THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO
THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO
THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO
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300 P. OVIDII N ASONIS LlBEB IV.<br />
Utque Jovis praepes, vacuo cum vidit in arvo<br />
Prffibentem Phffibo liventia terga draconem,<br />
Occupat aversum: neu szeva retorqueat ora,<br />
Squamigeris avidos figit cervicibus ungues: 55<br />
Sic celeri fissum przepes per inane volatu<br />
Terga ferae pressit; dextroque frementis in armo<br />
Inachides ferrum curvo tenus abdidit hamo.<br />
Vulncre hesa gravi, modft se sublimis in auras<br />
Attollit: rnodft subdit aquis : modft more ferocis 60<br />
Versat apri, quern turba canum circumsona terret.<br />
Ille avidos morsus velocibus effugit alis:<br />
Quaque patent, nunc terga cavis super obsita conchis,<br />
Nunc laterum costas, nunc qua tenuissima cauda<br />
Desinit in piscem, falcato vulnerat ense. 65<br />
Bellua punicco mistos cum sanguine fluctus<br />
Ore vomit: maduere graves aspergine pennee.<br />
Nee bibulis ultra Perseus talaribus ausus<br />
Credere; conspexit scopulum, qui vertice summo<br />
Stantibus exstat aquis ; operitur ab asquore moto. 70<br />
JVixus eo, rupisque tenens juga prima sinistra,<br />
Ter quater exegit repetita per ilia ferrum.<br />
Littora cum plausu clamor superasque deorum<br />
Implevere domes. Gaudent, generumque salutant,<br />
Auxiliumque domfls servatoremque fatentur 75<br />
Cassiope, Cepheusque pater. Eesoluta catenis<br />
Incedit virgo, pretiumque et caussa laboris.<br />
63. Nee Perseus au-<br />
sus credere ultra bi<br />
bulis talaribus, cou-<br />
spexit scopulum qul<br />
exit stamibus aquis<br />
summo Venice.<br />
NOT-ffi.<br />
She thought of earlv nhildhood'" -umm-r h->urs, And terrfble jaws, expanded to devour;<br />
Of sportive glee b tilth my e Ii de, When from the upper air dashed on her head<br />
Of garlands wreaihed for youthful f i nds in A sudden light, and in that fearful hour.<br />
bowers<br />
An unseen arm was raised that broke the mon<br />
Of myrrliine sweets, through which her feet ster's power.<br />
hud strayed—<br />
K'en as his giant body ~mote th sand,<br />
Thought of her father's halls—the dance—the lay Swift rushing from the foam engirdled tide,<br />
Of minstrel, and the mellow lute of maid— With nostrils spread but br ill ess on the sand<br />
Then of her doom; and saw with dread dismay He lay immense —with jaws expanded wide—<br />
The monster of the deep roll on, prepared to slay. And sinews bent—but rigid as the pile<br />
One piercing shriek of anguish wildly rose Of endless crags that, reared on either side<br />
Above ilie moaning ocean—fear represt With everlasting adamant did lile<br />
The hapless cry of agony, and fro^e<br />
The rocky ramparts of the sea-defying isle.<br />
The fount of life within her virgin breast; And as the maiden slowly raised her eyes,<br />
While from each starting orli, the tear-drops, A form of matchless beaul} nd o i rht,<br />
• o'er<br />
With waving pinions of a I ous i d ly ,<br />
Her snowy bosom showering pearls, con And looks of love, burst on her r; ptu ed sight.<br />
fessed<br />
Again lite's fenr-chilled current freely gushed,<br />
Her lorn despair, as rushing towards the shore Her eyes that tears had dimmed, agaiu grew<br />
The ravenous monster seemed her beauty to hright;<br />
explore.<br />
And lik*1 the rosy morning, sweetly blushed<br />
She trembled like an aspen; and the blood The blanched and pallid cheek by love's deep<br />
Was curdling in her veins, as mute she gazed hectic flushed.—N. C. BROOKS.<br />
Upon his hulk, now stretched upon the Mood, 52. Pffepes Jovis: the bird of Jove, viz.,<br />
Now rolled in spires, as o'er the waves he<br />
raised<br />
the eagle.<br />
His towering crest, high gleaming in the air; 58. Tenus hamo: up to the hilt.<br />
And marked his eyes, which like two meteors 61. Turba canum: the pack of dogs.<br />
blazed<br />
67. Aspergine: wifh the sprinkling;<br />
Upon his burnished front, with iheir red glare, with the spray.<br />
Portending diirksome death, destruction and<br />
despair.<br />
67. Plnma. The wings of Perseus.<br />
Btill onward rolled lh~ portent t ;I I his breath<br />
7O. Stanlibus aquis: the waters during<br />
Came wnrm upon r nd his nos rils sh d a calm.<br />
The dewy Lrine: and armed w'lh po.nied deaih 77. Pretium et causa: the reward, and<br />
Appeared the jagged teeth within his dread the cause.<br />
FABULA VII.<br />
METAMORPHOSEON.<br />
Ipse inanus hausta victrices abluit unda:<br />
Anguiferumque caput nuda ne kedat arena,<br />
Mollit humum foliis: natasque sub eequore virgas 80<br />
Sternit, et imponit Phorcynidos ora Medusa.<br />
Virga recens, bibulaque etiamnum viva medulla,<br />
Vim rapuit monstri, tactuque induruit hujus,<br />
Percepitque novum ramis et fronde rigorem.<br />
At pelagi Nymphee factum mirabile tentant 85<br />
Pluribus in virgis, et Mem contingere gaudent;<br />
Seminaque ex illis iterant jactata per undas.<br />
Nunc quoque coraliis eadem natura remansit,<br />
Duritiem tacto capiant ut ab acre ; quodque<br />
Vimen in sequore erat, fiat suppr eequora saxum. 90<br />
79. Anguiferum eaput: the snaky head,<br />
viz. the head of Medusa.<br />
80. Natas sub {square virgas: the twigs<br />
formed in the sea, viz. the coral.<br />
Where the waters murmur tranquilly-<br />
Through the bending twigs of Ihe coral grove.<br />
J. G. FERCIVAL.<br />
81. Phorcynidos. Of Medusa, the daugh<br />
ter of Phorcys.<br />
Who was Cepheus?<br />
Who was Andromeda ?<br />
To what was she exposed ? Why ?<br />
Who discovered her thus exposed ?<br />
What proposal did he make to her pa<br />
rents ?<br />
Did they accede to his proposal ?<br />
Did he slay the monster ?<br />
What happened -to the twigs that he<br />
placed under the head of Medusa?<br />
What probably gave rise to this Fa<br />
ble!<br />
NOTJE.<br />
QU^STIONES.<br />
301<br />
82. Virga recent,<br />
etiamnumque vivo,<br />
rnpuit vim monstri<br />
bibula medulla, indu<br />
ruitque tactu hujua.<br />
83. Vim rapuit 'monstri: contracted the<br />
power of the monster, viz. Medusa.<br />
87. Scmina ex illis: slips from them,<br />
viz. the branches of com.<br />
88. Coraliis. A marine taophyte that<br />
often grows in branches like a tree. On<br />
removal from the water, it becomes as hard<br />
as a stone. It is used for ornaments.<br />
How will you interpret the crime of Cas<br />
siope ?<br />
How will you explain the monster?<br />
In what two ways can we explain the<br />
exposure of Andromeda?<br />
What description in the Fable would<br />
induce the belief that a piratical ship was<br />
the monster ?<br />
How do Pliny and Mela regard the<br />
monster ?<br />
Whom does Pliny say brought the bonea<br />
to Rome ? »<br />
•<br />
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