THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO
THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO
THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO
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FABULA IX.<br />
PEN<strong>THE</strong>US A BACCHIS DISCERPTUS.<br />
Pentheus, unmoved by the miraculous release of Aerates, priest of iacjhus,<br />
and burning with increased rage, goes to Mount Cithssron for the purpose of<br />
restraining the celebration of the orgies: v/hile thus looking on the mysteries<br />
with profane eyes, he is seen by his mother, Agave, who, under Bacchic<br />
furor, mistakes him for a wild boar. She wounds him with her thyrsus;<br />
the other Bacchantes join in the pursuit, and tear the unfortunate prince to<br />
pieces.<br />
EXPLICATIO.<br />
IN this Fable, the poet intends to exhibit the justice of Heaven in trie<br />
punishment of a cruel and implacable tyrant, who had no reverence for<br />
piety and age, nor any veneration for the gods. Pentheus had dis<br />
honored Tiresias, a hoary-headed prophet of approved oracular power,<br />
and refused to admit the claims of Bacchus, a deity manifested by<br />
miracles. Unaffected by the admonitions of the aged seer, and the power<br />
of the youthful god, he is hurried on by reckless impiety, and madly<br />
rushes upon his own destruction. Under a blind impulse, he attempts to<br />
witness the Bacchic rites, but is discovered and attacked by the Baccha<br />
nals. He discovers his error when too late, acknowledges his fauJt, and<br />
implores in vain the forgiveness of his impiety. According to the pre<br />
dictions of Tiresias, he defiles with his blood his mother and sisters, and<br />
in his miserable end affords an example to others:<br />
Discite justitiam moniti et non contemnere divos. VIKGIL.<br />
The real character of Pentheus was that of a prince zealous for the<br />
public interest, but carried by violence beyond a prudent opposition toths<br />
rites of Bacchus, which, in their origin religious, and commemorative of<br />
the Flood and Fall of Man, became afterwards scenes of corruption and<br />
debauchery, as will appear from the following extract from Livy :<br />
" These mysterious rites were at first imparted to a few, but afterward<br />
communicated to great numbers, both men and women. To their reli<br />
gious performances were added the pleasures of wine and feasting, to<br />
allure the greater number of proselytes. When wine, friendly discourse,<br />
night, and the mingling of sexes, had extinguished every sentiment of<br />
modesty, then debaucheries of every kind began to be practised, as every<br />
person found at hand that sort of enjoyment to which he was disposed by<br />
the passion most prevalent in his nature. Nor were they confined to one<br />
species of vice, the promiscuous meetings of freeborn men and women;<br />
but from this storehouse of villany proceeded false witnesses, counterfeit<br />
seals, false evidences, and pretended discoveries. In the same place, too,<br />
were perpetrated secret murders; so that, in some cases, even the bodies<br />
could not be found for burial. Many of their audacious deeds were<br />
brought about by treachery, but most of them by force; and this force<br />
was concealed by loud shouting, and the noise of drums and "cymbals, so<br />
that none of the cries uttered by the persons suffering outrage or murder<br />
could be heard abroad." Book xxxix.<br />
252<br />
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ERST AT Echionides; nee jam jubet ire, sed ipse<br />
Vadit, ubi electus facienda ad sacra Cithasron,<br />
Cantibus et clara Bacchantfim voce sonabat.<br />
Ut fremit acer equus, cum bellicus cere canoro<br />
Signa dedit tubicen, pugnasque assumit amorem:<br />
Penthea sic ictus longis ululatibus sether<br />
Mnvit; et audito clangore recanduit ira.<br />
Monte fere medio est, cingentibus ultima sylvis.<br />
NOTJE.<br />
1. Perstat. Pentheus persists in his impiety, in rejecting the new<br />
deity, though he had witnessed his miraculous interposition in favor<br />
of his leader Accetes.<br />
2. Cithceron. A mountain of Brcotia, where Acttcon and Pcntheus<br />
were torn in pieces. It was sacred to Bacchus, and from its wild and<br />
precipitous character, was well suited for the rites of Bacchus, and<br />
the fearlul scenes connected with them.<br />
4. Ut fremit equus. The excitement of the spirited charger, when<br />
he hears the trumpet, has been described by many writers, but by<br />
none more forcibly than by Job:<br />
Hast thou given the uorse strength; host thou<br />
clothed his neck \vith thunder?—Cansl thou<br />
make him afraid as n grasshopper ? The glory<br />
of his nostrils is terrible, lie paweth in the<br />
valley, and rejoiceth in his strength—he goelh<br />
on lo meet the armed men. lie mocketh nt fear,<br />
and is not affrighted; neither turnrth he back<br />
from the sword. The quiver rattleth ngninsl<br />
him; the glittering spear and the shield. He<br />
Bwallowelli the ground with fierceness and<br />
rage; neither believeih he that it is the sound of<br />
the trumpet. He saith among the trumpets. Ha!<br />
la! and he smelleth the battle afar off, the thun<br />
der of the captains and the shouting.—CHAP<br />
xxxix. IS—25.<br />
No fear alarms him, nor vain shouts molesl;<br />
But nt the clash of arms, his ear afar<br />
Drinks the deep sound, mid vibrates to the war:<br />
Flames from each nostril rod in gathered<br />
stream.<br />
His quivering limbs with restless motion gleam,<br />
And o'er liis shoulder, floating full and fair,<br />
Sweeps his thick mane, and spreads its pomp<br />
of hair.—GEORGH: lii.<br />
6. Penthea fie Irtug. A modern poet hns<br />
Y 253