THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO
THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO
THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
TABULA. VIII.<br />
LYCAON MUTATUS IN LUPUM.<br />
in a circuit which, ho is making through the earth, Jupiter comes to Arcadia,<br />
and enters the palace of Lycaon, who attempts to murder him, and after<br />
wards serves up before him human flesh, at a banquet. Jupiter punishes<br />
this impiety, by setting the palace on fire, and changing Lycaon into a wolf.<br />
EXPLICATIO.<br />
Lycaon, the son of Pelasgus and Meliboea, was contemporary with the<br />
patriarch Jacob. He built a temple and city, called Lycosura, on the top<br />
of Mount Lycaeus, in honor of Jupiter, and instituted the festivals called<br />
Lyceea. He polluted the sacrifices of the Lupercalia, of which the<br />
Arundelian marbles show him to be the founder, by offering up prisoners<br />
taken in war, and hostages. The words Lyceeus, Lycaon, Lycosura, and<br />
Lyceea, are all of Greek etymology, derived front JAJCOJ, a wolf. The<br />
mountain abounded in wolves, as we are informed, and hence was called<br />
Lycccus (of the wolf}. The king of Arcadia, whoever he was, in con<br />
sequence of uis efforts to extirpate the wolves, received the epithet of<br />
Lycaon (wolf-mail), and, in time, the cognomen being used instead of the<br />
real name, the myth may have arisen, of his being changed into a wolf.<br />
Owing probably to some signal deliverance, in an encounter with a wolf,<br />
he may have offered to Jupiter, as a sacrifice, the brush or tail of the<br />
animal, or many such trophies, and thus set up a chapel, where, in after<br />
time, was built the temple and city of Lycosura (pi-xos oC'pd), ifie tail of<br />
the wolf. Mycon, in like manner, in Virgil's seventh Eclogue, offers to<br />
Diana the head of a wild boar, and the antlers of a stag. Thus, sacri<br />
fices called Lycasa (of the ivolf), were instituted to Jupiter, in Arcadia,<br />
and to Apollo, at Argos, because they freed the inhabitants from wolves.<br />
The Lupercalia (lupus, arcco), were identical,with the Lyceea, except that<br />
the latter were offered to Pan, in common with Jupiter and Apollo, while<br />
the Lnpercalia were offered to Pan alone. While Arcadia was waste, or<br />
valued for hunting only, the Lycasa were in honor of Jupiter, the common<br />
protector in all places, or of Apollo, to whose bow wild beasts were sub<br />
ject; but when it became a grazing country, inhabited by shepherds, the<br />
protection of their flocks fell to Pan, and the. Lyccea or Lupercalia were<br />
in his honor. The destruciion of Lycaon's house, by lightning, after<br />
offering up human victims, may have given rise to the fable. But as the<br />
event is placed in the earliest ages of the world, it may refer to Nimrod,<br />
whose name (rebel) implies apostacy from God, and who, as a " giant<br />
hunter," is believed to have tyrannized over man. Babel is thought to<br />
have been a fire-temple, for human sacrifice, avid his destruction beneath<br />
its ruins may be adumbrated in the overturning of Lycaon's palace ; or,<br />
what is more probable, the fable may be a confusion of Grecian history<br />
and of tradition, in which reference is made to Cain. The resemblances<br />
are many and striking. Lycaon was the son of Pelasgus, who was born<br />
of the earth ; Cain was the son of Adam, who was formed of the earth.<br />
Both were impious ; both offered sacrifices displeasing to God. and both<br />
fled his presence. Cain built the first city upon earth, and Lycosura,<br />
which Lycaon built, was said, by Pausanias, to be the oldest city in the<br />
world. Lastly, God set a mark of blood upon Cain, and in the Lupercalia<br />
instituted by Lycaon, the foreheads of two illustrious youths were marked<br />
with a knife dipped in blood. 64<br />
ONTIGERAT nostras infamia tempons aures:<br />
Ciuam cupiens falsam, summo delabor Olympo,<br />
Et Deus humana lustrosub imagine terras.<br />
Longa mora est, quantum noxre sit ubique repertiim.<br />
NOT.*:.<br />
1. Jtifumin trmporis. The wickedness of the time was such that<br />
It cried to heaven for vengeance. The same is said, in Genesis, of<br />
the wickedness of Sodom and Gomorrah, and in the Odyssey, of the<br />
crimes of ilie suuors.<br />
Ttor re /?!»; re riifipcof 6vpavdv~ tJKtt — ODYSSEY xvii.<br />
And the Lord sa-d, because ilie crj of Sodom find Gomorrah is great, and<br />
because llie:r sm is verj pne\ous GENESIS xviii. 20.<br />
2. Qiiam rupims falsam. The benevolence of the deity is mani<br />
fest in this, that he is slow to believe the evil report, and unwilling<br />
fo judge until after investigation.<br />
In judieando criminosa est cclfrilas. P. SYRUS.<br />
Shall not the Judge of all the curth do right? GENESIS xviii. 25.<br />
2. Summn Oliim/io: from highest Olympus ; poetically for Heaven.<br />
See note on Olympus, page 56.<br />
Bow thy heavens, O Lord, and come down :<br />
loucli the mountains, and they shall smolve.<br />
PsiLM cxliv. 5.<br />
2. Belabor: I glide down ; I descend<br />
Jupiter determines to go down and observe<br />
the morals of men. Thus Jehovah, in the<br />
case of Sodom and Gomorrah:<br />
I will go down now, and see whcllier they<br />
have done altogether according to the (TV ol' it.<br />
which is eomr unto me ; ami il'not, I will Know.<br />
GENESIS xviii. 21.<br />
The T.ord looked down from heaven upon the<br />
children ol men. to see il tlicrc were any that<br />
did understand, and seek God. PSALM xiv. 2.<br />
9<br />
3. El Drus humnna sitli imagine : and a<br />
god in human form. This veiling of di<br />
vinity in human flcph, is to be found in the<br />
mylhology of all'nalions, and is, no doubt,<br />
a wide-spread tradition of God's holding<br />
communion with man, in his state of in<br />
nocence. Thus Homer:<br />
Kairc Scot fei'poioii' iuitt6rcf dbXnSairaivt<br />
HHVTOIQI rfXeS-oiTCj eiricTpinijt'jict jru\fjaf.<br />
ODYSSEY xvii.<br />
4. Longu mora est : the delay is great;<br />
it is tedious.<br />
4. Quantum nox