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26<br />
withdraw their minds from their environment. The mind aspires<br />
to be free. The retention of sexual energy increases inner pressure,<br />
thus transmitting the sex force into a potency so powerful that the<br />
psychic current is liberated.<br />
Tantra asana demonstrates the way by which sexual energy can<br />
be harnessed for spiritual fulfilment. It teaches us to explore our<br />
senses rather than to subdue them. The Guhyasamaja Tantra<br />
categorically affirms; 'No one succeeds in attaining perfection by<br />
employing difficult and vexing operations; but perfection can be<br />
gained by satisfying all one's desires.' The tantras are unique in the<br />
sense of being a synthesis of the opposing dimensions, bhoga<br />
(enjoyment) and yoga (liberation). Our hedonistic urges based on<br />
the pleasure principle can be transformed for a spiritual experience.<br />
To involve oneself in gross pleasure, therefore, can itself be<br />
regarded as an act of spirituality, provided it is indulged in with a<br />
right intention and motivation and after adequate initiation. Thus<br />
sexo-yogic practices become a yoga, or a means for a spiritual<br />
edification, a vehicle, though conventional wisdom regards sex as<br />
profane and an obstacle to any form of spiritual progress.<br />
Sex is regarded as a physical basis of creation and evolution. It is<br />
the cosmic union of opposites, of the male and female principles,<br />
and its importance merits fulfilment on the biological plane,<br />
Tantra, however, makes a distinction between momentary<br />
pleasure and the joy of union. This joy of union is equated with<br />
supreme bliss (ananda), obliterating differences between male and<br />
female in a state of complete union. In this state all impulse and<br />
function become Siva-Sakti. This ecstasy is experienced as the<br />
Kundalini rises and unfolds itself.<br />
A very dynamic role is played by the female aspirant in the<br />
practice of tantra asana. She is looked upon as an intermediary<br />
between the transcendent and the imminent, and is regarded as an<br />
embodiment of Sakti, the active principle. Potentially, she<br />
embraces within her all the positive attributes with which Sakti is<br />
endowed. She 'is', in flesh and blood, the goddess. Thus in the<br />
tantra ritual, woman as the reflection of the female principle,<br />
becomes the object of worship. She is symbolically transformed<br />
into a goddess through rituals as in 'Kumari-puja' (virgin worship)<br />
or 'Sakti-upasana' (female worship). In the ritual the female adept<br />
is an essential archetypal and iconographic image, and is not an<br />
ordinary woman.<br />
The extent to which tantra can integrate this archetype into its<br />
discipline is shown in the life of Chandidas, a high priest rebel-poet<br />
of 15th-century Bengal, and his love for the washer-maid, Rami.