Catalogue Forthcoming Titles Autumn 2012 - Brepols Publishers
Catalogue Forthcoming Titles Autumn 2012 - Brepols Publishers
Catalogue Forthcoming Titles Autumn 2012 - Brepols Publishers
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FORTHCOMING<br />
TITLES <strong>Autumn</strong> <strong>2012</strong><br />
Medieval Sudies Medieval Languages & Lieraures<br />
Modern Languages & Lieraures Lain Language &<br />
Lieraure Medieval Archaeology Manuscrip Sudies<br />
Ar Hisory Music Hisory Early Modern Sudies<br />
Social & Economic Hisory Lae Aniuiy & Parisics<br />
Egypology, Near Easern & Orienal Sudies Comparaive<br />
Religious Sudies Hisory of Science Carography<br />
A
B<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong><br />
For orders or general enquiries please contact / Pour des commandes ou des renseignements veuillez contacter :<br />
Begijnhof 67 – 2300 Turnhout – Belgium – Tel: + 32 14 44 80 20 – Fax: + 32 14 42 89 19 – info@brepols.net – www.brepols.net
T able of C ontents<br />
Medieval Sudies 2<br />
Medieval Languages & Lieraures 9<br />
Modern Languages & Lieraures 13<br />
Lain Language & Lieraure 14<br />
Medieval Archaeology 15<br />
Manuscrip Sudies 16<br />
Ar Hisory 18<br />
Music Hisory 25<br />
Early Modern Sudies 27<br />
Social & Economic Hisory 32<br />
Lae Aniuiy & Parisics 35<br />
Egypology, Near Easern & Orienal Sudies 39<br />
Comparaive Religious Sudies 41<br />
Hisory of Science 43<br />
Carography 43<br />
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1
2<br />
Negotiating the Political in<br />
Northern European Urban<br />
Society, c.1400–c.1600<br />
Sheila Sweetinburgh (ed.)<br />
x + 212 p., 9 b/w ills., 152 x 229 mm,<br />
<strong>2012</strong>, ASMAR 38, HB,<br />
ISBN 978-2-503-54666-7 (print),<br />
ISBN 978-2-503-54688-9 (online),<br />
approx. € 60<br />
Publication date scheduled for November <strong>2012</strong><br />
ArizonA StudieS in<br />
the Middle AgeS And<br />
the renAiSSAnce<br />
Le mécénat bibliophilique<br />
de Jean sans Peur et de<br />
Marguerite de Bavière<br />
(1404-1424)<br />
Delphine Jeannot<br />
approx. 450 p., 64 ill. n/b, 156 x 234 mm,<br />
<strong>2012</strong>, BURG 19, HB,<br />
ISBN 978-2-503-54422-9,<br />
approx. € 92<br />
Publication prévue pour octobre <strong>2012</strong><br />
BurgundicA<br />
MedieVAl StudieS<br />
Part of BREPOLS<br />
MISCELLANEA ONLINE<br />
Essays in Medieval Studies<br />
Collection 2013<br />
An inside and outside view of the power<br />
dynamics in northern European urban<br />
society.<br />
Negotiating the Political is a fascinating<br />
and wide-ranging collection of<br />
C’est dans la France des XIV e et XV e<br />
siècles, en particulier chez les Valois,<br />
que le mécénat princier connut son<br />
âge d’or. Jean de Berry, frère du roi<br />
Charles V, fut certainement un de ceux<br />
qui illustra ce phénomène avec le plus<br />
de faste. L’historiographie brossa en<br />
revanche un tout autre portrait de son<br />
neveu, Jean sans Peur, le réduisant à<br />
case studies on the creation of identity<br />
in late medieval and Renaissance urban<br />
society. At a time of far-reaching<br />
political, religious and social changes,<br />
towns were at the forefront of this<br />
transformation of European society,<br />
un fin politique, parfois manipulateur,<br />
loin du prince cultivé amateur d’art. Et<br />
pourtant, nous devons au mécénat du<br />
duc de Bourgogne quelques-unes des<br />
plus belles réalisations artistiques de<br />
l’époque, à l’image du Livre des merveilles<br />
du monde qu’il fit réaliser pour<br />
offrir à Jean de Berry. La qualité des<br />
sources conservées a permis de reconstituer<br />
les collections de manuscrits<br />
en possession de Jean sans Peur et de<br />
Marguerite de Bavière, son épouse,<br />
donnant ainsi la mesure de la qualité<br />
de leur mécénat artistique jusqu’alors<br />
méconnu.<br />
Delphine Jeannot est docteure en<br />
Histoire de l’art de l’Université<br />
de Lille 3. Ses recherches pluridisciplinaires<br />
portent sur le mécénat<br />
princier et féminin au XV e siècle à<br />
la Cour de Bourgogne.<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Studies<br />
their citizens frequently engaged in the<br />
struggle for autonomy. When negotiating<br />
relationships with the Church,<br />
the Crown and within the town’s own<br />
competing constituencies, townsmen<br />
were able to manipulate factors such<br />
as time and space in their pursuit of<br />
honour, status, commemoration, reputation<br />
and power.<br />
The resulting town studies are arranged<br />
thematically–the view from<br />
the inside; the view from the outside–<br />
being set within contemporary cultural<br />
developments. Thus the collection<br />
highlights the differing strategies and<br />
approaches employed by towns, seeing<br />
such variation as indicative of the<br />
importance of the particular within<br />
the study of European urban society.<br />
The introductory discussion explores<br />
overarching themes and cross-cultural<br />
similarities, and Professor Caroline<br />
Barron provides a masterly concluding<br />
essay. This volume is an exciting development<br />
that sheds fresh light on the<br />
history of northern European urban<br />
communities.
Post-Roman Transitions<br />
Christian and Barbarian<br />
Identities in the Early<br />
Medieval West<br />
Walter Pohl, Gerda<br />
Heydemann (eds.)<br />
approx. x + 588 p., 9 b/w ills., 10 b/w line art,<br />
156 x 234 mm, <strong>2012</strong>, CELAMA 14, HB,<br />
ISBN 978-2-503-54327-7 (print),<br />
ISBN 978-2-503-54420-5 (online),<br />
approx. € 130<br />
Publication date scheduled for October <strong>2012</strong><br />
culturAl encounterS in<br />
lAte Antiquity And the<br />
Middle AgeS<br />
Part of BREPOLS<br />
MISCELLANEA ONLINE<br />
Essays in Medieval Studies<br />
Collection 2013<br />
What were the social contexts, cultural<br />
resources, and political consequences of<br />
the new models for identification which<br />
emerged during the transition from the<br />
Roman empire to the medieval world?<br />
This volume looks at changing identi-<br />
Saint Anselm of Canterbury<br />
and His Legacy<br />
Giles E. M. Gasper,<br />
Ian Logan (eds.)<br />
approx. xii + 460 p., 150 x 230 mm,<br />
<strong>2012</strong>, DMRME 2, HB,<br />
ISBN 978-0-88844-861-3,<br />
approx. € 80<br />
Publication date scheduled for August <strong>2012</strong><br />
durhAM MedieVAl And<br />
renAiSSAnce MonogrAphS<br />
And eSSAyS<br />
North American customers are<br />
advised to order directly through<br />
University of Toronto Press.<br />
This collection of twenty-one essays is<br />
based on papers originally delivered at<br />
a conference commemorating the nine<br />
hundredth anniversary of Anselm’s<br />
death in 1109. The breadth of the essays<br />
presented in this volume reflects<br />
the enduring fascination with Anselm<br />
and his world in ways that stress both<br />
the continuities and discontinuities<br />
with the present-day<br />
ties during the transition from the Roman<br />
empire to a political world defined<br />
by a different kingdoms and peoples in<br />
western Europe. It addresses ‘ethnicity’<br />
in the context of alternative modes of<br />
identification, mainly Christianity and<br />
Romanness. To widen the horizon of<br />
current debates, it shows that the ancient<br />
dichotomy between barbarians<br />
and Romans is hardly helpful in understanding<br />
the complex transitions<br />
to a post-imperial age in the West. In a<br />
Giles E.M. Gasper is Lecturer in<br />
the Department of History, Durham<br />
University, and Associate Director of<br />
Durham University Institute of Medieval<br />
and Renaissance Studies.<br />
Ian Logan is a Senior Research Fellow<br />
at Blackfriars Hall, Oxford, who<br />
teaches medieval philosophy.<br />
Review<br />
Anselm’s importance is rediscovered<br />
in every generation, and this<br />
splendid volume, marking the nine<br />
hundredth anniversary of Anselm’s<br />
death, bears witness to the continuing<br />
fruitfulness of these encounters.<br />
The authors examine with fresh<br />
eyes the long history of Anselm’s reception:<br />
first, among his contemporaries<br />
at Bec and Canterbury, and<br />
then in the twelfth-century ‘Renaissance’.<br />
The subsequent history of<br />
that reception and the transformation<br />
in the late medieval schools<br />
and in the vernacular literature of<br />
the later Middle Ages provide the<br />
materials for two more sections of<br />
the volume, and a cluster of essays at<br />
the close tackles the question of An-<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Studies<br />
broad sweep of regional examples, from<br />
Spain and North Africa to Dalmatia<br />
and the British Isles, the book follows<br />
the unfolding of Christian and barbarian<br />
identities: How were both the Roman<br />
and the barbarian past used for<br />
the formation and legitimation of new<br />
identities?<br />
The ‘scripts of Romanness’ changed in<br />
the early Middle Ages, and so did the<br />
significance of othering pagans, heretics,<br />
or barbarians. The contributions<br />
trace the tenacity and the ambiguity<br />
of traditional narratives and signs of<br />
distinction: manuscripts and material<br />
remains, costume and epigraphy, historiography<br />
and hagiography were used<br />
in creative ways to shape civic, local,<br />
or religious communities. Many of the<br />
contributions show the fundamental<br />
importance of Christian ‘strategies of<br />
identification’ for creating a stronger<br />
political role for ethnicity in the post-<br />
Roman kingdoms. They thus follow a<br />
line of argument that has also been explored<br />
in the book’s companion volume<br />
in this series, Strategies of Identification:<br />
Ethnicity and Religion in Early Medieval<br />
Europe (CELAMA 13).<br />
selm’s contested influence on writers<br />
and thinkers of the twentieth<br />
and twenty-first centuries. A magnificent<br />
voyage of discovery spanning<br />
some nine hundred years, this<br />
volume is a fitting tribute to one of<br />
the great medieval authors whose<br />
influence has flourished in many<br />
different settings and continues to<br />
work even in our own times.<br />
- Joseph Goering, University of<br />
Toronto<br />
3
4<br />
Orthodoxy and Controversy<br />
in Twelfth-Century<br />
Religious Discourse<br />
Peter Lombard’s ‘Sentences’<br />
and the Development of<br />
Theology<br />
Clare Monagle<br />
approx. x + 240 p., 156 x 234 mm,<br />
<strong>2012</strong>, ES 8, HB,<br />
ISBN 978-2-503-52795-6,<br />
€ 70<br />
Publication date scheduled for October <strong>2012</strong><br />
europA SAcrA<br />
This is the first book to look closely<br />
at the contested reception of Peter<br />
Lombard’s Sentences and its eventual<br />
triumph at the Fourth Lateran Council.<br />
By placing Peter Lombard’s career<br />
and works within the broader frame<br />
of twelfth-century ideas, practice,<br />
and institutions, the author explores<br />
Distances, rencontres,<br />
communications :<br />
réaliser l’Empire sous<br />
Charlemagne et Louis<br />
le Pieux<br />
Martin Gravel<br />
approx. 300 p., 156 x 234 mm,<br />
<strong>2012</strong>, HAMA 15, PB,<br />
ISBN 978-2-503-54554-7,<br />
approx. € 65<br />
Publication prévue pour octobre <strong>2012</strong><br />
hAut Moyen Âge<br />
Imprégnés de leur rôle de vicaires<br />
du Christ, les empereurs carolingiens<br />
se voulaient protecteurs de<br />
leurs peuples, législateurs et juges,<br />
mais aussi recteurs de l’Église. Ils<br />
ont élaboré un idéal de gouvernement<br />
ambitieux, visant à corriger,<br />
étendre et guider la société chrétienne.<br />
À l’échelle de la Gaule, de l’Italie, de<br />
leurs conquêtes en Germanie et en<br />
and contextualizes the controversies<br />
that attended the publication of the<br />
Sentences. At the same time, she also<br />
traces the growing popularity of the<br />
Sentences and its increasing prestige<br />
and importance among the literary<br />
elites of Northern Europe.<br />
The book argues that the allegations<br />
of error made against Lombard’s<br />
Christology and Trinitarian theology<br />
in the period between 1156 and 1215<br />
must be understood in the longer history<br />
of intellectual controversy in the<br />
Schools of Northern Europe. In the<br />
trials of Berengar of Tours, Abelard,<br />
and Gilbert of Poitiers, the author<br />
uncovers a consistent tradition of<br />
critique within the schools that she<br />
shows to inform subsequent criticisms<br />
of Peter Lombard’s intellectual<br />
legacy. Concomitantly, she explores<br />
how responses made in support of<br />
the Sentences, against men such as<br />
Gerhoh of Reichersberg and Joachim<br />
of Fiore, consolidated the emerging<br />
canonical status of the work as a<br />
Espagne, Charlemagne et Louis le<br />
Pieux pouvaient-ils réaliser leur plan ?<br />
Confrontés au problème essentiel<br />
des distances, ils ont relevé le défi<br />
en misant sur la délégation hiérar-<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Studies<br />
textbook in theology which is finally<br />
endorsed at Lateran IV.<br />
As such, this study challenges our understanding<br />
of the making of orthodoxy<br />
in the twelfth century.<br />
chique et les communications. Leurs<br />
efforts ont déterminé la nature de<br />
leurs échanges, mais aussi leurs limites<br />
et le destin de leur empire.<br />
L’enquête utilise un vaste éventail<br />
documentaire – actes diplomatiques,<br />
documents législatifs et correspondances.<br />
Elle tient compte des aspects<br />
matériels et techniques des déplacements<br />
et de la circulation des personnes.<br />
En considérant la rencontre<br />
et les communications à distance d’un<br />
point de vue anthropologique, l’auteur<br />
propose une étude des réseaux qui<br />
éclaire les modes de transmission de<br />
l’information et l’exercice du pouvoir.<br />
Au-delà des considérations propres à<br />
l’histoire des VIII e -IX e siècles, le livre<br />
démontre l’intérêt d’aborder les réalités<br />
politiques prémodernes du point<br />
de vue des défis à la fois technologiques<br />
et relationnels que présentent<br />
les distances géographiques, le mouvement<br />
des hommes, les rencontres et les<br />
communications.
Partners in Spirit<br />
Women, Men, and Religious<br />
Life in Germany, 1100-1500<br />
Fiona J. Griffiths,<br />
Julie Hotchin (eds.)<br />
approx. x + 249 p., 7 b/w ills., 2 b/w line art,<br />
156 x 234 mm, <strong>2012</strong>, MWTC 24, HB,<br />
ISBN 978-2-503-54096-2 (print),<br />
ISBN 978-2-503-54128-0 (online),<br />
approx. € 80<br />
Publication date scheduled for October <strong>2012</strong><br />
MedieVAl WoMen:<br />
textS And contextS<br />
Partners Part of in BREPOLS Spirit focuses on relations<br />
MISCELLANEA ONLINE<br />
Essays in Medieval Studies<br />
Collection 2013<br />
between chaste men and women<br />
within the religious life in Germany<br />
(c. 1100-1500), concentrating on the<br />
Nuns’ Literacies in<br />
Medieval Europe:<br />
The Hull Dialogue<br />
Veronica O’Mara,<br />
Virginia Blanton,<br />
Patricia Stoop (eds.)<br />
approx. x + 434 p., 12 b/w and 4 colour ills.,<br />
18 b/w line art, 156 x 234 mm,<br />
<strong>2012</strong>, MWTC 26, HB,<br />
ISBN 978-2-503-53972-0 (print),<br />
ISBN 978-2-503-54055-9 (online),<br />
approx. € 110<br />
Publication date scheduled for October <strong>2012</strong><br />
MedieVAl WoMen:<br />
textS And contextS<br />
Part of BREPOLS<br />
MISCELLANEA ONLINE<br />
Essays in Medieval Studies<br />
Collection 2013<br />
This collection of essays, which is focused<br />
on the literacies of nuns in medieval<br />
Europe, is designed to bring<br />
together specialists working on diverse<br />
geographical areas to create a dialogue<br />
complex set of negotiations that governed<br />
contact between a male priest<br />
and his female charge. Although religious<br />
women were undeniably reliant<br />
about the Latin and vernacular texts<br />
nuns read, wrote, and exchanged,<br />
primarily from the late eighth to the<br />
mid-sixteenth centuries. This is the<br />
first concentrated study that examines<br />
the literacy of nuns in a comparative<br />
fashion and at the same time pays close<br />
attention to the individual textual and<br />
cultural complexities. These essays seek<br />
to develop an understanding of how<br />
women religious across Europe interacted<br />
with books, as writers, readers,<br />
patrons, and benefactors/inheritors of<br />
books. This project also seeks to draw<br />
on the rich body of scholarship that<br />
currently exists about nuns in England,<br />
Germany, the Netherlands, and<br />
Sweden to find manuscript connections<br />
between women from different<br />
regions and nationalities, even as it is<br />
intended to move beyond these traditional<br />
centres of women’s literacies to<br />
investigate and problematize issues of<br />
literacy in other regions and nations.<br />
This volume investigates the topic of<br />
literacy primarily from the palaeographical<br />
evidence of the manuscripts<br />
and by discussing records of book<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Studies<br />
on priests for pastoral care (the cura<br />
monialium) throughout the medieval<br />
period, it does not follow that men<br />
saw such care as burdensome or that<br />
women were spiritually subordinate in<br />
their relations with priests. Within the<br />
context of the cura, ordained men and<br />
professed women met regularly, often<br />
developing intimate friendships and<br />
providing each other with crucial spiritual<br />
support, despite prevailing fears<br />
that contact between the sexes must<br />
result in sexual temptation and sin.<br />
Examining the various interactions of<br />
priests with religious women, Partners<br />
in Spirit traces the ways in which both<br />
viewed the cura, highlighting the fluidity<br />
of gender and authority within the<br />
medieval religious life. In so doing, the<br />
volume suggests new ways of considering<br />
the intersection of gender, religion,<br />
and spiritual power within the medieval<br />
world.<br />
ownership in convents and other more<br />
external evidence, both literary and<br />
historical. In so doing the contributors<br />
engage in examining such issues as the<br />
representations of nuns and literacy,<br />
their participation in the book trade<br />
and the inter-monastic circulation and<br />
translation of texts.<br />
5
6<br />
Sacred Sites and Holy Places<br />
Exploring the Sacralization<br />
of Landscape through Space<br />
and Time<br />
Sæbjørg Walaker Nordeide,<br />
Stefan Brink (eds.)<br />
approx. x + 271 p., 63 b/w ills., 156 x 234 mm,<br />
<strong>2012</strong>, SEM 11, HB,<br />
ISBN 978-2-503-54100-6 (print),<br />
ISBN 978-2-503-54125-9 (online),<br />
approx. € 90<br />
Publication date scheduled for October <strong>2012</strong><br />
StudieS in the eArly<br />
Middle AgeS<br />
Part of BREPOLS<br />
MISCELLANEA ONLINE<br />
Essays in Medieval Studies<br />
Collection 2013<br />
In this volume two important veins<br />
of interdisciplinary research into the<br />
medieval period in Scandinavia and<br />
the Baltic region are merged, namely<br />
Gildas and the Christian<br />
Scriptures<br />
Reconstructing a Theology<br />
from Scriptural Usage<br />
Thomas O’Loughlin<br />
approx. 300 p., 156 x 234 mm,<br />
<strong>2012</strong>, STT 12, PB,<br />
ISBN 978-2-503-53436-7,<br />
approx. € 65<br />
Publication date scheduled for November <strong>2012</strong><br />
StudiA trAditioniS<br />
theologiAe<br />
Gildas is the earliest insular writer who<br />
has left us substantial legacy of theological<br />
writing. He is usually, however,<br />
not seen as a theological writer but as a<br />
source for ‘dark age’ Britain at the time<br />
of the Germanic invasions. Yet Gildas<br />
saw himself as a prophet charged<br />
the Christianization process and landscape<br />
studies. The volume authors<br />
approach the common theme of sacrality<br />
in landscape from such various<br />
viewpoints as archaeology, philology,<br />
history of religion, theology, history,<br />
classical studies, and art history. A<br />
common theme in all articles is a theoretical<br />
approach, complemented by<br />
illustrative case studies from the Scandinavian,<br />
Baltic, or Classical worlds.<br />
Aspects of pagan religion, as well as<br />
Christianity and the establishment of<br />
the early Church, are considered within<br />
both geographical setting and social<br />
landscape, while the study of maps,<br />
place names, and settlement patterns<br />
introduces new methodologies and<br />
perspectives to expose and define the<br />
sacral landscape of these regions. The<br />
contributions are put into perspective<br />
by a comparison with research into the<br />
sacral landscapes of Central Europe<br />
and the Classical world.<br />
New interdisciplinary research methods<br />
and new models have been developed<br />
by the contributors to present<br />
by God to call the rulers and clergy<br />
of his society back to being a chosen<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Studies<br />
new vistas of sacrality in the Scandinavian<br />
and the Baltic landscape. To<br />
open up these case studies, a selection<br />
of over sixty images and maps accompanies<br />
this cutting-edge research, allowing<br />
the reader to explore sacralization<br />
and the Christianization process<br />
within its medieval setting.<br />
people of the covenant. The form this<br />
call took was that of an indictment of<br />
those groups based on the testimonia<br />
of the Christian scriptures.<br />
This book is a study both of Gildas’s<br />
use of the scriptures (his text, his<br />
canon, his exegetical strategies) and of<br />
how, from the way he interprets sacred<br />
history, he created a distinctive theology<br />
of the church and of salvation.<br />
Thomas O’Loughlin is Professor<br />
of Historical Theology at the University<br />
of Nottingham. His areas<br />
of interest are Patristic and Medieval<br />
Theology, History of Scriptural<br />
Interpretation, Early Church and<br />
Method in Historical Theology.
A Bibliography of<br />
Works on Medieval<br />
Communication<br />
Marco Mostert<br />
xiv + 658 p., 156 x 234 mm,<br />
<strong>2012</strong>, USML 2, HB,<br />
ISBN 978-2-503-54477-9,<br />
€ 115<br />
Available<br />
utrecht StudieS in<br />
MedieVAl literAcy<br />
This bibliography of works on medieval<br />
communication offers a survey of<br />
work in a field of study which, from the<br />
1960s onwards, has seen an ever-increasing<br />
number of monographs, collections<br />
of miscellanies and articles in<br />
learned journals being published every<br />
year. It provides a guide to this aston-<br />
Epigraphic Literacy<br />
and Christian Identity<br />
Modes of Written Discourse<br />
in the Newly Christian<br />
European North<br />
Kristel Zilmer,<br />
Judith Jesch (eds.)<br />
vi + 273 p., 39 b/w ills., 15 b/w line art,<br />
156 x 234 mm,<br />
<strong>2012</strong>, USML 4, HB,<br />
ISBN 978-2-503-54294-2 (print),<br />
ISBN 978-2-503-54318-5 (online),<br />
€ 80<br />
Available<br />
utrecht StudieS in<br />
MedieVAl literAcy<br />
Part of BREPOLS<br />
MISCELLANEA ONLINE<br />
Essays in Medieval Studies<br />
Supplement <strong>2012</strong><br />
ishing output by offering a list of more<br />
than 6.700 publications under sixteen<br />
headings. Because of the overlap of<br />
This volume examines the role of epigraphic<br />
literacy within the newly introduced<br />
Christian culture and the<br />
developing tradition of literacy in<br />
Northern Europe during the Viking<br />
Age and the High Middle Ages. The<br />
epigraphic material under scrutiny<br />
here originates from Scandinavia and<br />
North-West Russia – two regions that<br />
were converted to Christianity around<br />
the turn of the first millennium. Besides<br />
traditional categories of epigraphic<br />
sources, such as monumental<br />
inscriptions on durable materials, the<br />
volume is concerned with more casual<br />
inscriptions on less permanent materials.<br />
The first part of the book discusses<br />
a form of monumental epigraphic<br />
literacy manifested on Scandinavian<br />
rune stones, with a particular focus on<br />
their Christian connections. The second<br />
part examines exchanges between<br />
Christian culture and ephemeral products<br />
of epigraphic literacy, as expressed<br />
through Scandinavian rune sticks, East<br />
Slavonic birchbark documents and<br />
church graffiti. The essays look beyond<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Studies<br />
these headings, a comprehensive Index<br />
of subjects, place names and personal<br />
names is provided, which will allow<br />
the user to quickly find publications<br />
relevant to his research. A short Introduction<br />
precedes the bibliography.<br />
Progress in the field of study over the<br />
past two decades is outlined, with attention<br />
to those recent developments<br />
which have proved the most productive.<br />
At the same time, something is<br />
said about the growing insights which<br />
have led the bibliography’s organisation<br />
to be changed substantially since<br />
its previous edition in 1999, which already<br />
numbered 1.580 items. Not only<br />
the more than fourfold increase in the<br />
number of items made a new edition<br />
necessary therefore, but also new ideas<br />
about the best ways of organising the<br />
knowledge that is to be gained from<br />
the contents of studies of medieval<br />
communication.<br />
the traditional sphere of parchment<br />
literacy and the Christian discourse of<br />
manuscript sources in order to explore<br />
the role of epigraphic literacy in the<br />
written vernacular cultures of Scandinavia<br />
and North-West Russia.<br />
7
8<br />
Publications du Centre<br />
Européen d’Études<br />
Bourguignonnes<br />
(XIV e -XVI e s.)(<strong>2012</strong>)<br />
Mémoires conflictuelles et<br />
mythes concurrents dans<br />
les pays bourguignons<br />
(ca 1380-1580)<br />
approx. 320 p., 150 x 230 mm,<br />
<strong>2012</strong>, PCEEB 52, PB,<br />
ISBN 978-2-503-54364-2<br />
Publication prévue pour octobre <strong>2012</strong><br />
puBlicAtionS du centre<br />
européen d’étudeS<br />
BourguignonneS (xiVe-xVie S.)<br />
JournAl<br />
http://brepols.metapress.com/journals<br />
Multiple subscription options<br />
& pay-per-view available<br />
Table des matières<br />
M. Margue, Introduction : Mythes<br />
et mémoires au bas Moyen Âge – G.<br />
Small et J. Dumolyn, Parole d’État<br />
et mémoire « collective » dans les<br />
pays bourguignons : les discours<br />
prononcés devant des assemblées<br />
représentatives (XV e -XVI e siècle)<br />
– M. Damen and Robert Stein,<br />
Collective Memory and Personal<br />
memoria. The Carthusian Monastery<br />
of Scheut as a Crossroads of<br />
Urban and Princely Patronage in<br />
Fifteenth-Century Brabant – J.<br />
L. González García, « I will capture<br />
a fleece which will bring back<br />
the Golden Age » : Artistic Issues<br />
of (Dis)Continuity between the<br />
Dukes of Burgundy and the Spanish<br />
Habsburgs in the Sixteenth<br />
Century – B. Haquette, Réécrire<br />
l’histoire sans esventer les secrets<br />
des maisons. Le cas La Viesville<br />
– V. Soen, La causa Croÿ et les<br />
limites du mythe bourguignon : la<br />
frontière, le lignage et la mémoire<br />
– L. B. Ross, Mémoires sélectives :<br />
les travaux d’Hercule aux festivités<br />
de Bruges en 1468 – S. Dünnebeil,<br />
Der Orden vom Goldenen Vlies<br />
als Zeichen der burgundischen<br />
Einheit : Ideal oder Wirklichkeit<br />
unter Maximilian I. ? –<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Studies<br />
A. Brown, Liturgical Memory and<br />
Civic Conflict : the Entry of Emperor<br />
Frederick III and Maximilian,<br />
King of the Romans, into Bruges<br />
on 1 August 1486 – H. Schnitker,<br />
Multiple Memories : Pierre de<br />
Vaux’s Vie de sainte Colette, Burgundy<br />
and the Church – J.-Chr.<br />
Blanchard, Entre généalogie et<br />
mythologie : la mise en image de la<br />
mémoire dynastique dans les heures<br />
d’Antoine, duc de Lorraine (1508-<br />
1544) – T. Tanneberger, Die historiographischen<br />
Konstruktionen<br />
in der Genealogia principum<br />
Tungro-Brabantinorum im Vergleich<br />
– F. Buylaert, J. Haemers, T.<br />
Snijders and S. Villerius, Politics,<br />
Social Memory and Historiography<br />
in Sixteenth-Century Flanders :<br />
towards a Research Agenda – A.<br />
Leduc et N. Baptiste, De l’histoire<br />
au mythe. Regard critique<br />
sur les armes du butin bourguignon<br />
– E. Bousmar, Siècle de<br />
Bourgogne, siècle des grands ducs :<br />
variations de mémoire en Belgique<br />
et en France, du XIX e siècle à nos<br />
jours – G. Docquier, « L’heure du<br />
légitime tribut sonne pour Bruges » :<br />
revendications brugeoises autour<br />
de l’Ordre de la Toison d’or – J.-P.<br />
Hoyois, Idéologie versus objectivité :<br />
Marguerite d’Autriche et Marie de<br />
Hongrie sous la plume des historiens<br />
du XIX e siècle à nos jours – M.<br />
Weis et J. Houssiau, L’opéra comme<br />
« lieu de mémoire » : la Pacification<br />
de Gand (1876)
MedieVAl lAnguAgeS & literAtureS<br />
Les langues ibériques<br />
médiévales<br />
Bernard Darbord,<br />
Denis Menjot<br />
approx. 500 p., 156 x 234 mm,<br />
<strong>2012</strong>, AM 12, PB, ISBN 978-2-503-50470-4,<br />
approx. € 37<br />
Publication prévue pour novembre <strong>2012</strong><br />
l’Atelier du MédiéViSte<br />
Diffusion pays francophones :<br />
SODIS/SOFEDIS<br />
La Péninsule ibérique, qui est une unité<br />
géographique évidente (aux yeux des<br />
étrangers…), devient au Moyen Âge,<br />
une fois passée la phase d’unité wisigothique,<br />
une zone de particularismes<br />
politiques et de grande diversité cultu-<br />
Histoire ancienne<br />
jusqu’à César<br />
Histoire d’Alexandre<br />
et de la Macédoine<br />
Catherine Gaullier-<br />
Bougassas (éd.)<br />
approx. 300 p., 156 x 234 mm,<br />
<strong>2012</strong>, AR 4, PB, ISBN 978-2-503-54213-3,<br />
approx. € 70<br />
Publication prévue pour octobre <strong>2012</strong><br />
AlexAnder rediViVuS<br />
L’Histoire ancienne jusqu’à César, dédiée<br />
vers 1210 au châtelain de Lille<br />
Roger IV, constitue la plus ancienne<br />
histoire universelle écrite en langue<br />
française. Son auteur, Wauchier de Denain,<br />
y consacre un long récit à la Macédoine<br />
et à Alexandre le Grand, qui n’a<br />
encore jamais été édité. L’importance<br />
majeure de l’Histoire ancienne jusqu’à<br />
César pour la naissance de l’historiographie<br />
médiévale en langue française<br />
est confirmée par sa grande diffusion :<br />
relle. Cette complexité s’exprime particulièrement<br />
dans la variété des langues<br />
vulgaires. C’est de cette richesse que ce<br />
livre veut rendre compte.<br />
Le parcours proposé ici est triple :<br />
- les traductions en regard des textes<br />
originaux, avec leurs commentaires<br />
philologiques, permettent de s’initier<br />
rapidement aux règles linguistiques<br />
nécessaires à une lecture suivie<br />
- le choix des documents, qui tente de<br />
refléter ce qui subsiste – et même ce<br />
qui a existé – des textes médiévaux, et<br />
leur classement en fonction des pratiques<br />
sociales et culturelles offrent<br />
un panorama complet et représentatif<br />
des registres de langues, depuis les plus<br />
modestes chartes de ventes jusqu’aux<br />
récits de fiction les plus élaborés<br />
- les chapitres introductifs et les bibliographies<br />
de travail constituent un<br />
guide pour la recherche historique<br />
nous en avons pour preuves le nombre<br />
très élevé des manuscrits conservés,<br />
leur réalisation en France, à Saint-Jeand’Acre<br />
et en Italie, les deux réécritures<br />
d’ensemble, en français, qu’elle a suscitées<br />
aux XIV e et XV e siècles, ses traductions,<br />
notamment italienne, ainsi que<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Languages & Literatures<br />
L’ouvrage peut donc être utilisé par<br />
l’étudiant et le chercheur comme un<br />
manuel et comme un instrument de<br />
travail (un « atelier », selon la philosophie<br />
de cette collection), mais il peut<br />
servir aussi de « cabinet de curiosités »<br />
où l’honnête homme découvrira des<br />
langues sonores et savoureuses, un art<br />
d’écrire, bref l’essence même d’une<br />
culture.<br />
Bernard Darbord est Professeur<br />
de langue et littérature espagnoles à<br />
l’Université Paris Ouest Nanterre.<br />
Denis Menjot est Professeur à<br />
l’Université de Lyon 2 et spécialiste<br />
d’histoire économique et sociale de<br />
la péninsule ibérique.<br />
les emprunts que lui ont consentis de<br />
nombreux auteurs, puis ses imprimés à<br />
la Renaissance. Cette édition critique a<br />
été réalisée à partir du manuscrit de Paris,<br />
Bibliothèque nationale de France,<br />
fr. <strong>2012</strong>5, et avec quatre manuscrits de<br />
contrôle. Nous accompagnons le texte<br />
de Wauchier de Denain sur la Macédoine<br />
et Alexandre de deux de ses réécritures<br />
: l’adaptation en franco-italien<br />
du codex 2576 de Vienne (Österreischische<br />
Nationalbibliothek), œuvre de<br />
copistes vénitiens du XIV e siècle, puis<br />
le remaniement du premier imprimé<br />
de 1491, celui d’Antoine Vérard, publié<br />
sous le titre Le Volume d’Orose.<br />
Catherine Gaullier-Bougassas est<br />
professeur de langue et de littérature<br />
médiévales françaises à l’Université<br />
de Lille 3. Elle a publié de<br />
nombreuses études sur Alexandre le<br />
Grand et l’Orient dans la littérature<br />
française médiévale.<br />
9
10<br />
The Nordic Apocalypse<br />
Approaches to Völuspá and<br />
Nordic Days of Judgement<br />
Terry Gunnell,<br />
Annette Lassen (eds.)<br />
approx. x + 244 p., 6 colour ills., 156 x 234 mm,<br />
<strong>2012</strong>, AS 2, HB,<br />
ISBN 978-2-503-54182-2 (print),<br />
ISBN 978-2-503-54199-0 (online),<br />
approx. € 80<br />
Publication date scheduled for October <strong>2012</strong><br />
ActA ScAndinAVicA<br />
Part of BREPOLS<br />
MISCELLANEA ONLINE<br />
Essays in Medieval Studies<br />
Collection <strong>2012</strong><br />
A series of articles on new approaches<br />
to the Old Norse poem Völuspá and its<br />
possible context within the apocalyptic<br />
tradition in Northern Europe in the<br />
early medieval period.<br />
John Trevisa and the<br />
English Polychronicon<br />
Jane Beal<br />
xvi + 172 p., 152 x 229 mm,<br />
<strong>2012</strong>, ASMAR 37, HB,<br />
ISBN 978-2-503-54665-0,<br />
approx. € 60<br />
Publication date scheduled for November <strong>2012</strong><br />
ArizonA StudieS in<br />
the Middle AgeS And<br />
the renAiSSAnce<br />
North American customers<br />
are advised to order directly<br />
from ACMRS.<br />
A study of John Trevisa’s rhetorical<br />
arguments for the value, necessity, and<br />
authority of translation in his English<br />
Polychronicon.<br />
John Trevisa was one of the most prodigious<br />
translators living in England in<br />
the fourteenth century. His numerous<br />
translations of works from Latin into<br />
English helped to ensure the creation<br />
and perpetuation of late-medieval vernacular<br />
history, literature, and culture<br />
in Britain. His translation of the Poly-<br />
This book, with roots in a conference<br />
held in Iceland in May 2008, contains<br />
a series of articles reflecting modern<br />
approaches to the text, context, and<br />
performance of the Old Norse poem<br />
Völuspá, perhaps the best known and<br />
most discussed of all the Eddic poems.<br />
Rather than attempting to cover Eddic<br />
or Skaldic poetry as a genre, the<br />
main aim of this book is to present an<br />
overview of the ‘state of the art’ with<br />
regard to one particular Eddic poem.<br />
It focuses especially on the poem’s possible<br />
context within the apocalyptic<br />
tradition of Northern Europe in the<br />
early medieval period. The approaches<br />
of the articles range from placing the<br />
poem within the pre-Christian oral<br />
tradition to placing it within the written<br />
and liturgical context of Christianity.<br />
Two other chapters offer a possible<br />
context for the poem by examining the<br />
nature and background of the early<br />
medieval image of the Apocalypse<br />
known to have been on display in<br />
chronicon, a universal history of the<br />
world originally compiled by Ranulf<br />
Higden, is both his magnum opus and<br />
his opportunity to present rhetorical<br />
arguments for the value, necessity, and<br />
authority of translation.<br />
Through his paratextual “Dialogue<br />
between a Lord and a Clerk on Translation”<br />
and prefatory letter to Lord<br />
Thomas Berkeley as well as his intertextual<br />
explanatory notes to the Polychronicon,<br />
John Trevisa explores the<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Languages & Literatures<br />
the Cathedral of Hólar in northern<br />
Iceland. While the approaches are focused<br />
on one specific poem, they are<br />
nonetheless applicable to many other<br />
Eddic works.<br />
tasks of the translator. Trevisa emphasizes<br />
the historical contributions of<br />
vernacular English translators, the role<br />
of divine inspiration in the translation<br />
process, and the importance of balancing<br />
reason and reliance on authority in<br />
the study of history. Trevisa’s rhetorical<br />
moves suggest an interest in reaching<br />
the broadest possible audience, ranging<br />
from the lay nobility to priests and<br />
clerics.<br />
It appears that Trevisa wanted to provide<br />
priests with an English Polychronicon<br />
that could help them understand<br />
the historical context of the Bible and<br />
help them compose vernacular sermons<br />
for laypeople. After the Constitutions<br />
of Archbishop Arundel forbid<br />
unauthorized possession of English<br />
Bibles in the early fifteenth century,<br />
the fortunes of Trevisa’s Polychronicon<br />
might have been in jeopardy, but<br />
William Caxton re-printed the chronicle<br />
for a new generation of readers<br />
in 1482. Along with Caxton’s Golden<br />
Legend, the printed Polychronicon<br />
provided a new audience with biblical<br />
stories in their own language when a<br />
complete Bible translation was denied<br />
them.
The Performance of<br />
Christian and Pagan<br />
Storyworlds<br />
Non-Canonical Chapters of<br />
the History of Nordic Medieval<br />
Literature<br />
Lars Boje Mortensen,<br />
Tuomas M. S. Lehtonen<br />
(eds.)<br />
approx. 400 p., 20 b/w ills., 6 b/w line art,<br />
156 x 234 mm,<br />
<strong>2012</strong>, MISCS 3, HB,<br />
ISBN 978-2-503-54236-2 (print),<br />
ISBN 978-2-503-54261-4 (online),<br />
approx. € 90<br />
Publication date scheduled for October <strong>2012</strong><br />
MedieVAl identitieS:<br />
Socio-culturAl SpAceS<br />
Part of BREPOLS<br />
MISCELLANEA ONLINE<br />
Essays in Medieval Studies<br />
Collection 2013<br />
Historiographie et<br />
littérature au XVI e siècle<br />
en Provence: l’œuvre de<br />
Jean de Nostredame<br />
Jean-Yves Casanova<br />
approx. 520 p., 156 x 234 mm,<br />
<strong>2012</strong>, PAIEO 9, PB,<br />
ISBN 978-2-503-54510-3,<br />
€ 85<br />
Publication prévue pour octobre <strong>2012</strong><br />
puBlicAtionS<br />
de l’ASSociAtion<br />
internAtionAle<br />
d’étudeS occitAneS<br />
Jean de Nostredame est connu pour la<br />
publication en 1575 des Vies des plus<br />
celebres et anciens poetes provençaux<br />
que la critique médiéviste a souvent<br />
critiqué ou dénigré pour ses « inventions<br />
». Camille Chabaneau avait mis<br />
au jour des proses historiographiques<br />
qui révélaient l’ampleur d’un travail<br />
The present collection explores a hitherto<br />
understudied body of Nordic<br />
medieval literature which, although<br />
overlooked in traditional, languagebased<br />
narratives, was in fact crucial in<br />
shaping social and religious identities.<br />
By drawing on the ‘performance turn’<br />
in cultural studies, the volume identifies<br />
a number of minor and peripheral<br />
literary forms and texts that had<br />
a vital connection to ritual and ritualized<br />
speech. These neglected traditions<br />
therefore offer an alternative<br />
insight into Nordic literary life and<br />
the sets of cultural expression, or storyworlds,<br />
underlying Nordic culture.<br />
The collected studies explore different<br />
aspects of verbal performances<br />
as a primary vehicle for the Nordic<br />
storyworlds, with a preference for<br />
the Christian over the pagan traditions.<br />
Emphasis is placed on Latin,<br />
Old Norse, and Finnish traditions<br />
that were retold and reproduced over<br />
time. These ‘living’ literary forms highlight<br />
the importance of non-canonical<br />
texts for the interpretation of contact<br />
between the peripheries and centres<br />
of Nordic culture. Through the focus<br />
historique et littéraire, d’une pensée<br />
linguistique au cœur du XVI e siècle<br />
provençal. Par l’édition des Memoires<br />
Historiques, réalisée d’après le manuscrit<br />
original d’Aix-en-Provence, la<br />
place de Jean de Nostredame est ainsi<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Languages & Literatures<br />
on the interaction between Latin and<br />
the vernacular, between eastern Baltic<br />
and western Latin influences, and between<br />
ritual and speech in religious<br />
practice, this collection demonstrates<br />
the importance of ‘minor’ texts for the<br />
re-construction of medieval Nordic<br />
culture and history.<br />
considérablement réévaluée. Nous ne<br />
sommes pas en présence d’un « faussaire<br />
», mais d’un humaniste provençal<br />
dont l’œuvre et l’action ont été<br />
méconnues, négligées, et que l’on doit<br />
relire à l’aune de nos connaissances<br />
actuelles. Jean de Nostredame devient<br />
ainsi un historien et un écrivain dont<br />
la pensée s’est effacée, et ce à cause<br />
de la situation particulière des lettres<br />
occitanes, tombant en quelque sorte<br />
dans « un trou de la pensée littéraire<br />
et linguistique ». Il n’est que justice<br />
aujourd’hui que de le redécouvrir et<br />
d’apprécier ce que furent son œuvre et<br />
sa pensée.<br />
Jean-Yves Casanova est professeur<br />
à l’Université de Pau et des pays de<br />
l’Adour. Il est notamment l’auteur<br />
de plusieurs ouvrages et études critiques<br />
sur la littérature occitane, du<br />
XVI e siècle à l’œuvre de Frédéric<br />
Mistral.<br />
11
12<br />
The Lexical Effects of<br />
Anglo-Scandinavian<br />
Linguistic Contact on<br />
Old English<br />
Sara M. Pons-Sanz<br />
approx. x + 550 p., 18 b/w tables,<br />
160 x 240 mm,<br />
<strong>2012</strong>, SEM 1, HB,<br />
ISBN 978-2-503-53471-8,<br />
approx. € 125<br />
Publication date scheduled for October <strong>2012</strong><br />
StudieS in the eArly<br />
Middle AgeS<br />
Anglo-Saxon England experienced a<br />
process of multicultural assimilation<br />
similar to that of contemporary England.<br />
At the end of the ninth century<br />
Old Norse speakers from present-day<br />
Denmark, Norway and Sweden start-<br />
Multilingualism in<br />
Medieval Britain<br />
(c. 1066-1520)<br />
Sources and Analysis<br />
Ad Putter, Judith Jefferson<br />
(eds.)<br />
approx. x + 242 p., 2 b/w ills., 156 x 234 mm,<br />
<strong>2012</strong>, TCNE 15, HB,<br />
ISBN 978-2-503-54250-8 (print),<br />
ISBN 978-2-503-54263-8 (online),<br />
approx. € 85<br />
Publication date scheduled for October <strong>2012</strong><br />
MedieVAl textS And<br />
cultureS of northern<br />
europe<br />
Part of BREPOLS<br />
MISCELLANEA ONLINE<br />
Essays in Medieval Studies<br />
Collection <strong>2012</strong><br />
This book is devoted to the study of<br />
multilingual Britain in the later medieval<br />
period, from the Norman Con-<br />
ed to settle down in the so-called<br />
‘Danelaw’ amongst the Anglo-Saxon<br />
inhabitants, and brought with them<br />
quest to John Skelton. It brings together<br />
experts from different disciplines<br />
– history, linguistics, and literature –<br />
in a joint effort to recover the complexities<br />
of spoken and written communication<br />
in the Middle Ages. Each<br />
author focuses on one specific text<br />
or text type, and demonstrates by example<br />
what careful analysis can reveal<br />
about the nature of medieval multilingualism<br />
and about medieval attitudes<br />
to the different living languages of later<br />
medieval Britain. There are chapters<br />
on charters, sermons, religious prose,<br />
glossaries, manorial records, biblical<br />
translations, chronicles, and the macaronic<br />
poetry of William Langland and<br />
John Skelton. By addressing the full<br />
range of languages spoken and written<br />
in later medieval Britain (Latin,<br />
French, Old Norse, Welsh, Cornish,<br />
English, Dutch, and Hebrew), this collection<br />
reveals the linguistic situation<br />
of the period in its true diversity and<br />
shows the resourcefulness of medieval<br />
people when faced with the need to<br />
communicate. For medieval writers<br />
and readers, the ability to move be-<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Languages & Literatures<br />
cultural traditions and linguistic elements<br />
that are still a very significant<br />
part of our lives and our speech in the<br />
twenty-first century.<br />
This book analyses the first Norse<br />
terms to be recorded in English. After<br />
revising the list of terms recorded in<br />
Old English texts which can be considered<br />
to be Norse-derived, the author<br />
explores their dialectal and chronological<br />
distribution, as well as the semantic<br />
and stylistic relationship which the<br />
Norse-derived terms established with<br />
their native equivalents (when they<br />
existed). This approach helps to clarify<br />
questions such as: Why were the terms<br />
borrowed? At what point did the<br />
terms stop being identified as ‘foreign’?<br />
Why is a particular term used in a particular<br />
context? What can the terms<br />
tell us about the Anglo-Scandinavian<br />
sociolinguistic relations?<br />
tween languages opened up a wealth<br />
of possibilities: possibilities for subtle<br />
changes of register, for counterpoint,<br />
for linguistic playfulness, and, perhaps<br />
most importantly, for texts which extend<br />
a particular challenge to the reader<br />
to engage with them.
Le moyen français – 70<br />
(<strong>2012</strong>)<br />
Charles d’Orléans<br />
approx. 200 p., 156 x 234 mm,<br />
<strong>2012</strong>, LMFR 70, PB,<br />
ISBN 978-2-503-54360-4<br />
Publication prévue pour octobre <strong>2012</strong><br />
le Moyen frAnçAiS<br />
JournAl<br />
http://brepols.metapress.com/journals<br />
Multiple subscription options<br />
& pay-per-view available<br />
Table of Contents<br />
Florence Bouchet, Avant-propos<br />
– Jacqueline Cerquiglini-Toulet,<br />
Espèces d’espaces. Espace physique<br />
et espace mental dans la poésie<br />
de Charles d’Orléans – Florence<br />
Bouchet, Les ballades de Charles<br />
d’Orléans, une quête de sagesse ? –<br />
Estelle Doudet, Le désir et la loi, fictions<br />
juridiques dans les Ballades de<br />
Charles d’Orléans – Hélène Basso,<br />
La non pareille : étude de la fluctuation<br />
sémantique du refrain dans<br />
les ballades de Charles d’Orléans –<br />
Michèle Gally, La « merencolie »,<br />
nouvel ethos lyrique ? L’art subtil de<br />
Charles d’Orléans – Jean-Claude<br />
Mühlethaler, Vanessa Depallens,<br />
Du discours d’autorité à la fonction<br />
proleptique : le proverbe dans le<br />
roman de Mélusine de Jean d’Arras<br />
– Karine Perrot, Les Dictz moraulx<br />
pour faire tapisserie d’Henri<br />
Baude : un répertoire proverbial<br />
au service du discours polémique<br />
– Olivier Delsaux, Le témoignage<br />
d’un manuscrit fantôme du sermon<br />
Vivat rex de Jean Gerson. Une nouvelle<br />
édition critique du texte est-elle<br />
nécessaire ?<br />
Comptes-rendus<br />
Modern lAnguAgeS & literAtureS<br />
Les lettres romanes -<br />
66.1-2 (<strong>2012</strong>)<br />
l’Île dans la littérature<br />
approx. 200 p., 156 x 234 mm,<br />
<strong>2012</strong>, LLR 66.1-2, PB,<br />
ISBN 978-2-503-54107-5<br />
Publication prévue pour octobre <strong>2012</strong><br />
leS lettreS roMAneS<br />
JournAl<br />
http://brepols.metapress.com/journals<br />
Multiple subscription options<br />
& pay-per-view available<br />
Table of Contents<br />
Mattia Cavagna, Introduction<br />
Mattia Cavagna et Silvère Menegaldo,<br />
Entre la terre et la mer,<br />
entre le Paradis et l’Enfer : l’île<br />
dans la Navigatio sancti Brendani<br />
et ses versions en langues romanes<br />
– Silvère Menegaldo, Géographie<br />
et imaginaire insulaire au Moyen<br />
Âge, d’Isidore de Séville à Jean de<br />
Mandeville – Massimo Scotti,<br />
Lieux de liberté, lieux de réclusion.<br />
Duplicités de l’image insulaire<br />
dans la littérature occidentale<br />
– Margherita Romengo, Nec<br />
tecum nec sine te vivere possum...<br />
Le Candide de Leonardo Sciascia<br />
ou le rêve de l’ex-île – Simona Previti,<br />
L’île, une forme-concept. Une<br />
île, un homme seul. Des îles, des<br />
hommes seuls<br />
Varia :<br />
Katrien Horemans, L’Autobiographe<br />
au tombeau. Pour une<br />
approche pragmatique de l’écriture<br />
autobiographique chez Rousseau<br />
– Jérôme Solal, Huysmans herméneute<br />
– Cynthia Biron Cohen,<br />
Dissolution de l’identité nationale<br />
dans Dolce d’Irène Némirovsky –<br />
Jacqueline Michel, Une nouvelle<br />
contemporaine aux frontières de<br />
la poésie (Ludovic Janvier, Silvia<br />
Baron Supervielle)<br />
Les Livres – Notes bibliographiques<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Languages & Literatures / Modern Languages & Literatures<br />
13
14<br />
lAtin lAnguAge & literAture<br />
“On Everyone’s Lips”<br />
Humanists, Jews, and<br />
the Tale of Simon of Trent<br />
Stephen Bowd,<br />
Donald Cullington (eds.)<br />
approx. xviii + 232 p., 2 b/w ills.,<br />
152 x 229 mm,<br />
<strong>2012</strong>, ASMAR 36, HB,<br />
ISBN 978-2-503-54664-3,<br />
approx. € 60<br />
Publication date scheduled for October <strong>2012</strong><br />
ArizonA StudieS in the<br />
Middle AgeS And the<br />
renAiSSAnce<br />
North American customers<br />
are advised to order directly from<br />
ACMRS.<br />
The death of a small child called Simon<br />
in the town of Trent in 1475<br />
was blamed on the local Jewish com-<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Latin Language & Literature<br />
munity who were accused of abducting,<br />
torturing, and strangling him as<br />
a way of obtaining Christian blood<br />
to use in their rituals. The princebishop<br />
of Trent orchestrated a campaign<br />
against the Jews: poets and<br />
humanists wrote about the case on<br />
the basis of first-hand knowledge or<br />
acquaintance with the trial records<br />
and provided detailed accounts of<br />
the supposed Jewish conspiracy and<br />
murder. The ‘blood libel’ against the<br />
Jews was familiar to most Europeans<br />
but the tales from Trent made available<br />
in English here for the first time<br />
were unprecedented in their detail,<br />
savagery of denunciation, and scope<br />
of circulation thanks to the new medium<br />
of print. As a result the story of<br />
Simon’s ‘martyrdom’ and miracles, as<br />
well as the prosecution and execution<br />
of the Jews, resonated in the European<br />
consciousness for centuries.
MedieVAl ArchAeology<br />
L’origine du château, actes<br />
du colloque de Rindern,<br />
Pays-Bas (2010)<br />
Peter Ettel, Anne-Marie<br />
Flambard Héricher,<br />
Tom McNeill (éd.)<br />
approx. 336 p., 220 x 280 mm,<br />
Centre de Recherches Archéologiques et<br />
Historiques Médiévales,<br />
<strong>2012</strong>, CHATEAU 25, HB,<br />
ISBN 978-2-84133-417-9,<br />
€ 42.45<br />
Publication prévue pour octobre <strong>2012</strong><br />
chÂteAu gAillArd. étudeS<br />
de cAStellogie MédiéVAle<br />
Table des matières<br />
Hans Janssen, Introduction – Bas Aarts,<br />
The Origin of Castles in the Eastern<br />
Part of the Delta Region (NL/D) and<br />
Château, ville et pouvoir<br />
au Moyen Âge<br />
Anne-Marie Flambard<br />
Héricher,<br />
Jacques le Maho (éd.)<br />
304 p., 165 x 240 mm,<br />
<strong>2012</strong>, TABCRA 7, PB,<br />
ISBN 978-2-902685-83-7,<br />
€ 34.90<br />
Disponible<br />
tABleS rondeS du crAhM<br />
La question de la formation des bourgs<br />
et de leurs rapports avec le castrum intéresse<br />
les historiens et les archéologues<br />
the Rise of the Principalities of Guelders<br />
and Cleves – Laurent Beuchet,<br />
Aux origines du château du Guildo<br />
(Côtes-d’Armor, France) – Markus C.<br />
Blaich, Werla – Fronhof, Königspfalz<br />
und Ansiedlung des 9.-13. Jahrhundert<br />
– François Blary, Aux origines<br />
d’une place forte des Vermandois au<br />
IX e -X e siècle : Château-Thierry (Aisne,<br />
France) – Steven Brindle, The Keep at<br />
Conisbrough Castle, Yorkshire – Frédéric<br />
Chantinne et Philippe Mignot,<br />
L’émergence du phénomène castral dans<br />
le sud du diocèse de Liège. Esquisse d’une<br />
confrontation entre données textuelles et<br />
archéologiques – Elizabeth den Hartog,<br />
The Great Portal of Cleves Castle: Audience,<br />
Meaning and Function – Alain<br />
Dierkens et Michel Fourny, Les indices<br />
archéologiques les plus anciens au château<br />
du Coudenberg à Bruxelles – Jan<br />
Van Doesburg, Back to the Facts: New<br />
Evidence for and Thoughts on Early<br />
Medieval Earthworks in the Central<br />
Netherlands – Penelope Dransart, The<br />
Origins of some Bishops’ Residences as<br />
Castles in Scotland – Tomáš Durdík,<br />
Anfänge des königlichen Burgenbaus in<br />
Böhmen – Peter Ettel, Die Entwicklung<br />
des frühmittelalterlichen Burgenbaus in<br />
Süddeutschland bis zur Errichtung von<br />
Ungarnburgen und Herrschaftszentren<br />
im 10. Jahrhundert – István Feld, Die<br />
Burgen des Königreiches Ungarn im<br />
11-12. Jahrhundert – Thomas Finan,<br />
3D Castle Reconstruction as Interpretive<br />
Modelling: the Medieval Lough<br />
Cé Project – Christian Frey, Frühmittelalterliche<br />
Burgen als erzählte Orte<br />
– Reinhard Friedrich, Current Research<br />
on Medieval Motte Castles in the<br />
Lower Rhine Area – Hans-Wilhelm<br />
Heine, Innovative Methoden zur Erfassung<br />
und Vermessung von Burgen in<br />
depuis de nombreuses décennies. Loin<br />
d’aboutir à un épuisement des thématiques,<br />
cette attention des chercheurs<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Archaeology<br />
Wäldern und Flachgewässern (Niedersachsen)<br />
– Connie Jantzen & Rikke<br />
Agnete Olsen, Boeslum by Ebeltoft.<br />
Unexpected Information from an “Ordinary”<br />
Site – Jan Kock, Dendrochronological<br />
Dating and Research into<br />
Fortresses in Denmark – Conleth Manning,<br />
Clogh Oughter Castle, Co. Cavan,<br />
and Thirteenth-Century Circular Towers<br />
in Ireland – Pamela Marshall, Making<br />
an Appearance: Some Thoughts on<br />
the Phenomenon of Multiple Doorways<br />
and Large Upper Openings in Romanesque<br />
Donjons in Western France and<br />
Britain – Kare McManama-Kearin,<br />
Forced Focus: a Room with a Viewshed<br />
– Werner Meyer, Drapham Dzong. Excavations<br />
of a Motte Castle in Bhutan,<br />
2008 – 2010 – Paul Naessens & Kieran<br />
O’Conor, Pre-Norman Fortification<br />
in Eleventh- and Twelfth- Century<br />
Connacht – Richard D. Oram, Dundonald,<br />
Doune and the Development<br />
of the Tower and Hall in Late Medieval<br />
Scottish Lordly Residences – Edwin Orsel,<br />
The Burcht of Leiden the Summit of<br />
a Royal Dream – Hans-Werner Peine,<br />
Schloss Horst – Kleinod im Ruhrgebiet.<br />
Ein Beitrag zur Geschichte des Hauses<br />
Horst im Emscherbruch – Sem Peters,<br />
St. Oedenrode: the Castle - The Development<br />
of an Aristocratic Site between the<br />
Tenth and Fifteenth Centuries – Peter<br />
Purton, The First Private Castles at<br />
War – Christoph Reichmann, Neuere<br />
Untersuchungen zur Baugeschichte der<br />
Burg Linn – Annie Renoux, Continuité<br />
et changement : stratégies princières et<br />
mises en œuvre castrales dans la France<br />
du Nord aux X e et début du XI e siècles<br />
– Kari Uotila, Evolution and Creativity<br />
in North-East European Castles, AD<br />
1000-1600<br />
sur une longue durée les a amenés à<br />
enrichir sans cesse leurs approches.<br />
La relecture des textes, l’archéologie,<br />
l’essor de l’analyse morphologique<br />
ont ainsi achevé de battre en brèche<br />
l’image d’un développement spontané<br />
des bourgs du Moyen Âge : la volonté<br />
seigneuriale de s’assurer des rentrées<br />
d’argent apparaît bien aujourd’hui<br />
comme la véritable raison du regroupement<br />
de populations. Cependant, la<br />
complexité des relations entre pouvoir,<br />
économie et peuplement amène à interroger<br />
plus avant les stratégies mises<br />
en place par les puissants pour contrôler<br />
des communautés d’habitants plus<br />
mobiles qu’on ne l’a souvent imaginé.<br />
15
16<br />
MAnuScript StudieS<br />
The British Library I<br />
MSS Additional and Egerton<br />
Kathleen L. Scott (ed.)<br />
approx. 500 p., 50 b/w ills., 210 x 270 mm,<br />
<strong>2012</strong>, HMIIEM 5, PB,<br />
ISBN 978-1-905375-63-9, € 150<br />
Publication date scheduled for October <strong>2012</strong><br />
hArVey Miller puBliSherS<br />
An index of iMAgeS in<br />
engliSh MAnuScriptS<br />
froM chAucer to henry Viii<br />
This fascicle in the series An Index of Images<br />
in English Manuscripts from the Time<br />
of Chaucer to Henry VIII reports on the<br />
Additional collection, the largest group<br />
of medieval (and other) manuscripts in<br />
the British Library. The Additional manuscripts,<br />
which are catalogued by the British<br />
Library together with the Egerton<br />
Books of Hours<br />
Reconsidered<br />
Sandra Hindman,<br />
James Marrow (eds.)<br />
approx. 300 p., incl. ills., 220 x 280 mm,<br />
<strong>2012</strong>, HMSAH 72, HB,<br />
ISBN 978-1-905375-94-3,<br />
approx. € 110<br />
Publication date scheduled for November <strong>2012</strong><br />
hArVey Miller puBliSherS<br />
StudieS in MedieVAl And<br />
eArly renAiSSAnce Art<br />
hiStory<br />
Table of Contents<br />
Sandra Hindman, Introduction: State<br />
of the Question<br />
I. The Prehistory of Books of Hours<br />
and the Growth of their Modern-<br />
Day Appreciation<br />
Adelaide Bennett, Some Perspectives on<br />
the Origins of Books of Hours in France<br />
in the Thirteenth-Century – Christopher<br />
de Hamel, Books of Hours and<br />
the Art Market from the Seventeenth<br />
Century to the Present Day – Roger<br />
S. Wieck, The Hours of Catherine of<br />
Cleves: The Manuscript that Changed<br />
the World<br />
manuscripts, contain many little known<br />
manuscripts with imagery as well as a considerable<br />
number of books famous for their<br />
illustration, i.e. the Bedford Hours and<br />
II. Centers of Production: England,<br />
Germany, and Italy<br />
Nigel Morgan, English Books of Hours<br />
c. 1240 – c.1480 – Jeffrey Hamburger,<br />
Another Perspective: The Book of Hours<br />
in Germany – Francesca Manzari, Italian<br />
Books of Hours and Prayer Books in<br />
the Fourteenth Century<br />
III. Towards a History of Use<br />
Gregory T. Clark, Beyond Saints: Variant<br />
Litany Readings and the Localization<br />
of Late Medieval Manuscript<br />
Books of Hours, the Case of the d’Orges<br />
Hours – Anne Korteweg, Books of<br />
Hours from the Northern Netherlands<br />
Reconsidered: the Uses of Utrecht and<br />
Windesheim and Geert Grote’s Role as<br />
a Translator<br />
IV. Problems of Workshops<br />
Marc Gil, Picardie-Hainaut: Quelques<br />
remarques sur les livres d’heures<br />
produits par le Maitre de Rambures et<br />
Simon Marmion – Anne Margreet W.<br />
As-Vijvers, Manuscript Production in a<br />
Carmelite Convent: The Case of Cornelia<br />
von Wulfskercke – Marie-Françoise<br />
Damongeot, La circulation des modèles<br />
iconographiques: l’exemple d’un livre<br />
d’Heures parisien (BnF MS N.a.l.3115)<br />
– Mara Hofmann, Matteo de Milano;<br />
Between Ferrara and Rome--The Hours<br />
of Dionora of Urbino (London, British<br />
Library, Yates Thompson 7) – Saskia<br />
von Bergen, The Use of Stamps in Bru-<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Manuscript Studies<br />
Psalter, the Hours of Elizabeth the Queen,<br />
and the Rous Roll. Others such as the Old<br />
Hall Manuscript, Mallory’s Le morte Darthur,<br />
and the Book of Margery Kemp, are<br />
known for their texts. The fascicle describes<br />
322 Additional manuscripts and sixtythree<br />
from the Egerton collection. In addition,<br />
431 other Additional and Egerton<br />
manuscripts of the period were also examined<br />
for images relevant to the project.<br />
The textual content of the indexed books<br />
include an exceptional number of historical<br />
materials as well as numerous literary<br />
manuscripts by prominent authors of the<br />
period such as John Gower, Chaucer, John<br />
Lydgate, and Nicholas Love. This Index<br />
listing of representations of all types -- from<br />
miniatures to catchwords -- in manuscripts<br />
between the dates c. 1380 to c. 1510 is an<br />
unparalleled reference work to imagery<br />
of the period, which can also be used as a<br />
search tool for illuminated manuscripts in<br />
the British Library published on-line.<br />
ges Book Production – Eberhard König,<br />
Twins in Attribution: A New Fashion or<br />
a Means to Better Understanding? The<br />
Case of the Grandes Heures de Rohan<br />
V. Cycles of Illustration and Their<br />
Texts<br />
James Marrow, Superimposed Cycles of<br />
Marginal Illustration in Late Medieval<br />
Horae: Function and History – Klara H.<br />
Broekhuijsen, Decoration Programmes<br />
in Books of Hours by the Masters of the<br />
Dark Eyes – Bronwyn Stocks, Devotional<br />
Emphasis and Distinctive Variations<br />
in the Illustration of the Hours of<br />
the Virgin in Italian Books of Hours<br />
VI. Books of Hours in the Age of<br />
Print<br />
Todor Petev, A Group of Hybrid Manuscripts<br />
Illustrated with Woodcuts from<br />
Antwerp – Thierry Claerr, L’édition<br />
d’Heures du 21 avril 1505, une œuvre<br />
charnière dans la production de Thielman<br />
Kerver? – Ariane Bergeron-<br />
Foote, De la fortune de quatre bois<br />
gravés: de Paris 1519 à Rouen c. 1593 –<br />
Elizabeth A.R. Brown, The Devotional<br />
Books of Claude Gouffier: The Morgan<br />
Hours (New York, Morgan Library and<br />
Museum, M. 538) – Mary and Richard<br />
Rouse, Post-Mortem Inventories as<br />
a Source for the Production of Manuscripts<br />
and Printed Books of Hours<br />
Notes on the Contributors<br />
Bibliography
Bibliothèque Nationale<br />
de France<br />
Hébreu 704 à 733,<br />
Manuscrits de théologie<br />
Philippe Bobichon<br />
approx. 300 p., 132 ill. couleur, 210 x 297 mm,<br />
<strong>2012</strong>, CMCH 5, PB,<br />
ISBN 978-2-503-54547-9,<br />
approx. € 80<br />
Publication prévue pour novembre <strong>2012</strong><br />
MAnuScritS en cArActèreS<br />
héBreux conSerVéS dAnS leS<br />
BiBliothèqueS puBliqueS de<br />
frAnce. cAtAlogueS<br />
Les manuscrits décrits dans ce volume<br />
présentent des textes de genres divers<br />
dont la date de composition est toujours<br />
postérieure au XII e siècle. Avec quelques<br />
exceptions, ces textes furent rédigés et<br />
Pecia. Le livre et l’écrit,<br />
14 (2011)<br />
Texte, liturgie et mémoire<br />
dans l’Église du Moyen Âge<br />
approx. 320 p., 8 ill/ couleur,<br />
210 x 270 mm,<br />
<strong>2012</strong>, PECIA 14, PB,<br />
ISBN 978-2-503-54385-7<br />
Publication prévue pour octobre <strong>2012</strong><br />
peciA. le liVre et l’écrit<br />
JournAl<br />
http://brepols.metapress.com/journals<br />
Multiple subscription options<br />
& pay-per-view available<br />
étudiés en Espagne, en Provence, en Italie<br />
et dans l’empire byzantin.<br />
En continuité avec le volume I de la<br />
collection, les cinq premiers manuscrits<br />
décrits (Hébreu 704 à 708)<br />
donnent des commentaires sur le<br />
Guide des égarés ou d’autres textes se<br />
rapportant à Maïmonide. Ici encore,<br />
certains de ces manuscrits mettent en<br />
évidence l’existence – jusqu’ici ignorée<br />
– d’écoles de philosophie et montrent<br />
à quel point la philosophie juive était<br />
vivante entre le XIII e et le XV e siècle.<br />
Les cinq exemplaires des Guerres du<br />
Seigneur de Gersonide (Hébreu 721 à<br />
725) ont des caractères codicologiques<br />
et paléographiques différents, car les<br />
œuvres de ce grand philosophe étaient<br />
étudiées en dehors des écoles.<br />
D’autres œuvres, mêlant cabale et<br />
philosophie, sont inédites et pratiquement<br />
inconnues. Plusieurs volumes<br />
« L’écriture rappelle l’histoire à la mémoire<br />
comme si elle était entendue... »<br />
(Guillaume Durand, Rationale divino-<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Manuscript Studies<br />
sont consacrés à l’explication des commandements<br />
et à la morale. Deux manuscrits<br />
renvoient à l’aire ashkénaze.<br />
rum officiorum, cité par J.-C. Schmitt,<br />
Le corps des images, Paris, 2002, p. 132)<br />
L’histoire de la liturgie (et des livres<br />
liturgiques) constitue aujourd’hui<br />
un champ de recherche privilégié des<br />
médiévistes. Celle de la mémoire,<br />
« par nature, multiple, et démultipliée,<br />
collective, plurielle et individualisée »<br />
(P. Nora, Entre mémoire... , p. xix-xx),<br />
s’inscrit dans cette interdisciplinarité<br />
qui s’exerce de plus en plus naturellement<br />
et qui a fait l’objet, depuis<br />
quelques décennies, de nombreuses<br />
publications. Le présent volume répond<br />
aux enjeux d’une recherche qui<br />
bénéficie d’un regard nouveau sur le<br />
livre manuscrit dans sa plus large acceptation.<br />
Table des matières<br />
voir notre catalogue en ligne<br />
www.brepols./catalogue<br />
17
18<br />
Art hiStory<br />
The Flemish Primitives VI<br />
The Bernard van Orley Group<br />
Alexandre Galand<br />
approx. 300 p., 70 b/w and 300 colour ills.,<br />
210 x 297 mm, <strong>2012</strong>, CENP 6, HB,<br />
ISBN 978-2-503-54575-2,<br />
approx. € 125<br />
Publication date scheduled for October <strong>2012</strong><br />
cAtAlogue of eArly<br />
netherlAndiSh pAinting:<br />
royAl MuSeuMS of fine ArtS<br />
of BelgiuM<br />
The years 1510 and 1520 appear to be<br />
a crucial moment for the introduction<br />
of the Renaissance in the former Netherlands.<br />
That period coincides with<br />
the first activity period of Bernard van<br />
Visual Liturgy: Altarpiece<br />
Painting and Valencian<br />
Culture (1442-1519)<br />
Maxime Deurbergue<br />
approx. 300 p., 88 b/w and 55 colour ills.,<br />
<strong>2012</strong>, ER 8, PB,<br />
ISBN 978-2-503-54497-7,<br />
approx. € 100<br />
Publication date scheduled for October <strong>2012</strong><br />
étudeS renAiSSAnteS<br />
In the introduction to his Early Netherlandish<br />
Painting, Erwin Panofsky<br />
characterised 15 th -century European<br />
painting with an opposition between<br />
the art of Italy and that of Flanders,<br />
and significantly, he recalled that in<br />
the eyes of a Luther or of a Michelangelo,<br />
no other School deserved attention.<br />
Six centuries later, Spanish art<br />
of this period remains little known<br />
outside the Iberian Peninsula. The fact<br />
that a large number of the works of art<br />
are still kept in their original location<br />
Orley, a major witness of the transition.<br />
Until now, research has been<br />
concentrating on the artist through his<br />
superb tapestries. Yet, from the end of<br />
the first decade of the 16 th century to<br />
1521, when he signed the monumental<br />
Job and Lazarus Polyptych (Brussels,<br />
MRBAB/KMSKB, Inv. 1822),<br />
the artist produced paintings which<br />
integrated more and more shapes from<br />
the Italian peninsula. Did this change<br />
in perspective lead to significant differences<br />
in terms of workshop practices?<br />
How can works be best characterized<br />
when they make up the hard core of a<br />
catalogue with changing frontiers? In<br />
what way can archives shed new light<br />
on the artist’s activity? Those questions<br />
are at the centre of a catalogue and essays,<br />
which aim to renew the vision of<br />
Bernard van Orley’s painting, on the<br />
surely plays a part in this, but there is<br />
also a lasting prejudice that this art is<br />
aesthetically and intellectually little<br />
exciting. Retables were then the utmost<br />
artistic expression. At first sight,<br />
they mostly look the same. Because<br />
this art seems changeless, its exegesis<br />
has been routine and vague.<br />
Visual Liturgy challenges this situation.<br />
Focusing on the Aragonese city<br />
of Valencia, then at the height of its<br />
pride and glory, it examines a school of<br />
painters, which reflects a wider scene,<br />
namely the civic and religious preoc-<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Art History<br />
basis of the works kept in the Royal<br />
Museum of Fine Arts of Belgium.<br />
cupations of a whole culture. Not<br />
only does it provide a comprehensive<br />
view of current research on Valencian<br />
painting, it connects it to the wider<br />
context of Valencian piety and tackles<br />
the dialectics at work in civic culture:<br />
how the monarchy took hold of the<br />
municipality; how foreign influences<br />
challenged local tradition; how sophisticated<br />
altarpieces emerged from<br />
the standard stock of artistic production;<br />
how, finally, the liturgy prevented<br />
ruptures between the religion of<br />
the learned and more popular, even at<br />
times slightly unorthodox, expressions<br />
of the faith.<br />
Visual Liturgy thus provides a better<br />
understanding of 15 th -century Spanish<br />
art. It sheds important new light<br />
on the birth of an artistic school in a<br />
context of competing foreign influences,<br />
and on the reception of such influences<br />
into a radically different culture;<br />
finally, it is the first attempt to explore<br />
the meaning of Valencian altarpieces<br />
with reference to their cultural, spiritual<br />
and liturgical context of creation.
Thèmes religieux et thèmes<br />
profanes dans l’image<br />
médiévale : transferts,<br />
emprunts, oppositions<br />
Christian Heck<br />
approx. 250 p., 80 b/w ills., 210 x 297 mm,<br />
<strong>2012</strong>, ETRILMA 4, PB,<br />
ISBN 978-2-503-54603-2,<br />
approx. € 65<br />
Publication prévue pour octobre <strong>2012</strong><br />
leS étudeS du rilMA<br />
neW SerieS:<br />
felSinA pittrice:<br />
the liVeS of the<br />
BologneSe pAinterS<br />
Count Carlo Cesare Malvasia’s<br />
Felsina pittrice, or Lives of the<br />
Bolognese Painters, first published<br />
in two volumes in Bologna<br />
in 1678, is one of the most<br />
important sources for the history<br />
and criticism of painting in<br />
Italy. In this new critical edition<br />
by Lorenzo Pericolo, which will<br />
appear in a series of volumes,<br />
there will also be published for<br />
the first time in their entirety<br />
Malvasia’s relevant preparatory<br />
notes to the Felsina pittrice, or<br />
the Scritti originali. Careful<br />
analysis of all these materials<br />
will make it possible to reevaluate<br />
Malvasia’s status as a historian,<br />
and provide new information<br />
about the construction of<br />
the Felsina pittrice as a book.<br />
Detailed leaflet available on<br />
www.brepols.net<br />
Table des matières<br />
Christian Heck, Introduction –<br />
Nathalie Le Luel, Supporter et<br />
soutenir le message chrétien : l’utilisation<br />
des thèmes profanes dans<br />
les grands programmes de façade<br />
à l’époque romane – Géraldine<br />
Victoir, Un sujet profane dans une<br />
maison d’ecclésiastique : la joute<br />
de la maison du prieur à Villers-<br />
Saint-Sépulcre (Oise ; XIII e – XIV e<br />
siècles) – Kristiane Lemé-Hébuterne,<br />
Motifs religieux et profanes<br />
dans les stalles médiévales :<br />
Carlo Cesare Malvasia’s<br />
Felsina pittrice:<br />
Volume I: Early Bolognese<br />
Painting<br />
Elizabeth Cropper,<br />
Lorenzo Pericolo (eds.)<br />
450 p., 135 colour ills., 220 x 280 mm, <strong>2012</strong>,<br />
HMFP 1, HB,<br />
ISBN 978-1-905375-84-4,<br />
approx. € 125<br />
Publication date scheduled for October <strong>2012</strong><br />
hArVey Miller puBliSherS<br />
felSinA pittrice: the liVeS<br />
of the BologneSe pAinterS<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Art History<br />
vers une séparation des genres ?<br />
– Elisabeth Taburet-Delahaye,<br />
France 1500. Entre Moyen Âge et<br />
Renaissance – Laurent Guitton,<br />
Les péchés dans la sculpture sur<br />
bois bretonne à la fin du Moyen<br />
Âge. Une iconographie profane au<br />
service d’un discours religieux –<br />
Rémy Cordonnier, Du linceul en<br />
peau de cerf aux figures de carnaval<br />
(XIII e – XIV e siècles) – Alessia Trivellone,<br />
Sujets profanes et pratiques<br />
apotropaïques au Moyen Âge :<br />
thèmes, usages, contextes<br />
This richly illustrated volume provides<br />
a translation and critical edition of the<br />
opening part of the Felsina pittrice,<br />
which focuses on the art of late medieval<br />
Bologna. The text is unusual in the<br />
context of the Felsina pittrice as a whole<br />
in that it seeks to record what survives<br />
in the city, rather than focusing on individual<br />
artists. In response to Vasari’s<br />
account of the Renaissance of painting<br />
in Florence, Malvasia offers a colorful<br />
and valuable portrait of Trecento painting<br />
in Bologna, noting the location and<br />
condition of destroyed or whitewashed<br />
frescoes, dismantled polyptychs, and<br />
paintings for which no other record<br />
survives. Malvasia provides crucial<br />
information on works by important<br />
fourteenth-century painters such as<br />
Lippo di Dalmasio, Simone dei Crocefissi,<br />
and Vitale da Bologna. Included<br />
in the volume are historical notes to<br />
the text and to the transcriptions of the<br />
Scritti originali, published here in their<br />
entirety for the first time. The notes<br />
enrich our understanding of individual<br />
works and identify the sources Malvasia<br />
used. Elizabeth Cropper’s introductory<br />
essay serves to establish the significance<br />
of Malvasia as a historian of art, while<br />
Carlo Alberto Girotto’s bibliographical<br />
essay analyses the production and reception<br />
of the Felsina pittrice as a whole.<br />
19
20<br />
Classical Manuscript<br />
Illustrations<br />
Amanda Claridge,<br />
Ingo Herklotz<br />
approx. 432 p., 75 ills., 220 x 285 mm,<br />
<strong>2012</strong>, HMPMA 6, HB,<br />
ISBN 978-1-905375-76-9,<br />
€ 141<br />
Publication date scheduled for October <strong>2012</strong><br />
hArVey Miller puBliSherS<br />
the pAper MuSeuM of<br />
cASSiAno dAl pozzo.<br />
SerieS A: AntiquitieS<br />
And Architecture<br />
The ‘Museo Cartaceo’ (‘Paper Museum’)<br />
is a collection of some 10,000<br />
watercolours, drawings and prints, assembled<br />
during the seventeenth cen-<br />
Jean Pucelle<br />
Innovation and Collaboration<br />
in Manuscript Painting<br />
Kyunghee Pyun,<br />
Anna Russakoff (eds.)<br />
approx. 300 p., 150 b/w and 32 colour ills.,<br />
220 x 280 mm, <strong>2012</strong>, HMSAH 59, HB,<br />
ISBN 978-1-905375-46-2,<br />
€ 120<br />
Publication date scheduled for October <strong>2012</strong><br />
hArVey Miller puBliSherS<br />
StudieS in MedieVAl And<br />
eArly renAiSSAnce Art<br />
hiStory<br />
Table of Contents<br />
Roger S. Wieck, Introduction<br />
Part 1: Works of Jean Pucelle<br />
Joan A. Holladay, Jean Pucelle<br />
and His Patrons – Marc Gil, Jean<br />
tury by the Roman patron and collector<br />
Cassiano dal Pozzo and his brother<br />
Carlo Antonio. It represents one of the<br />
most significant attempts before the<br />
Pucelle and the Parisian Seal-Engravers<br />
and Goldsmiths – Barbara<br />
D. Boehm, Perfect Penmanship:<br />
Pucelle’s Creativity in the Margins<br />
of the Hours of Jeanne d’Évreux –<br />
Anna D. Russakoff, Collaborative<br />
Illumination: Jean Pucelle and the<br />
Visual Program of Gautier de Coinci’s<br />
Les Miracles de Nostre Dame<br />
(Paris, BnF, nouv. acq. fr. 24541)<br />
– Pascale Charron, Color, Grisaille<br />
and Pictorial Techniques in<br />
Works by Jean Pucelle<br />
Part 2: Legacy of Jean Pucelle<br />
Mie Kuroiwa, Working with Jean<br />
Pucelle and His Successors: The<br />
Case of the Saint Louis Master<br />
(Mahiet?) – Marguerite A. Keane,<br />
Collaboration in the Hours<br />
of Jeanne de Navarre – Domenic<br />
Leo, The Pucellian School and the<br />
Rise of Naturalism: Style as Royal<br />
Signifier? – Kyunghee Pyun, Pu-<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Art History<br />
age of photography to embrace human<br />
knowledge in visual form. The collection<br />
documents ancient art and culture,<br />
architecture, zoology, botany, geology<br />
and social customs, and provides<br />
us with a major tool for understanding<br />
the intellectual concerns of a period<br />
during which the foundations of our<br />
own scientific methods were established.<br />
This volume will reproduce 160<br />
drawings, mostly copied from the four<br />
most celebrated ancient manuscripts<br />
in the Vatican Library – the Vatican<br />
Vergil and Terence, the Roman Vergil<br />
and the Palatine Agrimensores. Surviving<br />
documentary evidences enables at<br />
least three of the copies to be dated<br />
precisely, and sheds light on why they<br />
were made: principally to facilitate<br />
Cassiano’s study of both the characters<br />
depicted in the original works and of<br />
ancient costume and artefacts.<br />
cellian Influence in Illuminated<br />
Liturgical Manuscripts<br />
Bibliography, List of Illustrations,<br />
Index of Manuscripts, Index
A Renaissance Wedding<br />
The Celebrations at Pesaro<br />
for the Marriage of Costanzo<br />
Sforza & Camilla Marzano<br />
d’Aragona (26 – 30 May<br />
1475)<br />
Jane Bridgeman<br />
208 p., 50 colour ills., 210 x 270 mm,<br />
<strong>2012</strong>, HMSAH 71, HB,<br />
ISBN 978-1-905375-93-6,<br />
€ 70<br />
Publication date scheduled for October <strong>2012</strong><br />
hArVey Miller puBliSherS<br />
StudieS in MedieVAl And<br />
eArly renAiSSAnce Art<br />
hiStory<br />
This publication is the first English<br />
translation from the Italian of the fascinating<br />
contemporary account of the<br />
spectacular four-day celebrations that<br />
took place in Pesaro in May 1475 to<br />
mark the marriage of Costanzo Sforza<br />
Lord of Pesaro and Camilla d’Aragona<br />
of Naples. The event was commemorated<br />
both in manuscript and early<br />
print in an anonymous narration that<br />
describes in great detail the arrival of<br />
the bride and her welcome procession<br />
into Pesaro; the actual marriage cer-<br />
Les stalles, siège du corps<br />
dans les chœurs liturgiques<br />
du Grand-Duché de<br />
Bourgogne aux XV e et XVI e<br />
siècles<br />
Welleda Muller<br />
approx. 350 p., 100 b/w ills., 156 x 234 mm,<br />
<strong>2012</strong>, PAMA 7, HB,<br />
ISBN 978-2-503-54610-0,<br />
approx. € 100<br />
Publication prévue pour octobre <strong>2012</strong><br />
profAne ArtS of<br />
the Middle AgeS<br />
emony and the celebratory banquet<br />
that followed; the pageants, presentation<br />
of gifts and fireworks that filled<br />
the third day; and the final day’s excitement<br />
of jousts and yet more theatrical<br />
entertainment.<br />
This present edition of the text includes<br />
all the images that illustrate<br />
the original manuscript – 32 full-page<br />
miniatures that depict the floats that<br />
welcomed the bride at the city gates<br />
of Pesaro; the costumed figures at the<br />
wedding banquet who represented the<br />
presiding Sun and Moon or the male<br />
and female messengers of the classical<br />
gods and goddesses who announced<br />
the exotic dishes of the 12-course ban-<br />
Ce volume traite des stalles dans l’espace<br />
du chœur liturgique comportant<br />
deux autres grandes composantes : le<br />
jubé et le « groupe » autel-retable.<br />
Cet ensemble « tripartite » est non<br />
seulement intéressant d’un point de<br />
vue structurel et liturgique, mais également<br />
iconographique par la juxtaposition<br />
d’une iconographie profane<br />
(sur les stalles) dans un espace sacré<br />
(le chœur). Cette thématique développée<br />
ici aboutit autant à la découverte<br />
de l’importance du corps à travers les<br />
stalles qu’à la cohérence de l’aménagement<br />
sculpté de l’espace du chœur. Cet<br />
ouvrage établit un lien entre la tripar-<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Art History<br />
quet; and further colourful, unusually<br />
interesting illustrations of the ballets,<br />
fireworks and triumphs of the final<br />
two days of the celebrations.<br />
In addition to the Introduction that<br />
provides the reader with the historical<br />
background and biographical details<br />
of the protagonists and personalities<br />
of this special occasion, Dr Bridgeman<br />
also adds helpful and highly<br />
informative annotations to the narration<br />
itself. In addition she provides<br />
full descriptions and explanations of<br />
the illustrations – all reproduced here<br />
in colour – and devotes a separate appendix<br />
to listing and explaining all the<br />
dishes served at the wedding banquet,<br />
together with their ingredients and<br />
recipes.<br />
Dr Jane Bridgeman is an Associate<br />
Lecturer in Fashion History<br />
and Theory at Central St Martin’s<br />
College of Art, London. After graduating<br />
in Italian at Birmingham<br />
University, she studied History of<br />
Dress under Stella Mary Newton<br />
at the Courtauld Institute of Art,<br />
London where she also gained her<br />
Ph.D. on Aspects of Dress and Ceremony<br />
in Quattrocento Florence.<br />
tition anthropologique : corps, âme,<br />
esprit et l’organisation structurelle<br />
du chœur : stalles, jubé, groupe autelretable.<br />
Axée sur le Grand-Duché<br />
de Bourgogne (incluant les Pays-Bas<br />
bourguignons) sous la dynastie des Valois<br />
(1361-1477), cette étude retrace<br />
l’évolution iconographique des stalles,<br />
qui naît d’une « pensée symbolique »<br />
pour s’achever dans une « conception<br />
ornementale ». Elle se prolonge<br />
jusqu’au Concile de Trente (1563)<br />
qui, s’inscrivant dans un changement<br />
de paradigme, transforme l’espace du<br />
chœur sur les plans structurel, iconographique<br />
et anthropologique.<br />
21
22<br />
Art after Iconoclasm<br />
Painting in the Netherlands<br />
between 1566 and 1585<br />
Koenraad Jonckheere (ed.)<br />
185 p., 60 b/w ills., 210 x 297 mm,<br />
<strong>2012</strong>, MAC 25, PB,<br />
ISBN 978-2-503-54596-7,<br />
approx. € 65<br />
Publication date scheduled for October <strong>2012</strong><br />
MuSeuMS At the croSSroAdS<br />
Rather than as a destructive moment<br />
in history, the Iconoclasm of 1566 in<br />
the Netherlands was the catalyst for a<br />
re-evaluation of (religious) art in the<br />
Low Countries. It forced painters to<br />
question the very nature of the artistic<br />
tradition they grew up in. Is it merely<br />
a coincidence that the art markets<br />
The Art of Leone<br />
and Pompeo Leoni<br />
Stephan Schröder (ed.)<br />
320 p., 100 b/w and 16 colour ills., 200 x 250 mm,<br />
<strong>2012</strong>, PMP 3, PB,<br />
ISBN 978-2-503-54616-2,<br />
approx. € 65<br />
Publication date scheduled for October <strong>2012</strong><br />
puBlicAtionS of<br />
the MuSeo del prAdo<br />
changed so swiftly after the Fall of Antwerp,<br />
that art theory in the Low Countries<br />
originated in the wake of Iconoclasm<br />
(De Heere, Lampsonius, ...),<br />
or that painting in the second half of<br />
the sixteenth century saw the impetus<br />
of new styles, genres, specialisations<br />
(Aertsen, De Beuckelaer, …)? Iconoclasm<br />
forced people to think about<br />
art. The generation of painters active<br />
in the two decades between the<br />
Beeldenstorm and the fall of Antwerp<br />
did this by questioning the decorum<br />
of the work of their famous predecessors.<br />
This volume, with contributions<br />
by eminent specialists in the field, addresses<br />
some of these questions and by<br />
doing so marks the beginning of a reassessment<br />
of one of the most fascinating<br />
and complex but also understudied<br />
periods in Netherlandish Art History.<br />
Table of Contents<br />
Gabriele Finaldi, Presentación –<br />
Stephan F. Schröder, Introducción<br />
– Susanna Zanuso, Appunti sulla<br />
formazione artistica del giovane<br />
Leone Leoni – Silvia Leydi, Leone<br />
Leoni “scultore delle stampe della<br />
Cecca di Milano” (1542-1590) –<br />
Jeremy Warren, Medals and Plaquettes<br />
by Leone Leoni in the Context<br />
of his Larger Habsburg Statues<br />
– Kelley Helmstutler di Dio,<br />
Leone Leoni’s Portrait Busts of the<br />
Habsburgs and the Taste for Sculpture<br />
in Spain – Margarita M. Estella,<br />
El retrato de María de Hungría<br />
– Walter Cupperi, “Leo faciebat”,<br />
“Leo et Pompeius fecerunt”: autorialità<br />
multipla e transculturalità<br />
nei ritratti leoniani del Prado –<br />
Rosario Coppel, Los retratos de<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Art History<br />
la emperatriz Isabel y de Juana de<br />
Austria – Claudia Kryza-Gersch,<br />
Pompeo Leoni’s portrait of Philip II<br />
in the Kunsthistorisches Museum<br />
in Vienna – María Jesús Herrero<br />
Sanz, Los Apóstoles y los Padres<br />
de la Iglesia en el retablo de El<br />
Escorial: príncipes y defensores de<br />
la doctrina – Rosemarie Mulcahy,<br />
The Calvary by Pompeo Leoni for<br />
the High Altarpiece of the Escorial,<br />
“la mejor cosa que se pueda hacer<br />
imaginar …” – Almudena Pérez<br />
de Tudela, El cenotafio de Carlos<br />
V en la Basílica de El Escorial –<br />
Agustín Bustamante García, El<br />
grupo sepulcral de Felipe II – Elena<br />
Arias, Esculturas de Leone y<br />
Pompeo Leoni; técnicas escultóricas<br />
sobre metal – Rosario Coppel, Bibliografía<br />
Leoni
In the Footsteps of Christ<br />
Hans Memling’s Passion<br />
Narratives and the<br />
Devotional Imagination<br />
in the Early Modern<br />
Netherlands<br />
Mitzi Kirkland-Ives<br />
approx. x + 196 p., 24 b/w and 8 colour ills.,<br />
2 b/w line art, 156 x 234 mm,<br />
<strong>2012</strong>, PROTEUS 5, HB,<br />
ISBN 978-2-503-53406-0,<br />
approx. € 99<br />
Publication date scheduled for October <strong>2012</strong><br />
proteuS<br />
This study explores the intersections<br />
between the narrative paintings of<br />
Hans Memling and others and a range<br />
of devotional practices current in the<br />
Middle Ages and early modern period.<br />
Hans Memling’s Scenes from the Passion<br />
of Christ leads the viewer on<br />
a long and arduous journey in the<br />
space of just under a metre. The panel<br />
Late Byzantine Sculpture<br />
Nicholas Melvani<br />
approx. 300 p., 120 b/w and 12 colour ills.,<br />
210 x 275 mm,<br />
<strong>2012</strong>, SVCMA 6, HB,<br />
ISBN 978-2-503-53064-2,<br />
approx. € 90<br />
Publication date scheduled for October <strong>2012</strong><br />
StudieS in the ViSuAl<br />
cultureS of the Middle<br />
AgeS<br />
presents a ‘continuous narrative’ on<br />
a grand scale, offering roughly twodozen<br />
individual episodes from the<br />
last week of Christ’s life. These scenes<br />
are represented in a single contiguous<br />
cityscape and the surrounding coun-<br />
This book provides a detailed description<br />
and interpretation of multiple<br />
aspects of sculpture from late Byzantine<br />
monuments. Although individual<br />
monuments of the late Byzantine period<br />
have been exhaustively published<br />
and analyzed, the role of their sculptural<br />
decoration is usually overlooked.<br />
Whereas architectural features and,<br />
especially, wall paintings are treated<br />
in full detail, sculpture is approached<br />
as a mere decorative art which complements<br />
the overall appearance of a<br />
building. However, careful examination<br />
of late Byzantine sculptures found<br />
in situ or through excavation, as well<br />
as research into museum collections,<br />
reveals that late Byzantine sculptors<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Art History<br />
tryside, and viewers would have followed<br />
the narrative recounted across<br />
the panel, following the action from<br />
station to station along painted roads<br />
and pathways, through gateways and<br />
portals and implied passageways as<br />
pedestrians in their imaginations.<br />
This study considers the intersections<br />
between narrative art and a range of<br />
devotional practices current in the<br />
late Middle Ages and early modern<br />
period. This body of practices stood<br />
in a symbiotic relationship with the<br />
visual imagery, informing viewers’ interaction<br />
with images, which in turn<br />
affected their understanding of these<br />
other practices. In other words, these<br />
images must be understood as part of<br />
a broader tradition of ritual and symbolic<br />
life. As such, the study offers a<br />
valuable re-evaluation of Memling and<br />
his art within the religious practice of<br />
his times, while opening up some of<br />
his most ingenious and idiosyncratic<br />
works that are little known by nonspecialists.<br />
had reached a very high degree of artistic<br />
accomplishment and that their<br />
creations should be treated as works of<br />
art of the highest quality. Moreover, by<br />
interpreting each work, even those of a<br />
purely decorative nature, according to<br />
the space it occupied, by deciphering<br />
what is depicted (including religious<br />
themes and political symbols), as well<br />
as by taking into account the wider<br />
context within which sculpture was<br />
produced during the period under investigation,<br />
one can extract invaluable<br />
information concerning the artistic<br />
climate and the social circumstances<br />
which led to the development of late<br />
Byzantine sculpture.<br />
23
24<br />
Aubin-Louis Millin’s<br />
Antiquités Nationales<br />
Cecilia Hurley<br />
300 p., 50 b/w ills., 156 x 234 mm,<br />
<strong>2012</strong>, TA 3, PB,<br />
ISBN 978-2-503-53682-8,<br />
approx. € 100<br />
Publication date scheduled for October <strong>2012</strong><br />
théorie de l’Art /<br />
Art theory (1400-1800)<br />
This is the story of a book, a book<br />
about a book. The Antiquités nationales<br />
constitute, to say the least, an enigmatic<br />
publication. Written at the time<br />
of the French Revolution, by an author<br />
who had until then been known principally<br />
for his works on natural history,<br />
it is a book about which very little<br />
is known. A series of sixty-one dissertations<br />
of varying lengths, gathered<br />
into five volumes, describes and relates<br />
the history of individual buildings or<br />
monuments which were, according to<br />
the author, threatened by the waves of<br />
vandalism occurring in France during<br />
the early years of the French Revolution.<br />
Neither the circumstances of the<br />
book’s writing nor of its printing and<br />
marketing are easily elucidated, and<br />
the very form in which it was issued<br />
is one that requires careful investigation<br />
by a bibliographer. A careful collation<br />
of the Antiquités reveals that<br />
the traditional book form was subtly<br />
modified in an attempt to allow readers<br />
better to appropriate it for themselves.<br />
Amongst the more intriguing<br />
aspects of this book is the story of<br />
its reception. Hailed at the time of<br />
its publication as being a work of the<br />
greatest importance which should find<br />
a place in every library, the Antiquités<br />
very quickly fell from public favour.<br />
By now, it is generally familiar only to<br />
those engaged in research on the history<br />
of French architectural heritage<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Art History<br />
or who are trying to find engravings illustrating<br />
a building at the time of the<br />
Revolution or before.
MuSic hiStory<br />
Collectionner la musique:<br />
au cœur de l’interprétation<br />
Catherine Massip,<br />
Denis Herlin, Dinko Fabris,<br />
Jean Duron (éd.)<br />
303 p., 6 ill. n/b, 111 ill. couleur,<br />
190 x 240 mm,<br />
<strong>2012</strong>, CMUS 2, PB,<br />
ISBN 978-2-503-54577-6,<br />
approx. € 100<br />
Publication prévue pour octobre <strong>2012</strong><br />
collectionner lA<br />
MuSique - collecting MuSic<br />
Table des matières<br />
Denis Herlin, Portraits de<br />
quelques interprètes collectionneurs<br />
– Davitt Moroney, Collection,<br />
Transmission, and Rationalization<br />
: Thoughts on Discovering<br />
that I have become a Collector –<br />
Jean Servin, Psalms<br />
James Porter (ed.)<br />
998 p., 185 x 270 mm,<br />
<strong>2012</strong>, EM, PB,<br />
ISBN 978-2-503-52346-0,<br />
approx. € 120<br />
Publication date scheduled for October <strong>2012</strong><br />
épitoMe MuSicAl<br />
The present edition of Jean Servin’s<br />
XLI Psalmi Davidis was published in<br />
Geneva in 1579. The Psalmi Davidis<br />
and all three preceding volumes of<br />
chansons were published by Charles<br />
Pesnot with an imprint of Lyon (‘Lugduni’),<br />
apparently because the publisher<br />
wanted to sell them in France at a<br />
Tim Crawford, Robert Spencer<br />
(1932-1997), Lutenist and Collector<br />
– Jean-Christophe Branger<br />
et Vincent Giroud, Autour de<br />
Massenet et de l’opéra français :<br />
la collection de Richard Bonynge<br />
– Jane Gottlieb, Special Collections<br />
by and for Performers at the<br />
Juilliard School – Henri Vanhulst,<br />
La bibliothèque musicale d’Adrian<br />
Smout, compilateur du livre de luth<br />
de Thysius (NL-Lt 1666) – Frohmut<br />
Dangel-Hofmann, “Motivated<br />
by my passion” (“...Weillen die<br />
Liebhaberey mich dahin veranlasset<br />
...”): Rudolf Franz Erwein von<br />
Schönborn as Musician and Collector<br />
– Bénédicte Hertz, Bergiron<br />
de Briou du Fort-Michon (1690-<br />
1768) et la bibliothèque musicale<br />
du Concert de Lyon – Marie-Gabrielle<br />
Soret, Saint-Saëns et sa<br />
collection – Annalisa Bini, La<br />
bibliothèque musicale de Mario,<br />
time when importation of books from<br />
Geneva was banned. In the context of<br />
the times such polyphonic works with<br />
an imprint of Lyon would have greater<br />
appeal to a French public than volumes<br />
ostensibly printed in Geneva, then a<br />
refuge for Protestants fleeing the Wars<br />
of Religion such as Servin and his editor,<br />
Simon Goulart, pastor of the Reformed<br />
church of St Gervais for some<br />
forty years. Servin’s settings of George<br />
Buchanan’s Latin texts bear a dedication<br />
to ‘Serenissimo Scotorum Regi,<br />
Jacobo Sexto’, namely King James VI<br />
of Scotland, then a youth of thirteen<br />
who had been tutored from his early<br />
years by Buchanan. Buchanan’s Latin<br />
version of the psalms, a genre that had<br />
attracted contemporary French writ-<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Music History<br />
chanteur et collectionneur – John<br />
H. Roberts, The Cortot Collection<br />
and the Hargrove Music Library,<br />
University of California, Berkeley<br />
ers, was begun during his internment<br />
by the Inquisition in the Monastery<br />
of San Bento, Portugal, from 1547<br />
to 1552 following the accusation of<br />
heresy. Taking the Vulgate version of<br />
the psalms as his basic text, Buchanan<br />
styled his paraphrases after classical authors,<br />
principally Horace. Dedicated<br />
to Mary, Queen of Scots (mother of<br />
James VI), the work aroused the admiration<br />
of his first biographer, Henri<br />
Estienne, who described Buchanan as<br />
‘poetarum sui saeculi facile princeps’.<br />
Buchanan was also known to Calvin’s<br />
successor in Geneva, Theodore<br />
de Bèze, who provided Servin with a<br />
letter of introduction to Peter Young,<br />
King James’s other preceptor besides<br />
Buchanan from 1572 to 1578.<br />
25
26<br />
The Legacy of Richard<br />
Wagner<br />
Luca Sala (ed.)<br />
approx. 500 p., 210 x 270 mm,<br />
<strong>2012</strong>, SMUS 18, HB,<br />
ISBN 978-2-503-54613-1,<br />
approx. € 125<br />
Publication date scheduled for October <strong>2012</strong><br />
SpeculuM MuSicAe<br />
In the context of the social culture of<br />
Europe, the rise and fall of Wagnerism<br />
ushered in a structural change<br />
of artistic forms, a process which in<br />
some sense manages to lay bare the<br />
transformations of modern culture<br />
over two entire centuries. What is presented<br />
rather as a complex psycho-sociological<br />
theorization of the process<br />
From Stage to Screen<br />
Musical Films in Europe and<br />
United States (1927-1961)<br />
Massimiliano Sala (ed.)<br />
approx. 350 p., 210 x 270 mm,<br />
<strong>2012</strong>, SMUS 19, HB,<br />
ISBN 978-2-503-54614-8,<br />
approx. € 125<br />
Publication date scheduled for October <strong>2012</strong><br />
SpeculuM MuSicAe<br />
This volume offers new contributions<br />
to international scholarship on<br />
musical films (1927–1961), focusing<br />
in particular on the relationships between<br />
entertainment genres such as<br />
operetta, café music, music hall, cabaret,<br />
revue that were prominent during<br />
the early years of film. In this volume<br />
involved in producing a work of art,<br />
in fact manifests itself as a reformulation<br />
of ideas in literature and theatre,<br />
in criticism and cinema, providing us<br />
with a vast and articulate sketch of an<br />
almost endless series of those influences<br />
which Wagner’s oeuvre has been<br />
able to give rise to. The purpose of the<br />
present work is to expand, in this very<br />
direction, the thorough study of a system<br />
of convergences and dissonances,<br />
whether in the sphere of aesthetics, or<br />
in the context of that which remains of<br />
the oeuvre in the complex and as yet<br />
unfinished history of its reception. The<br />
editor’s aim has been to examine the<br />
Wagnerian influence which is present<br />
in the process of politico-geographical<br />
transformation of Europe, Russia and<br />
the United States from the fin de siècle<br />
to the middle of the 20 th century. Furthermore,<br />
on the same topic, he has<br />
twenty scholars investigate a number<br />
of significant aspects of the topic, exploring<br />
the interrelations and possible<br />
borrowings between European film<br />
culture (including some reference to<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Music History<br />
striven to cover also the silent revolution<br />
which Wagnerism precipitated<br />
in literature and in the field of social<br />
sciences, its legacy and the inevitable<br />
transformations it brought about.<br />
Eastern European film culture), and<br />
the musical theatre and film tradition<br />
of the United States.<br />
The authors featured are: Lauren<br />
Acton, Beatrice Birardi, Antonio<br />
Caroccia, Marija Ćirić, Jonathan<br />
De Souza, James Deutsch, Alexandra<br />
Grabarchuk, Clara Huber,<br />
Ryan P. Jones, Raymond Knapp,<br />
Isabelle Le Corff, Sergio Miceli,<br />
Matilde Olarte, Jaume Radigales,<br />
Elena Redaelli, Marida Rizzuti,<br />
Cécile Vendramini, Isabel Villanueva,<br />
Delphine Vincent, Emile<br />
Wennekes, Leanne Wood, Iryna<br />
Yaroshchuk.
Erasmus and<br />
the Renaissance<br />
Republic of Letters<br />
Stephen Ryle (ed.)<br />
approx. x + 392 p., 5 b/w ills., 156 x 234 mm,<br />
<strong>2012</strong>, DISPUT 24, HB,<br />
ISBN 978-2-503-53030-7,<br />
€ 110<br />
Publication date scheduled for October <strong>2012</strong><br />
diSpu tAtio<br />
eArly Modern StudieS<br />
This volume contains a selection from<br />
among the papers delivered at a conference<br />
held to mark the centenary<br />
of a watershed event in early modern<br />
studies: the appearance of Volume I<br />
of P. S. Allen’s edition of Erasmus’s<br />
letters. Erasmus scholarship has been<br />
a growing field since the late twentieth<br />
century, owing to the enormous<br />
volume and vast intellectual range of<br />
Republicanism, Sinophilia,<br />
and Historical Writing<br />
Thomas Gordon<br />
(c.1691–1750) and his<br />
‘History of England’<br />
Thomas Gordon Tarantino<br />
approx. x + 640 p., 156 x 234 mm,<br />
<strong>2012</strong>, EER 4, HB,<br />
ISBN 978-2-503-53684-2,<br />
approx. € 135<br />
Publication date scheduled for October <strong>2012</strong><br />
eArly europeAn reSeArch<br />
This is an exemplary study of Medieval<br />
scholarship, Classical reception and<br />
philosophical Sinophilia as propaganda<br />
devices in 18 th century England.<br />
Thomas Gordon (c.1691-1750) was<br />
a prolific Scottish journalist and pamphleteer<br />
working in eighteenth-century<br />
London. His works circulated in a variety<br />
of forms and for many years in<br />
Europe and the British North American<br />
colonies. Gordon’s conception of<br />
‘republicanism’ was essentially that of<br />
a secular and tolerant society free from<br />
providential designs; his works reflected<br />
a lifelong commitment to defending the<br />
his oeuvre and to the reprinting of his<br />
works from the 1960s onwards, while<br />
Allen’s edition has proved the basis for<br />
research for scholars of almost every as-<br />
rule of law, the balance of powers, and<br />
the rotation of representative bodies.<br />
This study sets out to produce a fuller<br />
profile of Gordon, to investigate his specific<br />
and controversial contribution as a<br />
political theorist, and finally to present<br />
for the first time an annotated edition of<br />
his unfinished and unpublished (mainly<br />
medieval) History of England: a highly<br />
readable text whose main metanarrative<br />
theme is the struggle between ‘the Government<br />
of Will’ and ‘the Government<br />
of Laws’ – with the struggle between<br />
‘God’s Will’ and ‘the Will of the Clergy’<br />
as an essential rhetorical subtheme.<br />
The book also deals with a hitherto<br />
unexplored aspect of Gordon’s thinking,<br />
his Sinophilia. Gordon’s ‘sensible<br />
Chinese’ is drawn in as a rhetorical<br />
tool to voice bitter judgements on both<br />
Catholic and Protestant inconsistencies.<br />
By resorting to the utopian model<br />
of a distant Orient, Gordon aimed to<br />
expose the severe impact on Western<br />
societies of clerical interference in State<br />
affairs, concluding that ‘men who are<br />
oppressed, or who foresee inevitable<br />
oppression, will be naturally thinking<br />
of the means of security and escape’, or<br />
possibly dreaming about distant civilizations.<br />
pect of Renaissance humanism and the<br />
Reformation.<br />
The conference aimed to investigate as<br />
many aspects as possible of Erasmus’s<br />
literary, educational, rhetorical, and<br />
theological activities and of their influence<br />
on the emerging Europe of the early<br />
modern era. The essays collected here<br />
present a wide-ranging overview of the<br />
current state of Erasmus scholarship,<br />
including a survey of the discoveries of<br />
letters to and from Erasmus unknown<br />
to Allen, the printing for the first time<br />
since 1529 of the opening section of an<br />
important letter to him from Germain<br />
de Brie, an account of the crucial role<br />
played by Ulrich von Hutten in the<br />
publication of the dialogue Iulius exclusus<br />
e coelis, and several studies of the<br />
influence of Erasmian thought on early<br />
modern political and theological controversies.<br />
With its broad coverage of<br />
the current field, the volume will prove<br />
indispensable to Erasmus scholars.<br />
Review<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Early Modern Studies<br />
Thomas Gordon – republican, deist,<br />
translator of Tacitus, and mildly<br />
pornographic anti-clerical –<br />
is among the most versatile and<br />
interesting of the opposition journalists<br />
of 18 th -century England.<br />
In presenting this edition of his<br />
unfinished history of England,<br />
Giovanni Tarantino has shown<br />
us this lively figure in yet another<br />
light and heightened our understanding<br />
of radical Whig culture.<br />
-J.G.A. Pocock, Emeritus Professor,<br />
Johns Hopkins University<br />
27
28<br />
Psyché à la Renaissance<br />
Magali Bélime-Droguet,<br />
Véronique Gély,<br />
Philippe Vendrix (éd.)<br />
approx. 300 p., 210 x 270 mm,<br />
<strong>2012</strong>, ER 9, PB,<br />
ISBN 978-2-503-54498-4,<br />
approx. € 100<br />
Publication prévue pour octobre <strong>2012</strong><br />
étudeS renAiSSAnteS<br />
Entre la redécouverte au XIV e siècle<br />
du texte des Métamorphoses d’Apulée<br />
par Zanobi da Strada et Boccace puis<br />
la publication des Amours de Psyché<br />
et Cupidon de La Fontaine en 1669,<br />
suivis de la tragédie-ballet de Molière,<br />
Corneille et Quinault en 1671, la fable<br />
de Psyché investit tous les domaines de<br />
la littérature, de la philosophie, des arts<br />
scéniques et décoratifs, et triomphe<br />
dans la société de cour.<br />
Cases of Male Witchcraft<br />
in Old and New England,<br />
1592-1692<br />
Elizabeth Kent<br />
approx. x + 253 p., 156 x 234 mm,<br />
<strong>2012</strong>, LMEMS 13, HB,<br />
ISBN 978-2-503-52474-0,<br />
€ 70<br />
Publication date scheduled for October <strong>2012</strong><br />
lAte MedieVAl And<br />
eArly Modern StudieS<br />
This study explores cases in which men<br />
were accused of witchcraft in England<br />
and the British colonies of New England<br />
between 1592 and 1692. Using a<br />
series of case studies that begin in Elizabethan<br />
Norfolk and end with the Salem<br />
trials in Massachusetts, this book<br />
examines six individual male witches<br />
Plusieurs publications récentes ont été<br />
consacrées à la postérité d’Apulée et<br />
à celle de ce récit, les unes dans le domaine<br />
de l’histoire de l’art, les autres<br />
dans celui de la littérature. La présentation<br />
au château d’Azay-le-Rideau, en<br />
2009, d’une exposition originale centrée<br />
sur les interprétations de la fable<br />
de Psyché dans l’art français à partir<br />
de la Renaissance a été l’occasion de<br />
confronter ces travaux et d’offrir à la<br />
recherche des perspectives nouvelles.<br />
Ce volume, tout en ouvrant sur le<br />
devenir du thème jusqu’à l’époque<br />
contemporaine, se consacre donc à<br />
l’étude d’un processus exemplaire de<br />
l’humanisme renaissant : celui par lequel<br />
les temps modernes s’approprient<br />
un texte antique mal connu pendant<br />
le Moyen Âge. La fable de Psyché,<br />
contemporaine de la christianisation<br />
de l’Empire Romain et tôt christianisée<br />
elle-même, offrait à la Renaissance<br />
une métaphysique platonicienne, une<br />
éducation sentimentale, une mise en<br />
and argues they are best understood<br />
as masculine witches, not feminized<br />
men. Each case considers the social<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Early Modern Studies<br />
scène de la curiosité, et une forme narrative<br />
propres à nourrir les réflexions<br />
nouvelles sur la notion de sujet et sur<br />
les pouvoirs de la fiction.<br />
circumstances of the male witch as a<br />
gendered context for the accusations<br />
of witchcraft against him.<br />
Instead of seeking to identify a single<br />
causal condition or overarching gendered<br />
circumstance whereby men were<br />
accused of witchcraft, this study examines<br />
the way that masculinity shaped<br />
the accusations of witchcraft made<br />
against each man. In each case, a range<br />
of masculine social and cultural roles<br />
became implicated in accusations of<br />
witchcraft, making it possible to explore<br />
how beliefs in witches interacted<br />
with early modern English gender cultures<br />
to support the religious, legal,<br />
and cultural logic of the male witch.<br />
The result is an approach to early modern<br />
English witchcraft prosecution<br />
that includes, rather than problematizes,<br />
the male witch.
Petrarch’s Humanist<br />
Writing and Carthusian<br />
Monasticism<br />
The Secret Language<br />
of the Self<br />
Demetrio S. Yocum<br />
approx. x + 277 p., 30 b/w ills., 156 x 234 mm,<br />
<strong>2012</strong>, MCS 26, HB,<br />
ISBN 978-2-503-54419-9,<br />
approx. € 80<br />
Publication date scheduled for October <strong>2012</strong><br />
MedieVAl church StudieS<br />
By shedding light on the role played by<br />
Carthusian spirituality and practices<br />
in Petrarch’s life and work and following<br />
a common line of philosophical<br />
and theological development through<br />
his writings, this book argues that<br />
there still are lessons to be learned in<br />
Cyprus and the Renaissance<br />
(1450-1650)<br />
Benjamin Arbel,<br />
Evelien Chayes,<br />
Harald Hendrix (eds.)<br />
approx. 420 p., 31 b/w ills., 156 x 234 mm,<br />
<strong>2012</strong>, MEDNEX 1, PB,<br />
ISBN 978-2-503-54192-1,<br />
€ 85<br />
Publication date scheduled for October <strong>2012</strong><br />
MediterrAneAn nexuS<br />
(1100-1700)<br />
This collection of thirteen essays by<br />
leading scholars in the field is the<br />
product of an international research<br />
project on early modern Cypriot<br />
culture. Preliminary versions of the<br />
essays have been discussed during an<br />
expert meeting of the contributors<br />
(November 2009, at the University of<br />
Cyprus).<br />
The present collection is the first of<br />
its kind centered on intellectual exchanges<br />
during the Renaissance period,<br />
deepening their source-based<br />
documentary study, as well as our<br />
knowledge of the island’s culture<br />
and heritage in relation to political,<br />
scholarly and religious life in Western<br />
countries. The volume assures considerable<br />
range and also offers new<br />
and ground-breaking discoveries,<br />
both about the relationship between<br />
religion and literature, theology and<br />
spirituality.<br />
Of the long line of renowned antischolastic<br />
intellectuals who were attracted<br />
to Carthusian circles, Petrarch<br />
was undoubtedly the first. By revealing<br />
the Carthusian imprint on Petrarch’s<br />
thought as well as elements of<br />
Carthusian spirituality present in his<br />
texts, this book argues that Carthusianism<br />
was an essential component<br />
of Petrarch’s Christian humanism and<br />
hermeneutics of the self. An interdisciplinary<br />
approach, involving parallel<br />
readings of Petrarchan texts, early monastic<br />
and Carthusian primary sources,<br />
together with more recent theological<br />
reflections, offers new insights into<br />
the role of Carthusianism in the intellectual<br />
debate on spirituality and the<br />
position of the individual within this<br />
order. Through Petrarch and his liter-<br />
insights and perspectives: linguistics<br />
(Baglioni), the political deployment<br />
of Cypriot cultural heritage and its<br />
antiquities in archeology and art<br />
(Calvelli; Parlato), intellectual networks<br />
interweaving Cypriot, Italian<br />
and French intellectuals (Nicolaou-<br />
Konnari; Pro caccioli; Chayes; Parlato),<br />
Cypriot engagement in contemporary<br />
philosophical debates and<br />
the reception of Greek philosophical<br />
manuscripts taken from Cyprus<br />
(Grivaud; Prins), Cypriot contribution<br />
to contemporary Italian literature,<br />
the representation of the island<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Early Modern Studies<br />
ary works, the Carthusian milieu ultimately<br />
shaped not only Renaissance<br />
humanism but also our understanding<br />
of the relationship between ‘self ’, God,<br />
and others.<br />
in sixteenth and seventeenth-century<br />
Italian literature and historiography<br />
(Cosentino; Girotto; Nicolaou-Konnari;<br />
Schabel), Italian heterodoxy and<br />
Inquisition in relation to catholic reformation<br />
and counter-reformation<br />
on Cyprus (Skoufari; Chayes), the<br />
description of Cypriot wildlife in Renaissance<br />
sources and an attempt to<br />
reconstruct the islands’s wildlife during<br />
that period (Arbel).<br />
neW SerieS:<br />
MediterrAneAn<br />
nexuS (1100-1700)<br />
This series of monographs on the<br />
history and literature of the Mediterranean<br />
world will emphasise<br />
exchange and cross-fertilisation<br />
between the great linguistic and<br />
intellectual units of early modern<br />
times, from Byzantium, the<br />
Ottoman Empire, the Levant,<br />
and the Balkans, across to Italy,<br />
France, and the Mediterranean<br />
archipelago, wherein met cultures,<br />
armies and written sources:<br />
Greek, Persian, Hebrew, Arabic,<br />
Armenian and Latin. The<br />
period is distinguished by changing<br />
templates of dominance, division<br />
and conflict.<br />
29
30<br />
Insupportable mais<br />
fascinant<br />
Jean Calvin, ses amis,<br />
ses ennemis et les autres<br />
Jean-François Gilmont<br />
approx. viii + 292 p., 37 ill. couleur,<br />
150 x 250 mm,<br />
<strong>2012</strong>, NUGER 13, PB,<br />
ISBN 978-2-503-54513-4,<br />
approx. € 70<br />
Publication prévue pour octobre <strong>2012</strong><br />
nugæ huMAniSticæ SuB<br />
Signo erASMi<br />
Après avoir pratiqué Jean Calvin pendant<br />
plus de quarante-cinq ans, surtout<br />
dans sa production imprimée, Jean-<br />
François Gimont propose un portrait<br />
du réformateur dessiné à travers ses relations<br />
sociales. Il cerne son action sur<br />
la société de son temps. Cet homme a<br />
en effet exercé une emprise exceptionnelle<br />
sur son entourage, proche et lointain.<br />
Au cours des âges, il continue à<br />
provoquer tout à la fois une fascination<br />
La cause en est cachée<br />
Études offertes à Paulette<br />
Choné par ses élèves,<br />
ses collègues et ses amis<br />
Sylvie Taussig (éd.)<br />
approx. 300 p., 150 x 210 mm,<br />
<strong>2012</strong>, STSA 20, PB,<br />
ISBN 978-2-503-54495-3,<br />
approx. € 85<br />
Publication prévue pour octobre <strong>2012</strong><br />
leS StyleS du SAVoir<br />
Dans une quarantaine de communications<br />
dont un tiers furent prononcées<br />
lors d’un colloque organisé au<br />
château de Bussy-Rabutin (Côte d’or)<br />
le 7 octobre 2010, des historiens, phi-<br />
inconditionnelle et des rejets définitifs.<br />
Pour tenter d’expliquer le rayonnement<br />
de cet homme insupportable<br />
mais fascinant, le projet est né de<br />
réunir une galerie de portraits qui<br />
montrent les attitudes parfois contradictoires<br />
de Calvin et de son entou-<br />
losophes, philologues, historiens de<br />
l’art, de la littérature et des spectacles,<br />
tous spécialistes français et étrangers<br />
de la première modernité, s’attachent<br />
à comprendre les manières dont s’est<br />
établie « la circulation vivante des<br />
symboles » dans une civilisation hantée<br />
par la question de l’origine des<br />
signes. Ils démontrent avec une grande<br />
cohérence la fécondité substantielle<br />
des premiers travaux de Paulette Choné,<br />
qui esquissèrent à propos de la Lorraine<br />
ducale et évêchoise au tournant<br />
de 1600 les principes d’une « histoire<br />
totale ». Ils illustrent la valeur de la<br />
diversité dans des enquêtes rendues<br />
solidaires par une phénoménologie<br />
historique raffinée. Ils rappellent que<br />
l’utilité spirituelle de l’art dépend de la<br />
présence magistrale.<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Early Modern Studies<br />
rage. Les relations de multiples personnages<br />
avec le réformateur mettent<br />
en lumière une diversité des approches<br />
et des contacts, positifs ou négatifs.<br />
Il n’y a pas seulement les amis fidèles,<br />
ni ceux qui sont devenus des ennemis<br />
mortels. Entre les deux, il y a<br />
d’autres rencontres, que ce soit avec<br />
de nobles princesses ou d’humbles<br />
tâcherons de la Réforme. Ici, le maladroit<br />
Mulot bénéfice d’une indulgence<br />
inouïe, tandis que là, Marie<br />
d’Ennetières fait éclater la misogynie<br />
du réformateur. Et ainsi de suite<br />
dans une cinquantaine de rencontres.<br />
La recherche, fondée sur les sources<br />
contemporaines, offre des images<br />
contrastées. Les qualités éminentes<br />
qui caractérisent le réformateur n’empêchent<br />
pas de dénoncer ses défauts,<br />
dont certains sont tout aussi éminents.<br />
Cette volonté d’éviter tant la calvinolâtrie<br />
que la clavinophobie donne à ces<br />
êtres du passé un visage plus humain.<br />
Ces pères de la Réforme mélangent<br />
projets grandioses et mesquineries tout<br />
comme les hommes d’aujourd’hui.
Fragmenta 4 (2010)<br />
Adrian VI: A Dutch Pope<br />
in a Roman Context<br />
approx. 220 p., 160 x 240 mm,<br />
<strong>2012</strong>, FRAG 4, PB,<br />
ISBN 978-2-503-54536-3,<br />
Publication date scheduled for October <strong>2012</strong><br />
fr AgMen tA<br />
JournAl<br />
http://brepols.metapress.com/journals<br />
Multiple subscription options<br />
& pay-per-view available<br />
Table of Contents<br />
C.G. Santing, Adrian of Utrecht.<br />
The Formation of the Historiographical<br />
Image of the Dutch Pope<br />
– M. Gielis and G. Gielis, Adrian<br />
of Utrecht (1459-1523) as Professor<br />
at the University of Louvain and<br />
as a Leading Figure in the Church<br />
in the Netherlands – R. Fagel, The<br />
Dean of Louvain in Spain. Adrian<br />
of Utrecht (1515-1522): A Career<br />
in the Service of a Habsburg Prince<br />
– M. Graulich, Papacy in Theory<br />
and Practice. The Office and Power<br />
of the Pope according to the Theological<br />
Work of Adrian VI and his<br />
Plans for a Reform of the Church<br />
– H. Hulscher, The Pontificate of<br />
Adrian VI (9 January 1522- 14<br />
September 1523) – S. de Blaauw,<br />
Divini cultus devotissimus. Adrian<br />
VI and Papal Ritual – J. Touber,<br />
Willem van Enckenvoirt and<br />
the Dutch Network in Rome in<br />
the First Quarter of the Sixteenth<br />
Century – M.-Ch. Le Bailly, “A<br />
vulgo amabatur, a magnatibus<br />
vero habebatur in odio”. Adrian<br />
VI through the Eyes of his Fellow<br />
Countryman Cornelius de Fine –<br />
A. Gnann, Cardinal Wilhelm van<br />
Enckenvoirt as Patron of the Arts<br />
in Rome – F. Scholten, Maxime<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Early Modern Studies<br />
aversatvr splendorem: the Funeral<br />
Monument for Pope Adrian<br />
VI – V. Lini, Brief Comments on<br />
the Restoration of the Monument of<br />
Adrian VI in S. Maria dell’Anima<br />
in Rome<br />
31
Socio-econoMic hiStory<br />
Landscapes or Seascapes?<br />
The History of the Coastal<br />
Environment in the North<br />
Sea Area Reconsidered<br />
Guus Borger, Adri de Kraker,<br />
Tim Soens, Erik Thoen,<br />
Dries Tys (eds.)<br />
approx. 450 p., 130 colour ills., 156 x 234 mm,<br />
<strong>2012</strong>, CORN 13, PB,<br />
ISBN 978-2-503-54058-0 (print),<br />
ISBN 978-2-503-54695-7 (online),<br />
approx. € 75<br />
Publication date scheduled for November <strong>2012</strong><br />
coMpArAtiVe rurAl hiStory<br />
of the north SeA AreA<br />
Part of BREPOLS<br />
MISCELLANEA ONLINE<br />
Essays in Medieval Studies<br />
Collection 2013<br />
This volume contains the proceedings<br />
of the conference which took<br />
Friendship and Social<br />
Networks in Scandinavia<br />
c. 1000-1800<br />
Jón Viðar Sigurðsson,<br />
Thomas Småberg (eds.)<br />
approx. x + 347 p., 156 x 234 mm,<br />
<strong>2012</strong>, EER 5, HB,<br />
ISBN 978-2-503-54248-5 (print),<br />
ISBN 978-2-503-54260-7 (online),<br />
approx. € 95<br />
Publication date scheduled for October <strong>2012</strong><br />
eArly europeAn reSeArch<br />
Part of BREPOLS<br />
MISCELLANEA ONLINE<br />
Essays in Medieval Studies<br />
Collection 2013<br />
This book discusses the impact of various<br />
social networks on Scandinavian<br />
society from a longue durée perspective,<br />
from the Viking Age to the nineteenth<br />
century.<br />
place in Ghent in April 2010. New<br />
research questions, methodological<br />
and technological innovations and an<br />
increasing emphasis on interdisciplinary<br />
and comparative approaches significantly<br />
altered our comprehension<br />
Friendship, patron-client relationships,<br />
and social networks played a fundamental<br />
role in Scandinavian society<br />
from the Viking Age through to the Industrial<br />
Era. Personal ties were essential<br />
to Viking chieftains for building their<br />
power base, and such ties were equally<br />
crucial for early modern merchants,<br />
who used their personal bonds to create<br />
trade networks. Furthermore, social<br />
networks connected medieval men and<br />
women to the saints and to God.<br />
The articles in this book emphasize the<br />
strong correlation between political<br />
developments such as the emergence<br />
of the state and the evolution of friendships<br />
and social networks. They also<br />
highlight radical changes in the importance<br />
and contexts of friendship that<br />
occurred between the Viking Age and<br />
the late eighteenth century. During this<br />
period, friendships became far more<br />
than community-based social relationships,<br />
but rather tools for the elite in social<br />
positioning and wealth acquisition.<br />
This volume highlights the major significance<br />
of friendships and patron-<br />
32 F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Socio-Economic History<br />
of the historical interaction between<br />
man and nature in the extremely variable<br />
environment of the coastal plain.<br />
Much more than before, coastal development<br />
is now explained from a permanent<br />
and complex interaction between<br />
human and physical evolutions.<br />
Moreover the coastal area is no longer<br />
isolated from its spatial context, but<br />
considered in its entire relationship<br />
with the sea on the one hand and with<br />
the inland areas on the other hand.<br />
These connections between human<br />
and physical evolutions and between<br />
the coastal region, the inland areas and<br />
the sea were at the heart of the international<br />
and interdisciplinary conference<br />
on the coastal development in<br />
the North Sea Area. Compared to the<br />
earlier conferences, the regional scope<br />
is significantly enlarged: although<br />
a lot of attention is still paid to the<br />
coastlands of the Low Countries, a systematic<br />
comparison with other North<br />
Sea Areas like Northern Germany and<br />
Southern England will be made.<br />
client relationships to political and<br />
cultural life in medieval, early modern,<br />
and modern society. It covers social networks<br />
in Iceland, Norway, Denmark,<br />
and Sweden, each of which are characterized<br />
by different societal features,<br />
ranging from the free-state republic of<br />
early medieval Iceland to the early modern<br />
kingdom of Denmark.
Rural Economy and Society<br />
in North-Western Europe,<br />
500-2000<br />
The Agro-Food Market:<br />
Production, Distribution<br />
and Consumption<br />
Leen Van Molle,<br />
Yves Segers (eds.)<br />
approx. 450 p., 178 x 254 mm,<br />
<strong>2012</strong>, RES, HB,<br />
ISBN 978-2-503-53048-2,<br />
approx. € 90<br />
Publication date scheduled for October <strong>2012</strong><br />
rurAl econoMy And<br />
Society in north-WeStern<br />
europe, 500-2000<br />
Rural Societies and<br />
Environments at Risk<br />
Ecology, Property Rights<br />
and Social Organisation<br />
in Fragile Areas (Middle<br />
Ages-Twentieth Century)<br />
Bas van Bavel,<br />
Erik Thoen (eds.)<br />
approx. 350 p., 156 x 234 mm,<br />
<strong>2012</strong>, RURHE 9, PB,<br />
ISBN 978-2-503-54416-8,<br />
approx. € 70<br />
Publication date scheduled for October <strong>2012</strong><br />
rurAl hiStory in europe<br />
This book discusses the relationship<br />
between ecology and rural society in<br />
fragile environments of the past. Rural<br />
land use in these areas entailed an<br />
inherent vulnerability, for instance<br />
because of their poor soils, aridity or<br />
their location in mountain areas, near<br />
the sea or in severe climatic conditions.<br />
The various chapters analyse how societies<br />
coped with this vulnerability by<br />
way of the organization of property<br />
rights to land. These rights formed the<br />
Agriculture and nourishment are,<br />
from early times and up to now, crucial<br />
elements in the development of<br />
market systems. Shortage and surplus<br />
gave shape to different forms of exchange<br />
and sale, to the dynamics of<br />
supply and demand, and to expanding<br />
interconnections between regions and<br />
social groups. Farmers learned to adapt<br />
their production to market conditions<br />
and to the shifting needs and tastes of<br />
a growing and demanding public. But<br />
the path from a self-supporting way<br />
of life to the present forms of market<br />
integration in the complex, global<br />
world was far from uniform and linear.<br />
Food production, market structures<br />
and market mechanisms changed over<br />
time and differed between regions and<br />
countries of the North Sea area. This<br />
volume aims at exploring and unravel-<br />
framework which shaped the use of<br />
the land and were a main constituent<br />
of the relationship between mankind<br />
and ecology in these fragile areas. To<br />
a large extent, therefore, they determined<br />
– and still determine - the<br />
success or failure of rural societies<br />
to cope with the challenges posed by<br />
their environment. In their turn, however,<br />
these property rights were shaped<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Socio-Economic History<br />
ling the complexity of the agro-food<br />
market, from the field to the table.<br />
within a wider social and political context,<br />
in which political and ideological<br />
considerations, and special interests,<br />
also played their part. As a result, the<br />
organization of these rights was not always<br />
geared towards sustainability, as<br />
demonstrated in these chapters, which<br />
discuss and analyse long-term developments<br />
in several parts of Northwestern,<br />
Central and Southern Europe.<br />
Bas van Bavel is professor of economic<br />
and social history of the<br />
Middle Ages, head of the section of<br />
Economic and Social History, and<br />
coordinator of the knowledge centre<br />
Institutions of the Open Society at<br />
Utrecht University (the Netherlands).<br />
Erik Thoen is ordinary professor<br />
at Ghent University (Belgium)<br />
specialised in rural and environmental<br />
history. He is co-ordinator<br />
of the CORN rural history network<br />
(Comparative Rural History of the<br />
North Sea Area).<br />
33
34<br />
Food & History -<br />
9.2 (2011)<br />
Inventorying Food Heritage:<br />
Achievements, Methods, and<br />
Perspectives<br />
Inventorier le patrimoine alimentaire<br />
: acquis, méthodes et<br />
perspectives<br />
vi + 327 p., 3 b/w ills., 170 x 240 mm,<br />
<strong>2012</strong>, FOOD 9.2, PB,<br />
ISBN 978-2-503-53632-3<br />
Available<br />
food & hiStory, europeAn<br />
inStitute of food hiStory<br />
JournAl<br />
http://brepols.metapress.com/journals<br />
Multiple subscription options<br />
& pay-per-view available<br />
Table of Contents<br />
Ancient and Medieval Food<br />
Studies : Études sur l’alimentation<br />
antique et médiévale :<br />
Salvatore Gaspa, Bread for Gods<br />
and Kings: On Baked Products in<br />
Profane and Cultic Consumption<br />
of Ancient Assyria – Christophe<br />
Hugoniot, Les ombres de Mécène.<br />
À propos de la cena Nasidieni<br />
d’Horace (S., II, 8) – Paul Erdkamp,<br />
Jews and Christians at the Dinner<br />
Table: A Study in Social and Religious<br />
Interaction – Francesca Tasca,<br />
Una bevanda di apostasia: il comos<br />
mongolico nell’Itinerarium di frate<br />
Guglielmo di Rubrouck<br />
Dossier: inventorier le patrimoine<br />
alimentaire: asquis, methods<br />
et perspectives :<br />
Loïc Bienassis, Quelle carte pour<br />
quel territoire ? Impossibles et nécessaires<br />
: les inventaires du patrimoine<br />
alimentaire – Antonella Cam-<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Socio-Economic History<br />
panini, De l’hymne au territoire<br />
à l’apologie des terroirs. Une brève<br />
histoire des inventaires culinaires<br />
italiens depuis l’Unification (1861)<br />
– Erik Thévenod-Mottet & Carine<br />
Cornaz Bays, Un Inventaire,<br />
pour quoi faire ? La valorisation<br />
de l’Inventaire du Patrimoine culinaire<br />
suisse – Stéphane Boisseaux,<br />
Territorialités politiques, politiques<br />
publiques : une approche institutionnelle<br />
des produits alimentaires<br />
typiques. Le cas de la Suisse – Lucile<br />
Garçon & Rami Zurayk, L’œil et<br />
la bouche. Le goût du paysage pour<br />
préserver le patrimoine alimentaire<br />
libanais – Brigitte Sébastia, Revaloriser<br />
les millets en Inde : les produits<br />
biologiques et écologiques au bénéfice<br />
de l’environnement et de la santé –<br />
Chantal Crenn, La fabrique de<br />
l’identité culinaire nationale dans<br />
les écrits sur l’alimentation et la cuisine<br />
sénégalaises : du regard colonial<br />
à celui de Youssou NDour<br />
Review Articles / Comptes rendus<br />
– Upcoming Issues / prochains<br />
numéros – Food History - A Bibliographic<br />
Database / Bibliographie<br />
d’histoire de l’alimentation<br />
– Submission of Articles / Envois<br />
d’articles
lAte Antiquity & pAtriSticS<br />
Anthropologie de<br />
l’Antiquité<br />
Anciens objets,<br />
nouvelles approches<br />
Evelyne Scheid-Tissinier,<br />
Pascal Payen (éd.)<br />
approx. 420 p., 17 ill. n/b, 156 x 234 mm,<br />
<strong>2012</strong>, ASH 1, PB,<br />
ISBN 978-2-503-54697-1,<br />
approx. € 85<br />
Publication prévue pour octobre <strong>2012</strong><br />
Antiquité et ScienceS<br />
huMAineS<br />
Les diverses contributions réunies dans<br />
ce livre sont nées d’une collaboration<br />
et d’une proximité intellectuelle entre<br />
deux institutions de recherche : l’équipe<br />
PLH–ERASME qui travaille, Toulouse,<br />
dans les domaines de la réception<br />
de l’Antiquité et de l’anthropologie historique,<br />
depuis sa création en 1998, et<br />
le centre ANHIMA (Anthropologie et<br />
Histoire des mondes antiques), qui réunit,<br />
à Paris, des chercheurs engagés dans<br />
tous les domaines et toutes les périodes<br />
de l’Antiquité. Ce rapprochement s’est<br />
traduit par l’organisation de deux journées<br />
d’étude internationales, qui se sont<br />
tenues à Toulouse, en mars 2010, et par<br />
la création d’une nouvelle collection :<br />
« Antiquité et sciences humaines. La<br />
traversée des frontières », accueillie par<br />
les éditions <strong>Brepols</strong>. Ces initiatives témoignent<br />
de la vitalité et du renouvellement<br />
dont ont bénéficié et continuent<br />
de bénéficier les perspectives anthropologiques.<br />
Une vitalité qui se manifeste par la<br />
multiplicité des points de vue et des<br />
domaines abordés dont je ne mentionnerai<br />
que quelques exemples : – l’aptitude<br />
à redéfinir les concepts les mieux<br />
connus, comme le fait Vincent Azoulay<br />
à propos du don, – l’application d’un<br />
autre concept tout aussi connu, la pra-<br />
tique des rites de passage, à un domaine<br />
nouveau, celui de l’archéologie gallo–<br />
romaine. Ce qui permet à Ton Derks,<br />
d’insérer dans leur contexte historique<br />
des conduites sociales jusqu’alors<br />
mal interprétées, – la prise en compte<br />
des déplacement de catégories entre<br />
hommes et femmes, masculin et féminin,<br />
qu’apportent les études de genre<br />
mises en perspective par Violaine<br />
Sébillotte, – l’exploration d’un certain<br />
nombre de domaines nouveaux,<br />
parmi lesquels, celui des émotions que<br />
j’ai moi–même abordé, ou celui de la<br />
perception des couleurs dont Adeline<br />
Grand–Clément s’est attachée à éclairer<br />
la logique.<br />
L’ensemble des incursions ainsi menées<br />
dans l’Antiquité (grecque, romaine,<br />
phénicienne, gallo-romaine), fait émerger<br />
une richesse qui n’est jamais figée<br />
et qui fait écho aux propos de Jean-<br />
Pierre Vernant dans la Préface rédigée<br />
en 1968, pour l’édition des études<br />
de Louis Gernet réunies sous le titre<br />
« Anthropologie de la Grèce antique ».<br />
Pour définir les approches qui avaient<br />
été celles de ce savant, Vernant écrivait :<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Late Antiquity & Patristics<br />
« On ne saurait comprendre leur dynamisme<br />
que si on s’interroge, non certes<br />
sur l’Homme, mais sur les mentalités<br />
particulières des hommes, des groupes<br />
humains qui les ont mis en œuvre, si on<br />
cherche à pénétrer ce que furent leurs<br />
modes de penser, leurs cadres et outils<br />
intellectuels, leurs formes de sensibilité<br />
et d’action, leurs catégories psychologiques<br />
au sens que Mauss donnait à ce<br />
terme. »<br />
Cette prise en compte des différences<br />
qui nous séparent des hommes de l’Antiquité,<br />
l’attention sans faille portée aux<br />
spécificités qui marquent l’ensemble de<br />
leurs représentations et de leurs comportements<br />
dans tous les domaines de<br />
la vie sociale, politique, religieuse, culturelle,<br />
la conscience aussi des mutations<br />
qui se sont opérées sur la longue durée<br />
qui est la nôtre, c’est somme toute ce<br />
que chacun des auteurs de ce volume,<br />
dans le domaine de recherche qui lui est<br />
propre, a tenté de mettre en œuvre.<br />
nouVelle collection<br />
Antiquité et ScienceS<br />
huMAineS<br />
À partir des années 1950, les recherches<br />
portant sur l’Antiquité,<br />
qu’on l’appelle « classique »<br />
ou non, associent de plus en plus<br />
à leur démarche les méthodes et<br />
les apports de l’anthropologie.<br />
L’objet de cette collection est<br />
de tracer le cheminement d’une<br />
nouvelle anthropologie de l’Antiquité,<br />
en devenir, et de formuler<br />
quelques-unes des questions<br />
qu’elle permet de poser, dans<br />
des domaines précisément circonscrits,<br />
de manière à renouveler<br />
à la fois les approches et les<br />
connaissances.<br />
35
36<br />
Les ‘domus ecclesiae’:<br />
aux origines des palais<br />
épiscopaux<br />
Sylvie Balcon-Berry,<br />
François Baratte,<br />
Jean-Pierre Caillet,<br />
Dany Sandron (éd.)<br />
approx. 300 p., 220 x 280 mm,<br />
<strong>2012</strong>, BAT 23, PB,<br />
ISBN 978-2-503-54402-1 (print),<br />
ISBN 978-2-503-54424-3 (online),<br />
approx. € 85<br />
Publication prévue pour octobre <strong>2012</strong><br />
BiBliothèque de<br />
l’Antiquité tA r diVe<br />
Part of BREPOLS<br />
MISCELLANEA ONLINE<br />
Essays in Medieval Studies<br />
Supplement <strong>2012</strong><br />
Potestas populi<br />
Participation populaire et<br />
action collective dans les villes<br />
de l’Afrique romaine tardive<br />
(vers 300-430 apr. J.-C.)<br />
Júlio César C. Magalhães<br />
de Oliveira<br />
approx. 370 p., 220 x 280 mm,<br />
<strong>2012</strong>, BAT 24, PB,<br />
ISBN 978-2-503-54646-9,<br />
approx. € 75<br />
Publication prévue pour octobre <strong>2012</strong><br />
BiBliothèque de<br />
l’Antiquité tA r diVe<br />
Comparée à l’intérêt scientifique porté<br />
sur la politique populaire dans la Grèce<br />
classique ou dans la Rome républicaine,<br />
l’étude de la plèbe urbaine sous l’Empire<br />
romain tardif a été remarquablement négligée,<br />
malgré les discussions récurrentes<br />
Table des matières<br />
S. Balcon-Berry, F. Baratte, J.-P.<br />
Caillet et D. Sandron, Introduction<br />
Le cas de la France : J. F. Reynaud,<br />
Aux origines du Palais épiscopal de<br />
Lyon – W Berry, La domus ecclesiae<br />
de Reims : aux sources du Palais du<br />
Tau ? – S. Balcon-Berry et W. Berry,<br />
Autun, de la domus ecclesiae au<br />
palais épiscopal – A. de Montjoye,<br />
Grenoble : du premier complexe cathédral<br />
à la résidence épiscopale (IV e -<br />
XIII e siècles) – B. Boissavit-Camus,<br />
La domus ecclesiae de Poitiers – Y.<br />
Esquieu, Les résidences de l’évêque<br />
de Viviers, V e -XV e siècles – C ; Barra<br />
et F. Paone, Marseille : la demeure<br />
épiscopale durant l’Antiquité tardive<br />
et son déplacement au Moyen Âge,<br />
contributions de l’archéologie (1995-<br />
2010)<br />
sur la violence urbaine dans la période.<br />
Ce livre est une tentative de répondre<br />
à ce défi pour le contexte spécifique des<br />
provinces romaines d’Afrique du Nord,<br />
du début du IV e siècle à la conquête<br />
vandale. Son objectif principal est de<br />
comprendre les formes et les conditions<br />
de la participation populaire et de l’action<br />
collective dans les villes africaines<br />
de la période, en les replaçant dans le<br />
contexte plus large des activités économiques,<br />
des relations sociales et des traditions<br />
culturelles de la plèbe. L’auteur<br />
a souhaité proposer une réflexion sur<br />
les logiques propres de la foule à partir<br />
d’un certain nombre d’épisodes d’intervention<br />
populaire révélés par des sources<br />
ecclésiastiques africaines, dont les lettres<br />
et les sermons de saint Augustin. Ces<br />
études de cas sont cependant précédées<br />
d’une analyse plus générale des sources<br />
textuelles et archéologiques concernant<br />
les expériences formatrices de la vie plébéienne:<br />
le monde du travail, les conditions<br />
d’habitation et les réseaux de sociabilité.<br />
Ce contexte plus large est destiné<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Late Antiquity & Patristics<br />
Les domus ecclesiae en dehors de<br />
la France : Ch. Bonnet, Les résidences<br />
épiscopales de Genève aux premiers<br />
temps chrétiens – P. Liverani,<br />
L’episcopio lateranense dalle origini<br />
all’Alto Medioevo – C. Rizzardi, Le<br />
residenze dei vescovi di Ravenna dal<br />
tardo antico all’alto medioevo – J.-P.<br />
Caillet, Le cas de Caricin Grad (Serbie)<br />
et le problème de l’identification<br />
de certains « palais épiscopaux » de<br />
l’Antiquité tardive – P. Chevalier et<br />
I. Matejčić, L’episcopium de Poreč –<br />
F. Baratte, Les domus ecclesiae : le<br />
cas de l’Afrique romaine, vandale et<br />
byzantine – S. Gai, Les palais épiscopaux<br />
en Saxe occidentale autour<br />
de l’an mil et les caractères topographiques<br />
et architecturaux du siège<br />
épiscopal de Paderborn (Westphalie)<br />
J. Guyon et C. Sapin, Conclusion<br />
à fournir une meilleure compréhension<br />
des bases à partir desquelles les membres<br />
de la plèbe urbaine pouvaient établir des<br />
liens de solidarité horizontaux et entretenir<br />
une culture politique qui prescrivait<br />
et légitimait leurs formes d’action<br />
collective.<br />
Júlio César C. Magalhães de<br />
Oliveira a fait ses études de licence<br />
et de master en Histoire dans<br />
l’université brésilienne de Campinas<br />
(état de São Paulo), avant de<br />
poursuivre ses recherches de thèse<br />
en France de 2002 à 2006. Il est<br />
docteur en Histoire et archéologie<br />
des mondes anciens de l’Université<br />
Paris Ouest Nanterre La Défense<br />
et professeur adjoint d’Histoire Ancienne<br />
à l’Université de Londrina<br />
(état du Paraná, Brésil).
« Soyez des changeurs<br />
avisés »<br />
Controverses exégétiques<br />
dans la littérature apocryphe<br />
chrétienne<br />
Rémi Gounelle,<br />
Gabriella Aragione (éd.)<br />
approx. 250 p., 145 x 205 mm,<br />
Centre d’Analyse et de Documentation<br />
Patristiques, <strong>2012</strong>, CBP 12, PB,<br />
Ref. 02010267,<br />
approx. € 40<br />
Publication prévue pour novembre <strong>2012</strong><br />
cAhierS de BiBliA pAtriSticA<br />
Between Personal and<br />
Institutional Religion<br />
Self, Doctrine, and Practice<br />
in Late Antique Eastern<br />
Christianity<br />
Brouria Bitton-Ashkelony,<br />
Lorenzo Perrone (eds.)<br />
approx. x + 400 p., 156 x 234 mm,<br />
<strong>2012</strong>, CELAMA 15, HB,<br />
ISBN 978-2-503-54131-0,<br />
approx. € 115<br />
Publication date scheduled for October <strong>2012</strong><br />
culturAl encounterS in<br />
lAte Antiquity And the<br />
Middle AgeS<br />
Part of BREPOLS<br />
MISCELLANEA ONLINE<br />
Essays in Medieval Studies<br />
Collection 2013<br />
The shift from Late Antiquity to Early<br />
Byzantium seen in the light of the mutual<br />
relations between personal and<br />
institutional religion.<br />
Les contributions réunies dans ce volume<br />
étudient l’autorité et la fonction<br />
des Ecritures juives dans des contextes<br />
de controverse. Les débats sur les<br />
contenus et les méthodes exégétiques,<br />
le recours à un personnage qui devient<br />
le référent identitaire d’un groupe<br />
donné ainsi que la transposition d’un<br />
thème de son milieu d’origine à un<br />
autre sont révélateurs du rôle déterminant<br />
que les données scripturaires ont<br />
joué dans la définition des frontières<br />
identitaires, que ce soit dans des situations<br />
de vraie polémique ou de simple<br />
confrontation. La première section est<br />
This book addresses change and continuity<br />
in late antique Eastern Christianity,<br />
as perceived through the lens of<br />
the categories of institutional religion<br />
and personal religion. The interaction<br />
between personal devotion and public<br />
identity reveals the creative aspects<br />
of a vibrant religious culture that al-<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Late Antiquity & Patristics<br />
consacrée à la littérature pseudo-clémentine<br />
(G. B. Bazzana, H. Rhee, M.<br />
Vielberg, D. Côté); la seconde s’intéresse<br />
à la fonction de quelques personnages<br />
bibliques et à la réception de<br />
traditions exégétiques (C. Gianotto, B.<br />
Pouderon, L. Vianès).<br />
Ces sept contributions ont été présentées<br />
à l’occasion du troisième colloque<br />
international sur la littérature<br />
apocryphe chrétienne, consacré à la<br />
« Littérature apocryphe chrétienne<br />
et les Ecritures juives » (Strasbourg,<br />
14-16 janvier 2010).<br />
tered the experience of Christians on<br />
both a spiritual and an institutional<br />
level. A close look at the interrelations<br />
between the personal and the institutional<br />
expressions of religion in this<br />
period attests to an ongoing revision<br />
of both the patristic literature and the<br />
monastic tradition. By approaching<br />
the period in terms of ‘revision’, the<br />
contributors discuss the mechanism<br />
of transformation in Eastern Christianity<br />
from a new perspective, discerning<br />
social and religious changes while<br />
navigating between the dynamics of<br />
personal and institutional religion.<br />
Recognizing the creative aspects inherent<br />
to the process of ‘revision’, this<br />
volume re-examines several aspects<br />
of personal and institutional religion,<br />
revealing dogmatic, ascetic, liturgical,<br />
and historiographical transformations.<br />
Attention is paid to the expression of<br />
the self, the role of history and memory<br />
in the construction of identity, and<br />
the modification of the theological<br />
discourse in late antique culture. The<br />
book also explores several avenues of<br />
Jewish-Christian interaction in the institutional<br />
and public sphere.<br />
37
38<br />
L’Écriture de la<br />
controverse chez<br />
Grégoire de Nysse<br />
Matthieu Cassin<br />
430 p., 165 x 250 mm,<br />
Institut d’Études Augustiniennes,<br />
<strong>2012</strong>, EAA 192, PB,<br />
ISBN 978-2-85121-255-9<br />
approx. € 60<br />
Disponible<br />
collection deS étudeS<br />
AuguStinienneS : Antiquité<br />
Le Contre Eunome, qui date des années<br />
378-383, est la principale œuvre théologique<br />
de Grégoire (vers 335 – après<br />
394), évêque de Nysse en Cappadoce.<br />
Cependant, cet ouvrage fondamental<br />
pour la théologie trinitaire, loin d’être<br />
un traité systématique, est un écrit de<br />
In Paciani episcopi<br />
Barcinonensis opera<br />
silva studiorum<br />
Angel Anglada Anfruns<br />
approx. 475 p., 160 x 240 mm,<br />
<strong>2012</strong>, IPM 52, HB,<br />
ISBN 978-2-503-53427-5,<br />
approx. € 95<br />
Publication date scheduled for October <strong>2012</strong><br />
inStruMentA pAtriSticA<br />
et MediAeVAliA<br />
The study and the production of a<br />
critical edition of the works of Pacian,<br />
bishop of Barcelona (fourth century),<br />
have been the life’s work of Angel Anglada<br />
Anfruns. He has published many<br />
articles in miscellanies and high ranked<br />
journals since the 1960s, and also some<br />
in less-accessible periodicals. Updated<br />
versions of these contributions, most<br />
controverse, qui réfute pas à pas un<br />
ouvrage perdu composé par Eunome.<br />
La présente étude propose une analyse<br />
détaillée des modalités de la polémique,<br />
et en particulier des outils hérésiologiques<br />
et des pratiques littéraires.<br />
En effet, les attaques nysséennes contre<br />
Eunome ont souvent été prises pour<br />
argent comptant par la critique. Dans<br />
la mesure où l’explication de l’Écriture<br />
constitue l’un des enjeux majeurs du<br />
débat et l’un des lieux essentiels de la<br />
pensée théologique de Grégoire, une<br />
seconde partie est consacrée à l’exégèse<br />
dans ces traités et à l’analyse des<br />
sources et des interlocuteurs de Grégoire<br />
en la matière. Le Contre Eunome<br />
constitue une étape majeure tant dans<br />
l’évolution des modalités de l’écriture<br />
théologique dans l’Antiquité tardive<br />
que dans le développement de la théologie<br />
patristique.<br />
of which are written in Spanish, have<br />
now been gathered for the first time<br />
in a volume entitled Silva studiorum.<br />
They deal with the manuscript trans-<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Late Antiquity & Patristics<br />
mission and the history of the printed<br />
versions of Pacian’s opera, the syntactic<br />
structure (particularly the clausulae)<br />
and particular problematic passages in<br />
the bishop’s writings. The volume concludes<br />
with an index of the passages<br />
which have been discussed in detail.<br />
The articles offer a general view of the<br />
reception of Pacian’s works down the<br />
ages and list the author’s arguments<br />
behind specific editorial decisions. It<br />
is the perfect companion volume to<br />
the edition of Pacian’s complete works<br />
published in Corpus Christianorum,<br />
Series latina 69B (<strong>2012</strong>).<br />
Angel Anglada-Anfruns is emeritus<br />
professor of Latin Language<br />
and Literature at the Universitat<br />
de Valencia.
Associated Regional<br />
Chronologies for the<br />
Ancient Near East and<br />
the Eastern Mediterranean<br />
The Chronology of<br />
the Island of Cyprus in<br />
the Third Millennium BC<br />
Edgar Peltenburg (ed.)<br />
approx. 250 p., 210 x 295 mm,<br />
<strong>2012</strong>, ARCANE 3, PB,<br />
ISBN 978-2-503-53498-5,<br />
approx. € 100<br />
Publication date scheduled for November <strong>2012</strong><br />
ArcAne<br />
egyptology, neAr eAStern<br />
& orientAl StudieS<br />
Caesar in the City of<br />
Amun: Egyptian Temple<br />
Construction and Theology<br />
in Roman Thebes<br />
David Klotz<br />
xviii + 476 p., 216 x 280 mm,<br />
Fondation Egyptologique Reine Élisabeth,<br />
<strong>2012</strong>, MRE 15, PB,<br />
ISBN 978-2-503-54515-8,<br />
€ 95<br />
Available<br />
MonogrAphieS reine<br />
éliSABeth<br />
Thebes (modern Luxor) was a popular<br />
tourist destination during the Roman<br />
Period, receiving the likes of Strabo,<br />
Germanicus, and Hadrian. Yet while<br />
its international fame rested on its<br />
royal tombs and the Memnon colossus,<br />
Thebes was also a vibrant religious<br />
center with over a dozen active<br />
temples. The purposefully archaizing<br />
inscriptions and architecture attracted<br />
both Egyptians and Romans in search<br />
Table of Contents<br />
Introduction<br />
Stratigraphy in a Non-Tell Archaeological<br />
Environment – Hand-<br />
Made Ceramics – Architectural<br />
Developments – The Early Phase of<br />
the Island’s Metalwork – Figurines<br />
and Other Small Objects – Lithics<br />
and the Ground Stone Industry –<br />
Burials and Funerary Customs – A<br />
Radiocarbon Framework - Conclusions<br />
Credits<br />
Bibliography<br />
Index<br />
of ancient traditions and millennial<br />
wisdom, influencing intercultural and<br />
multilingual texts produced in the<br />
region, including Gnostic, Hermetic,<br />
and magical writings.<br />
This book surveys epigraphic and archaeological<br />
evidence for temple con-<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Egyptology, Near Eastern & Oriental Studies<br />
struction and renovation throughout<br />
the Theban nome during the Roman<br />
Period, studying the new inscriptions<br />
within their ritual and theological<br />
contexts. It also contains the first comprehensive<br />
treatment of the greater<br />
Theban Pantheon during the Graeco-<br />
Roman era, cataloguing over fifty local<br />
divinities and establishing their roles<br />
in various cosmogonies and mythological<br />
traditions. The concluding<br />
chapter reconstructs the religious life<br />
of the district, tracking annual festival<br />
processions which united the multiple<br />
temples and their communities.<br />
David Klotz is a lecturer and postdoctoral<br />
associate at Yale University.<br />
He has published widely on<br />
temples and private statues from<br />
Graeco-Roman Egypt, and he directs<br />
the Yale University Nadura<br />
Temple Project in Kharga Oasis.<br />
39
40<br />
Die Erforschung des<br />
Tocharischen und die<br />
alttürkische Maitrisimit<br />
Desmond Durkin-<br />
Meisterernst, Yukiyo Kasai,<br />
Abdurishid Yakup (Hg.)<br />
420 p., 160 x 240 mm,<br />
<strong>2012</strong>, SRS 17, PB,<br />
ISBN 978-2-503-54611-7,<br />
approx. € 80<br />
Publication date scheduled for October <strong>2012</strong><br />
Silk roAd StudieS<br />
This volume contains the proceedings<br />
of a small conference held by the Turfan<br />
Study Group (Turfanforschung)<br />
of the Berlin Brandenburg Academy<br />
of Sciences and Humanities, Berlin, in<br />
April 2008 on the 100 th anniversary of<br />
E. Sieg and W. Siegling’s article ‘Tocharisch,<br />
die Sprache der Indoskythen.<br />
Vorläufige Bemerkungen über eine<br />
bisher unbekannte indogermanische<br />
Literatursprache› which marks the<br />
beginning of the new subject ‹Tochar-<br />
A Commentary on Coedès’<br />
Texts of Greek and Latin<br />
Authors on the Far East<br />
John Sheldon<br />
xviii + 321 p., 160 x 240 mm,<br />
<strong>2012</strong>, SAA 5, PB,<br />
ISBN 978-2-503-54602-5,<br />
approx. € 65<br />
Publication date scheduled for October <strong>2012</strong><br />
StudiA AntiquA<br />
AuStrAlienSiA<br />
This is a companion volume to Texts<br />
of Greek and Latin Authors on the Far<br />
East (<strong>Brepols</strong> 2010) originally compiled<br />
by George Coedès and recently<br />
translated by John Sheldon. There are<br />
nearly one hundred different authors<br />
whose writings have been quoted in<br />
the text volume. All these authors<br />
are introduced and all quotations are<br />
placed in context and given detailed<br />
ian studies›. This forgotten Indo-European<br />
language was just re-emerging<br />
in texts gathered by the various scientific<br />
expeditions to Eastern Central<br />
Asia at the beginning of the 20 th century.<br />
On the basis of a colophon in the<br />
Old Turkish text Maitrisimit, F. W. K.<br />
Müller had already in 1907 suggested<br />
the name ‘Tocharian’ which, despite<br />
misgivings, continues to be used today<br />
for texts in two distinct but closely related<br />
varieties, ‘A’ and ‘B’. The volume<br />
is in part devoted to aspects of the<br />
history of the study of Tocharian and<br />
to details of the languages themselves<br />
but also to palaeography and cataloguing<br />
the Tocharian fragments in Ber-<br />
literary, linguistic and historical commentary<br />
by Dr Sheldon. The Greek<br />
and Latin texts have been re-examined<br />
and a number of suggestions for<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Egyptology, Near Eastern & Oriental Studies<br />
lin. The colophon to the Old Turkish<br />
Maitrisimit is the starting point for the<br />
second theme of the volume: The interaction<br />
between Tocharian and Old<br />
Turkish Buddhist texts, a currently<br />
much discussed phenomenon. The<br />
contributions here range from a description<br />
of newly found Old Turkish<br />
fragments, to a discussion of parallel<br />
Tocharian and Old Turkish passages,<br />
aspects of the cult of Maitreya, the<br />
question of Buddhist doctrinal schools<br />
in Central Asia, the possible connection<br />
of Buddhist dramatical texts<br />
with the Chinese bianwen literature,<br />
the Old Turkish ‘New Day’ and other<br />
aspects of this and similar narrative<br />
religious texts. The book includes an<br />
extensive documentation of Tocharian<br />
and Old Turkish fragments in the Berlin<br />
Turfan Collection to illustrate the<br />
Tocharian fragments for which a C14dating<br />
is now available and Tocharian<br />
palaeography as well as fragments containing<br />
passages of text common to the<br />
Tochrian A Maitreyasamitinataka and<br />
the Old Turkish Maitrisimit.<br />
improved readings are made in the<br />
Commentary. In a number of places<br />
traditional interpretations of the ancient<br />
geography of the Far East have<br />
been superseded mainly owing to an<br />
improved understanding of the text.<br />
This volume, which should be used in<br />
conjunction with the text volume, will<br />
be a useful, at times an essential, tool<br />
for future researchers in this field.<br />
Previously published:<br />
Texts of Greek and Latin<br />
Authors on the Far East<br />
From the 4 th C. B.C.E.<br />
to the 14th C. C.E.<br />
John Sheldon (eds.)<br />
cl + 185 p., 4 b/w ills., 160 x 240 mm,<br />
2011, SAA 4, PB,<br />
ISBN 978-2-503-53366-7,<br />
€ 65
coMpArAtiVe religiouS StudieS<br />
La Baraïta de-Niddah<br />
Un texte juif pseudo-talmudique<br />
sur les lois religieuses<br />
relatives à la menstruation<br />
Evyatar Marienberg<br />
228 p., 156 x 234 mm,<br />
<strong>2012</strong>, BEHE 157, PB,<br />
ISBN 978-2-503-54537-0,<br />
approx. € 70<br />
Publication prévue pour octobre <strong>2012</strong><br />
BiBliothèque de l’école<br />
deS hAuteS étudeS,<br />
ScienceS religieuSeS<br />
En hébreu rabbinique, le terme niddah<br />
désigne la femme au moment de<br />
ses règles, le sang menstruel en soi, ou<br />
la période d’impureté liée à la menstruation.<br />
Une réglementation stricte<br />
concerne la femme niddah dans la loi<br />
religieuse juive (halakhah) ; notamment,<br />
les relations conjugales sont<br />
interdites pendant cette période.<br />
Penser l’icône en<br />
Inde ancienne<br />
Gérard Colas<br />
approx. 300 p., 156 x 234 mm,<br />
<strong>2012</strong>, BEHE 158, PB,<br />
ISBN 978-2-503-54538-7,<br />
approx. € 70<br />
Publication prévue pour octobre <strong>2012</strong><br />
BiBliothèque de l’école<br />
deS hAuteS étudeS,<br />
ScienceS religieuSeS<br />
Les systèmes de pensée indiens ignorèrent<br />
largement l’icône religieuse<br />
jusqu’au XII e siècle de notre ère<br />
environ, malgré l’importance croissante<br />
qu’elle prit dans la religion dès<br />
avant l’ère chrétienne, qu’il s’agisse<br />
du védisme tardif, de l’hindouisme,<br />
du bouddhisme ou du jaïnisme.<br />
Pourtant l’icône occasionna des débats<br />
dans une civilisation qui était<br />
encline aux discussions critiques.<br />
La société harappéenne (vallée de l’In-<br />
Parmi les nombreux textes qui traitent<br />
des questions liées à la menstruation,<br />
la Baraïta de-Niddah est de loin le plus<br />
étrange. Écrit en hébreu, il est difficile<br />
à dater et à localiser : peut-être peut-on<br />
le situer en Palestine, dans la seconde<br />
moitié du premier millénaire de l’ère<br />
chrétienne. Précédemment, il n’a été<br />
publié qu’une fois, en 1890. La présente<br />
édition, accompagnée d’une traduction<br />
française, voudrait permettre un accès à<br />
ce texte fascinant aux hébraïsants ainsi<br />
qu’aux non-spécialistes.<br />
Prétendant à un statut de texte législatif<br />
classique, cette pseudo-Baraïta (texte<br />
contemporain de la Mishna, mais qui<br />
n’a pas été reçu dans le recueil officiel)<br />
a eu un statut ambigu dans la tradition<br />
rabbinique. Sans aucun souci de chronologie<br />
par rapport aux personnages<br />
dont elle cite les propos, elle est en fait<br />
un recueil de croyances populaires,<br />
où se mêlent des considérations qui se<br />
veulent médicales, des observations<br />
naturelles étonnantes et, surtout, une<br />
peur extrême de la femme menstruée.<br />
dus, vers 2500-1800 av. J.-C.) connaissait<br />
un iconisme qui est aujourd’hui<br />
d’une interprétation difficile. Le védisme<br />
ancien, qui lui succéda, associe<br />
les dieux non à des représentations<br />
plastiques, mais à leur révélation par<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Comparative Religious Studies<br />
Ce texte constitue un document particulièrement<br />
remarquable, qui devrait<br />
susciter l’intérêt aussi bien des ethnologues<br />
et des sociologues que des<br />
spécialistes de l’histoire des rapports<br />
hommes/femmes et des religions.<br />
la parole du Veda. Les milieux qui<br />
se réclament du védisme pourraient<br />
avoir connu une sorte de crise de<br />
conscience iconologique du IV e au II e<br />
siècle avant notre ère environ. L’icône<br />
matérielle devint progressivement<br />
l’objet d’un consensus social, en dépit<br />
des réserves, du scepticisme, voire des<br />
critiques que l’on émit à son égard<br />
dans certains cercles. Elle remplit ainsi<br />
un rôle unificateur analogue à celui<br />
qu’eurent dans l’Europe médiévale<br />
des concepts comme celui de Dieu.<br />
Cet ouvrage, qui ne traite pas d’histoire<br />
de l’art, examine la pensée fragmentaire<br />
de l’icône en Inde ancienne<br />
jusqu’au XII e siècle : parfois conçue<br />
comme étant un être vivant ou un sujet<br />
juridique, parfois suscitant des résistances<br />
théoriques (notamment dans le<br />
bouddhisme ancien, en contraste avec<br />
la relique), inscrite dans le réseau des<br />
signes divinatoires favorables, emplie<br />
de conscience divine au moyen du<br />
rite, l’icône est restée jusqu’à présent<br />
une composante majeure de la société<br />
indienne.<br />
41
42<br />
Die Rede der lebendigen<br />
Seele<br />
Werner Sundermann<br />
approx. 220 p., 210 x 297 mm,<br />
<strong>2012</strong>, BTT 30, PB,<br />
ISBN 978-2-503-54627-8,<br />
approx. € 75<br />
Publication date scheduled for October <strong>2012</strong><br />
Berliner turfAntexte<br />
The ‘Speech of the Living Soul’ (gōwišn<br />
ī grīw zīndag) is the only Middle Persian<br />
verse-cycle extensively preserved<br />
in the Turfan Collection in Berlin. It<br />
constitutes an important Manichaean<br />
text dedicated to the central Manichaean<br />
concept of the Living Soul,<br />
the light trapped in the material world<br />
which desires to return to its proper<br />
place in the paradise of light and which<br />
the Manichaeans have a duty to save.<br />
The fact that the language of the text<br />
ISSN 2031-5929<br />
is Middle Persian rather than Parthian<br />
suggests that it may have been made<br />
during Mani’s lifetime though perhaps<br />
not by Mani himself. A small part of<br />
a Sogdian translation is also preserved.<br />
This edition presents 252 verses of the<br />
text on the basis of 54 fragments, some<br />
of which have never been published<br />
before. The fragments reveal extensive<br />
passages of a carefully composed and<br />
elegant text but it has not been possible<br />
to establish the overall sequence<br />
of the preserved parts of the text.<br />
The German-language edition comprises<br />
an extensive introduction to<br />
the contents of the text, a description<br />
of the fragments, a critical edition of<br />
the individual fragments, a complied<br />
text presenting the Middle Persian<br />
and Sogdian fragments with a German<br />
translation on facing pages, notes,<br />
a glossary, a bibliography, an English<br />
translation of the complied text and<br />
five plates showing selected fragments.<br />
AnnAli di scienze religiose<br />
International Journal of Religious Scholarship<br />
with an Annotated Bibliography of Ambrosian Studies<br />
http://brepols.metapress.com/content/121188/<br />
Annali di Scienze Religiose is a periodical<br />
stemming from the research<br />
activities of the Department of<br />
Religious Science at the Università<br />
Cattolica di Milano (Catholic<br />
University of the Sacred Heart in<br />
Milan) which apply a multidisciplinary<br />
approach to religious<br />
phenomena and focus particular<br />
attention on the three monotheistic<br />
religions and religions of the<br />
ancient Mediterranean world. It<br />
features contributions from Italian<br />
and foreign scholars writing in the<br />
main European languages and Arabic.<br />
Each issue is subdivided into a<br />
monographic section which gives<br />
its name to the subtitle of the issue,<br />
a section on conferences with texts<br />
that employ a scientific approach<br />
in dealing with a wide range of historical<br />
and comparative topics, and<br />
lastly, a section regarding studies<br />
presenting timely contributions on<br />
specific themes. Every issue ends<br />
with the Ambrosian Bibliography,<br />
an annual survey of publications<br />
regarding the person and works of<br />
Ambrose of Milan.<br />
Bibliografia Ambrosiana 2005 – 2006<br />
a cura di Paolo Bernardini<br />
Il nome “Ambrosius” o i nomi di autori moderni (in tondo) seguiti dall’anno e dal<br />
numero progressivo (es.: “Zelzer 2004 nr. 237”), rimandano ai titoli censiti in questo<br />
o nei precedenti bollettini della presente Bibliografia Ambrosiana. L’indicazione (in<br />
maiuscoletto) “Visonà 345” rimanda, invece, alle pp. del volume Cronologia ambrosiana.<br />
Bibliografia ambrosiana (1900-2000), a cura di G. Visonà, Milano, Biblioteca Ambrosiana<br />
– Roma, Città Nuova, 2004 (Tutte le opere di Sant’Ambrogio. Sussidi 25/26). Le Epistulae<br />
di Ambrogio sono citate di norma secondo la nuova numerazione di Zelzer (CSEL). Nel<br />
caso che il singolo autore le citi con la numerazione dei Maurini, questa è indicata tra<br />
quadre (es.: Ep. 62 [Mau. 19])<br />
2005 241. Ambrosius Mediolanensis, De fide (ad Gratianum) = Über<br />
den Glauben (an Gratian), 3 voll., übersetzt und eingeleitet<br />
von Christoph Markschies, Turnhout, <strong>Brepols</strong>, 2005 (Fontes<br />
Christiani, 47/1-3), 1-248, 249-584, 585-868 pp.<br />
La nuova traduzione di Markschies si basa sul testo dell’edizione<br />
di Faller, dalla quale dipendono pure l’apparato e l’annotazione.<br />
L’ampia introduzione contiene una presentazione generale della<br />
vita dell’Autore (pp. 9-27), con particolari accenni alla controversia<br />
ariana, poi una sintesi delle opere con una proposta di datazione<br />
(pp. 27-41), quindi una trattazione dei maggiori problemi relativi<br />
all’opera: redazione (pp. 45-52), reazioni suscitate (pp. 52-54),<br />
contenuti e teologia (pp. 54-67), fonti (pp. 68-82) e, infine, recezione<br />
dell’opera nei florilegi tra V e VII secolo (pp. 99-129). Nel complesso<br />
i tre volumi curati da Markschies hanno il merito di riproporre il<br />
ruolo di Ambrogio all’interno del panorama teologico patristico,<br />
anche se non producono un sostanziale avanzamento nella<br />
rivalutazione della sua originalità di pensiero rispetto agli studi<br />
precedenti (fra cui lo stesso Markschies 1995 [cfr Visonà 548-549])<br />
e non sono esenti da imperfezioni, sia nella traduzione che nella<br />
parte introduttiva (come segnalato dalle recensioni).<br />
Rec.: «Adamantius», XII, (2006), pp. 581-583 (Yves-Marie Duval);<br />
«Revue d’Histoire Ecclésiastique», CI, (2006), fasc. 1, pp. 393-394<br />
(Jean-Marie Auwers).<br />
242. Ambrosius Mediolanensis, Political Letters and Speeches.<br />
Letters, Book Ten, Including the Oration on the Death of Theodosius I;<br />
Letters outside the Collection (Epistulae extra collectionem); Letter<br />
30 to Magnus Maximus; The Oration on the Death of Valentinian<br />
II, translated, with an introduction and notes, by John H.W.G.<br />
Liebeschuetz, with the assistance of Carole Hill, Liverpool, Liverpool<br />
University Press, 2005 (Translated Texts for Historians, 43), 424 pp.<br />
La traduzione di lettere di Ambrogio non è nuova in inglese (se ne<br />
trovano fin dalla fine dell’Ottocento: Selected Works and Letters, ed.<br />
doi 10.1484 / j.asr.1.100831<br />
ASR3_bib.indd 259 28/04/2011 9:51:38<br />
Every issue ends with the Ambrosian Bibliography.<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Comparative Religious Studies<br />
Will interest: Students of Manichaeism;<br />
of Central Asian history and<br />
cultures; of comparative religion; of<br />
Iranian languages and literatures.<br />
Editor:<br />
Gian Luca Potestà (Università Cattolica del Sacro Cuore, Milano)<br />
Università Cattolica del Sacro Cuore Milano Dipartimento di Scienze Religiose<br />
La rivista nasce dalle attività di ricerca del Dipartimento<br />
di Scienze religiose dell’Università Cattolica<br />
di Milano, secondo un approccio multidisciplinare<br />
al fenomeno religioso, con particolare<br />
attenzione ai tre monoteismi e alle religioni del<br />
mondo mediterraneo antico. Ospita contributi di<br />
studiosi italiani e stranieri nelle principali lingue<br />
europee ed in arabo, suddivisi in una sezione monografica<br />
che determina il sottotitolo del fascicolo,<br />
una sezione di conferenze, con testi che affrontano<br />
con approccio scientifico temi di ampio respiro<br />
storico o comparativo, e infine una sezione di studi<br />
che presentano contributi puntuali su temi specifici.<br />
Conclude ogni fascicolo la bibliografia ambrosiana,<br />
rassegna annuale delle pubblicazioni relative<br />
alla figura e alle opere di Ambrogio di Milano.
hiStory of Science<br />
Janus Cornarius et la<br />
redécouverte d’Hippocrate<br />
à la Renaissance<br />
Marie-Laure Monfort<br />
approx. 350 p., 156 x 234 mm,<br />
<strong>2012</strong>, DDA 95, HB,<br />
ISBN 978-2-503-53803-7,<br />
approx. € 65<br />
Publication prévue pour octobre <strong>2012</strong><br />
de diVerSiS ArtiBuS<br />
Johann Haynpol de Zwickau, dit Janus<br />
Cornarius (ca. 1500-1558), a publié<br />
près d’une cinquantaine d’ouvrages,<br />
consistant essentiellement en traductions<br />
latines des grands auteurs médicaux<br />
grecs, Hippocrate et Galien entre<br />
autres, mais aussi des Pères grecs et<br />
cArtogrAphy<br />
Barcelone, Gênes et<br />
Marseille<br />
Cartographies et images,<br />
XVI e -XIX e siècle<br />
Guenièvre Fournier-<br />
Antonini<br />
approx. 800 p., 75 ill. n/b, 75 ill. couleur,<br />
210 x 270 mm, <strong>2012</strong>, TO 10, HB,<br />
ISBN 978-2-503-54492-2, € 180<br />
Publication prévue pour octobre <strong>2012</strong><br />
Prix de lancement : € 150<br />
valable jusqu’au 31 octobre <strong>2012</strong><br />
terrAruM orBiS<br />
Pour la première fois, une histoire<br />
comparée est appliquée à la cartographie<br />
urbaine. En collectant méticuleusement<br />
les vues et plans de Barcelone,<br />
Gênes et Marseille conservés dans<br />
les principaux fonds cartographiques<br />
même de l’œuvre complète de Platon,<br />
auxquelles les spécialistes continuent à<br />
se référer. Sa traduction d’Hippocrate<br />
parue en 1546 représente une importante<br />
contribution au progrès médical<br />
de la Renaissance, parce qu’elle s’accompagne<br />
d’une réorganisation originale<br />
de la matière médicale autour de<br />
la question des fièvres pestilentielles.<br />
Les écrits personnels de Janus Cornarius,<br />
qui est par ailleurs probablement<br />
le modèle historique du personnage<br />
de Panurge, dévoilent aussi son rôle<br />
de tout premier plan dans la diffusion<br />
de la théorie copernicienne. L’ouvrage<br />
présente les données textuelles conduisant<br />
à ces deux découvertes significatives<br />
et offre la première bibliographie<br />
exhaustive des éditions cornariennes,<br />
ainsi que la traduction des principaux<br />
écrits de Janus Cornarius ayant trait à<br />
Hippocrate.<br />
euro péens, l’auteur analyse l’évolution<br />
des productions et des usages<br />
des images, depuis leur apparition<br />
dans la littérature humaniste jusqu’à<br />
l’émergence de la photographie. Qu’il<br />
s’agisse de plans ornant les galeries<br />
cartographiques, de représentations<br />
éditées dans des atlas ou diffusés sur<br />
le marché de l’estampe, de cartes<br />
F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / History of Science / Cartography<br />
militaires ou de plans d’aménagement<br />
urbain, les images traduisent les dynamiques<br />
de conception graphique et<br />
mentale des villes méditerranéennes.<br />
En éclairant les formes de pratiques cartographiques,<br />
ce livre propose d’aborder<br />
les représentations urbaines par<br />
l’évolution des rapports à la ville, telle<br />
qu’elle peut être perçue, vécue et imaginée,<br />
dans les milieux intellectuels très<br />
divers dont elles proviennent.<br />
Guenièvre Fournier-Antonini<br />
est docteur en histoire moderne de<br />
l’École des hautes études en sciences<br />
sociales, ancienne boursière de<br />
l’École française de Rome, récompensée<br />
par le John Brian Harley<br />
Fellowship Research. Commissaire<br />
de l’exposition La ville figurée<br />
organisée au musée d’histoire de<br />
la ville de Marseille en 2005, elle a<br />
publié l’ouvrage du même nom aux<br />
éditions Parenthèses.<br />
43
44<br />
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The following titles are part of <strong>Brepols</strong><br />
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The Nordic Apocalypse.<br />
Approaches to Völuspá and Nordic Days of Judgement<br />
Series: Acta Scandinavia 2<br />
Publication date scheduled for October <strong>2012</strong><br />
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Series: Utrecht Studies in Medieval Literacy 4<br />
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Les ‘domus ecclesiae’ : aux origines des palais épiscopaux<br />
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Sheila Sweetinburgh (ed.)<br />
Negotiating the Political in Northern European Urban Society,<br />
c.1400–c. 1600<br />
Series: Arizona Studies in the Middle Ages and the Renaissance 38<br />
Publication date scheduled for November <strong>2012</strong><br />
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Post-Roman Transitions.<br />
Christian and Barbarian Identities in the Early Medieval West<br />
Series: Cultural Encounters in Late Antiquity and the Middle Ages 14<br />
Publication date scheduled for October <strong>2012</strong><br />
p. 3<br />
Fiona J. Griffiths, Julie Hotchin (eds.)<br />
Partners in Spirit.<br />
Women, Men, and Religious Life in Germany, 1100-1500<br />
Series: Medieval Women: Texts and Contexts 24<br />
Publication date scheduled for October <strong>2012</strong><br />
p. 5<br />
Veronica O’Mara, Virginia Blanton, Patricia Stoop (eds.)<br />
Nuns’ Literacies in Medieval Europe:<br />
The Hull Dialogue<br />
Series: Medieval Women: Texts and Contexts 26<br />
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Sacred Sites and Holy Places.<br />
Exploring the Sacralization of Landscape through Space and Time<br />
Series: Studies in the Early Middle Ages 11<br />
Publication date scheduled for October <strong>2012</strong><br />
p. 6<br />
Lars Boje Mortensen, Tuomas M. S. Lehtonen (eds.)<br />
The Performance of Christian and Pagan Storyworlds.<br />
Non-Canonical Chapters of the History of Nordic Medieval<br />
Literature<br />
Series: Medieval Identities: Socio-Cultural Spaces 3<br />
Publication date scheduled for October <strong>2012</strong><br />
p. 11<br />
Guus Borger, Adri de Kraker, Tim Soens, Erik Thoen, Dries Tys (eds.)<br />
Landscapes or Seascapes?<br />
The History of the Coastal Environment in the North Sea Area<br />
Reconsidered<br />
Series: Comparative Rural History of the North Sea Area 13<br />
Publication date scheduled for November <strong>2012</strong><br />
p. 32<br />
Jón Viðar Sigurðsson, Thomas Småberg (eds.)<br />
Friendship and Social Networks in Scandinavia c. 1000-1800<br />
Series: Early European Research 5<br />
Publication date scheduled for October <strong>2012</strong><br />
p. 32<br />
Brouria Bitton-Ashkelony, Lorenzo Perrone (eds.)<br />
Between Personal and Institutional Religion.<br />
Self, Doctrine, and Practice in Late Antique Eastern Christianity<br />
Series: Cultural Encounters in Late Antiquity and the Middle Ages 15<br />
Publication date scheduled for October <strong>2012</strong><br />
p. 37
46<br />
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