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THE METAMORPHOSES OF PUBLIUS OVIDIUS NASO

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I !<br />

212<br />

P. OVIDII <strong>NASO</strong>N1S<br />

Prima nepos inter tot res tibi, Cadme, secundas<br />

Causa fuit, luctus, alienaque cornua fronti<br />

Addita, vosque canes satiate sanguine herili. 10<br />

At bene si quteras: Fortunte crimen in illo,<br />

Non scelus inveniea : quod enim scelus error habebat ?<br />

Mons erat, infectus variarum csede ferarum:<br />

Jamque dies rerum medias contraxerat umbras;<br />

Et sol ex sequo meta distabat utraque; 15<br />

Cum juvenis placido per devia lustra vagantes<br />

Participes operum compellat Hyantius ore:<br />

Lina madent, comites, ferrurnque cruore ferarum :<br />

Fortunsequc dies habuit satis. Altera lucem<br />

Cum croceis invecta rotis Aurora reducet, 20<br />

Propositum repetamus opus : nunc Phabus utraque<br />

Distal idem terra; finditque vaporibus arva:<br />

Sistite opus praesens ; nodosaque tolllte Jina.<br />

Jussa viri faciunt; intermittuntfjiie laborem.<br />

Vallis erat, piceis et acuta densa cupressu, 25<br />

Nomine Gargaphie, succinct sacra Dianas:<br />

Cujus in extreme est antrum nemorale recessu,<br />

Arte laboratum nulla; simulaverat artem<br />

Ingenio Natura suo. Narn pumice vivo<br />

Et levibus tophis nativum duxerat arcum. 30<br />

Fons sonat a dextra, tenui perlucidus unda,<br />

Margine gramineo patulos incinctus hiatus.<br />

Hie dea sylvarutn, venatu fessa, solebat<br />

Virgineos artus liquido perfundere rore.<br />

Q,ub postquam subiit; Nympharum tradidit uni 35<br />

afterwards leaves the world with composure, he<br />

alone, O Crcesus. is entitled to our admiration.<br />

It is the part of wisdom to look to tlie event of<br />

things; for the Deity often overwhelms with<br />

misery those who have formerly been placed at<br />

the summit of felicity. HERODOTUS, Clio.<br />

NOT^E.<br />

8. Nepos. Actacon, for the story of whose<br />

fate the following is preparatory.<br />

9. Aliaia: foreign; not his own, but<br />

those of n stag. The poet here glances at<br />

the principal heads of the story.<br />

11. Fortunes crimen: the crime of for<br />

tune ; the crime of accident.<br />

13. Mons. Tt occurred on Mount Ciihae-<br />

ron, as related by Apollodorus and others.<br />

15. Mela utraque : from each goal, viz.<br />

from the cnst ana the west.<br />

1C. Juvenis Hyanlius: the young Hy-<br />

antian, viz. Actaeon. The Hyantcs were<br />

a people of Bceotia.<br />

18. Lina: the nets. Flax, of which<br />

nets arc made, is here put for the nets<br />

themselves, by metonymy.<br />

19. Fortunai satis: sufficient luck.<br />

20. Croceis rolis: in her saffron chariot.<br />

Rolu is put for curms by synecdoche.<br />

Aurora is said to be drawn in a saffron<br />

LIBER III.<br />

8 Nepos fuit Cadme,<br />

rinia causa luctfls ti-<br />

Ei inter tot res secundus<br />

14. Jamque diescon-<br />

truxerat medias um<br />

bras rerum, et sol di-<br />

stubut ex ffiquo utr4-<br />

que inelft.<br />

85. Erat vnllis densa<br />

piceis, et uculft cu<br />

pressu, nomine Gur-<br />

gaphie, sucru succinc-<br />

tse Diunoe.<br />

31. Fons perlucidua<br />

sonat A dextru tenui<br />

undH,»incinctus quod<br />

patulos hiatus grami-<br />

neo murgine<br />

chariot, because that color is common at<br />

sunrise.<br />

21. Propositum opus: our purposed labor,<br />

viz. hunting.<br />

22. Idem. Supply spalium. It is evi-<br />

dent that idem cannot agree in the nomina<br />

tive case with Phcebus, for the first sylla<br />

ble is short.<br />

22. Findit arva: cleaves the fields;<br />

causes the fields to crack open.<br />

25. VaUit. The poet gives a descrip<br />

tion of the vale and grotto in which Diana,<br />

and her nymplis were accustomed to re<br />

fresh themselves at noon. A spot so<br />

beautiful was meet for their presence.<br />

2G. Succinctte Diana. The goddess<br />

wore her dress thus, that she might fol<br />

low in the chase with more convenience.<br />

28. Simulaverat arlem: had imitated art.<br />

29. Pumice vivo: with living pumice;<br />

with natural pumice-stone.<br />

30. Nalivum duxerat arcum: had formed<br />

a natural arch.<br />

32. ilargine graminea: with a grassy<br />

border.<br />

31. Liquido rore: with the liquid dew<br />

with the clear water.<br />

FABULA III. METAMORPHOSE ON.<br />

Armigerse jaculum, pharetramque, arcusque retentos.<br />

Altera deposits subjecit brachia pallse :<br />

Vincla dura pedibus demunt. Nam doctior illia<br />

Ismenis Crocale, sparsos per colla capillos<br />

Colligit in nodum ; quamvis erat ipsa solutis. 40<br />

Excipiurit laticem Nipheleque, Hyaleque, Rhanisque,<br />

Et Psecas, et Phiale ; funduntque capacibus urnis.<br />

Dumque ibi perluitur solita Titania lympha;<br />

Ecce nepos Cadmi dilata parte laborum,<br />

Per nemus ignotum non certis passibus errans, 45<br />

Pervenit in lucum : sic ilium fata ferebant<br />

Qui simul intravit rorantia fontibus antra<br />

Sicut erant, viso, nudre sua pectora Nymphas<br />

Percussere, viro ; subitisque ululatibus omne<br />

Implevere nemus : circumfusseque Dianam 50<br />

Corporibus texere suis. Tamen altior ilJis<br />

Ipsa dea est, colloque tenus supereminet omnes.<br />

37. Subjecit brackia: laid her arms un<br />

der her cloak; received her cloak in her<br />

arms.<br />

38. Vincla: her eandale.<br />

39. Ismenis Crocale: the Ismenian Cro<br />

cale. She was the daughter of Ismenus, a<br />

river of Bceotia. The name is derived<br />

from ifpfav, a pebble.<br />

41. Excipiunt laticem: take the cup,<br />

Viz. the water in cups.<br />

41. NipJiele. The name of this nymph<br />

13 derived from vama, to viash.<br />

41. Hyale. The name of this nymph is<br />

from va\rjt transparent.<br />

41. Rhanis. This name is derived from<br />

/aifb), to sprinkle.<br />

42. Psecas. The nymph has her name<br />

from if&taft drops of dew.<br />

42. Phiale. The name of this nymph<br />

is derived from 4*0X1, a cup.<br />

45. Nemus ignotum: the unknown grove.<br />

He did not know that a part of it was sa<br />

cred to Diana.<br />

45. Non certis passibus : with uncertain<br />

steps; with random steps.<br />

4C. Lucum. The grove, or forest, that<br />

ie set apart for the worship of some deity,<br />

is designated by the term Incus, as dis<br />

tinguished from nemus.<br />

4(j. Fata ferebant s the Fates lead him.<br />

They led him hither to his destruction.<br />

Thomson very beautifully describes the<br />

Loves as leading Damon to a similar<br />

scene with a happy termination. The de<br />

scription is so beautiful that we copy it:<br />

Thrice happy swain!<br />

A lucky chance, that oft decides the fate<br />

Of mighty rnonnrchs, then decided thine.<br />

For lo! conducted by the laughing Loves,<br />

This cool retreat his Mu&idoru sought:<br />

Warm in her cheek the sultry season glowed;<br />

And, robed in loose array, she came to butlie<br />

Her fervent limbs in the refreshing stream.<br />

NOT^E.<br />

213<br />

38. Nam Ismems<br />

Crocale doctior i\\[3t<br />

eolligit in nodum ca-<br />

pilloe pparsos per eol-<br />

la; quamvis ipsa erat<br />

capiilu eolutis.<br />

44. Ecce nepos Cad<br />

mi, pane laborum di<br />

late, (errans non cer<br />

tis pD&sibus per igno<br />

tum nemus,) per yen it<br />

in lucum.<br />

60. Circumfusceque,<br />

texere Diauum suis<br />

corporibus.<br />

"What shall he do ? In sweet confusion lost.<br />

And dubious flutlerings, he awhile remained :<br />

A pure ingenuous elegance of soul,<br />

A delicate refinement, known to few,<br />

Perplexed his breast, and urged him to retire:<br />

But love forbade. Ye prudes in virtue, say,<br />

Say, ye severest, what wo ~ld j ou have done ?<br />

Meantime, this fairer nymph than ever blessed<br />

Arcadian Btream, with timid eye around<br />

The banks surveying, stripped her beauteous<br />

limbs,<br />

To taste the lucid coolness of the flood.<br />

Ah then! not Pnris on the piny top<br />

Of Ida panted stronger, when aside<br />

The rival-goddesses the veil divine<br />

Cast unconfined, and gave him all their charms,<br />

Than, Damon, thou; as from the snowy leg,<br />

And slender foot, th' inverted silk she drew;<br />

As the soft touch dissolved tlie virgin zone;<br />

And, through the parting robe th1 alternate<br />

breast,<br />

With youth wild-throbbing, on thy lawless gaze<br />

In full luxuriance rose. But, desperate youth,<br />

How durst thou risk the soul-distracting view;<br />

As from her naked limbs of glowing white,<br />

Harmonious swell'd by Nature's finest hand,<br />

In folds loose-floating fell the fainter lawn;<br />

And fair-exposed she stood, shrunk from her<br />

self,<br />

With fnncy blushing, at the doubtful breeze<br />

Alarmed, and sinning like the fearful fawn?<br />

Then to the flood she rushed ; the parted flood<br />

Its lovely guest with closing waves received;<br />

And every beauty softening, every grace<br />

Flushing anew, a mellow lustre shed :<br />

As shines the lily through the crystal mild;<br />

Or as the rose amid the morning dew,<br />

Fresh from Aurora's huud, more sweetly glows<br />

While thus she wantoned, now beneath the wave<br />

But ill concealed; and now with streaming<br />

locks,<br />

That half embraced her in a humid veil,<br />

Rising again, the latent Damon drew<br />

Such maddening droughts of benuiy to the soul<br />

As for awhile overwhelmed his raptured thought.<br />

THOMSON'S SEASONS.<br />

50. Circumfusts Dianam. Having en<br />

compassed I)iana, that she might not be<br />

seen naked by Acteeon.<br />

\

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