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THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO

THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO

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112<br />

P. OVIDII 1SASONIS<br />

Argus ait; neque euim pecori fcecundior ullo<br />

Herba loco est; aptamque vides pastoribus umbram<br />

Scdit Atlantiades, et euntem multa loquendo 115<br />

Detinuit sermone diem; junctisque canendo<br />

Vincere arundinibus servantia lumina tentat.<br />

llle tamen pugnat molles evincere somnos :<br />

Et, quamvis sopor est oculorum parte receptus ;<br />

Parte tamen vigilat. Quffirit quoque, namque reperta<br />

Fistula nuper erat, qua sit ratione reperta. l<br />

NOTVE.<br />

Lit-i:-. I.<br />

neque est herba fce-<br />

cundior pecori ullo<br />

loco.<br />

115. Atlantiades se-<br />

dit, et detinuit euntem<br />

diern sermone loquen<br />

do multa; tentatqiie<br />

vincere servantia lu<br />

mina canendo junctis<br />

arundinibus.<br />

120. Quoerit quoque,<br />

qua ratione ilia reper<br />

ta sit, namque fistula<br />

reperta crat nnper.<br />

Held by thy voice: thy potent voice lie hears,<br />

113. Argus ail. In giving him an invi And longer will delay to bear tliec tell<br />

tation to stop, and take a seat with him His generation, and the rising birth '<br />

upon the rock on which he was sitting, Of nature from the unapparent deep. BOOK vii.<br />

Argus tells Mercury there is good accom 117. Vincere: to overcome; to lull to<br />

modation both for his goats and for him sleep by the sweetness of the music.<br />

self; the grass is abundant, and there is<br />

an agreeable shade for shepherds.<br />

117. Arundinibus. The reed has been<br />

114. Pastoribul umbram. Argus points a very important instrument in the pro<br />

to the shade which invites them to its cool gress of society. It was originally used in<br />

war for arrows, and thus contributed to<br />

retreat; thus in Virgil:<br />

Sive sub incertas Zeph} ris motantibus umbras, fire and madden the angry passions of men.<br />

Sive entro potius succedimus: aspice ut antrum Made afterwards into flutes, it softened the<br />

Sylvestris raris sparsit labrusca racemis. affections, and promoted pastoral innocence<br />

ECLOGUE v. and happiness. Lastly, it was employed in<br />

115. Atlantiades. Mercury, the grand writing, and, formed into pens, was the<br />

son of Atlas.<br />

means of enlightening the mind, and diffus<br />

115. Euntem diem: the passing day. ing intelligence abroad.<br />

116. Detinuit: detained; arrested. Thus 117. Servantia lumina: his wakeful<br />

Adam, in the Paradise Lost, tells the angel eyes.<br />

that the sun will pause in his orb, to listen 118. Alettes samnos: soft slumbers.<br />

to his recital.<br />

And the great light of day yet wants to run<br />

The timely dew of sleep<br />

Now falling with soft slumbrous weight, inclines<br />

Much of his race, though steep, suspense in<br />

Our eyelids. MILTON.<br />

heaven<br />

QU^ESTIONES.<br />

Where is Tempe ?<br />

Where did the rivers of Greece as<br />

semble ?<br />

Of what geographical explanation is this<br />

capable ?<br />

For what did they assemble ?<br />

Which one of the rivers was absent, and<br />

whv?<br />

Who had fallen in love with lo ?<br />

When surprised by Juno, into what had<br />

he changed her ?<br />

To whose care did Juno assign her ?<br />

Who was Argus ?<br />

To whom did lo come in her wanderings ?<br />

Did thcv know her ?<br />

How did she discover herself'<br />

How does Jupiter resolve to free her ?<br />

Who was Mercury ?<br />

What form and appearance did he as<br />

sume?<br />

What does he endeavour to do with hia<br />

pipe?<br />

What story does he relate to Argus?<br />

Is the story of lo a consistent fable, or<br />

made up of deiached parts ?<br />

What does Herodotus say of her histo<br />

rically ?<br />

What does Diodorus Siculus say ?<br />

. Were Osiris and Jupiter considered the<br />

same ?<br />

How can the love of Jupiter and the<br />

birth of Epaphus be explained?<br />

If we consider lo the moon, how can<br />

we explain the love of Osiris or Jupiter ?<br />

FABULA XIII.<br />

If by lo we understand the earth, how<br />

«nay we explain the love of Jupiter or<br />

Osiris ?<br />

Why was the cow worshipped as a<br />

eacred animal, according to Eusebiua and<br />

others ?<br />

As a hieroglyphic, what may the cow<br />

represent ?<br />

Do Diodorus Siculua and Sophorles<br />

epenk of the wanderings of lo at a time<br />

that agrees with the Fall of man?<br />

Of what, then, had we better consider<br />

the hieroglyphic and worship of the cow a<br />

tradition and corruption ?<br />

15<br />

METAMORPHOSE ON.<br />

113<br />

What do the wanderings of lo indi<br />

cate ?<br />

How do we explain the part of the s'ory<br />

relating to Argus ?<br />

How must we consider lo or Isis in this<br />

connection ?<br />

Were the Greek Mercury and Egyptian<br />

Anubis the same ?<br />

As what did they consider Anubia ?<br />

How is the horizon said to cut off the<br />

head of Argus, and to put out the light<br />

of his eyes?

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