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THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO

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i!l<br />

174<br />

P. OVIDII N ASONIS<br />

Tendit; et ilia suo toties cum pcctore juncta<br />

Indevitato trajecit pectora telo. 15<br />

Icta dedit gemitum, tracloque e vulnere ferro,<br />

Candida puniceo perfudit membra cruore:<br />

Hactenus: et pariter vitam cum sanguine fudit:<br />

Corpus inane animiE frigus lethale secutum est.<br />

Pcenitet heu sero pcEnas crudelis amantem: 20<br />

que, qu&d audierit, qu&d sic exarserit, odit;<br />

'it avem, per quam crimen, causamque dolendi<br />

bcire coactus erat: nervumque, arcumque, manumque,<br />

Odit; cumque manu, temeraria tela, sagittas:<br />

Collapsamque fovet; seraque ope vincere fata 25<br />

Nititur; et medicas exercet inaniter artes.<br />

Quas postquam frustra tentata, rogumque parari<br />

Sensit, et arsuros supremis ignibus artus,<br />

Turn vero gemitus (neque enim ccelestia tingi<br />

Ora decet lacrymis) alto de corde petitos 30<br />

Edidit: baud aliter, quam cum spectante juvenca,<br />

Lactentis vituli, dextra libratus ab aure,<br />

Tcmpora discussit claro cava malleus ictu.<br />

15. Indevitato telo: with unerring wea<br />

pon.<br />

16. Ida: being wounded; from the verb<br />

ico.<br />

16. Deilit gemitum: she uttered a groan.<br />

19. Inane animus: void of life.<br />

20. Amantem: the lover, viz. Apollo.<br />

21. Sic exarserit: that he had been so<br />

enraged.<br />

22. Crimen. The infidelity of Coronis.<br />

25. Collapsam fovet: he presses her to<br />

his bosom, after she had fallen.<br />

25. Vincere fata: to conquer fate; to<br />

recover her from death.<br />

27. Eogum: the funeral pile. This was<br />

constructed of wood, in the form of an<br />

altar, with four equal sides. The sides of<br />

the pile were rough and unpolished, but<br />

were frequently covered with leaves. On<br />

the top of the pile the corpse was laid,<br />

with the couch on which it was carried.<br />

The nearest relative set fire to it with his<br />

face averted.<br />

29. Neque decet. Ovid, in his FASTI,<br />

lib. iv., expresses the same sentiment:<br />

Neque cnim lucrymare deorum est.<br />

Other writers have thought differently,<br />

and have presented us wilh instances in<br />

which tears have added to the comeliness<br />

and interest of the celestial countenance;<br />

as when Venus intercedes with Jupiter for<br />

./Eneas, or laments the untimely fate of<br />

Adonis; or when Apollo mourned for<br />

Bion. The height of the sublime of tears<br />

ip reached in the Scriptures, where God<br />

head sanctifies sorrow and friendship,<br />

when, at the tomb of Lazarus, '' Jesus<br />

wept."<br />

NOT7E.<br />

LIBER II.<br />

12. Utque animus<br />

fervebat ab tumida<br />

iru, capil urma assue-<br />

ta; tenditque arcnm<br />

nexum ft cornibus:<br />

et trajecit indevitato<br />

telo, ilia pectora toties<br />

juncta cum »uo pec-<br />

tore.<br />

27. Quffi podlquam<br />

sensit tentata fruBtra,<br />

rogumque parari, et<br />

artus arsuros supre<br />

mis ignibus; turn vero<br />

edidit gerrtitus petitos<br />

de alto pectore.<br />

Atque ilium tales jactantem pectore curas,<br />

Tristior, et lacrymis oculos Buffusa niteutes,<br />

Mloqttititr Venus. JEsmv i. 227.<br />

Thus Cypris wailed ; but, dead, Adonis lies;<br />

For every gout of blood that fell from him.<br />

She drops a tear; sweet flowers each dew sup<br />

plies<br />

Roses his blood, her tears ancmonies.<br />

BION'S LAMEST FOB ADOXIS.<br />

Apollo wept, I wis<br />

For thee, sweet Bion! and, in mourniug weed,<br />

The brotherhood of Fauns, anil nil the Satyr<br />

breed. MOSCHUS'S LAMEMT FOR Bios.<br />

30. Lacrymis: with tears. Similar to<br />

this is the lamentation of Herod over Ma-<br />

riamne, after lie had slain her. The ac<br />

count is given in Josephus.<br />

31. Ilaud aliter. It is not a very dig<br />

nified account of Apollo, that, when he<br />

saw the dead form of his mistress before<br />

him, his immortal godship uttered a cry<br />

like the dam of a sucking calf when she<br />

sees it slaughtered before her eyes. By<br />

ron, in the following, is more happy:<br />

What cleaves the silent air<br />

So madly shrilt, so passing wild ?<br />

That, as a mother's o'er h er child<br />

Done to death by sudden 6fol0,<br />

To the sky these accents go,<br />

Like a soul's in endless wo. PARISIXA xviii.<br />

31. Juvenca. A young cow that has<br />

had her first calf.<br />

35. Injusta justa: the unjust funeral<br />

ceremonies. These obsequies are called<br />

justa, because they are the last offices due<br />

to the dead. They are here called iniusta,<br />

as Coronis died before her time, ana by a<br />

violent death. There is an Oxymoron in<br />

the use of these words.<br />

FAEULA VIII. METAMORPHOSE ON.<br />

Ut tamen ingratos in pectora fudit odores;<br />

Et dedit amplexus, injustaque justa peregit: '35<br />

Non lulit in cineres labi sua Phoebus eosdcm<br />

Seniina: sed natum flammis uteroque pnrentis<br />

Eripuit; geminique tulit Chironis in antrum.<br />

Spcrantemque sibi non falste prsemia linguas,<br />

Inter aves albas vetuit considers corvum. 40<br />

36. Non tulit: did not suffer: did not<br />

permit.<br />

37. Sua semina: his offspring, viz. the<br />

unborn child of Coronis.<br />

37. Nntum. His son, TEsculapius.<br />

38. Chironis. The most celebrated of<br />

the Centaurs, and the son of Saturn and<br />

Plitlyra. To escape discovery by Rhea,<br />

Saturn transformed himself into a steed,<br />

and Fliilyra into a mare; hence their off<br />

spring, Chiron, was half man and half<br />

horse. He was skilled in surgery, the<br />

medical arts generally, and in music. Ho<br />

mer praises nis justice, and hence he is<br />

NOT7E.<br />

QU^STIONES.<br />

Into what was Nyctimcne chanced?<br />

Why?<br />

Why is vice assimilated to the owl ?<br />

What suggested the idea of the trans<br />

formation ?<br />

Did the warning of the Crow deter the<br />

Raven from going to Apollo ?<br />

What effect did the disclosure of the<br />

adultery of Coronts produce upon the god ?<br />

What did he do in his passion ?<br />

Did lie repent of his rashness immedi<br />

ately after ?<br />

What did he dp with his son ?<br />

Who was Chiron? What arts did he<br />

practise ?<br />

175<br />

34. Tamen Phoebus<br />

ut fudit ingratos odo<br />

res in pectora; et de<br />

dit amplcxus, peregit'<br />

que justa injusla, non<br />

tulit Bua semina labi<br />

in cosdem cineres.<br />

said to be the eon of Saturn, who reigned<br />

in the golden age. His mother's name,<br />

Philyra, a lover-of-tlie-lyre, explains his<br />

skill in music.<br />

39. Speranlem prccmiai expecting a re<br />

ward. The crow looked for a reward in<br />

consequence of his fidelity to Apollo, in<br />

reporting the conduct of Coronis.<br />

40. Albas aves : the white birds. He<br />

changed him to a different color to black.<br />

This color figuratively expresses dislike<br />

and hatefulness. Things unlucky were<br />

said to be marked with coal.<br />

What punishment did Apollo inflict on<br />

the Raven? ,<br />

How do you explain the love of Apollo<br />

for Coronis ?<br />

How do you explain her destruction by<br />

the arrows of the god ?<br />

What similar instance is given ?<br />

Was Chiron a real, or an ideal personage ?<br />

Where was his cave ?<br />

What circumstances connected with the<br />

locality and character of his residence ex<br />

plain his fabled accomplishments ?<br />

Is Thessaly still rich in botanical plants ?<br />

Is it still celebrated for masters of the<br />

healing art ?

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