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THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO

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M<br />

256<br />

OVIDII <strong>NASO</strong>NIS METAMORPHOSEON. LIBKK III.<br />

Talibus exemplis monite nova sacra frequentant,<br />

Thuraque dant, sanctasque colunt Ismenides aras.<br />

ark) was born at Thebes. The following<br />

Orphic fragment of a Hymn to Bacchus,<br />

according to the above interpretations, re<br />

fers to Noah, as born of the ark:<br />

Trrtpoytvtis Afdvutrof finjipoavvtjv n6pc Svriroiy.<br />

The ox-born Bacchus comfort brought to men.<br />

In Syriac, as we have remarked before,<br />

K'PIN signifies both a bull, and an ark or<br />

ship.<br />

But agnin, since the heathens had an in<br />

distinct tradition ol the Cherubim which<br />

was set up at the garden of Eden, and in<br />

troduced it in many of their emblems, as I<br />

have shown in the note upon Veliibra decs,<br />

p. 83, the above line from Orpheus may<br />

adumbrate Adam, as well as Noah, by<br />

considering Bacchus as born of the mys<br />

terious Cherubim, of which the form of the<br />

ox made a conspicuous part. In one place<br />

in the Scriptures, cherubim ts used for ox.<br />

See Explicatio of Fab. XIII. Lib. I.<br />

Under circumstances plainly referring<br />

to the Flood, Bacchus is also described as<br />

born of an egg, which is an apt figure of<br />

the Ark, fraught as it was with animal<br />

life :<br />

Tlpuriiyovov fraXeu liQvij, fii-yav ai3ep6ir\ayKTov,<br />

Sltiyevij, xPvat Qlolv dynMGnEVov irrtf/VYCaaiv,<br />

Taitfc/3rfu*', ycvtaiv /Jatfdpcw Svrjruv r' avSpaiirur.<br />

OKi'llEUB, Hymn v.<br />

I invoke Protogoiius, two-fold, Uie great wan-<br />

derer-under-heaven, born-of-an-egg, gloriously-<br />

represented with golden wings, bull-roarer,<br />

source of the gods and mortal men.<br />

The adornment of golden wings refers<br />

to the Dove, encircled, probably, by the<br />

rays of the rainbow. How he is born of<br />

an egg, and is the source of gods and men,<br />

will appear from what follows. We have<br />

before said, that Noah, Bacchus, and Osi<br />

ris are the same:<br />

*Oy Noie, Kai biGwaos, ital'Qoipis KaXrfrac.<br />

TZKTZES.<br />

Now, the Baris or ark of the Egyptians,<br />

NOT-iE.<br />

What does Pemheus resolve to do ?<br />

Whvther does he go ?<br />

Where was Citheeron ?<br />

What was the character of its scenery ?<br />

Does Penthcus attempt to discover what<br />

was done in the mysteries ?<br />

Who first sees him ?<br />

What does she do to him ?<br />

What animal did Agave take him to be ?<br />

membra viri sunt di-<br />

repta manibus nefan-<br />

dis.<br />

was represented by an egg, and the egg-<br />

like buildings in the Grecian Hippodrome<br />

arc called by the name of Baris, in Vitru<br />

vius. The sacred Baris is often seen con<br />

taining the eight gods of the Egyptians,<br />

who, no doubt, were the eight persons<br />

comprising Noah and his family, and who<br />

were probably regarded by their posterity<br />

as divine personages. The nocturnal con<br />

secration ol the egg was, therefore, of<br />

great account in the mysteries of Bacchus,<br />

remarking upon which, Porphyry says, it<br />

represented the world.<br />

'Ep/jqpcuciv fe TO cLuf rdf tc6cuov.<br />

APlin EUSEB. PREP. Ev.<br />

That world was Noah and his family,<br />

comprising all of human and of besiial<br />

life. In like manner, too, Arnobius de<br />

scribes the Syrian gods as sprung from<br />

eggs:<br />

Titanes, el Bocores Mauri, et ovorum proge<br />

nies, Dii Syri. LIB. i.<br />

Atargatis (Dercetis), which signifies a<br />

sea-monster, and was an emblem of the<br />

Ark, represented half man and half fish,<br />

is described by Simplieius, in his comment<br />

upon Aristotle, as a receptacle of the gods:<br />

fijtf ^vpiav 'ATapyaTlv rS-nov SEUV Ka\iovat.<br />

SIMPLICIUS IN ARISTOT.<br />

Macrobius also makes Atargatis the mo<br />

ther of the gods, giving her the same<br />

character as is given to Khca or Cybclc;<br />

and the Genius of the Ark, under the<br />

character of Rhea and Cybcle, is styled<br />

by Lucretius:<br />

Magnn deum rnater, materque ferarum.<br />

I.IB. ii. 583.<br />

The pomegranate itself. Two (Rhea),<br />

from which the goddess Rhca is named, is<br />

a fit representation of the Ark, for its<br />

shape is egg-like, and it contains abundant<br />

seeds disposed within it.<br />

33. Ismcnides. The Theban women, so<br />

called from Israenus, a river of Bceotia.<br />

QU^ESTIONES.<br />

Whom did she call to her aid ?<br />

What moving appeal did Pentheus make<br />

to his aunt, Autonoii ?<br />

What did Autonoe do to him ?<br />

What was the fate of Arisen ?<br />

Who tore off the head of Pentheus ?<br />

What did she do with it ?<br />

What effect had this destruction of Pen-<br />

theus upon the Thebans ?<br />

P. OVIDII <strong>NASO</strong>NIS<br />

METAMO1IPHOSEON.<br />

LIBER IV.<br />

ARGUMENTUM.<br />

.NOTWITHSTANDING the example afforded by the fate of Pentheus,<br />

Alcithoe and her sisters will not admit the divinity of Bacchus. When<br />

all the other Theban women lay aside their engagements, to join in the<br />

festival of the god, they continue their spinning and weaving, while they<br />

lighten their labors by the recital of various stories. The principal 6f<br />

these was the story of Pyramus and Thisbe, upon whose tragical death,<br />

the fruit of the mulberry tree, under which they lay, was changed from<br />

white to black. At the conclusion of their stories, strange noises are<br />

heard, apparitions and lights are seen in the house, and the sisters are<br />

changed into bats. Still cherishing implacable hatred against the house<br />

of Cadmus, Juno visits the Infernal regions, and employs Tisiphone, one<br />

of the Furies, to affect with madness, Ino, the daughter of Cadmus, and<br />

Athamas, her husband. Under this influence, Athamas slays Learchus,<br />

while Ino, with Melicerta in her arms, leaps into the sea, of which they<br />

become deities. The attendants who had followed Ino are changed into<br />

rocks and birds. Overcome with the accumulated miseries of their<br />

descendants, Cadmus and Hermione abandon Thebes, arid going into<br />

Illyria, are changed into serpents. Their principal solace is the thought<br />

that the powerful deity, Bacchus, is descended from them. Acrisius of<br />

Argos is now the only one that denies the divine character of the god.<br />

He refuses to believe that Bacchus is the son of Jupiter, and in like man<br />

ner does not cre'dit that his own grandson, Perseus, is born of Jupiter, by<br />

Danae. The valorous deeds of the latter are a proof of his descent.<br />

After the slaughter of the Gorgon, he now stopped to claim the hospi<br />

tality of Atlas, and on being repulsed by him, changes him into a moun<br />

tain. Afterwards, in his passage through the air, Perseus beholds An<br />

dromeda chained to a rock, and slays the monster who is advancing from<br />

the sea to devour her. Perseus marries Andromeda, and at the bridal<br />

feast relates the manner in which he had slain the Gorgon, and cut off"<br />

her head. Many serpents spring up from the drops of blood that fell;<br />

the winged horse, Pegasus, also, and his brother Chrysaor.<br />

33 \-2 257

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