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V Astronomical equations, based<br />
on time units, used to determine the<br />
mean position of a planet.<br />
Rajasthan, c. 18th century.<br />
Gouache on paper.<br />
VI Astrogram. This painting<br />
represents how astronomy blends<br />
with astrology. The symbols<br />
depicted on the various parts of the<br />
body map out the interaction of the<br />
twenty-eight Nakshatras, or lunar<br />
mansions, on the micro-self. The<br />
body, depicted in the shape of a<br />
bow or Dhanu-asana, represents<br />
the energized unit of the vast<br />
macrocosm. Rajasthan, 19th<br />
century. Gouache on paper.<br />
100<br />
The process of evolution of the material universe is always<br />
conceived in relation to space, time and causality. Time is a<br />
continuum of one dimension which distinguishes 'then' and 'now'.<br />
A moment or an instance is the ultimate irreducible unit of this<br />
continuum. A moment also represents the ultimate moment of<br />
change or an instantaneous transit of an atom from one point of<br />
space to the next. In the time sequence only a single moment is real,<br />
and the whole universe evolves in that single moment; the rest,<br />
past and future, are potential or sublatent phenomena. Time is<br />
relative and has no objective reality, being always conceived in<br />
relation to its antecedents and sequence. Space, like time, is also<br />
considered to be only relative, constructed on the basis of relation<br />
or position. Both these categories are forms of intuition of our<br />
empirical consciousness and arc real only in finite terms. The<br />
contradictions and inconsistencies of the old scientific theories<br />
forced Einstein to ascribe new properties to the space-time<br />
continuum. According to him, space and time are not absolute<br />
quantities imposed on the universe but have significance only<br />
when relations between events and systems are defined. The<br />
ancient Indian thinkers also stressed this aspect.<br />
In Samkhya, cause and effect are more or less evolved forms of<br />
the same ultimate energy. The sum of effects exists potentially in<br />
the sum of causes. Production of effects only means an internal<br />
change in the arrangement of atoms already present in potential<br />
form in the cause. The material universe, which is a product, is<br />
only a change of appearance of Prakriti and the three gunas.<br />
According to the physicist Joseph Kaplan, the principle involved is<br />
identical with what is known in Western physics as the principle of<br />
superposition:<br />
In our modern description of nature, we proceed as follows: Let us say we<br />
are describing a molecule of nitrogen. Instead of giving a completely<br />
detailed account of its structure, as we might do in describing a chair or a<br />
house, we say that the molecule is adequately described for experimental<br />
purposes by giving all the possible energy states in which the nitrogen<br />
molecule can find itself, and then assigning to each such state a number<br />
which gives its relative weight, that is, the relative number of times that<br />
state appears compared with other states. Thus the molecule is not<br />
something which takes on successive states, but it is the states themselves.<br />
So dice are the sum of possible ways in 'which they can fall. The principle<br />
is known as the principle of superposition. So the three gunas represent<br />
the universe, and as the three occur in various relative intensities, so the<br />
properties of things are determined. 23