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THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO

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300 P. OVIDII N ASONIS LlBEB IV.<br />

Utque Jovis praepes, vacuo cum vidit in arvo<br />

Prffibentem Phffibo liventia terga draconem,<br />

Occupat aversum: neu szeva retorqueat ora,<br />

Squamigeris avidos figit cervicibus ungues: 55<br />

Sic celeri fissum przepes per inane volatu<br />

Terga ferae pressit; dextroque frementis in armo<br />

Inachides ferrum curvo tenus abdidit hamo.<br />

Vulncre hesa gravi, modft se sublimis in auras<br />

Attollit: rnodft subdit aquis : modft more ferocis 60<br />

Versat apri, quern turba canum circumsona terret.<br />

Ille avidos morsus velocibus effugit alis:<br />

Quaque patent, nunc terga cavis super obsita conchis,<br />

Nunc laterum costas, nunc qua tenuissima cauda<br />

Desinit in piscem, falcato vulnerat ense. 65<br />

Bellua punicco mistos cum sanguine fluctus<br />

Ore vomit: maduere graves aspergine pennee.<br />

Nee bibulis ultra Perseus talaribus ausus<br />

Credere; conspexit scopulum, qui vertice summo<br />

Stantibus exstat aquis ; operitur ab asquore moto. 70<br />

JVixus eo, rupisque tenens juga prima sinistra,<br />

Ter quater exegit repetita per ilia ferrum.<br />

Littora cum plausu clamor superasque deorum<br />

Implevere domes. Gaudent, generumque salutant,<br />

Auxiliumque domfls servatoremque fatentur 75<br />

Cassiope, Cepheusque pater. Eesoluta catenis<br />

Incedit virgo, pretiumque et caussa laboris.<br />

63. Nee Perseus au-<br />

sus credere ultra bi<br />

bulis talaribus, cou-<br />

spexit scopulum qul<br />

exit stamibus aquis<br />

summo Venice.<br />

NOT-ffi.<br />

She thought of earlv nhildhood'" -umm-r h->urs, And terrfble jaws, expanded to devour;<br />

Of sportive glee b tilth my e Ii de, When from the upper air dashed on her head<br />

Of garlands wreaihed for youthful f i nds in A sudden light, and in that fearful hour.<br />

bowers<br />

An unseen arm was raised that broke the mon<br />

Of myrrliine sweets, through which her feet ster's power.<br />

hud strayed—<br />

K'en as his giant body ~mote th sand,<br />

Thought of her father's halls—the dance—the lay Swift rushing from the foam engirdled tide,<br />

Of minstrel, and the mellow lute of maid— With nostrils spread but br ill ess on the sand<br />

Then of her doom; and saw with dread dismay He lay immense —with jaws expanded wide—<br />

The monster of the deep roll on, prepared to slay. And sinews bent—but rigid as the pile<br />

One piercing shriek of anguish wildly rose Of endless crags that, reared on either side<br />

Above ilie moaning ocean—fear represt With everlasting adamant did lile<br />

The hapless cry of agony, and fro^e<br />

The rocky ramparts of the sea-defying isle.<br />

The fount of life within her virgin breast; And as the maiden slowly raised her eyes,<br />

While from each starting orli, the tear-drops, A form of matchless beaul} nd o i rht,<br />

• o'er<br />

With waving pinions of a I ous i d ly ,<br />

Her snowy bosom showering pearls, con And looks of love, burst on her r; ptu ed sight.<br />

fessed<br />

Again lite's fenr-chilled current freely gushed,<br />

Her lorn despair, as rushing towards the shore Her eyes that tears had dimmed, agaiu grew<br />

The ravenous monster seemed her beauty to hright;<br />

explore.<br />

And lik*1 the rosy morning, sweetly blushed<br />

She trembled like an aspen; and the blood The blanched and pallid cheek by love's deep<br />

Was curdling in her veins, as mute she gazed hectic flushed.—N. C. BROOKS.<br />

Upon his hulk, now stretched upon the Mood, 52. Pffepes Jovis: the bird of Jove, viz.,<br />

Now rolled in spires, as o'er the waves he<br />

raised<br />

the eagle.<br />

His towering crest, high gleaming in the air; 58. Tenus hamo: up to the hilt.<br />

And marked his eyes, which like two meteors 61. Turba canum: the pack of dogs.<br />

blazed<br />

67. Aspergine: wifh the sprinkling;<br />

Upon his burnished front, with iheir red glare, with the spray.<br />

Portending diirksome death, destruction and<br />

despair.<br />

67. Plnma. The wings of Perseus.<br />

Btill onward rolled lh~ portent t ;I I his breath<br />

7O. Stanlibus aquis: the waters during<br />

Came wnrm upon r nd his nos rils sh d a calm.<br />

The dewy Lrine: and armed w'lh po.nied deaih 77. Pretium et causa: the reward, and<br />

Appeared the jagged teeth within his dread the cause.<br />

FABULA VII.<br />

METAMORPHOSEON.<br />

Ipse inanus hausta victrices abluit unda:<br />

Anguiferumque caput nuda ne kedat arena,<br />

Mollit humum foliis: natasque sub eequore virgas 80<br />

Sternit, et imponit Phorcynidos ora Medusa.<br />

Virga recens, bibulaque etiamnum viva medulla,<br />

Vim rapuit monstri, tactuque induruit hujus,<br />

Percepitque novum ramis et fronde rigorem.<br />

At pelagi Nymphee factum mirabile tentant 85<br />

Pluribus in virgis, et Mem contingere gaudent;<br />

Seminaque ex illis iterant jactata per undas.<br />

Nunc quoque coraliis eadem natura remansit,<br />

Duritiem tacto capiant ut ab acre ; quodque<br />

Vimen in sequore erat, fiat suppr eequora saxum. 90<br />

79. Anguiferum eaput: the snaky head,<br />

viz. the head of Medusa.<br />

80. Natas sub {square virgas: the twigs<br />

formed in the sea, viz. the coral.<br />

Where the waters murmur tranquilly-<br />

Through the bending twigs of Ihe coral grove.<br />

J. G. FERCIVAL.<br />

81. Phorcynidos. Of Medusa, the daugh<br />

ter of Phorcys.<br />

Who was Cepheus?<br />

Who was Andromeda ?<br />

To what was she exposed ? Why ?<br />

Who discovered her thus exposed ?<br />

What proposal did he make to her pa<br />

rents ?<br />

Did they accede to his proposal ?<br />

Did he slay the monster ?<br />

What happened -to the twigs that he<br />

placed under the head of Medusa?<br />

What probably gave rise to this Fa<br />

ble!<br />

NOTJE.<br />

QU^STIONES.<br />

301<br />

82. Virga recent,<br />

etiamnumque vivo,<br />

rnpuit vim monstri<br />

bibula medulla, indu<br />

ruitque tactu hujua.<br />

83. Vim rapuit 'monstri: contracted the<br />

power of the monster, viz. Medusa.<br />

87. Scmina ex illis: slips from them,<br />

viz. the branches of com.<br />

88. Coraliis. A marine taophyte that<br />

often grows in branches like a tree. On<br />

removal from the water, it becomes as hard<br />

as a stone. It is used for ornaments.<br />

How will you interpret the crime of Cas<br />

siope ?<br />

How will you explain the monster?<br />

In what two ways can we explain the<br />

exposure of Andromeda?<br />

What description in the Fable would<br />

induce the belief that a piratical ship was<br />

the monster ?<br />

How do Pliny and Mela regard the<br />

monster ?<br />

Whom does Pliny say brought the bonea<br />

to Rome ? »<br />

•<br />

I

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