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THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO

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134<br />

P. OVIDII <strong>NASO</strong>NIS<br />

Zonarumque trium contcntus fine : polumque<br />

Effiigit Australem, junctamque Aquilonibus Arcton<br />

Hac sit iter : manifests rotse vestigia cerncs.<br />

Utque ferant asquos et ccelum et terra calores ;<br />

Nee preme, nee summum molire per oethera currum.<br />

Altius egrcssus coelestia tecta cremabis ;<br />

Inferius, terras : medio tutissimus ibis.<br />

Neu te dexterior tortum decline! in Anguem ;<br />

Neve sinisterior prcssam rota ducat ad Aram ;<br />

Inter utrumque tene : fortune castera mando,<br />

Q,use juvet, et melius, quam tu tibi, consulat opto.<br />

Dum loquor ; Hesperio positas in littore metas<br />

Humida Nox tetigit : non est mora libera nobis.<br />

Poscimur ; effiilget tcncbris Aurora fugatis.<br />

131. Trium contentus: content with the<br />

limit of three zones. The zodiac cuts the<br />

equinoctial in an oblique direction, and,<br />

passing through the torrid zone, touches<br />

the tropic of Cancer and the tropic of Capri<br />

corn, which are the extreme boundaries of<br />

the temperate zones.<br />

132. Arcton: the Bear. Callisto, the<br />

daughter of Lycaon, being changed by<br />

Juno into a bear, was made a constellation<br />

near the North pole.<br />

133. Rota vestigia: tracks of the wheel.<br />

The frequent passage of the chariot of the<br />

sun, had rendered the path plain.<br />

134. JEquos calores: just proportions of<br />

heat.<br />

135. Nee preme: neither depress the<br />

chariot.<br />

APOLLO. On seating him, however, in the<br />

chariot, I gave him especial instructions for Iiis<br />

government, how he should fix himself so as to<br />

keep a steady command, how far he might give<br />

the rein in ascending, and how he then should<br />

tend downwards, and how he was to maaage so<br />

as always lo keep master of the bridle, ami to<br />

direct such fiery coursers; 1 told him likewise<br />

the danger of not driving constantly straight<br />

forwards. DIALOGUES <strong>OF</strong> <strong>THE</strong> DEITIES.<br />

135. Nee molire: nor urge it.<br />

136. Altius egressus: having gone too<br />

high.<br />

137. Terras. Supply cremabis.<br />

137. Media tutissimus: you will go safest<br />

in the middle way. This, adopted as a<br />

moito, is susceptible of a fine moral ap<br />

plication. Moderation in all things is de<br />

sirable. The sentiment is similar to the<br />

saying of Cleobulus, one of the Seven<br />

Wise men of Greece: 'AfnoTov pirpov.<br />

138. Dexterior: too much to the right;<br />

too far towards the north; for, to the sun<br />

starting from the east, the north is on the<br />

right hand.<br />

138 Ad lorlumA nguem: to the wreathed<br />

Snake, a constellation which winds around<br />

the north pole.<br />

NOTJE.<br />

135<br />

140<br />

LIBER £1.<br />

limes sectus in obli*<br />

quum lato curvamuio.<br />

136. EgreasusaUma,<br />

creniabis tecta cceles-<br />

tia, egressus, inferius,<br />

errrnabis terras: ibis<br />

tutidsimus medio.<br />

* 140. Tene inter ut-<br />

rumque. Mando coe-<br />

tera fortunce, qutc op-<br />

to ut juvet, et melius<br />

consulat, quam tu eon-<br />

suluisti tibi. \<br />

The Serpent grim betwixt them bends hi» way,<br />

As through the winding banks the c u rrents stray,<br />

And up and down in sinuous bendings rolls.<br />

AEATUS.<br />

The Kid's bright beams, and Serpent's lucid fold.<br />

VIBGIL, Georgic i.<br />

139. Sinisterior. Too much to the left;<br />

too far towards the south.<br />

139. Ad Aram: towards the Al;»r, a<br />

constellation not far from the South pole.<br />

The altar on which the gods are first sup<br />

posed to have made a confederacy against<br />

the Titans, and on which they sacrificed<br />

after their subjection, was translated to<br />

heaven and became this constellation. As<br />

by the conflict of the gods and Titans, we<br />

are to understand the convulsions occa<br />

sioned at the deluge by the great physical<br />

agents, fire and water, and, as from the<br />

remotest antiquity, the celestial hemis<br />

phere presents a pictorial representation<br />

of the deluge, aquatic animals, the ark, the<br />

dove, and the altar, there is little doubt<br />

that the constellation of the Altar is in<br />

tended to represent the one on which<br />

Noah offered sacrifice after leaving the<br />

ark. See note on rate, page 77.<br />

140. later utrumque: keep between the<br />

two; viz. the Serpent and the Altar.<br />

141. Quam tu tibi: than you consult for<br />

yourself.<br />

142. Hesperio in littore: on the western<br />

shore; the Atlantic.<br />

142. M'-tas. The goal was the bound<br />

that marked the end of the course. The<br />

term is used here since the Sun and Night<br />

were represented as drawn in a chariot.<br />

143. Humida Nox: moist Night. When<br />

Nox reached the west, of necessity the sun<br />

must rise in the east.<br />

144. Poscimur: we are called for; we<br />

must go.<br />

144. Tenclris fugatis: the darkness be<br />

ing dispersed.<br />

Now, flaming up the heavens, the potent stm<br />

Melts into limpid air the high-raised clouds,<br />

FABULA I. METAMORPHOSE ON.<br />

Corripc lora manu : vel, si mutabile pectus 145<br />

Est tibi, consiliis, non curribus utere nostris;<br />

Dmrn poles, et solidis etiamnum sedibus adstas ;<br />

Dumque male optatos nondum premis inscius axes;<br />

Qua? tutus spectes, sine me dare lumina terris.<br />

Occupat illc levem juvenili corpore currum ; 159<br />

Statque super; manibusque datas contingere habenas<br />

Gaudet; et invito grates agit inde parenti.<br />

And morning fogs, that hovered round the hills<br />

In party-colored bands. TIIOHSON.<br />

147. Dum poles: whilst you can; whilst<br />

it is in your power.<br />

148. Axes: the axle; the chariot.<br />

149. Sine me dare: permit me to give<br />

light.<br />

150. Occupat. Great eagerness and ce<br />

lerity are indicated by the use of this verb.<br />

The fragment of a play by Euripides,<br />

quoted by Longinus, presents the same<br />

idea.<br />

What did the Palace of the Sun repre<br />

sent?<br />

What coincidence between it and the<br />

Jewish tabernacle ?<br />

Who was the architect of the palace 1<br />

Why was he called Mulciber ?<br />

Why were the Hours, Days, Months,<br />

Years, &c., represented as surrounding<br />

the Sun?<br />

Who was Proteus ? JEetson ? Doris ?<br />

What was the office of Triton J<br />

Did Apollo recognise Phaethon as his<br />

son? What did he ofier him in proof of his<br />

paternity ?<br />

NOTJE.<br />

QlLflESTlONES<br />

135<br />

Thus spoke the god. The impatient youth with<br />

haste<br />

Snatches the reins, and vaults into the seat<br />

EUHIPIDES'S, PHAKTHON.<br />

152. Invito parenti: to his unwilling<br />

father. He was unwilling, as he foresaw<br />

his destruction.<br />

APOLLO. Aware that I could not trust the<br />

chariot to his guidance, 1 resisted his importu<br />

nity a long time; but at last, adding tears to his<br />

entreaties, and his mother Clymeno leaguing<br />

with him so impetuously in the attack, they ex<br />

torted my consent. DIALOGUES <strong>OF</strong> <strong>THE</strong> DEITIES.<br />

Did he confirm it by an oath ?<br />

Are indefinite promises lawful ?<br />

What did Phaethon ask in proof of his<br />

descent ?<br />

Did his father seek to dissuade him ?<br />

Finding his directions unavailing, what<br />

directions did he give him ?<br />

What course does the poet describe aa<br />

the path of the Sun?<br />

Who was Chiron ? for what celebrated ?<br />

Who was Tethys? Aurora?<br />

What was the office of Lucifer ?<br />

What different names has this planet ?<br />

What ancient poet besides Ovid wrote<br />

on the fall of Phaclhon?

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