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THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO

THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO

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222 P. OVIDII N ASONIS LIBER III.<br />

Cui deus, Elige, ait: nullam patiere repulsam.<br />

Cluoque magis credas; Stygii quoque conscia sunto<br />

Numina torrentis; timor, et deus ille deorum.<br />

Lseta male, nimiumque potens, perituraque amantis<br />

Obsequio Semele, Glualem Saturnia, dixit,<br />

Te solet amplocti, Veneris cum foedus initis,<br />

Da mihi te talem. Voluit deus ora loquentis<br />

Opprimere: exierat jam vox properata sub auras.<br />

Ingemuit: neque enim non haec optasse, ne(jue ille<br />

Non jurasse potest. Ergo moestissimus altum<br />

jEthera conscendit; nutuque sequentia traxit<br />

Nubila; quis nimbos, immistaque fulgura ventis<br />

Addidit, et tonitrus, et inevitabile fulmen.<br />

Q,ua tamen usque potest, vires sibi demere tentat.<br />

Nee, quo centimanum dejecerat igne Typhoea,<br />

asks a favor of Jupiter without designat<br />

ing it.<br />

38. Timor ft deus: thnt drend, and god<br />

of gods. Men generally swore by the<br />

gods; the gods themselves swore by the<br />

Btyx; hence it is called the god of gods.<br />

IJ9. Lceta inalo: rejoicing in her own<br />

calamity, viz. in the promise of what wns<br />

about to be her ruin.<br />

41. Cum fcedus iuitis. The union of<br />

Jupiter and Juno was n physical allegory<br />

of singular beauty. The ancients regarded<br />

Jupiter as the ethereal fire, or upper air;<br />

and Juno as the lower air. They believed<br />

thnt the union of these caused thunder and<br />

lightning, and hence fabled that Jupiter,<br />

when he embraced Juno, was attended by<br />

the lightning and ihunder. Modern phi<br />

losophy has proved that the higher the re<br />

gion of the air is, the colder it is, and that<br />

thunder nnd lightning are electric pheno<br />

mena, produced by the passage of electri<br />

city between two different clouds, or be<br />

tween a cloud and the earth.<br />

42. Te talem. She asks that he would<br />

come to her attended with nil the glories<br />

with which he approached Juno. Moore,<br />

in the Loves of the Angels, appears to have<br />

copied after the story of Semele:<br />

Then come, O Spirit, from behind<br />

The curtains ot'lhy radiant home,<br />

Whether thou \vouldst as god be shriued,<br />

Or loved and clusped as mortal, eome \<br />

Bring all thy da7.7]in? wonders here,<br />

That I may waking know and sec<br />

Or waft me hence to thy own sphere.<br />

Thy heaven, or ay, even that with thfe.'<br />

Demon or god, who boldest the book<br />

Of knowledge spread beneath thine eye,<br />

Give me, with thee. but one bright look<br />

Into its leaves, and let me die!<br />

SECOND ANGHL'& STORY.<br />

42. Ora loquentis: her mouth as she<br />

spoke.<br />

43. Vox properata : the rash word; the<br />

word hastily pronounced.<br />

Nescit vox raissa rev«rti HORACE.<br />

NOT^E.<br />

40<br />

44. Ingeinmt: nequo<br />

. _ enim ilia potest non<br />

4o optasse hcec, neque<br />

ille non jurasse.<br />

50. Nee nunc arma-<br />

tur eo igne quo deje-<br />

45. Neque potest. Semele cannot now<br />

recal her request, nor Jupiter his oath.<br />

49. Qua usque potest. Wherever he<br />

can, he tries to diminish the force of hig<br />

power. Moore, in like manner, describes<br />

the endeavors of hig celestial lover:<br />

Sudden her brow a

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