THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO
THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO
THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO
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i!l<br />
174<br />
P. OVIDII N ASONIS<br />
Tendit; et ilia suo toties cum pcctore juncta<br />
Indevitato trajecit pectora telo. 15<br />
Icta dedit gemitum, tracloque e vulnere ferro,<br />
Candida puniceo perfudit membra cruore:<br />
Hactenus: et pariter vitam cum sanguine fudit:<br />
Corpus inane animiE frigus lethale secutum est.<br />
Pcenitet heu sero pcEnas crudelis amantem: 20<br />
que, qu&d audierit, qu&d sic exarserit, odit;<br />
'it avem, per quam crimen, causamque dolendi<br />
bcire coactus erat: nervumque, arcumque, manumque,<br />
Odit; cumque manu, temeraria tela, sagittas:<br />
Collapsamque fovet; seraque ope vincere fata 25<br />
Nititur; et medicas exercet inaniter artes.<br />
Quas postquam frustra tentata, rogumque parari<br />
Sensit, et arsuros supremis ignibus artus,<br />
Turn vero gemitus (neque enim ccelestia tingi<br />
Ora decet lacrymis) alto de corde petitos 30<br />
Edidit: baud aliter, quam cum spectante juvenca,<br />
Lactentis vituli, dextra libratus ab aure,<br />
Tcmpora discussit claro cava malleus ictu.<br />
15. Indevitato telo: with unerring wea<br />
pon.<br />
16. Ida: being wounded; from the verb<br />
ico.<br />
16. Deilit gemitum: she uttered a groan.<br />
19. Inane animus: void of life.<br />
20. Amantem: the lover, viz. Apollo.<br />
21. Sic exarserit: that he had been so<br />
enraged.<br />
22. Crimen. The infidelity of Coronis.<br />
25. Collapsam fovet: he presses her to<br />
his bosom, after she had fallen.<br />
25. Vincere fata: to conquer fate; to<br />
recover her from death.<br />
27. Eogum: the funeral pile. This was<br />
constructed of wood, in the form of an<br />
altar, with four equal sides. The sides of<br />
the pile were rough and unpolished, but<br />
were frequently covered with leaves. On<br />
the top of the pile the corpse was laid,<br />
with the couch on which it was carried.<br />
The nearest relative set fire to it with his<br />
face averted.<br />
29. Neque decet. Ovid, in his FASTI,<br />
lib. iv., expresses the same sentiment:<br />
Neque cnim lucrymare deorum est.<br />
Other writers have thought differently,<br />
and have presented us wilh instances in<br />
which tears have added to the comeliness<br />
and interest of the celestial countenance;<br />
as when Venus intercedes with Jupiter for<br />
./Eneas, or laments the untimely fate of<br />
Adonis; or when Apollo mourned for<br />
Bion. The height of the sublime of tears<br />
ip reached in the Scriptures, where God<br />
head sanctifies sorrow and friendship,<br />
when, at the tomb of Lazarus, '' Jesus<br />
wept."<br />
NOT7E.<br />
LIBER II.<br />
12. Utque animus<br />
fervebat ab tumida<br />
iru, capil urma assue-<br />
ta; tenditque arcnm<br />
nexum ft cornibus:<br />
et trajecit indevitato<br />
telo, ilia pectora toties<br />
juncta cum »uo pec-<br />
tore.<br />
27. Quffi podlquam<br />
sensit tentata fruBtra,<br />
rogumque parari, et<br />
artus arsuros supre<br />
mis ignibus; turn vero<br />
edidit gerrtitus petitos<br />
de alto pectore.<br />
Atque ilium tales jactantem pectore curas,<br />
Tristior, et lacrymis oculos Buffusa niteutes,<br />
Mloqttititr Venus. JEsmv i. 227.<br />
Thus Cypris wailed ; but, dead, Adonis lies;<br />
For every gout of blood that fell from him.<br />
She drops a tear; sweet flowers each dew sup<br />
plies<br />
Roses his blood, her tears ancmonies.<br />
BION'S LAMEST FOB ADOXIS.<br />
Apollo wept, I wis<br />
For thee, sweet Bion! and, in mourniug weed,<br />
The brotherhood of Fauns, anil nil the Satyr<br />
breed. MOSCHUS'S LAMEMT FOR Bios.<br />
30. Lacrymis: with tears. Similar to<br />
this is the lamentation of Herod over Ma-<br />
riamne, after lie had slain her. The ac<br />
count is given in Josephus.<br />
31. Ilaud aliter. It is not a very dig<br />
nified account of Apollo, that, when he<br />
saw the dead form of his mistress before<br />
him, his immortal godship uttered a cry<br />
like the dam of a sucking calf when she<br />
sees it slaughtered before her eyes. By<br />
ron, in the following, is more happy:<br />
What cleaves the silent air<br />
So madly shrilt, so passing wild ?<br />
That, as a mother's o'er h er child<br />
Done to death by sudden 6fol0,<br />
To the sky these accents go,<br />
Like a soul's in endless wo. PARISIXA xviii.<br />
31. Juvenca. A young cow that has<br />
had her first calf.<br />
35. Injusta justa: the unjust funeral<br />
ceremonies. These obsequies are called<br />
justa, because they are the last offices due<br />
to the dead. They are here called iniusta,<br />
as Coronis died before her time, ana by a<br />
violent death. There is an Oxymoron in<br />
the use of these words.<br />
FAEULA VIII. METAMORPHOSE ON.<br />
Ut tamen ingratos in pectora fudit odores;<br />
Et dedit amplexus, injustaque justa peregit: '35<br />
Non lulit in cineres labi sua Phoebus eosdcm<br />
Seniina: sed natum flammis uteroque pnrentis<br />
Eripuit; geminique tulit Chironis in antrum.<br />
Spcrantemque sibi non falste prsemia linguas,<br />
Inter aves albas vetuit considers corvum. 40<br />
36. Non tulit: did not suffer: did not<br />
permit.<br />
37. Sua semina: his offspring, viz. the<br />
unborn child of Coronis.<br />
37. Nntum. His son, TEsculapius.<br />
38. Chironis. The most celebrated of<br />
the Centaurs, and the son of Saturn and<br />
Plitlyra. To escape discovery by Rhea,<br />
Saturn transformed himself into a steed,<br />
and Fliilyra into a mare; hence their off<br />
spring, Chiron, was half man and half<br />
horse. He was skilled in surgery, the<br />
medical arts generally, and in music. Ho<br />
mer praises nis justice, and hence he is<br />
NOT7E.<br />
QU^STIONES.<br />
Into what was Nyctimcne chanced?<br />
Why?<br />
Why is vice assimilated to the owl ?<br />
What suggested the idea of the trans<br />
formation ?<br />
Did the warning of the Crow deter the<br />
Raven from going to Apollo ?<br />
What effect did the disclosure of the<br />
adultery of Coronts produce upon the god ?<br />
What did he do in his passion ?<br />
Did lie repent of his rashness immedi<br />
ately after ?<br />
What did he dp with his son ?<br />
Who was Chiron? What arts did he<br />
practise ?<br />
175<br />
34. Tamen Phoebus<br />
ut fudit ingratos odo<br />
res in pectora; et de<br />
dit amplcxus, peregit'<br />
que justa injusla, non<br />
tulit Bua semina labi<br />
in cosdem cineres.<br />
said to be the eon of Saturn, who reigned<br />
in the golden age. His mother's name,<br />
Philyra, a lover-of-tlie-lyre, explains his<br />
skill in music.<br />
39. Speranlem prccmiai expecting a re<br />
ward. The crow looked for a reward in<br />
consequence of his fidelity to Apollo, in<br />
reporting the conduct of Coronis.<br />
40. Albas aves : the white birds. He<br />
changed him to a different color to black.<br />
This color figuratively expresses dislike<br />
and hatefulness. Things unlucky were<br />
said to be marked with coal.<br />
What punishment did Apollo inflict on<br />
the Raven? ,<br />
How do you explain the love of Apollo<br />
for Coronis ?<br />
How do you explain her destruction by<br />
the arrows of the god ?<br />
What similar instance is given ?<br />
Was Chiron a real, or an ideal personage ?<br />
Where was his cave ?<br />
What circumstances connected with the<br />
locality and character of his residence ex<br />
plain his fabled accomplishments ?<br />
Is Thessaly still rich in botanical plants ?<br />
Is it still celebrated for masters of the<br />
healing art ?