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the five ingredients beginning with the letter M: Madya, wine;<br />
Mamsa, meat; Matsya, fish; Mudra, parched cereal; and<br />
Maithuna, sexual union. The symbolic content of these ingredients<br />
varies for different classes of aspirants. According to tantra, those<br />
who are unable to cut the three knots of 'shame, hate and fear' are<br />
not worthy of being initiated into this path. The fundamental<br />
principle of the left-hand path is that spiritual progress cannot be<br />
achieved by falsely shunning our desires and passions but by<br />
sublimating those very aspects which make one fall, as a means of<br />
liberation.<br />
During rituals, different rites are performed among which,<br />
nyasa, the 'ritual projection' of divinities and elements into various<br />
parts of the body by the adept, is extremely important. While<br />
practising nyasa, often done with mudras or finger gestures, the<br />
adept takes the attitude that mantra-sounds or forces are working<br />
to stimulate the nerve currents for the proper distribution of<br />
energies through his whole body. He thus projects the power of<br />
the divinities and at the same time touches the different parts of his<br />
body in order to symbolically awaken the vital forces lying<br />
dormant.<br />
Tantrikas also perform other group-rituals known as Chakrapuja<br />
or Circle-worship, of which Bhairavi-chakra is the most<br />
important. In this ritual, the female guru, is worshipped, and the<br />
practice of the rite is confined to only the highly advanced initiates<br />
who are generally admitted to the inner circle, which encourages a<br />
group-mind where each initiate shares a 'psychic blueprint'.<br />
These group rituals are an attempt to tie together experiential<br />
and cognitive awareness through in-group practices which have<br />
not only spiritual but therapeutic value for the adepts. Sharing is<br />
essential to understand one's self deeply. These rituals are a<br />
Kundalini in its kinetic aspect.<br />
Rajasthan, c. 19th century.<br />
Gouache on paper.<br />
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