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THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO

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FABULA XIV.<br />

SYRINX MUTATUR IN ARUNDINEM.<br />

Pan falls in love with the nymph Syrinx, the daughter of the river Ladon,<br />

and when she refuses to listen to his addresses, pursues her. She flies<br />

from him till she is stopped by the waters of the Ladon, when she im<br />

plores the assistance of the Naiads who transform her into reeds Out of<br />

these Pan makes a pipe which is called by her name.<br />

F.XPJ.ICATIO.<br />

MERCURY, at the request of Argus, who is captivated with the music<br />

of the pipe upon which he. is playing, proceeds to tell the manner in<br />

which that instrument was invented, and relates the story of Pan and the<br />

nymph Syrinx. As Pan, the god of shepherds, was the inventor of the<br />

pipe, he is here said to have fallen in love with Syrinx, which is the<br />

"Greek name for that pastoral instrument of music. Dionysius informs<br />

us, that on the banks of the Ladon, the kind of reeds of which pipes were<br />

made, grew in abundance ; and hence Syrinx is fabled to be the daughter<br />

of the river Ladon. It is probable, that Pan (or the shepherds whom he<br />

represents) was attracted by the sound which the sighing of the wind<br />

among the reeds, effected; or, that by blowing into them, and hearing the<br />

noise which was made, he conceived the idea of multiplying and varying<br />

the sounds by joining several reeds together of different length, and thus<br />

perfected the instrument.<br />

The poet has thrown an attractive interest around the fable, by making<br />

Syrinx one of the Naiads. Nor is she merely a fair nymph of the wa<br />

ters, but the most celebrated for beauty, of all the nymphs of that region.<br />

Another grace is added to her beauty, she is no less pure than fair; and<br />

in her character and exercises, was the constant worshipper of Diana.<br />

She had refused the converse of the Satyrs, Fauns, and Sylvans, and did<br />

not deign even to listen to the addresses of Pan, but fled from him with<br />

the utmost precipitancy, and preferred, at length, surrendering up her<br />

life, rather than sully the virgin innocence and modesty which had been<br />

the pride of her existence.<br />

The story is in itself so pleasant, and so musical is the voice of Mer<br />

cury in relating it, that the eyes of Argus become heavy with sleep;<br />

when the god confirms their drowsiness with his magic wand, and strikes<br />

off the head of Argus with his falchion. Juno collects the eyes, and<br />

places them in the tails of her peacocks.<br />

114<br />

NOT^E.<br />

commences the relation of the<br />

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115<br />

1

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