />
expression of traditional form.<br />
Stone.<br />
Brahmanda, the 'Cosmic -Egg', used<br />
in ritual as manifesting a<br />
realization of wholeness. The<br />
entire universe is symbolized in this<br />
egg-shaped form. From the<br />
Narmada river-bed, Western India.<br />
Stone.<br />
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