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Catalogue Forthcoming Titles Autumn 2012 - Brepols Publishers

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FORTHCOMING<br />

TITLES <strong>Autumn</strong> <strong>2012</strong><br />

Medieval Sudies Medieval Languages & Lieraures<br />

Modern Languages & Lieraures Lain Language &<br />

Lieraure Medieval Archaeology Manuscrip Sudies<br />

Ar Hisory Music Hisory Early Modern Sudies<br />

Social & Economic Hisory Lae Aniuiy & Parisics<br />

Egypology, Near Easern & Orienal Sudies Comparaive<br />

Religious Sudies Hisory of Science Carography<br />

A


B<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong><br />

For orders or general enquiries please contact / Pour des commandes ou des renseignements veuillez contacter :<br />

Begijnhof 67 – 2300 Turnhout – Belgium – Tel: + 32 14 44 80 20 – Fax: + 32 14 42 89 19 – info@brepols.net – www.brepols.net


T able of C ontents<br />

Medieval Sudies 2<br />

Medieval Languages & Lieraures 9<br />

Modern Languages & Lieraures 13<br />

Lain Language & Lieraure 14<br />

Medieval Archaeology 15<br />

Manuscrip Sudies 16<br />

Ar Hisory 18<br />

Music Hisory 25<br />

Early Modern Sudies 27<br />

Social & Economic Hisory 32<br />

Lae Aniuiy & Parisics 35<br />

Egypology, Near Easern & Orienal Sudies 39<br />

Comparaive Religious Sudies 41<br />

Hisory of Science 43<br />

Carography 43<br />

Websie<br />

www.brepols.net<br />

E-Newsleer<br />

Subscribe to our free E-Newsletter: info@brepols.net<br />

Please specify your fi eld(s) of interest.<br />

Social Media<br />

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1


2<br />

Negotiating the Political in<br />

Northern European Urban<br />

Society, c.1400–c.1600<br />

Sheila Sweetinburgh (ed.)<br />

x + 212 p., 9 b/w ills., 152 x 229 mm,<br />

<strong>2012</strong>, ASMAR 38, HB,<br />

ISBN 978-2-503-54666-7 (print),<br />

ISBN 978-2-503-54688-9 (online),<br />

approx. € 60<br />

Publication date scheduled for November <strong>2012</strong><br />

ArizonA StudieS in<br />

the Middle AgeS And<br />

the renAiSSAnce<br />

Le mécénat bibliophilique<br />

de Jean sans Peur et de<br />

Marguerite de Bavière<br />

(1404-1424)<br />

Delphine Jeannot<br />

approx. 450 p., 64 ill. n/b, 156 x 234 mm,<br />

<strong>2012</strong>, BURG 19, HB,<br />

ISBN 978-2-503-54422-9,<br />

approx. € 92<br />

Publication prévue pour octobre <strong>2012</strong><br />

BurgundicA<br />

MedieVAl StudieS<br />

Part of BREPOLS<br />

MISCELLANEA ONLINE<br />

Essays in Medieval Studies<br />

Collection 2013<br />

An inside and outside view of the power<br />

dynamics in northern European urban<br />

society.<br />

Negotiating the Political is a fascinating<br />

and wide-ranging collection of<br />

C’est dans la France des XIV e et XV e<br />

siècles, en particulier chez les Valois,<br />

que le mécénat princier connut son<br />

âge d’or. Jean de Berry, frère du roi<br />

Charles V, fut certainement un de ceux<br />

qui illustra ce phénomène avec le plus<br />

de faste. L’historiographie brossa en<br />

revanche un tout autre portrait de son<br />

neveu, Jean sans Peur, le réduisant à<br />

case studies on the creation of identity<br />

in late medieval and Renaissance urban<br />

society. At a time of far-reaching<br />

political, religious and social changes,<br />

towns were at the forefront of this<br />

transformation of European society,<br />

un fin politique, parfois manipulateur,<br />

loin du prince cultivé amateur d’art. Et<br />

pourtant, nous devons au mécénat du<br />

duc de Bourgogne quelques-unes des<br />

plus belles réalisations artistiques de<br />

l’époque, à l’image du Livre des merveilles<br />

du monde qu’il fit réaliser pour<br />

offrir à Jean de Berry. La qualité des<br />

sources conservées a permis de reconstituer<br />

les collections de manuscrits<br />

en possession de Jean sans Peur et de<br />

Marguerite de Bavière, son épouse,<br />

donnant ainsi la mesure de la qualité<br />

de leur mécénat artistique jusqu’alors<br />

méconnu.<br />

Delphine Jeannot est docteure en<br />

Histoire de l’art de l’Université<br />

de Lille 3. Ses recherches pluridisciplinaires<br />

portent sur le mécénat<br />

princier et féminin au XV e siècle à<br />

la Cour de Bourgogne.<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Studies<br />

their citizens frequently engaged in the<br />

struggle for autonomy. When negotiating<br />

relationships with the Church,<br />

the Crown and within the town’s own<br />

competing constituencies, townsmen<br />

were able to manipulate factors such<br />

as time and space in their pursuit of<br />

honour, status, commemoration, reputation<br />

and power.<br />

The resulting town studies are arranged<br />

thematically–the view from<br />

the inside; the view from the outside–<br />

being set within contemporary cultural<br />

developments. Thus the collection<br />

highlights the differing strategies and<br />

approaches employed by towns, seeing<br />

such variation as indicative of the<br />

importance of the particular within<br />

the study of European urban society.<br />

The introductory discussion explores<br />

overarching themes and cross-cultural<br />

similarities, and Professor Caroline<br />

Barron provides a masterly concluding<br />

essay. This volume is an exciting development<br />

that sheds fresh light on the<br />

history of northern European urban<br />

communities.


Post-Roman Transitions<br />

Christian and Barbarian<br />

Identities in the Early<br />

Medieval West<br />

Walter Pohl, Gerda<br />

Heydemann (eds.)<br />

approx. x + 588 p., 9 b/w ills., 10 b/w line art,<br />

156 x 234 mm, <strong>2012</strong>, CELAMA 14, HB,<br />

ISBN 978-2-503-54327-7 (print),<br />

ISBN 978-2-503-54420-5 (online),<br />

approx. € 130<br />

Publication date scheduled for October <strong>2012</strong><br />

culturAl encounterS in<br />

lAte Antiquity And the<br />

Middle AgeS<br />

Part of BREPOLS<br />

MISCELLANEA ONLINE<br />

Essays in Medieval Studies<br />

Collection 2013<br />

What were the social contexts, cultural<br />

resources, and political consequences of<br />

the new models for identification which<br />

emerged during the transition from the<br />

Roman empire to the medieval world?<br />

This volume looks at changing identi-<br />

Saint Anselm of Canterbury<br />

and His Legacy<br />

Giles E. M. Gasper,<br />

Ian Logan (eds.)<br />

approx. xii + 460 p., 150 x 230 mm,<br />

<strong>2012</strong>, DMRME 2, HB,<br />

ISBN 978-0-88844-861-3,<br />

approx. € 80<br />

Publication date scheduled for August <strong>2012</strong><br />

durhAM MedieVAl And<br />

renAiSSAnce MonogrAphS<br />

And eSSAyS<br />

North American customers are<br />

advised to order directly through<br />

University of Toronto Press.<br />

This collection of twenty-one essays is<br />

based on papers originally delivered at<br />

a conference commemorating the nine<br />

hundredth anniversary of Anselm’s<br />

death in 1109. The breadth of the essays<br />

presented in this volume reflects<br />

the enduring fascination with Anselm<br />

and his world in ways that stress both<br />

the continuities and discontinuities<br />

with the present-day<br />

ties during the transition from the Roman<br />

empire to a political world defined<br />

by a different kingdoms and peoples in<br />

western Europe. It addresses ‘ethnicity’<br />

in the context of alternative modes of<br />

identification, mainly Christianity and<br />

Romanness. To widen the horizon of<br />

current debates, it shows that the ancient<br />

dichotomy between barbarians<br />

and Romans is hardly helpful in understanding<br />

the complex transitions<br />

to a post-imperial age in the West. In a<br />

Giles E.M. Gasper is Lecturer in<br />

the Department of History, Durham<br />

University, and Associate Director of<br />

Durham University Institute of Medieval<br />

and Renaissance Studies.<br />

Ian Logan is a Senior Research Fellow<br />

at Blackfriars Hall, Oxford, who<br />

teaches medieval philosophy.<br />

Review<br />

Anselm’s importance is rediscovered<br />

in every generation, and this<br />

splendid volume, marking the nine<br />

hundredth anniversary of Anselm’s<br />

death, bears witness to the continuing<br />

fruitfulness of these encounters.<br />

The authors examine with fresh<br />

eyes the long history of Anselm’s reception:<br />

first, among his contemporaries<br />

at Bec and Canterbury, and<br />

then in the twelfth-century ‘Renaissance’.<br />

The subsequent history of<br />

that reception and the transformation<br />

in the late medieval schools<br />

and in the vernacular literature of<br />

the later Middle Ages provide the<br />

materials for two more sections of<br />

the volume, and a cluster of essays at<br />

the close tackles the question of An-<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Studies<br />

broad sweep of regional examples, from<br />

Spain and North Africa to Dalmatia<br />

and the British Isles, the book follows<br />

the unfolding of Christian and barbarian<br />

identities: How were both the Roman<br />

and the barbarian past used for<br />

the formation and legitimation of new<br />

identities?<br />

The ‘scripts of Romanness’ changed in<br />

the early Middle Ages, and so did the<br />

significance of othering pagans, heretics,<br />

or barbarians. The contributions<br />

trace the tenacity and the ambiguity<br />

of traditional narratives and signs of<br />

distinction: manuscripts and material<br />

remains, costume and epigraphy, historiography<br />

and hagiography were used<br />

in creative ways to shape civic, local,<br />

or religious communities. Many of the<br />

contributions show the fundamental<br />

importance of Christian ‘strategies of<br />

identification’ for creating a stronger<br />

political role for ethnicity in the post-<br />

Roman kingdoms. They thus follow a<br />

line of argument that has also been explored<br />

in the book’s companion volume<br />

in this series, Strategies of Identification:<br />

Ethnicity and Religion in Early Medieval<br />

Europe (CELAMA 13).<br />

selm’s contested influence on writers<br />

and thinkers of the twentieth<br />

and twenty-first centuries. A magnificent<br />

voyage of discovery spanning<br />

some nine hundred years, this<br />

volume is a fitting tribute to one of<br />

the great medieval authors whose<br />

influence has flourished in many<br />

different settings and continues to<br />

work even in our own times.<br />

- Joseph Goering, University of<br />

Toronto<br />

3


4<br />

Orthodoxy and Controversy<br />

in Twelfth-Century<br />

Religious Discourse<br />

Peter Lombard’s ‘Sentences’<br />

and the Development of<br />

Theology<br />

Clare Monagle<br />

approx. x + 240 p., 156 x 234 mm,<br />

<strong>2012</strong>, ES 8, HB,<br />

ISBN 978-2-503-52795-6,<br />

€ 70<br />

Publication date scheduled for October <strong>2012</strong><br />

europA SAcrA<br />

This is the first book to look closely<br />

at the contested reception of Peter<br />

Lombard’s Sentences and its eventual<br />

triumph at the Fourth Lateran Council.<br />

By placing Peter Lombard’s career<br />

and works within the broader frame<br />

of twelfth-century ideas, practice,<br />

and institutions, the author explores<br />

Distances, rencontres,<br />

communications :<br />

réaliser l’Empire sous<br />

Charlemagne et Louis<br />

le Pieux<br />

Martin Gravel<br />

approx. 300 p., 156 x 234 mm,<br />

<strong>2012</strong>, HAMA 15, PB,<br />

ISBN 978-2-503-54554-7,<br />

approx. € 65<br />

Publication prévue pour octobre <strong>2012</strong><br />

hAut Moyen Âge<br />

Imprégnés de leur rôle de vicaires<br />

du Christ, les empereurs carolingiens<br />

se voulaient protecteurs de<br />

leurs peuples, législateurs et juges,<br />

mais aussi recteurs de l’Église. Ils<br />

ont élaboré un idéal de gouvernement<br />

ambitieux, visant à corriger,<br />

étendre et guider la société chrétienne.<br />

À l’échelle de la Gaule, de l’Italie, de<br />

leurs conquêtes en Germanie et en<br />

and contextualizes the controversies<br />

that attended the publication of the<br />

Sentences. At the same time, she also<br />

traces the growing popularity of the<br />

Sentences and its increasing prestige<br />

and importance among the literary<br />

elites of Northern Europe.<br />

The book argues that the allegations<br />

of error made against Lombard’s<br />

Christology and Trinitarian theology<br />

in the period between 1156 and 1215<br />

must be understood in the longer history<br />

of intellectual controversy in the<br />

Schools of Northern Europe. In the<br />

trials of Berengar of Tours, Abelard,<br />

and Gilbert of Poitiers, the author<br />

uncovers a consistent tradition of<br />

critique within the schools that she<br />

shows to inform subsequent criticisms<br />

of Peter Lombard’s intellectual<br />

legacy. Concomitantly, she explores<br />

how responses made in support of<br />

the Sentences, against men such as<br />

Gerhoh of Reichersberg and Joachim<br />

of Fiore, consolidated the emerging<br />

canonical status of the work as a<br />

Espagne, Charlemagne et Louis le<br />

Pieux pouvaient-ils réaliser leur plan ?<br />

Confrontés au problème essentiel<br />

des distances, ils ont relevé le défi<br />

en misant sur la délégation hiérar-<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Studies<br />

textbook in theology which is finally<br />

endorsed at Lateran IV.<br />

As such, this study challenges our understanding<br />

of the making of orthodoxy<br />

in the twelfth century.<br />

chique et les communications. Leurs<br />

efforts ont déterminé la nature de<br />

leurs échanges, mais aussi leurs limites<br />

et le destin de leur empire.<br />

L’enquête utilise un vaste éventail<br />

documentaire – actes diplomatiques,<br />

documents législatifs et correspondances.<br />

Elle tient compte des aspects<br />

matériels et techniques des déplacements<br />

et de la circulation des personnes.<br />

En considérant la rencontre<br />

et les communications à distance d’un<br />

point de vue anthropologique, l’auteur<br />

propose une étude des réseaux qui<br />

éclaire les modes de transmission de<br />

l’information et l’exercice du pouvoir.<br />

Au-delà des considérations propres à<br />

l’histoire des VIII e -IX e siècles, le livre<br />

démontre l’intérêt d’aborder les réalités<br />

politiques prémodernes du point<br />

de vue des défis à la fois technologiques<br />

et relationnels que présentent<br />

les distances géographiques, le mouvement<br />

des hommes, les rencontres et les<br />

communications.


Partners in Spirit<br />

Women, Men, and Religious<br />

Life in Germany, 1100-1500<br />

Fiona J. Griffiths,<br />

Julie Hotchin (eds.)<br />

approx. x + 249 p., 7 b/w ills., 2 b/w line art,<br />

156 x 234 mm, <strong>2012</strong>, MWTC 24, HB,<br />

ISBN 978-2-503-54096-2 (print),<br />

ISBN 978-2-503-54128-0 (online),<br />

approx. € 80<br />

Publication date scheduled for October <strong>2012</strong><br />

MedieVAl WoMen:<br />

textS And contextS<br />

Partners Part of in BREPOLS Spirit focuses on relations<br />

MISCELLANEA ONLINE<br />

Essays in Medieval Studies<br />

Collection 2013<br />

between chaste men and women<br />

within the religious life in Germany<br />

(c. 1100-1500), concentrating on the<br />

Nuns’ Literacies in<br />

Medieval Europe:<br />

The Hull Dialogue<br />

Veronica O’Mara,<br />

Virginia Blanton,<br />

Patricia Stoop (eds.)<br />

approx. x + 434 p., 12 b/w and 4 colour ills.,<br />

18 b/w line art, 156 x 234 mm,<br />

<strong>2012</strong>, MWTC 26, HB,<br />

ISBN 978-2-503-53972-0 (print),<br />

ISBN 978-2-503-54055-9 (online),<br />

approx. € 110<br />

Publication date scheduled for October <strong>2012</strong><br />

MedieVAl WoMen:<br />

textS And contextS<br />

Part of BREPOLS<br />

MISCELLANEA ONLINE<br />

Essays in Medieval Studies<br />

Collection 2013<br />

This collection of essays, which is focused<br />

on the literacies of nuns in medieval<br />

Europe, is designed to bring<br />

together specialists working on diverse<br />

geographical areas to create a dialogue<br />

complex set of negotiations that governed<br />

contact between a male priest<br />

and his female charge. Although religious<br />

women were undeniably reliant<br />

about the Latin and vernacular texts<br />

nuns read, wrote, and exchanged,<br />

primarily from the late eighth to the<br />

mid-sixteenth centuries. This is the<br />

first concentrated study that examines<br />

the literacy of nuns in a comparative<br />

fashion and at the same time pays close<br />

attention to the individual textual and<br />

cultural complexities. These essays seek<br />

to develop an understanding of how<br />

women religious across Europe interacted<br />

with books, as writers, readers,<br />

patrons, and benefactors/inheritors of<br />

books. This project also seeks to draw<br />

on the rich body of scholarship that<br />

currently exists about nuns in England,<br />

Germany, the Netherlands, and<br />

Sweden to find manuscript connections<br />

between women from different<br />

regions and nationalities, even as it is<br />

intended to move beyond these traditional<br />

centres of women’s literacies to<br />

investigate and problematize issues of<br />

literacy in other regions and nations.<br />

This volume investigates the topic of<br />

literacy primarily from the palaeographical<br />

evidence of the manuscripts<br />

and by discussing records of book<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Studies<br />

on priests for pastoral care (the cura<br />

monialium) throughout the medieval<br />

period, it does not follow that men<br />

saw such care as burdensome or that<br />

women were spiritually subordinate in<br />

their relations with priests. Within the<br />

context of the cura, ordained men and<br />

professed women met regularly, often<br />

developing intimate friendships and<br />

providing each other with crucial spiritual<br />

support, despite prevailing fears<br />

that contact between the sexes must<br />

result in sexual temptation and sin.<br />

Examining the various interactions of<br />

priests with religious women, Partners<br />

in Spirit traces the ways in which both<br />

viewed the cura, highlighting the fluidity<br />

of gender and authority within the<br />

medieval religious life. In so doing, the<br />

volume suggests new ways of considering<br />

the intersection of gender, religion,<br />

and spiritual power within the medieval<br />

world.<br />

ownership in convents and other more<br />

external evidence, both literary and<br />

historical. In so doing the contributors<br />

engage in examining such issues as the<br />

representations of nuns and literacy,<br />

their participation in the book trade<br />

and the inter-monastic circulation and<br />

translation of texts.<br />

5


6<br />

Sacred Sites and Holy Places<br />

Exploring the Sacralization<br />

of Landscape through Space<br />

and Time<br />

Sæbjørg Walaker Nordeide,<br />

Stefan Brink (eds.)<br />

approx. x + 271 p., 63 b/w ills., 156 x 234 mm,<br />

<strong>2012</strong>, SEM 11, HB,<br />

ISBN 978-2-503-54100-6 (print),<br />

ISBN 978-2-503-54125-9 (online),<br />

approx. € 90<br />

Publication date scheduled for October <strong>2012</strong><br />

StudieS in the eArly<br />

Middle AgeS<br />

Part of BREPOLS<br />

MISCELLANEA ONLINE<br />

Essays in Medieval Studies<br />

Collection 2013<br />

In this volume two important veins<br />

of interdisciplinary research into the<br />

medieval period in Scandinavia and<br />

the Baltic region are merged, namely<br />

Gildas and the Christian<br />

Scriptures<br />

Reconstructing a Theology<br />

from Scriptural Usage<br />

Thomas O’Loughlin<br />

approx. 300 p., 156 x 234 mm,<br />

<strong>2012</strong>, STT 12, PB,<br />

ISBN 978-2-503-53436-7,<br />

approx. € 65<br />

Publication date scheduled for November <strong>2012</strong><br />

StudiA trAditioniS<br />

theologiAe<br />

Gildas is the earliest insular writer who<br />

has left us substantial legacy of theological<br />

writing. He is usually, however,<br />

not seen as a theological writer but as a<br />

source for ‘dark age’ Britain at the time<br />

of the Germanic invasions. Yet Gildas<br />

saw himself as a prophet charged<br />

the Christianization process and landscape<br />

studies. The volume authors<br />

approach the common theme of sacrality<br />

in landscape from such various<br />

viewpoints as archaeology, philology,<br />

history of religion, theology, history,<br />

classical studies, and art history. A<br />

common theme in all articles is a theoretical<br />

approach, complemented by<br />

illustrative case studies from the Scandinavian,<br />

Baltic, or Classical worlds.<br />

Aspects of pagan religion, as well as<br />

Christianity and the establishment of<br />

the early Church, are considered within<br />

both geographical setting and social<br />

landscape, while the study of maps,<br />

place names, and settlement patterns<br />

introduces new methodologies and<br />

perspectives to expose and define the<br />

sacral landscape of these regions. The<br />

contributions are put into perspective<br />

by a comparison with research into the<br />

sacral landscapes of Central Europe<br />

and the Classical world.<br />

New interdisciplinary research methods<br />

and new models have been developed<br />

by the contributors to present<br />

by God to call the rulers and clergy<br />

of his society back to being a chosen<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Studies<br />

new vistas of sacrality in the Scandinavian<br />

and the Baltic landscape. To<br />

open up these case studies, a selection<br />

of over sixty images and maps accompanies<br />

this cutting-edge research, allowing<br />

the reader to explore sacralization<br />

and the Christianization process<br />

within its medieval setting.<br />

people of the covenant. The form this<br />

call took was that of an indictment of<br />

those groups based on the testimonia<br />

of the Christian scriptures.<br />

This book is a study both of Gildas’s<br />

use of the scriptures (his text, his<br />

canon, his exegetical strategies) and of<br />

how, from the way he interprets sacred<br />

history, he created a distinctive theology<br />

of the church and of salvation.<br />

Thomas O’Loughlin is Professor<br />

of Historical Theology at the University<br />

of Nottingham. His areas<br />

of interest are Patristic and Medieval<br />

Theology, History of Scriptural<br />

Interpretation, Early Church and<br />

Method in Historical Theology.


A Bibliography of<br />

Works on Medieval<br />

Communication<br />

Marco Mostert<br />

xiv + 658 p., 156 x 234 mm,<br />

<strong>2012</strong>, USML 2, HB,<br />

ISBN 978-2-503-54477-9,<br />

€ 115<br />

Available<br />

utrecht StudieS in<br />

MedieVAl literAcy<br />

This bibliography of works on medieval<br />

communication offers a survey of<br />

work in a field of study which, from the<br />

1960s onwards, has seen an ever-increasing<br />

number of monographs, collections<br />

of miscellanies and articles in<br />

learned journals being published every<br />

year. It provides a guide to this aston-<br />

Epigraphic Literacy<br />

and Christian Identity<br />

Modes of Written Discourse<br />

in the Newly Christian<br />

European North<br />

Kristel Zilmer,<br />

Judith Jesch (eds.)<br />

vi + 273 p., 39 b/w ills., 15 b/w line art,<br />

156 x 234 mm,<br />

<strong>2012</strong>, USML 4, HB,<br />

ISBN 978-2-503-54294-2 (print),<br />

ISBN 978-2-503-54318-5 (online),<br />

€ 80<br />

Available<br />

utrecht StudieS in<br />

MedieVAl literAcy<br />

Part of BREPOLS<br />

MISCELLANEA ONLINE<br />

Essays in Medieval Studies<br />

Supplement <strong>2012</strong><br />

ishing output by offering a list of more<br />

than 6.700 publications under sixteen<br />

headings. Because of the overlap of<br />

This volume examines the role of epigraphic<br />

literacy within the newly introduced<br />

Christian culture and the<br />

developing tradition of literacy in<br />

Northern Europe during the Viking<br />

Age and the High Middle Ages. The<br />

epigraphic material under scrutiny<br />

here originates from Scandinavia and<br />

North-West Russia – two regions that<br />

were converted to Christianity around<br />

the turn of the first millennium. Besides<br />

traditional categories of epigraphic<br />

sources, such as monumental<br />

inscriptions on durable materials, the<br />

volume is concerned with more casual<br />

inscriptions on less permanent materials.<br />

The first part of the book discusses<br />

a form of monumental epigraphic<br />

literacy manifested on Scandinavian<br />

rune stones, with a particular focus on<br />

their Christian connections. The second<br />

part examines exchanges between<br />

Christian culture and ephemeral products<br />

of epigraphic literacy, as expressed<br />

through Scandinavian rune sticks, East<br />

Slavonic birchbark documents and<br />

church graffiti. The essays look beyond<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Studies<br />

these headings, a comprehensive Index<br />

of subjects, place names and personal<br />

names is provided, which will allow<br />

the user to quickly find publications<br />

relevant to his research. A short Introduction<br />

precedes the bibliography.<br />

Progress in the field of study over the<br />

past two decades is outlined, with attention<br />

to those recent developments<br />

which have proved the most productive.<br />

At the same time, something is<br />

said about the growing insights which<br />

have led the bibliography’s organisation<br />

to be changed substantially since<br />

its previous edition in 1999, which already<br />

numbered 1.580 items. Not only<br />

the more than fourfold increase in the<br />

number of items made a new edition<br />

necessary therefore, but also new ideas<br />

about the best ways of organising the<br />

knowledge that is to be gained from<br />

the contents of studies of medieval<br />

communication.<br />

the traditional sphere of parchment<br />

literacy and the Christian discourse of<br />

manuscript sources in order to explore<br />

the role of epigraphic literacy in the<br />

written vernacular cultures of Scandinavia<br />

and North-West Russia.<br />

7


8<br />

Publications du Centre<br />

Européen d’Études<br />

Bourguignonnes<br />

(XIV e -XVI e s.)(<strong>2012</strong>)<br />

Mémoires conflictuelles et<br />

mythes concurrents dans<br />

les pays bourguignons<br />

(ca 1380-1580)<br />

approx. 320 p., 150 x 230 mm,<br />

<strong>2012</strong>, PCEEB 52, PB,<br />

ISBN 978-2-503-54364-2<br />

Publication prévue pour octobre <strong>2012</strong><br />

puBlicAtionS du centre<br />

européen d’étudeS<br />

BourguignonneS (xiVe-xVie S.)<br />

JournAl<br />

http://brepols.metapress.com/journals<br />

Multiple subscription options<br />

& pay-per-view available<br />

Table des matières<br />

M. Margue, Introduction : Mythes<br />

et mémoires au bas Moyen Âge – G.<br />

Small et J. Dumolyn, Parole d’État<br />

et mémoire « collective » dans les<br />

pays bourguignons : les discours<br />

prononcés devant des assemblées<br />

représentatives (XV e -XVI e siècle)<br />

– M. Damen and Robert Stein,<br />

Collective Memory and Personal<br />

memoria. The Carthusian Monastery<br />

of Scheut as a Crossroads of<br />

Urban and Princely Patronage in<br />

Fifteenth-Century Brabant – J.<br />

L. González García, « I will capture<br />

a fleece which will bring back<br />

the Golden Age » : Artistic Issues<br />

of (Dis)Continuity between the<br />

Dukes of Burgundy and the Spanish<br />

Habsburgs in the Sixteenth<br />

Century – B. Haquette, Réécrire<br />

l’histoire sans esventer les secrets<br />

des maisons. Le cas La Viesville<br />

– V. Soen, La causa Croÿ et les<br />

limites du mythe bourguignon : la<br />

frontière, le lignage et la mémoire<br />

– L. B. Ross, Mémoires sélectives :<br />

les travaux d’Hercule aux festivités<br />

de Bruges en 1468 – S. Dünnebeil,<br />

Der Orden vom Goldenen Vlies<br />

als Zeichen der burgundischen<br />

Einheit : Ideal oder Wirklichkeit<br />

unter Maximilian I. ? –<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Studies<br />

A. Brown, Liturgical Memory and<br />

Civic Conflict : the Entry of Emperor<br />

Frederick III and Maximilian,<br />

King of the Romans, into Bruges<br />

on 1 August 1486 – H. Schnitker,<br />

Multiple Memories : Pierre de<br />

Vaux’s Vie de sainte Colette, Burgundy<br />

and the Church – J.-Chr.<br />

Blanchard, Entre généalogie et<br />

mythologie : la mise en image de la<br />

mémoire dynastique dans les heures<br />

d’Antoine, duc de Lorraine (1508-<br />

1544) – T. Tanneberger, Die historiographischen<br />

Konstruktionen<br />

in der Genealogia principum<br />

Tungro-Brabantinorum im Vergleich<br />

– F. Buylaert, J. Haemers, T.<br />

Snijders and S. Villerius, Politics,<br />

Social Memory and Historiography<br />

in Sixteenth-Century Flanders :<br />

towards a Research Agenda – A.<br />

Leduc et N. Baptiste, De l’histoire<br />

au mythe. Regard critique<br />

sur les armes du butin bourguignon<br />

– E. Bousmar, Siècle de<br />

Bourgogne, siècle des grands ducs :<br />

variations de mémoire en Belgique<br />

et en France, du XIX e siècle à nos<br />

jours – G. Docquier, « L’heure du<br />

légitime tribut sonne pour Bruges » :<br />

revendications brugeoises autour<br />

de l’Ordre de la Toison d’or – J.-P.<br />

Hoyois, Idéologie versus objectivité :<br />

Marguerite d’Autriche et Marie de<br />

Hongrie sous la plume des historiens<br />

du XIX e siècle à nos jours – M.<br />

Weis et J. Houssiau, L’opéra comme<br />

« lieu de mémoire » : la Pacification<br />

de Gand (1876)


MedieVAl lAnguAgeS & literAtureS<br />

Les langues ibériques<br />

médiévales<br />

Bernard Darbord,<br />

Denis Menjot<br />

approx. 500 p., 156 x 234 mm,<br />

<strong>2012</strong>, AM 12, PB, ISBN 978-2-503-50470-4,<br />

approx. € 37<br />

Publication prévue pour novembre <strong>2012</strong><br />

l’Atelier du MédiéViSte<br />

Diffusion pays francophones :<br />

SODIS/SOFEDIS<br />

La Péninsule ibérique, qui est une unité<br />

géographique évidente (aux yeux des<br />

étrangers…), devient au Moyen Âge,<br />

une fois passée la phase d’unité wisigothique,<br />

une zone de particularismes<br />

politiques et de grande diversité cultu-<br />

Histoire ancienne<br />

jusqu’à César<br />

Histoire d’Alexandre<br />

et de la Macédoine<br />

Catherine Gaullier-<br />

Bougassas (éd.)<br />

approx. 300 p., 156 x 234 mm,<br />

<strong>2012</strong>, AR 4, PB, ISBN 978-2-503-54213-3,<br />

approx. € 70<br />

Publication prévue pour octobre <strong>2012</strong><br />

AlexAnder rediViVuS<br />

L’Histoire ancienne jusqu’à César, dédiée<br />

vers 1210 au châtelain de Lille<br />

Roger IV, constitue la plus ancienne<br />

histoire universelle écrite en langue<br />

française. Son auteur, Wauchier de Denain,<br />

y consacre un long récit à la Macédoine<br />

et à Alexandre le Grand, qui n’a<br />

encore jamais été édité. L’importance<br />

majeure de l’Histoire ancienne jusqu’à<br />

César pour la naissance de l’historiographie<br />

médiévale en langue française<br />

est confirmée par sa grande diffusion :<br />

relle. Cette complexité s’exprime particulièrement<br />

dans la variété des langues<br />

vulgaires. C’est de cette richesse que ce<br />

livre veut rendre compte.<br />

Le parcours proposé ici est triple :<br />

- les traductions en regard des textes<br />

originaux, avec leurs commentaires<br />

philologiques, permettent de s’initier<br />

rapidement aux règles linguistiques<br />

nécessaires à une lecture suivie<br />

- le choix des documents, qui tente de<br />

refléter ce qui subsiste – et même ce<br />

qui a existé – des textes médiévaux, et<br />

leur classement en fonction des pratiques<br />

sociales et culturelles offrent<br />

un panorama complet et représentatif<br />

des registres de langues, depuis les plus<br />

modestes chartes de ventes jusqu’aux<br />

récits de fiction les plus élaborés<br />

- les chapitres introductifs et les bibliographies<br />

de travail constituent un<br />

guide pour la recherche historique<br />

nous en avons pour preuves le nombre<br />

très élevé des manuscrits conservés,<br />

leur réalisation en France, à Saint-Jeand’Acre<br />

et en Italie, les deux réécritures<br />

d’ensemble, en français, qu’elle a suscitées<br />

aux XIV e et XV e siècles, ses traductions,<br />

notamment italienne, ainsi que<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Languages & Literatures<br />

L’ouvrage peut donc être utilisé par<br />

l’étudiant et le chercheur comme un<br />

manuel et comme un instrument de<br />

travail (un « atelier », selon la philosophie<br />

de cette collection), mais il peut<br />

servir aussi de « cabinet de curiosités »<br />

où l’honnête homme découvrira des<br />

langues sonores et savoureuses, un art<br />

d’écrire, bref l’essence même d’une<br />

culture.<br />

Bernard Darbord est Professeur<br />

de langue et littérature espagnoles à<br />

l’Université Paris Ouest Nanterre.<br />

Denis Menjot est Professeur à<br />

l’Université de Lyon 2 et spécialiste<br />

d’histoire économique et sociale de<br />

la péninsule ibérique.<br />

les emprunts que lui ont consentis de<br />

nombreux auteurs, puis ses imprimés à<br />

la Renaissance. Cette édition critique a<br />

été réalisée à partir du manuscrit de Paris,<br />

Bibliothèque nationale de France,<br />

fr. <strong>2012</strong>5, et avec quatre manuscrits de<br />

contrôle. Nous accompagnons le texte<br />

de Wauchier de Denain sur la Macédoine<br />

et Alexandre de deux de ses réécritures<br />

: l’adaptation en franco-italien<br />

du codex 2576 de Vienne (Österreischische<br />

Nationalbibliothek), œuvre de<br />

copistes vénitiens du XIV e siècle, puis<br />

le remaniement du premier imprimé<br />

de 1491, celui d’Antoine Vérard, publié<br />

sous le titre Le Volume d’Orose.<br />

Catherine Gaullier-Bougassas est<br />

professeur de langue et de littérature<br />

médiévales françaises à l’Université<br />

de Lille 3. Elle a publié de<br />

nombreuses études sur Alexandre le<br />

Grand et l’Orient dans la littérature<br />

française médiévale.<br />

9


10<br />

The Nordic Apocalypse<br />

Approaches to Völuspá and<br />

Nordic Days of Judgement<br />

Terry Gunnell,<br />

Annette Lassen (eds.)<br />

approx. x + 244 p., 6 colour ills., 156 x 234 mm,<br />

<strong>2012</strong>, AS 2, HB,<br />

ISBN 978-2-503-54182-2 (print),<br />

ISBN 978-2-503-54199-0 (online),<br />

approx. € 80<br />

Publication date scheduled for October <strong>2012</strong><br />

ActA ScAndinAVicA<br />

Part of BREPOLS<br />

MISCELLANEA ONLINE<br />

Essays in Medieval Studies<br />

Collection <strong>2012</strong><br />

A series of articles on new approaches<br />

to the Old Norse poem Völuspá and its<br />

possible context within the apocalyptic<br />

tradition in Northern Europe in the<br />

early medieval period.<br />

John Trevisa and the<br />

English Polychronicon<br />

Jane Beal<br />

xvi + 172 p., 152 x 229 mm,<br />

<strong>2012</strong>, ASMAR 37, HB,<br />

ISBN 978-2-503-54665-0,<br />

approx. € 60<br />

Publication date scheduled for November <strong>2012</strong><br />

ArizonA StudieS in<br />

the Middle AgeS And<br />

the renAiSSAnce<br />

North American customers<br />

are advised to order directly<br />

from ACMRS.<br />

A study of John Trevisa’s rhetorical<br />

arguments for the value, necessity, and<br />

authority of translation in his English<br />

Polychronicon.<br />

John Trevisa was one of the most prodigious<br />

translators living in England in<br />

the fourteenth century. His numerous<br />

translations of works from Latin into<br />

English helped to ensure the creation<br />

and perpetuation of late-medieval vernacular<br />

history, literature, and culture<br />

in Britain. His translation of the Poly-<br />

This book, with roots in a conference<br />

held in Iceland in May 2008, contains<br />

a series of articles reflecting modern<br />

approaches to the text, context, and<br />

performance of the Old Norse poem<br />

Völuspá, perhaps the best known and<br />

most discussed of all the Eddic poems.<br />

Rather than attempting to cover Eddic<br />

or Skaldic poetry as a genre, the<br />

main aim of this book is to present an<br />

overview of the ‘state of the art’ with<br />

regard to one particular Eddic poem.<br />

It focuses especially on the poem’s possible<br />

context within the apocalyptic<br />

tradition of Northern Europe in the<br />

early medieval period. The approaches<br />

of the articles range from placing the<br />

poem within the pre-Christian oral<br />

tradition to placing it within the written<br />

and liturgical context of Christianity.<br />

Two other chapters offer a possible<br />

context for the poem by examining the<br />

nature and background of the early<br />

medieval image of the Apocalypse<br />

known to have been on display in<br />

chronicon, a universal history of the<br />

world originally compiled by Ranulf<br />

Higden, is both his magnum opus and<br />

his opportunity to present rhetorical<br />

arguments for the value, necessity, and<br />

authority of translation.<br />

Through his paratextual “Dialogue<br />

between a Lord and a Clerk on Translation”<br />

and prefatory letter to Lord<br />

Thomas Berkeley as well as his intertextual<br />

explanatory notes to the Polychronicon,<br />

John Trevisa explores the<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Languages & Literatures<br />

the Cathedral of Hólar in northern<br />

Iceland. While the approaches are focused<br />

on one specific poem, they are<br />

nonetheless applicable to many other<br />

Eddic works.<br />

tasks of the translator. Trevisa emphasizes<br />

the historical contributions of<br />

vernacular English translators, the role<br />

of divine inspiration in the translation<br />

process, and the importance of balancing<br />

reason and reliance on authority in<br />

the study of history. Trevisa’s rhetorical<br />

moves suggest an interest in reaching<br />

the broadest possible audience, ranging<br />

from the lay nobility to priests and<br />

clerics.<br />

It appears that Trevisa wanted to provide<br />

priests with an English Polychronicon<br />

that could help them understand<br />

the historical context of the Bible and<br />

help them compose vernacular sermons<br />

for laypeople. After the Constitutions<br />

of Archbishop Arundel forbid<br />

unauthorized possession of English<br />

Bibles in the early fifteenth century,<br />

the fortunes of Trevisa’s Polychronicon<br />

might have been in jeopardy, but<br />

William Caxton re-printed the chronicle<br />

for a new generation of readers<br />

in 1482. Along with Caxton’s Golden<br />

Legend, the printed Polychronicon<br />

provided a new audience with biblical<br />

stories in their own language when a<br />

complete Bible translation was denied<br />

them.


The Performance of<br />

Christian and Pagan<br />

Storyworlds<br />

Non-Canonical Chapters of<br />

the History of Nordic Medieval<br />

Literature<br />

Lars Boje Mortensen,<br />

Tuomas M. S. Lehtonen<br />

(eds.)<br />

approx. 400 p., 20 b/w ills., 6 b/w line art,<br />

156 x 234 mm,<br />

<strong>2012</strong>, MISCS 3, HB,<br />

ISBN 978-2-503-54236-2 (print),<br />

ISBN 978-2-503-54261-4 (online),<br />

approx. € 90<br />

Publication date scheduled for October <strong>2012</strong><br />

MedieVAl identitieS:<br />

Socio-culturAl SpAceS<br />

Part of BREPOLS<br />

MISCELLANEA ONLINE<br />

Essays in Medieval Studies<br />

Collection 2013<br />

Historiographie et<br />

littérature au XVI e siècle<br />

en Provence: l’œuvre de<br />

Jean de Nostredame<br />

Jean-Yves Casanova<br />

approx. 520 p., 156 x 234 mm,<br />

<strong>2012</strong>, PAIEO 9, PB,<br />

ISBN 978-2-503-54510-3,<br />

€ 85<br />

Publication prévue pour octobre <strong>2012</strong><br />

puBlicAtionS<br />

de l’ASSociAtion<br />

internAtionAle<br />

d’étudeS occitAneS<br />

Jean de Nostredame est connu pour la<br />

publication en 1575 des Vies des plus<br />

celebres et anciens poetes provençaux<br />

que la critique médiéviste a souvent<br />

critiqué ou dénigré pour ses « inventions<br />

». Camille Chabaneau avait mis<br />

au jour des proses historiographiques<br />

qui révélaient l’ampleur d’un travail<br />

The present collection explores a hitherto<br />

understudied body of Nordic<br />

medieval literature which, although<br />

overlooked in traditional, languagebased<br />

narratives, was in fact crucial in<br />

shaping social and religious identities.<br />

By drawing on the ‘performance turn’<br />

in cultural studies, the volume identifies<br />

a number of minor and peripheral<br />

literary forms and texts that had<br />

a vital connection to ritual and ritualized<br />

speech. These neglected traditions<br />

therefore offer an alternative<br />

insight into Nordic literary life and<br />

the sets of cultural expression, or storyworlds,<br />

underlying Nordic culture.<br />

The collected studies explore different<br />

aspects of verbal performances<br />

as a primary vehicle for the Nordic<br />

storyworlds, with a preference for<br />

the Christian over the pagan traditions.<br />

Emphasis is placed on Latin,<br />

Old Norse, and Finnish traditions<br />

that were retold and reproduced over<br />

time. These ‘living’ literary forms highlight<br />

the importance of non-canonical<br />

texts for the interpretation of contact<br />

between the peripheries and centres<br />

of Nordic culture. Through the focus<br />

historique et littéraire, d’une pensée<br />

linguistique au cœur du XVI e siècle<br />

provençal. Par l’édition des Memoires<br />

Historiques, réalisée d’après le manuscrit<br />

original d’Aix-en-Provence, la<br />

place de Jean de Nostredame est ainsi<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Languages & Literatures<br />

on the interaction between Latin and<br />

the vernacular, between eastern Baltic<br />

and western Latin influences, and between<br />

ritual and speech in religious<br />

practice, this collection demonstrates<br />

the importance of ‘minor’ texts for the<br />

re-construction of medieval Nordic<br />

culture and history.<br />

considérablement réévaluée. Nous ne<br />

sommes pas en présence d’un « faussaire<br />

», mais d’un humaniste provençal<br />

dont l’œuvre et l’action ont été<br />

méconnues, négligées, et que l’on doit<br />

relire à l’aune de nos connaissances<br />

actuelles. Jean de Nostredame devient<br />

ainsi un historien et un écrivain dont<br />

la pensée s’est effacée, et ce à cause<br />

de la situation particulière des lettres<br />

occitanes, tombant en quelque sorte<br />

dans « un trou de la pensée littéraire<br />

et linguistique ». Il n’est que justice<br />

aujourd’hui que de le redécouvrir et<br />

d’apprécier ce que furent son œuvre et<br />

sa pensée.<br />

Jean-Yves Casanova est professeur<br />

à l’Université de Pau et des pays de<br />

l’Adour. Il est notamment l’auteur<br />

de plusieurs ouvrages et études critiques<br />

sur la littérature occitane, du<br />

XVI e siècle à l’œuvre de Frédéric<br />

Mistral.<br />

11


12<br />

The Lexical Effects of<br />

Anglo-Scandinavian<br />

Linguistic Contact on<br />

Old English<br />

Sara M. Pons-Sanz<br />

approx. x + 550 p., 18 b/w tables,<br />

160 x 240 mm,<br />

<strong>2012</strong>, SEM 1, HB,<br />

ISBN 978-2-503-53471-8,<br />

approx. € 125<br />

Publication date scheduled for October <strong>2012</strong><br />

StudieS in the eArly<br />

Middle AgeS<br />

Anglo-Saxon England experienced a<br />

process of multicultural assimilation<br />

similar to that of contemporary England.<br />

At the end of the ninth century<br />

Old Norse speakers from present-day<br />

Denmark, Norway and Sweden start-<br />

Multilingualism in<br />

Medieval Britain<br />

(c. 1066-1520)<br />

Sources and Analysis<br />

Ad Putter, Judith Jefferson<br />

(eds.)<br />

approx. x + 242 p., 2 b/w ills., 156 x 234 mm,<br />

<strong>2012</strong>, TCNE 15, HB,<br />

ISBN 978-2-503-54250-8 (print),<br />

ISBN 978-2-503-54263-8 (online),<br />

approx. € 85<br />

Publication date scheduled for October <strong>2012</strong><br />

MedieVAl textS And<br />

cultureS of northern<br />

europe<br />

Part of BREPOLS<br />

MISCELLANEA ONLINE<br />

Essays in Medieval Studies<br />

Collection <strong>2012</strong><br />

This book is devoted to the study of<br />

multilingual Britain in the later medieval<br />

period, from the Norman Con-<br />

ed to settle down in the so-called<br />

‘Danelaw’ amongst the Anglo-Saxon<br />

inhabitants, and brought with them<br />

quest to John Skelton. It brings together<br />

experts from different disciplines<br />

– history, linguistics, and literature –<br />

in a joint effort to recover the complexities<br />

of spoken and written communication<br />

in the Middle Ages. Each<br />

author focuses on one specific text<br />

or text type, and demonstrates by example<br />

what careful analysis can reveal<br />

about the nature of medieval multilingualism<br />

and about medieval attitudes<br />

to the different living languages of later<br />

medieval Britain. There are chapters<br />

on charters, sermons, religious prose,<br />

glossaries, manorial records, biblical<br />

translations, chronicles, and the macaronic<br />

poetry of William Langland and<br />

John Skelton. By addressing the full<br />

range of languages spoken and written<br />

in later medieval Britain (Latin,<br />

French, Old Norse, Welsh, Cornish,<br />

English, Dutch, and Hebrew), this collection<br />

reveals the linguistic situation<br />

of the period in its true diversity and<br />

shows the resourcefulness of medieval<br />

people when faced with the need to<br />

communicate. For medieval writers<br />

and readers, the ability to move be-<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Languages & Literatures<br />

cultural traditions and linguistic elements<br />

that are still a very significant<br />

part of our lives and our speech in the<br />

twenty-first century.<br />

This book analyses the first Norse<br />

terms to be recorded in English. After<br />

revising the list of terms recorded in<br />

Old English texts which can be considered<br />

to be Norse-derived, the author<br />

explores their dialectal and chronological<br />

distribution, as well as the semantic<br />

and stylistic relationship which the<br />

Norse-derived terms established with<br />

their native equivalents (when they<br />

existed). This approach helps to clarify<br />

questions such as: Why were the terms<br />

borrowed? At what point did the<br />

terms stop being identified as ‘foreign’?<br />

Why is a particular term used in a particular<br />

context? What can the terms<br />

tell us about the Anglo-Scandinavian<br />

sociolinguistic relations?<br />

tween languages opened up a wealth<br />

of possibilities: possibilities for subtle<br />

changes of register, for counterpoint,<br />

for linguistic playfulness, and, perhaps<br />

most importantly, for texts which extend<br />

a particular challenge to the reader<br />

to engage with them.


Le moyen français – 70<br />

(<strong>2012</strong>)<br />

Charles d’Orléans<br />

approx. 200 p., 156 x 234 mm,<br />

<strong>2012</strong>, LMFR 70, PB,<br />

ISBN 978-2-503-54360-4<br />

Publication prévue pour octobre <strong>2012</strong><br />

le Moyen frAnçAiS<br />

JournAl<br />

http://brepols.metapress.com/journals<br />

Multiple subscription options<br />

& pay-per-view available<br />

Table of Contents<br />

Florence Bouchet, Avant-propos<br />

– Jacqueline Cerquiglini-Toulet,<br />

Espèces d’espaces. Espace physique<br />

et espace mental dans la poésie<br />

de Charles d’Orléans – Florence<br />

Bouchet, Les ballades de Charles<br />

d’Orléans, une quête de sagesse ? –<br />

Estelle Doudet, Le désir et la loi, fictions<br />

juridiques dans les Ballades de<br />

Charles d’Orléans – Hélène Basso,<br />

La non pareille : étude de la fluctuation<br />

sémantique du refrain dans<br />

les ballades de Charles d’Orléans –<br />

Michèle Gally, La « merencolie »,<br />

nouvel ethos lyrique ? L’art subtil de<br />

Charles d’Orléans – Jean-Claude<br />

Mühlethaler, Vanessa Depallens,<br />

Du discours d’autorité à la fonction<br />

proleptique : le proverbe dans le<br />

roman de Mélusine de Jean d’Arras<br />

– Karine Perrot, Les Dictz moraulx<br />

pour faire tapisserie d’Henri<br />

Baude : un répertoire proverbial<br />

au service du discours polémique<br />

– Olivier Delsaux, Le témoignage<br />

d’un manuscrit fantôme du sermon<br />

Vivat rex de Jean Gerson. Une nouvelle<br />

édition critique du texte est-elle<br />

nécessaire ?<br />

Comptes-rendus<br />

Modern lAnguAgeS & literAtureS<br />

Les lettres romanes -<br />

66.1-2 (<strong>2012</strong>)<br />

l’Île dans la littérature<br />

approx. 200 p., 156 x 234 mm,<br />

<strong>2012</strong>, LLR 66.1-2, PB,<br />

ISBN 978-2-503-54107-5<br />

Publication prévue pour octobre <strong>2012</strong><br />

leS lettreS roMAneS<br />

JournAl<br />

http://brepols.metapress.com/journals<br />

Multiple subscription options<br />

& pay-per-view available<br />

Table of Contents<br />

Mattia Cavagna, Introduction<br />

Mattia Cavagna et Silvère Menegaldo,<br />

Entre la terre et la mer,<br />

entre le Paradis et l’Enfer : l’île<br />

dans la Navigatio sancti Brendani<br />

et ses versions en langues romanes<br />

– Silvère Menegaldo, Géographie<br />

et imaginaire insulaire au Moyen<br />

Âge, d’Isidore de Séville à Jean de<br />

Mandeville – Massimo Scotti,<br />

Lieux de liberté, lieux de réclusion.<br />

Duplicités de l’image insulaire<br />

dans la littérature occidentale<br />

– Margherita Romengo, Nec<br />

tecum nec sine te vivere possum...<br />

Le Candide de Leonardo Sciascia<br />

ou le rêve de l’ex-île – Simona Previti,<br />

L’île, une forme-concept. Une<br />

île, un homme seul. Des îles, des<br />

hommes seuls<br />

Varia :<br />

Katrien Horemans, L’Autobiographe<br />

au tombeau. Pour une<br />

approche pragmatique de l’écriture<br />

autobiographique chez Rousseau<br />

– Jérôme Solal, Huysmans herméneute<br />

– Cynthia Biron Cohen,<br />

Dissolution de l’identité nationale<br />

dans Dolce d’Irène Némirovsky –<br />

Jacqueline Michel, Une nouvelle<br />

contemporaine aux frontières de<br />

la poésie (Ludovic Janvier, Silvia<br />

Baron Supervielle)<br />

Les Livres – Notes bibliographiques<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Languages & Literatures / Modern Languages & Literatures<br />

13


14<br />

lAtin lAnguAge & literAture<br />

“On Everyone’s Lips”<br />

Humanists, Jews, and<br />

the Tale of Simon of Trent<br />

Stephen Bowd,<br />

Donald Cullington (eds.)<br />

approx. xviii + 232 p., 2 b/w ills.,<br />

152 x 229 mm,<br />

<strong>2012</strong>, ASMAR 36, HB,<br />

ISBN 978-2-503-54664-3,<br />

approx. € 60<br />

Publication date scheduled for October <strong>2012</strong><br />

ArizonA StudieS in the<br />

Middle AgeS And the<br />

renAiSSAnce<br />

North American customers<br />

are advised to order directly from<br />

ACMRS.<br />

The death of a small child called Simon<br />

in the town of Trent in 1475<br />

was blamed on the local Jewish com-<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Latin Language & Literature<br />

munity who were accused of abducting,<br />

torturing, and strangling him as<br />

a way of obtaining Christian blood<br />

to use in their rituals. The princebishop<br />

of Trent orchestrated a campaign<br />

against the Jews: poets and<br />

humanists wrote about the case on<br />

the basis of first-hand knowledge or<br />

acquaintance with the trial records<br />

and provided detailed accounts of<br />

the supposed Jewish conspiracy and<br />

murder. The ‘blood libel’ against the<br />

Jews was familiar to most Europeans<br />

but the tales from Trent made available<br />

in English here for the first time<br />

were unprecedented in their detail,<br />

savagery of denunciation, and scope<br />

of circulation thanks to the new medium<br />

of print. As a result the story of<br />

Simon’s ‘martyrdom’ and miracles, as<br />

well as the prosecution and execution<br />

of the Jews, resonated in the European<br />

consciousness for centuries.


MedieVAl ArchAeology<br />

L’origine du château, actes<br />

du colloque de Rindern,<br />

Pays-Bas (2010)<br />

Peter Ettel, Anne-Marie<br />

Flambard Héricher,<br />

Tom McNeill (éd.)<br />

approx. 336 p., 220 x 280 mm,<br />

Centre de Recherches Archéologiques et<br />

Historiques Médiévales,<br />

<strong>2012</strong>, CHATEAU 25, HB,<br />

ISBN 978-2-84133-417-9,<br />

€ 42.45<br />

Publication prévue pour octobre <strong>2012</strong><br />

chÂteAu gAillArd. étudeS<br />

de cAStellogie MédiéVAle<br />

Table des matières<br />

Hans Janssen, Introduction – Bas Aarts,<br />

The Origin of Castles in the Eastern<br />

Part of the Delta Region (NL/D) and<br />

Château, ville et pouvoir<br />

au Moyen Âge<br />

Anne-Marie Flambard<br />

Héricher,<br />

Jacques le Maho (éd.)<br />

304 p., 165 x 240 mm,<br />

<strong>2012</strong>, TABCRA 7, PB,<br />

ISBN 978-2-902685-83-7,<br />

€ 34.90<br />

Disponible<br />

tABleS rondeS du crAhM<br />

La question de la formation des bourgs<br />

et de leurs rapports avec le castrum intéresse<br />

les historiens et les archéologues<br />

the Rise of the Principalities of Guelders<br />

and Cleves – Laurent Beuchet,<br />

Aux origines du château du Guildo<br />

(Côtes-d’Armor, France) – Markus C.<br />

Blaich, Werla – Fronhof, Königspfalz<br />

und Ansiedlung des 9.-13. Jahrhundert<br />

– François Blary, Aux origines<br />

d’une place forte des Vermandois au<br />

IX e -X e siècle : Château-Thierry (Aisne,<br />

France) – Steven Brindle, The Keep at<br />

Conisbrough Castle, Yorkshire – Frédéric<br />

Chantinne et Philippe Mignot,<br />

L’émergence du phénomène castral dans<br />

le sud du diocèse de Liège. Esquisse d’une<br />

confrontation entre données textuelles et<br />

archéologiques – Elizabeth den Hartog,<br />

The Great Portal of Cleves Castle: Audience,<br />

Meaning and Function – Alain<br />

Dierkens et Michel Fourny, Les indices<br />

archéologiques les plus anciens au château<br />

du Coudenberg à Bruxelles – Jan<br />

Van Doesburg, Back to the Facts: New<br />

Evidence for and Thoughts on Early<br />

Medieval Earthworks in the Central<br />

Netherlands – Penelope Dransart, The<br />

Origins of some Bishops’ Residences as<br />

Castles in Scotland – Tomáš Durdík,<br />

Anfänge des königlichen Burgenbaus in<br />

Böhmen – Peter Ettel, Die Entwicklung<br />

des frühmittelalterlichen Burgenbaus in<br />

Süddeutschland bis zur Errichtung von<br />

Ungarnburgen und Herrschaftszentren<br />

im 10. Jahrhundert – István Feld, Die<br />

Burgen des Königreiches Ungarn im<br />

11-12. Jahrhundert – Thomas Finan,<br />

3D Castle Reconstruction as Interpretive<br />

Modelling: the Medieval Lough<br />

Cé Project – Christian Frey, Frühmittelalterliche<br />

Burgen als erzählte Orte<br />

– Reinhard Friedrich, Current Research<br />

on Medieval Motte Castles in the<br />

Lower Rhine Area – Hans-Wilhelm<br />

Heine, Innovative Methoden zur Erfassung<br />

und Vermessung von Burgen in<br />

depuis de nombreuses décennies. Loin<br />

d’aboutir à un épuisement des thématiques,<br />

cette attention des chercheurs<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Medieval Archaeology<br />

Wäldern und Flachgewässern (Niedersachsen)<br />

– Connie Jantzen & Rikke<br />

Agnete Olsen, Boeslum by Ebeltoft.<br />

Unexpected Information from an “Ordinary”<br />

Site – Jan Kock, Dendrochronological<br />

Dating and Research into<br />

Fortresses in Denmark – Conleth Manning,<br />

Clogh Oughter Castle, Co. Cavan,<br />

and Thirteenth-Century Circular Towers<br />

in Ireland – Pamela Marshall, Making<br />

an Appearance: Some Thoughts on<br />

the Phenomenon of Multiple Doorways<br />

and Large Upper Openings in Romanesque<br />

Donjons in Western France and<br />

Britain – Kare McManama-Kearin,<br />

Forced Focus: a Room with a Viewshed<br />

– Werner Meyer, Drapham Dzong. Excavations<br />

of a Motte Castle in Bhutan,<br />

2008 – 2010 – Paul Naessens & Kieran<br />

O’Conor, Pre-Norman Fortification<br />

in Eleventh- and Twelfth- Century<br />

Connacht – Richard D. Oram, Dundonald,<br />

Doune and the Development<br />

of the Tower and Hall in Late Medieval<br />

Scottish Lordly Residences – Edwin Orsel,<br />

The Burcht of Leiden the Summit of<br />

a Royal Dream – Hans-Werner Peine,<br />

Schloss Horst – Kleinod im Ruhrgebiet.<br />

Ein Beitrag zur Geschichte des Hauses<br />

Horst im Emscherbruch – Sem Peters,<br />

St. Oedenrode: the Castle - The Development<br />

of an Aristocratic Site between the<br />

Tenth and Fifteenth Centuries – Peter<br />

Purton, The First Private Castles at<br />

War – Christoph Reichmann, Neuere<br />

Untersuchungen zur Baugeschichte der<br />

Burg Linn – Annie Renoux, Continuité<br />

et changement : stratégies princières et<br />

mises en œuvre castrales dans la France<br />

du Nord aux X e et début du XI e siècles<br />

– Kari Uotila, Evolution and Creativity<br />

in North-East European Castles, AD<br />

1000-1600<br />

sur une longue durée les a amenés à<br />

enrichir sans cesse leurs approches.<br />

La relecture des textes, l’archéologie,<br />

l’essor de l’analyse morphologique<br />

ont ainsi achevé de battre en brèche<br />

l’image d’un développement spontané<br />

des bourgs du Moyen Âge : la volonté<br />

seigneuriale de s’assurer des rentrées<br />

d’argent apparaît bien aujourd’hui<br />

comme la véritable raison du regroupement<br />

de populations. Cependant, la<br />

complexité des relations entre pouvoir,<br />

économie et peuplement amène à interroger<br />

plus avant les stratégies mises<br />

en place par les puissants pour contrôler<br />

des communautés d’habitants plus<br />

mobiles qu’on ne l’a souvent imaginé.<br />

15


16<br />

MAnuScript StudieS<br />

The British Library I<br />

MSS Additional and Egerton<br />

Kathleen L. Scott (ed.)<br />

approx. 500 p., 50 b/w ills., 210 x 270 mm,<br />

<strong>2012</strong>, HMIIEM 5, PB,<br />

ISBN 978-1-905375-63-9, € 150<br />

Publication date scheduled for October <strong>2012</strong><br />

hArVey Miller puBliSherS<br />

An index of iMAgeS in<br />

engliSh MAnuScriptS<br />

froM chAucer to henry Viii<br />

This fascicle in the series An Index of Images<br />

in English Manuscripts from the Time<br />

of Chaucer to Henry VIII reports on the<br />

Additional collection, the largest group<br />

of medieval (and other) manuscripts in<br />

the British Library. The Additional manuscripts,<br />

which are catalogued by the British<br />

Library together with the Egerton<br />

Books of Hours<br />

Reconsidered<br />

Sandra Hindman,<br />

James Marrow (eds.)<br />

approx. 300 p., incl. ills., 220 x 280 mm,<br />

<strong>2012</strong>, HMSAH 72, HB,<br />

ISBN 978-1-905375-94-3,<br />

approx. € 110<br />

Publication date scheduled for November <strong>2012</strong><br />

hArVey Miller puBliSherS<br />

StudieS in MedieVAl And<br />

eArly renAiSSAnce Art<br />

hiStory<br />

Table of Contents<br />

Sandra Hindman, Introduction: State<br />

of the Question<br />

I. The Prehistory of Books of Hours<br />

and the Growth of their Modern-<br />

Day Appreciation<br />

Adelaide Bennett, Some Perspectives on<br />

the Origins of Books of Hours in France<br />

in the Thirteenth-Century – Christopher<br />

de Hamel, Books of Hours and<br />

the Art Market from the Seventeenth<br />

Century to the Present Day – Roger<br />

S. Wieck, The Hours of Catherine of<br />

Cleves: The Manuscript that Changed<br />

the World<br />

manuscripts, contain many little known<br />

manuscripts with imagery as well as a considerable<br />

number of books famous for their<br />

illustration, i.e. the Bedford Hours and<br />

II. Centers of Production: England,<br />

Germany, and Italy<br />

Nigel Morgan, English Books of Hours<br />

c. 1240 – c.1480 – Jeffrey Hamburger,<br />

Another Perspective: The Book of Hours<br />

in Germany – Francesca Manzari, Italian<br />

Books of Hours and Prayer Books in<br />

the Fourteenth Century<br />

III. Towards a History of Use<br />

Gregory T. Clark, Beyond Saints: Variant<br />

Litany Readings and the Localization<br />

of Late Medieval Manuscript<br />

Books of Hours, the Case of the d’Orges<br />

Hours – Anne Korteweg, Books of<br />

Hours from the Northern Netherlands<br />

Reconsidered: the Uses of Utrecht and<br />

Windesheim and Geert Grote’s Role as<br />

a Translator<br />

IV. Problems of Workshops<br />

Marc Gil, Picardie-Hainaut: Quelques<br />

remarques sur les livres d’heures<br />

produits par le Maitre de Rambures et<br />

Simon Marmion – Anne Margreet W.<br />

As-Vijvers, Manuscript Production in a<br />

Carmelite Convent: The Case of Cornelia<br />

von Wulfskercke – Marie-Françoise<br />

Damongeot, La circulation des modèles<br />

iconographiques: l’exemple d’un livre<br />

d’Heures parisien (BnF MS N.a.l.3115)<br />

– Mara Hofmann, Matteo de Milano;<br />

Between Ferrara and Rome--The Hours<br />

of Dionora of Urbino (London, British<br />

Library, Yates Thompson 7) – Saskia<br />

von Bergen, The Use of Stamps in Bru-<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Manuscript Studies<br />

Psalter, the Hours of Elizabeth the Queen,<br />

and the Rous Roll. Others such as the Old<br />

Hall Manuscript, Mallory’s Le morte Darthur,<br />

and the Book of Margery Kemp, are<br />

known for their texts. The fascicle describes<br />

322 Additional manuscripts and sixtythree<br />

from the Egerton collection. In addition,<br />

431 other Additional and Egerton<br />

manuscripts of the period were also examined<br />

for images relevant to the project.<br />

The textual content of the indexed books<br />

include an exceptional number of historical<br />

materials as well as numerous literary<br />

manuscripts by prominent authors of the<br />

period such as John Gower, Chaucer, John<br />

Lydgate, and Nicholas Love. This Index<br />

listing of representations of all types -- from<br />

miniatures to catchwords -- in manuscripts<br />

between the dates c. 1380 to c. 1510 is an<br />

unparalleled reference work to imagery<br />

of the period, which can also be used as a<br />

search tool for illuminated manuscripts in<br />

the British Library published on-line.<br />

ges Book Production – Eberhard König,<br />

Twins in Attribution: A New Fashion or<br />

a Means to Better Understanding? The<br />

Case of the Grandes Heures de Rohan<br />

V. Cycles of Illustration and Their<br />

Texts<br />

James Marrow, Superimposed Cycles of<br />

Marginal Illustration in Late Medieval<br />

Horae: Function and History – Klara H.<br />

Broekhuijsen, Decoration Programmes<br />

in Books of Hours by the Masters of the<br />

Dark Eyes – Bronwyn Stocks, Devotional<br />

Emphasis and Distinctive Variations<br />

in the Illustration of the Hours of<br />

the Virgin in Italian Books of Hours<br />

VI. Books of Hours in the Age of<br />

Print<br />

Todor Petev, A Group of Hybrid Manuscripts<br />

Illustrated with Woodcuts from<br />

Antwerp – Thierry Claerr, L’édition<br />

d’Heures du 21 avril 1505, une œuvre<br />

charnière dans la production de Thielman<br />

Kerver? – Ariane Bergeron-<br />

Foote, De la fortune de quatre bois<br />

gravés: de Paris 1519 à Rouen c. 1593 –<br />

Elizabeth A.R. Brown, The Devotional<br />

Books of Claude Gouffier: The Morgan<br />

Hours (New York, Morgan Library and<br />

Museum, M. 538) – Mary and Richard<br />

Rouse, Post-Mortem Inventories as<br />

a Source for the Production of Manuscripts<br />

and Printed Books of Hours<br />

Notes on the Contributors<br />

Bibliography


Bibliothèque Nationale<br />

de France<br />

Hébreu 704 à 733,<br />

Manuscrits de théologie<br />

Philippe Bobichon<br />

approx. 300 p., 132 ill. couleur, 210 x 297 mm,<br />

<strong>2012</strong>, CMCH 5, PB,<br />

ISBN 978-2-503-54547-9,<br />

approx. € 80<br />

Publication prévue pour novembre <strong>2012</strong><br />

MAnuScritS en cArActèreS<br />

héBreux conSerVéS dAnS leS<br />

BiBliothèqueS puBliqueS de<br />

frAnce. cAtAlogueS<br />

Les manuscrits décrits dans ce volume<br />

présentent des textes de genres divers<br />

dont la date de composition est toujours<br />

postérieure au XII e siècle. Avec quelques<br />

exceptions, ces textes furent rédigés et<br />

Pecia. Le livre et l’écrit,<br />

14 (2011)<br />

Texte, liturgie et mémoire<br />

dans l’Église du Moyen Âge<br />

approx. 320 p., 8 ill/ couleur,<br />

210 x 270 mm,<br />

<strong>2012</strong>, PECIA 14, PB,<br />

ISBN 978-2-503-54385-7<br />

Publication prévue pour octobre <strong>2012</strong><br />

peciA. le liVre et l’écrit<br />

JournAl<br />

http://brepols.metapress.com/journals<br />

Multiple subscription options<br />

& pay-per-view available<br />

étudiés en Espagne, en Provence, en Italie<br />

et dans l’empire byzantin.<br />

En continuité avec le volume I de la<br />

collection, les cinq premiers manuscrits<br />

décrits (Hébreu 704 à 708)<br />

donnent des commentaires sur le<br />

Guide des égarés ou d’autres textes se<br />

rapportant à Maïmonide. Ici encore,<br />

certains de ces manuscrits mettent en<br />

évidence l’existence – jusqu’ici ignorée<br />

– d’écoles de philosophie et montrent<br />

à quel point la philosophie juive était<br />

vivante entre le XIII e et le XV e siècle.<br />

Les cinq exemplaires des Guerres du<br />

Seigneur de Gersonide (Hébreu 721 à<br />

725) ont des caractères codicologiques<br />

et paléographiques différents, car les<br />

œuvres de ce grand philosophe étaient<br />

étudiées en dehors des écoles.<br />

D’autres œuvres, mêlant cabale et<br />

philosophie, sont inédites et pratiquement<br />

inconnues. Plusieurs volumes<br />

« L’écriture rappelle l’histoire à la mémoire<br />

comme si elle était entendue... »<br />

(Guillaume Durand, Rationale divino-<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Manuscript Studies<br />

sont consacrés à l’explication des commandements<br />

et à la morale. Deux manuscrits<br />

renvoient à l’aire ashkénaze.<br />

rum officiorum, cité par J.-C. Schmitt,<br />

Le corps des images, Paris, 2002, p. 132)<br />

L’histoire de la liturgie (et des livres<br />

liturgiques) constitue aujourd’hui<br />

un champ de recherche privilégié des<br />

médiévistes. Celle de la mémoire,<br />

« par nature, multiple, et démultipliée,<br />

collective, plurielle et individualisée »<br />

(P. Nora, Entre mémoire... , p. xix-xx),<br />

s’inscrit dans cette interdisciplinarité<br />

qui s’exerce de plus en plus naturellement<br />

et qui a fait l’objet, depuis<br />

quelques décennies, de nombreuses<br />

publications. Le présent volume répond<br />

aux enjeux d’une recherche qui<br />

bénéficie d’un regard nouveau sur le<br />

livre manuscrit dans sa plus large acceptation.<br />

Table des matières<br />

voir notre catalogue en ligne<br />

www.brepols./catalogue<br />

17


18<br />

Art hiStory<br />

The Flemish Primitives VI<br />

The Bernard van Orley Group<br />

Alexandre Galand<br />

approx. 300 p., 70 b/w and 300 colour ills.,<br />

210 x 297 mm, <strong>2012</strong>, CENP 6, HB,<br />

ISBN 978-2-503-54575-2,<br />

approx. € 125<br />

Publication date scheduled for October <strong>2012</strong><br />

cAtAlogue of eArly<br />

netherlAndiSh pAinting:<br />

royAl MuSeuMS of fine ArtS<br />

of BelgiuM<br />

The years 1510 and 1520 appear to be<br />

a crucial moment for the introduction<br />

of the Renaissance in the former Netherlands.<br />

That period coincides with<br />

the first activity period of Bernard van<br />

Visual Liturgy: Altarpiece<br />

Painting and Valencian<br />

Culture (1442-1519)<br />

Maxime Deurbergue<br />

approx. 300 p., 88 b/w and 55 colour ills.,<br />

<strong>2012</strong>, ER 8, PB,<br />

ISBN 978-2-503-54497-7,<br />

approx. € 100<br />

Publication date scheduled for October <strong>2012</strong><br />

étudeS renAiSSAnteS<br />

In the introduction to his Early Netherlandish<br />

Painting, Erwin Panofsky<br />

characterised 15 th -century European<br />

painting with an opposition between<br />

the art of Italy and that of Flanders,<br />

and significantly, he recalled that in<br />

the eyes of a Luther or of a Michelangelo,<br />

no other School deserved attention.<br />

Six centuries later, Spanish art<br />

of this period remains little known<br />

outside the Iberian Peninsula. The fact<br />

that a large number of the works of art<br />

are still kept in their original location<br />

Orley, a major witness of the transition.<br />

Until now, research has been<br />

concentrating on the artist through his<br />

superb tapestries. Yet, from the end of<br />

the first decade of the 16 th century to<br />

1521, when he signed the monumental<br />

Job and Lazarus Polyptych (Brussels,<br />

MRBAB/KMSKB, Inv. 1822),<br />

the artist produced paintings which<br />

integrated more and more shapes from<br />

the Italian peninsula. Did this change<br />

in perspective lead to significant differences<br />

in terms of workshop practices?<br />

How can works be best characterized<br />

when they make up the hard core of a<br />

catalogue with changing frontiers? In<br />

what way can archives shed new light<br />

on the artist’s activity? Those questions<br />

are at the centre of a catalogue and essays,<br />

which aim to renew the vision of<br />

Bernard van Orley’s painting, on the<br />

surely plays a part in this, but there is<br />

also a lasting prejudice that this art is<br />

aesthetically and intellectually little<br />

exciting. Retables were then the utmost<br />

artistic expression. At first sight,<br />

they mostly look the same. Because<br />

this art seems changeless, its exegesis<br />

has been routine and vague.<br />

Visual Liturgy challenges this situation.<br />

Focusing on the Aragonese city<br />

of Valencia, then at the height of its<br />

pride and glory, it examines a school of<br />

painters, which reflects a wider scene,<br />

namely the civic and religious preoc-<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Art History<br />

basis of the works kept in the Royal<br />

Museum of Fine Arts of Belgium.<br />

cupations of a whole culture. Not<br />

only does it provide a comprehensive<br />

view of current research on Valencian<br />

painting, it connects it to the wider<br />

context of Valencian piety and tackles<br />

the dialectics at work in civic culture:<br />

how the monarchy took hold of the<br />

municipality; how foreign influences<br />

challenged local tradition; how sophisticated<br />

altarpieces emerged from<br />

the standard stock of artistic production;<br />

how, finally, the liturgy prevented<br />

ruptures between the religion of<br />

the learned and more popular, even at<br />

times slightly unorthodox, expressions<br />

of the faith.<br />

Visual Liturgy thus provides a better<br />

understanding of 15 th -century Spanish<br />

art. It sheds important new light<br />

on the birth of an artistic school in a<br />

context of competing foreign influences,<br />

and on the reception of such influences<br />

into a radically different culture;<br />

finally, it is the first attempt to explore<br />

the meaning of Valencian altarpieces<br />

with reference to their cultural, spiritual<br />

and liturgical context of creation.


Thèmes religieux et thèmes<br />

profanes dans l’image<br />

médiévale : transferts,<br />

emprunts, oppositions<br />

Christian Heck<br />

approx. 250 p., 80 b/w ills., 210 x 297 mm,<br />

<strong>2012</strong>, ETRILMA 4, PB,<br />

ISBN 978-2-503-54603-2,<br />

approx. € 65<br />

Publication prévue pour octobre <strong>2012</strong><br />

leS étudeS du rilMA<br />

neW SerieS:<br />

felSinA pittrice:<br />

the liVeS of the<br />

BologneSe pAinterS<br />

Count Carlo Cesare Malvasia’s<br />

Felsina pittrice, or Lives of the<br />

Bolognese Painters, first published<br />

in two volumes in Bologna<br />

in 1678, is one of the most<br />

important sources for the history<br />

and criticism of painting in<br />

Italy. In this new critical edition<br />

by Lorenzo Pericolo, which will<br />

appear in a series of volumes,<br />

there will also be published for<br />

the first time in their entirety<br />

Malvasia’s relevant preparatory<br />

notes to the Felsina pittrice, or<br />

the Scritti originali. Careful<br />

analysis of all these materials<br />

will make it possible to reevaluate<br />

Malvasia’s status as a historian,<br />

and provide new information<br />

about the construction of<br />

the Felsina pittrice as a book.<br />

Detailed leaflet available on<br />

www.brepols.net<br />

Table des matières<br />

Christian Heck, Introduction –<br />

Nathalie Le Luel, Supporter et<br />

soutenir le message chrétien : l’utilisation<br />

des thèmes profanes dans<br />

les grands programmes de façade<br />

à l’époque romane – Géraldine<br />

Victoir, Un sujet profane dans une<br />

maison d’ecclésiastique : la joute<br />

de la maison du prieur à Villers-<br />

Saint-Sépulcre (Oise ; XIII e – XIV e<br />

siècles) – Kristiane Lemé-Hébuterne,<br />

Motifs religieux et profanes<br />

dans les stalles médiévales :<br />

Carlo Cesare Malvasia’s<br />

Felsina pittrice:<br />

Volume I: Early Bolognese<br />

Painting<br />

Elizabeth Cropper,<br />

Lorenzo Pericolo (eds.)<br />

450 p., 135 colour ills., 220 x 280 mm, <strong>2012</strong>,<br />

HMFP 1, HB,<br />

ISBN 978-1-905375-84-4,<br />

approx. € 125<br />

Publication date scheduled for October <strong>2012</strong><br />

hArVey Miller puBliSherS<br />

felSinA pittrice: the liVeS<br />

of the BologneSe pAinterS<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Art History<br />

vers une séparation des genres ?<br />

– Elisabeth Taburet-Delahaye,<br />

France 1500. Entre Moyen Âge et<br />

Renaissance – Laurent Guitton,<br />

Les péchés dans la sculpture sur<br />

bois bretonne à la fin du Moyen<br />

Âge. Une iconographie profane au<br />

service d’un discours religieux –<br />

Rémy Cordonnier, Du linceul en<br />

peau de cerf aux figures de carnaval<br />

(XIII e – XIV e siècles) – Alessia Trivellone,<br />

Sujets profanes et pratiques<br />

apotropaïques au Moyen Âge :<br />

thèmes, usages, contextes<br />

This richly illustrated volume provides<br />

a translation and critical edition of the<br />

opening part of the Felsina pittrice,<br />

which focuses on the art of late medieval<br />

Bologna. The text is unusual in the<br />

context of the Felsina pittrice as a whole<br />

in that it seeks to record what survives<br />

in the city, rather than focusing on individual<br />

artists. In response to Vasari’s<br />

account of the Renaissance of painting<br />

in Florence, Malvasia offers a colorful<br />

and valuable portrait of Trecento painting<br />

in Bologna, noting the location and<br />

condition of destroyed or whitewashed<br />

frescoes, dismantled polyptychs, and<br />

paintings for which no other record<br />

survives. Malvasia provides crucial<br />

information on works by important<br />

fourteenth-century painters such as<br />

Lippo di Dalmasio, Simone dei Crocefissi,<br />

and Vitale da Bologna. Included<br />

in the volume are historical notes to<br />

the text and to the transcriptions of the<br />

Scritti originali, published here in their<br />

entirety for the first time. The notes<br />

enrich our understanding of individual<br />

works and identify the sources Malvasia<br />

used. Elizabeth Cropper’s introductory<br />

essay serves to establish the significance<br />

of Malvasia as a historian of art, while<br />

Carlo Alberto Girotto’s bibliographical<br />

essay analyses the production and reception<br />

of the Felsina pittrice as a whole.<br />

19


20<br />

Classical Manuscript<br />

Illustrations<br />

Amanda Claridge,<br />

Ingo Herklotz<br />

approx. 432 p., 75 ills., 220 x 285 mm,<br />

<strong>2012</strong>, HMPMA 6, HB,<br />

ISBN 978-1-905375-76-9,<br />

€ 141<br />

Publication date scheduled for October <strong>2012</strong><br />

hArVey Miller puBliSherS<br />

the pAper MuSeuM of<br />

cASSiAno dAl pozzo.<br />

SerieS A: AntiquitieS<br />

And Architecture<br />

The ‘Museo Cartaceo’ (‘Paper Museum’)<br />

is a collection of some 10,000<br />

watercolours, drawings and prints, assembled<br />

during the seventeenth cen-<br />

Jean Pucelle<br />

Innovation and Collaboration<br />

in Manuscript Painting<br />

Kyunghee Pyun,<br />

Anna Russakoff (eds.)<br />

approx. 300 p., 150 b/w and 32 colour ills.,<br />

220 x 280 mm, <strong>2012</strong>, HMSAH 59, HB,<br />

ISBN 978-1-905375-46-2,<br />

€ 120<br />

Publication date scheduled for October <strong>2012</strong><br />

hArVey Miller puBliSherS<br />

StudieS in MedieVAl And<br />

eArly renAiSSAnce Art<br />

hiStory<br />

Table of Contents<br />

Roger S. Wieck, Introduction<br />

Part 1: Works of Jean Pucelle<br />

Joan A. Holladay, Jean Pucelle<br />

and His Patrons – Marc Gil, Jean<br />

tury by the Roman patron and collector<br />

Cassiano dal Pozzo and his brother<br />

Carlo Antonio. It represents one of the<br />

most significant attempts before the<br />

Pucelle and the Parisian Seal-Engravers<br />

and Goldsmiths – Barbara<br />

D. Boehm, Perfect Penmanship:<br />

Pucelle’s Creativity in the Margins<br />

of the Hours of Jeanne d’Évreux –<br />

Anna D. Russakoff, Collaborative<br />

Illumination: Jean Pucelle and the<br />

Visual Program of Gautier de Coinci’s<br />

Les Miracles de Nostre Dame<br />

(Paris, BnF, nouv. acq. fr. 24541)<br />

– Pascale Charron, Color, Grisaille<br />

and Pictorial Techniques in<br />

Works by Jean Pucelle<br />

Part 2: Legacy of Jean Pucelle<br />

Mie Kuroiwa, Working with Jean<br />

Pucelle and His Successors: The<br />

Case of the Saint Louis Master<br />

(Mahiet?) – Marguerite A. Keane,<br />

Collaboration in the Hours<br />

of Jeanne de Navarre – Domenic<br />

Leo, The Pucellian School and the<br />

Rise of Naturalism: Style as Royal<br />

Signifier? – Kyunghee Pyun, Pu-<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Art History<br />

age of photography to embrace human<br />

knowledge in visual form. The collection<br />

documents ancient art and culture,<br />

architecture, zoology, botany, geology<br />

and social customs, and provides<br />

us with a major tool for understanding<br />

the intellectual concerns of a period<br />

during which the foundations of our<br />

own scientific methods were established.<br />

This volume will reproduce 160<br />

drawings, mostly copied from the four<br />

most celebrated ancient manuscripts<br />

in the Vatican Library – the Vatican<br />

Vergil and Terence, the Roman Vergil<br />

and the Palatine Agrimensores. Surviving<br />

documentary evidences enables at<br />

least three of the copies to be dated<br />

precisely, and sheds light on why they<br />

were made: principally to facilitate<br />

Cassiano’s study of both the characters<br />

depicted in the original works and of<br />

ancient costume and artefacts.<br />

cellian Influence in Illuminated<br />

Liturgical Manuscripts<br />

Bibliography, List of Illustrations,<br />

Index of Manuscripts, Index


A Renaissance Wedding<br />

The Celebrations at Pesaro<br />

for the Marriage of Costanzo<br />

Sforza & Camilla Marzano<br />

d’Aragona (26 – 30 May<br />

1475)<br />

Jane Bridgeman<br />

208 p., 50 colour ills., 210 x 270 mm,<br />

<strong>2012</strong>, HMSAH 71, HB,<br />

ISBN 978-1-905375-93-6,<br />

€ 70<br />

Publication date scheduled for October <strong>2012</strong><br />

hArVey Miller puBliSherS<br />

StudieS in MedieVAl And<br />

eArly renAiSSAnce Art<br />

hiStory<br />

This publication is the first English<br />

translation from the Italian of the fascinating<br />

contemporary account of the<br />

spectacular four-day celebrations that<br />

took place in Pesaro in May 1475 to<br />

mark the marriage of Costanzo Sforza<br />

Lord of Pesaro and Camilla d’Aragona<br />

of Naples. The event was commemorated<br />

both in manuscript and early<br />

print in an anonymous narration that<br />

describes in great detail the arrival of<br />

the bride and her welcome procession<br />

into Pesaro; the actual marriage cer-<br />

Les stalles, siège du corps<br />

dans les chœurs liturgiques<br />

du Grand-Duché de<br />

Bourgogne aux XV e et XVI e<br />

siècles<br />

Welleda Muller<br />

approx. 350 p., 100 b/w ills., 156 x 234 mm,<br />

<strong>2012</strong>, PAMA 7, HB,<br />

ISBN 978-2-503-54610-0,<br />

approx. € 100<br />

Publication prévue pour octobre <strong>2012</strong><br />

profAne ArtS of<br />

the Middle AgeS<br />

emony and the celebratory banquet<br />

that followed; the pageants, presentation<br />

of gifts and fireworks that filled<br />

the third day; and the final day’s excitement<br />

of jousts and yet more theatrical<br />

entertainment.<br />

This present edition of the text includes<br />

all the images that illustrate<br />

the original manuscript – 32 full-page<br />

miniatures that depict the floats that<br />

welcomed the bride at the city gates<br />

of Pesaro; the costumed figures at the<br />

wedding banquet who represented the<br />

presiding Sun and Moon or the male<br />

and female messengers of the classical<br />

gods and goddesses who announced<br />

the exotic dishes of the 12-course ban-<br />

Ce volume traite des stalles dans l’espace<br />

du chœur liturgique comportant<br />

deux autres grandes composantes : le<br />

jubé et le « groupe » autel-retable.<br />

Cet ensemble « tripartite » est non<br />

seulement intéressant d’un point de<br />

vue structurel et liturgique, mais également<br />

iconographique par la juxtaposition<br />

d’une iconographie profane<br />

(sur les stalles) dans un espace sacré<br />

(le chœur). Cette thématique développée<br />

ici aboutit autant à la découverte<br />

de l’importance du corps à travers les<br />

stalles qu’à la cohérence de l’aménagement<br />

sculpté de l’espace du chœur. Cet<br />

ouvrage établit un lien entre la tripar-<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Art History<br />

quet; and further colourful, unusually<br />

interesting illustrations of the ballets,<br />

fireworks and triumphs of the final<br />

two days of the celebrations.<br />

In addition to the Introduction that<br />

provides the reader with the historical<br />

background and biographical details<br />

of the protagonists and personalities<br />

of this special occasion, Dr Bridgeman<br />

also adds helpful and highly<br />

informative annotations to the narration<br />

itself. In addition she provides<br />

full descriptions and explanations of<br />

the illustrations – all reproduced here<br />

in colour – and devotes a separate appendix<br />

to listing and explaining all the<br />

dishes served at the wedding banquet,<br />

together with their ingredients and<br />

recipes.<br />

Dr Jane Bridgeman is an Associate<br />

Lecturer in Fashion History<br />

and Theory at Central St Martin’s<br />

College of Art, London. After graduating<br />

in Italian at Birmingham<br />

University, she studied History of<br />

Dress under Stella Mary Newton<br />

at the Courtauld Institute of Art,<br />

London where she also gained her<br />

Ph.D. on Aspects of Dress and Ceremony<br />

in Quattrocento Florence.<br />

tition anthropologique : corps, âme,<br />

esprit et l’organisation structurelle<br />

du chœur : stalles, jubé, groupe autelretable.<br />

Axée sur le Grand-Duché<br />

de Bourgogne (incluant les Pays-Bas<br />

bourguignons) sous la dynastie des Valois<br />

(1361-1477), cette étude retrace<br />

l’évolution iconographique des stalles,<br />

qui naît d’une « pensée symbolique »<br />

pour s’achever dans une « conception<br />

ornementale ». Elle se prolonge<br />

jusqu’au Concile de Trente (1563)<br />

qui, s’inscrivant dans un changement<br />

de paradigme, transforme l’espace du<br />

chœur sur les plans structurel, iconographique<br />

et anthropologique.<br />

21


22<br />

Art after Iconoclasm<br />

Painting in the Netherlands<br />

between 1566 and 1585<br />

Koenraad Jonckheere (ed.)<br />

185 p., 60 b/w ills., 210 x 297 mm,<br />

<strong>2012</strong>, MAC 25, PB,<br />

ISBN 978-2-503-54596-7,<br />

approx. € 65<br />

Publication date scheduled for October <strong>2012</strong><br />

MuSeuMS At the croSSroAdS<br />

Rather than as a destructive moment<br />

in history, the Iconoclasm of 1566 in<br />

the Netherlands was the catalyst for a<br />

re-evaluation of (religious) art in the<br />

Low Countries. It forced painters to<br />

question the very nature of the artistic<br />

tradition they grew up in. Is it merely<br />

a coincidence that the art markets<br />

The Art of Leone<br />

and Pompeo Leoni<br />

Stephan Schröder (ed.)<br />

320 p., 100 b/w and 16 colour ills., 200 x 250 mm,<br />

<strong>2012</strong>, PMP 3, PB,<br />

ISBN 978-2-503-54616-2,<br />

approx. € 65<br />

Publication date scheduled for October <strong>2012</strong><br />

puBlicAtionS of<br />

the MuSeo del prAdo<br />

changed so swiftly after the Fall of Antwerp,<br />

that art theory in the Low Countries<br />

originated in the wake of Iconoclasm<br />

(De Heere, Lampsonius, ...),<br />

or that painting in the second half of<br />

the sixteenth century saw the impetus<br />

of new styles, genres, specialisations<br />

(Aertsen, De Beuckelaer, …)? Iconoclasm<br />

forced people to think about<br />

art. The generation of painters active<br />

in the two decades between the<br />

Beeldenstorm and the fall of Antwerp<br />

did this by questioning the decorum<br />

of the work of their famous predecessors.<br />

This volume, with contributions<br />

by eminent specialists in the field, addresses<br />

some of these questions and by<br />

doing so marks the beginning of a reassessment<br />

of one of the most fascinating<br />

and complex but also understudied<br />

periods in Netherlandish Art History.<br />

Table of Contents<br />

Gabriele Finaldi, Presentación –<br />

Stephan F. Schröder, Introducción<br />

– Susanna Zanuso, Appunti sulla<br />

formazione artistica del giovane<br />

Leone Leoni – Silvia Leydi, Leone<br />

Leoni “scultore delle stampe della<br />

Cecca di Milano” (1542-1590) –<br />

Jeremy Warren, Medals and Plaquettes<br />

by Leone Leoni in the Context<br />

of his Larger Habsburg Statues<br />

– Kelley Helmstutler di Dio,<br />

Leone Leoni’s Portrait Busts of the<br />

Habsburgs and the Taste for Sculpture<br />

in Spain – Margarita M. Estella,<br />

El retrato de María de Hungría<br />

– Walter Cupperi, “Leo faciebat”,<br />

“Leo et Pompeius fecerunt”: autorialità<br />

multipla e transculturalità<br />

nei ritratti leoniani del Prado –<br />

Rosario Coppel, Los retratos de<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Art History<br />

la emperatriz Isabel y de Juana de<br />

Austria – Claudia Kryza-Gersch,<br />

Pompeo Leoni’s portrait of Philip II<br />

in the Kunsthistorisches Museum<br />

in Vienna – María Jesús Herrero<br />

Sanz, Los Apóstoles y los Padres<br />

de la Iglesia en el retablo de El<br />

Escorial: príncipes y defensores de<br />

la doctrina – Rosemarie Mulcahy,<br />

The Calvary by Pompeo Leoni for<br />

the High Altarpiece of the Escorial,<br />

“la mejor cosa que se pueda hacer<br />

imaginar …” – Almudena Pérez<br />

de Tudela, El cenotafio de Carlos<br />

V en la Basílica de El Escorial –<br />

Agustín Bustamante García, El<br />

grupo sepulcral de Felipe II – Elena<br />

Arias, Esculturas de Leone y<br />

Pompeo Leoni; técnicas escultóricas<br />

sobre metal – Rosario Coppel, Bibliografía<br />

Leoni


In the Footsteps of Christ<br />

Hans Memling’s Passion<br />

Narratives and the<br />

Devotional Imagination<br />

in the Early Modern<br />

Netherlands<br />

Mitzi Kirkland-Ives<br />

approx. x + 196 p., 24 b/w and 8 colour ills.,<br />

2 b/w line art, 156 x 234 mm,<br />

<strong>2012</strong>, PROTEUS 5, HB,<br />

ISBN 978-2-503-53406-0,<br />

approx. € 99<br />

Publication date scheduled for October <strong>2012</strong><br />

proteuS<br />

This study explores the intersections<br />

between the narrative paintings of<br />

Hans Memling and others and a range<br />

of devotional practices current in the<br />

Middle Ages and early modern period.<br />

Hans Memling’s Scenes from the Passion<br />

of Christ leads the viewer on<br />

a long and arduous journey in the<br />

space of just under a metre. The panel<br />

Late Byzantine Sculpture<br />

Nicholas Melvani<br />

approx. 300 p., 120 b/w and 12 colour ills.,<br />

210 x 275 mm,<br />

<strong>2012</strong>, SVCMA 6, HB,<br />

ISBN 978-2-503-53064-2,<br />

approx. € 90<br />

Publication date scheduled for October <strong>2012</strong><br />

StudieS in the ViSuAl<br />

cultureS of the Middle<br />

AgeS<br />

presents a ‘continuous narrative’ on<br />

a grand scale, offering roughly twodozen<br />

individual episodes from the<br />

last week of Christ’s life. These scenes<br />

are represented in a single contiguous<br />

cityscape and the surrounding coun-<br />

This book provides a detailed description<br />

and interpretation of multiple<br />

aspects of sculpture from late Byzantine<br />

monuments. Although individual<br />

monuments of the late Byzantine period<br />

have been exhaustively published<br />

and analyzed, the role of their sculptural<br />

decoration is usually overlooked.<br />

Whereas architectural features and,<br />

especially, wall paintings are treated<br />

in full detail, sculpture is approached<br />

as a mere decorative art which complements<br />

the overall appearance of a<br />

building. However, careful examination<br />

of late Byzantine sculptures found<br />

in situ or through excavation, as well<br />

as research into museum collections,<br />

reveals that late Byzantine sculptors<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Art History<br />

tryside, and viewers would have followed<br />

the narrative recounted across<br />

the panel, following the action from<br />

station to station along painted roads<br />

and pathways, through gateways and<br />

portals and implied passageways as<br />

pedestrians in their imaginations.<br />

This study considers the intersections<br />

between narrative art and a range of<br />

devotional practices current in the<br />

late Middle Ages and early modern<br />

period. This body of practices stood<br />

in a symbiotic relationship with the<br />

visual imagery, informing viewers’ interaction<br />

with images, which in turn<br />

affected their understanding of these<br />

other practices. In other words, these<br />

images must be understood as part of<br />

a broader tradition of ritual and symbolic<br />

life. As such, the study offers a<br />

valuable re-evaluation of Memling and<br />

his art within the religious practice of<br />

his times, while opening up some of<br />

his most ingenious and idiosyncratic<br />

works that are little known by nonspecialists.<br />

had reached a very high degree of artistic<br />

accomplishment and that their<br />

creations should be treated as works of<br />

art of the highest quality. Moreover, by<br />

interpreting each work, even those of a<br />

purely decorative nature, according to<br />

the space it occupied, by deciphering<br />

what is depicted (including religious<br />

themes and political symbols), as well<br />

as by taking into account the wider<br />

context within which sculpture was<br />

produced during the period under investigation,<br />

one can extract invaluable<br />

information concerning the artistic<br />

climate and the social circumstances<br />

which led to the development of late<br />

Byzantine sculpture.<br />

23


24<br />

Aubin-Louis Millin’s<br />

Antiquités Nationales<br />

Cecilia Hurley<br />

300 p., 50 b/w ills., 156 x 234 mm,<br />

<strong>2012</strong>, TA 3, PB,<br />

ISBN 978-2-503-53682-8,<br />

approx. € 100<br />

Publication date scheduled for October <strong>2012</strong><br />

théorie de l’Art /<br />

Art theory (1400-1800)<br />

This is the story of a book, a book<br />

about a book. The Antiquités nationales<br />

constitute, to say the least, an enigmatic<br />

publication. Written at the time<br />

of the French Revolution, by an author<br />

who had until then been known principally<br />

for his works on natural history,<br />

it is a book about which very little<br />

is known. A series of sixty-one dissertations<br />

of varying lengths, gathered<br />

into five volumes, describes and relates<br />

the history of individual buildings or<br />

monuments which were, according to<br />

the author, threatened by the waves of<br />

vandalism occurring in France during<br />

the early years of the French Revolution.<br />

Neither the circumstances of the<br />

book’s writing nor of its printing and<br />

marketing are easily elucidated, and<br />

the very form in which it was issued<br />

is one that requires careful investigation<br />

by a bibliographer. A careful collation<br />

of the Antiquités reveals that<br />

the traditional book form was subtly<br />

modified in an attempt to allow readers<br />

better to appropriate it for themselves.<br />

Amongst the more intriguing<br />

aspects of this book is the story of<br />

its reception. Hailed at the time of<br />

its publication as being a work of the<br />

greatest importance which should find<br />

a place in every library, the Antiquités<br />

very quickly fell from public favour.<br />

By now, it is generally familiar only to<br />

those engaged in research on the history<br />

of French architectural heritage<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Art History<br />

or who are trying to find engravings illustrating<br />

a building at the time of the<br />

Revolution or before.


MuSic hiStory<br />

Collectionner la musique:<br />

au cœur de l’interprétation<br />

Catherine Massip,<br />

Denis Herlin, Dinko Fabris,<br />

Jean Duron (éd.)<br />

303 p., 6 ill. n/b, 111 ill. couleur,<br />

190 x 240 mm,<br />

<strong>2012</strong>, CMUS 2, PB,<br />

ISBN 978-2-503-54577-6,<br />

approx. € 100<br />

Publication prévue pour octobre <strong>2012</strong><br />

collectionner lA<br />

MuSique - collecting MuSic<br />

Table des matières<br />

Denis Herlin, Portraits de<br />

quelques interprètes collectionneurs<br />

– Davitt Moroney, Collection,<br />

Transmission, and Rationalization<br />

: Thoughts on Discovering<br />

that I have become a Collector –<br />

Jean Servin, Psalms<br />

James Porter (ed.)<br />

998 p., 185 x 270 mm,<br />

<strong>2012</strong>, EM, PB,<br />

ISBN 978-2-503-52346-0,<br />

approx. € 120<br />

Publication date scheduled for October <strong>2012</strong><br />

épitoMe MuSicAl<br />

The present edition of Jean Servin’s<br />

XLI Psalmi Davidis was published in<br />

Geneva in 1579. The Psalmi Davidis<br />

and all three preceding volumes of<br />

chansons were published by Charles<br />

Pesnot with an imprint of Lyon (‘Lugduni’),<br />

apparently because the publisher<br />

wanted to sell them in France at a<br />

Tim Crawford, Robert Spencer<br />

(1932-1997), Lutenist and Collector<br />

– Jean-Christophe Branger<br />

et Vincent Giroud, Autour de<br />

Massenet et de l’opéra français :<br />

la collection de Richard Bonynge<br />

– Jane Gottlieb, Special Collections<br />

by and for Performers at the<br />

Juilliard School – Henri Vanhulst,<br />

La bibliothèque musicale d’Adrian<br />

Smout, compilateur du livre de luth<br />

de Thysius (NL-Lt 1666) – Frohmut<br />

Dangel-Hofmann, “Motivated<br />

by my passion” (“...Weillen die<br />

Liebhaberey mich dahin veranlasset<br />

...”): Rudolf Franz Erwein von<br />

Schönborn as Musician and Collector<br />

– Bénédicte Hertz, Bergiron<br />

de Briou du Fort-Michon (1690-<br />

1768) et la bibliothèque musicale<br />

du Concert de Lyon – Marie-Gabrielle<br />

Soret, Saint-Saëns et sa<br />

collection – Annalisa Bini, La<br />

bibliothèque musicale de Mario,<br />

time when importation of books from<br />

Geneva was banned. In the context of<br />

the times such polyphonic works with<br />

an imprint of Lyon would have greater<br />

appeal to a French public than volumes<br />

ostensibly printed in Geneva, then a<br />

refuge for Protestants fleeing the Wars<br />

of Religion such as Servin and his editor,<br />

Simon Goulart, pastor of the Reformed<br />

church of St Gervais for some<br />

forty years. Servin’s settings of George<br />

Buchanan’s Latin texts bear a dedication<br />

to ‘Serenissimo Scotorum Regi,<br />

Jacobo Sexto’, namely King James VI<br />

of Scotland, then a youth of thirteen<br />

who had been tutored from his early<br />

years by Buchanan. Buchanan’s Latin<br />

version of the psalms, a genre that had<br />

attracted contemporary French writ-<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Music History<br />

chanteur et collectionneur – John<br />

H. Roberts, The Cortot Collection<br />

and the Hargrove Music Library,<br />

University of California, Berkeley<br />

ers, was begun during his internment<br />

by the Inquisition in the Monastery<br />

of San Bento, Portugal, from 1547<br />

to 1552 following the accusation of<br />

heresy. Taking the Vulgate version of<br />

the psalms as his basic text, Buchanan<br />

styled his paraphrases after classical authors,<br />

principally Horace. Dedicated<br />

to Mary, Queen of Scots (mother of<br />

James VI), the work aroused the admiration<br />

of his first biographer, Henri<br />

Estienne, who described Buchanan as<br />

‘poetarum sui saeculi facile princeps’.<br />

Buchanan was also known to Calvin’s<br />

successor in Geneva, Theodore<br />

de Bèze, who provided Servin with a<br />

letter of introduction to Peter Young,<br />

King James’s other preceptor besides<br />

Buchanan from 1572 to 1578.<br />

25


26<br />

The Legacy of Richard<br />

Wagner<br />

Luca Sala (ed.)<br />

approx. 500 p., 210 x 270 mm,<br />

<strong>2012</strong>, SMUS 18, HB,<br />

ISBN 978-2-503-54613-1,<br />

approx. € 125<br />

Publication date scheduled for October <strong>2012</strong><br />

SpeculuM MuSicAe<br />

In the context of the social culture of<br />

Europe, the rise and fall of Wagnerism<br />

ushered in a structural change<br />

of artistic forms, a process which in<br />

some sense manages to lay bare the<br />

transformations of modern culture<br />

over two entire centuries. What is presented<br />

rather as a complex psycho-sociological<br />

theorization of the process<br />

From Stage to Screen<br />

Musical Films in Europe and<br />

United States (1927-1961)<br />

Massimiliano Sala (ed.)<br />

approx. 350 p., 210 x 270 mm,<br />

<strong>2012</strong>, SMUS 19, HB,<br />

ISBN 978-2-503-54614-8,<br />

approx. € 125<br />

Publication date scheduled for October <strong>2012</strong><br />

SpeculuM MuSicAe<br />

This volume offers new contributions<br />

to international scholarship on<br />

musical films (1927–1961), focusing<br />

in particular on the relationships between<br />

entertainment genres such as<br />

operetta, café music, music hall, cabaret,<br />

revue that were prominent during<br />

the early years of film. In this volume<br />

involved in producing a work of art,<br />

in fact manifests itself as a reformulation<br />

of ideas in literature and theatre,<br />

in criticism and cinema, providing us<br />

with a vast and articulate sketch of an<br />

almost endless series of those influences<br />

which Wagner’s oeuvre has been<br />

able to give rise to. The purpose of the<br />

present work is to expand, in this very<br />

direction, the thorough study of a system<br />

of convergences and dissonances,<br />

whether in the sphere of aesthetics, or<br />

in the context of that which remains of<br />

the oeuvre in the complex and as yet<br />

unfinished history of its reception. The<br />

editor’s aim has been to examine the<br />

Wagnerian influence which is present<br />

in the process of politico-geographical<br />

transformation of Europe, Russia and<br />

the United States from the fin de siècle<br />

to the middle of the 20 th century. Furthermore,<br />

on the same topic, he has<br />

twenty scholars investigate a number<br />

of significant aspects of the topic, exploring<br />

the interrelations and possible<br />

borrowings between European film<br />

culture (including some reference to<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Music History<br />

striven to cover also the silent revolution<br />

which Wagnerism precipitated<br />

in literature and in the field of social<br />

sciences, its legacy and the inevitable<br />

transformations it brought about.<br />

Eastern European film culture), and<br />

the musical theatre and film tradition<br />

of the United States.<br />

The authors featured are: Lauren<br />

Acton, Beatrice Birardi, Antonio<br />

Caroccia, Marija Ćirić, Jonathan<br />

De Souza, James Deutsch, Alexandra<br />

Grabarchuk, Clara Huber,<br />

Ryan P. Jones, Raymond Knapp,<br />

Isabelle Le Corff, Sergio Miceli,<br />

Matilde Olarte, Jaume Radigales,<br />

Elena Redaelli, Marida Rizzuti,<br />

Cécile Vendramini, Isabel Villanueva,<br />

Delphine Vincent, Emile<br />

Wennekes, Leanne Wood, Iryna<br />

Yaroshchuk.


Erasmus and<br />

the Renaissance<br />

Republic of Letters<br />

Stephen Ryle (ed.)<br />

approx. x + 392 p., 5 b/w ills., 156 x 234 mm,<br />

<strong>2012</strong>, DISPUT 24, HB,<br />

ISBN 978-2-503-53030-7,<br />

€ 110<br />

Publication date scheduled for October <strong>2012</strong><br />

diSpu tAtio<br />

eArly Modern StudieS<br />

This volume contains a selection from<br />

among the papers delivered at a conference<br />

held to mark the centenary<br />

of a watershed event in early modern<br />

studies: the appearance of Volume I<br />

of P. S. Allen’s edition of Erasmus’s<br />

letters. Erasmus scholarship has been<br />

a growing field since the late twentieth<br />

century, owing to the enormous<br />

volume and vast intellectual range of<br />

Republicanism, Sinophilia,<br />

and Historical Writing<br />

Thomas Gordon<br />

(c.1691–1750) and his<br />

‘History of England’<br />

Thomas Gordon Tarantino<br />

approx. x + 640 p., 156 x 234 mm,<br />

<strong>2012</strong>, EER 4, HB,<br />

ISBN 978-2-503-53684-2,<br />

approx. € 135<br />

Publication date scheduled for October <strong>2012</strong><br />

eArly europeAn reSeArch<br />

This is an exemplary study of Medieval<br />

scholarship, Classical reception and<br />

philosophical Sinophilia as propaganda<br />

devices in 18 th century England.<br />

Thomas Gordon (c.1691-1750) was<br />

a prolific Scottish journalist and pamphleteer<br />

working in eighteenth-century<br />

London. His works circulated in a variety<br />

of forms and for many years in<br />

Europe and the British North American<br />

colonies. Gordon’s conception of<br />

‘republicanism’ was essentially that of<br />

a secular and tolerant society free from<br />

providential designs; his works reflected<br />

a lifelong commitment to defending the<br />

his oeuvre and to the reprinting of his<br />

works from the 1960s onwards, while<br />

Allen’s edition has proved the basis for<br />

research for scholars of almost every as-<br />

rule of law, the balance of powers, and<br />

the rotation of representative bodies.<br />

This study sets out to produce a fuller<br />

profile of Gordon, to investigate his specific<br />

and controversial contribution as a<br />

political theorist, and finally to present<br />

for the first time an annotated edition of<br />

his unfinished and unpublished (mainly<br />

medieval) History of England: a highly<br />

readable text whose main metanarrative<br />

theme is the struggle between ‘the Government<br />

of Will’ and ‘the Government<br />

of Laws’ – with the struggle between<br />

‘God’s Will’ and ‘the Will of the Clergy’<br />

as an essential rhetorical subtheme.<br />

The book also deals with a hitherto<br />

unexplored aspect of Gordon’s thinking,<br />

his Sinophilia. Gordon’s ‘sensible<br />

Chinese’ is drawn in as a rhetorical<br />

tool to voice bitter judgements on both<br />

Catholic and Protestant inconsistencies.<br />

By resorting to the utopian model<br />

of a distant Orient, Gordon aimed to<br />

expose the severe impact on Western<br />

societies of clerical interference in State<br />

affairs, concluding that ‘men who are<br />

oppressed, or who foresee inevitable<br />

oppression, will be naturally thinking<br />

of the means of security and escape’, or<br />

possibly dreaming about distant civilizations.<br />

pect of Renaissance humanism and the<br />

Reformation.<br />

The conference aimed to investigate as<br />

many aspects as possible of Erasmus’s<br />

literary, educational, rhetorical, and<br />

theological activities and of their influence<br />

on the emerging Europe of the early<br />

modern era. The essays collected here<br />

present a wide-ranging overview of the<br />

current state of Erasmus scholarship,<br />

including a survey of the discoveries of<br />

letters to and from Erasmus unknown<br />

to Allen, the printing for the first time<br />

since 1529 of the opening section of an<br />

important letter to him from Germain<br />

de Brie, an account of the crucial role<br />

played by Ulrich von Hutten in the<br />

publication of the dialogue Iulius exclusus<br />

e coelis, and several studies of the<br />

influence of Erasmian thought on early<br />

modern political and theological controversies.<br />

With its broad coverage of<br />

the current field, the volume will prove<br />

indispensable to Erasmus scholars.<br />

Review<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Early Modern Studies<br />

Thomas Gordon – republican, deist,<br />

translator of Tacitus, and mildly<br />

pornographic anti-clerical –<br />

is among the most versatile and<br />

interesting of the opposition journalists<br />

of 18 th -century England.<br />

In presenting this edition of his<br />

unfinished history of England,<br />

Giovanni Tarantino has shown<br />

us this lively figure in yet another<br />

light and heightened our understanding<br />

of radical Whig culture.<br />

-J.G.A. Pocock, Emeritus Professor,<br />

Johns Hopkins University<br />

27


28<br />

Psyché à la Renaissance<br />

Magali Bélime-Droguet,<br />

Véronique Gély,<br />

Philippe Vendrix (éd.)<br />

approx. 300 p., 210 x 270 mm,<br />

<strong>2012</strong>, ER 9, PB,<br />

ISBN 978-2-503-54498-4,<br />

approx. € 100<br />

Publication prévue pour octobre <strong>2012</strong><br />

étudeS renAiSSAnteS<br />

Entre la redécouverte au XIV e siècle<br />

du texte des Métamorphoses d’Apulée<br />

par Zanobi da Strada et Boccace puis<br />

la publication des Amours de Psyché<br />

et Cupidon de La Fontaine en 1669,<br />

suivis de la tragédie-ballet de Molière,<br />

Corneille et Quinault en 1671, la fable<br />

de Psyché investit tous les domaines de<br />

la littérature, de la philosophie, des arts<br />

scéniques et décoratifs, et triomphe<br />

dans la société de cour.<br />

Cases of Male Witchcraft<br />

in Old and New England,<br />

1592-1692<br />

Elizabeth Kent<br />

approx. x + 253 p., 156 x 234 mm,<br />

<strong>2012</strong>, LMEMS 13, HB,<br />

ISBN 978-2-503-52474-0,<br />

€ 70<br />

Publication date scheduled for October <strong>2012</strong><br />

lAte MedieVAl And<br />

eArly Modern StudieS<br />

This study explores cases in which men<br />

were accused of witchcraft in England<br />

and the British colonies of New England<br />

between 1592 and 1692. Using a<br />

series of case studies that begin in Elizabethan<br />

Norfolk and end with the Salem<br />

trials in Massachusetts, this book<br />

examines six individual male witches<br />

Plusieurs publications récentes ont été<br />

consacrées à la postérité d’Apulée et<br />

à celle de ce récit, les unes dans le domaine<br />

de l’histoire de l’art, les autres<br />

dans celui de la littérature. La présentation<br />

au château d’Azay-le-Rideau, en<br />

2009, d’une exposition originale centrée<br />

sur les interprétations de la fable<br />

de Psyché dans l’art français à partir<br />

de la Renaissance a été l’occasion de<br />

confronter ces travaux et d’offrir à la<br />

recherche des perspectives nouvelles.<br />

Ce volume, tout en ouvrant sur le<br />

devenir du thème jusqu’à l’époque<br />

contemporaine, se consacre donc à<br />

l’étude d’un processus exemplaire de<br />

l’humanisme renaissant : celui par lequel<br />

les temps modernes s’approprient<br />

un texte antique mal connu pendant<br />

le Moyen Âge. La fable de Psyché,<br />

contemporaine de la christianisation<br />

de l’Empire Romain et tôt christianisée<br />

elle-même, offrait à la Renaissance<br />

une métaphysique platonicienne, une<br />

éducation sentimentale, une mise en<br />

and argues they are best understood<br />

as masculine witches, not feminized<br />

men. Each case considers the social<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Early Modern Studies<br />

scène de la curiosité, et une forme narrative<br />

propres à nourrir les réflexions<br />

nouvelles sur la notion de sujet et sur<br />

les pouvoirs de la fiction.<br />

circumstances of the male witch as a<br />

gendered context for the accusations<br />

of witchcraft against him.<br />

Instead of seeking to identify a single<br />

causal condition or overarching gendered<br />

circumstance whereby men were<br />

accused of witchcraft, this study examines<br />

the way that masculinity shaped<br />

the accusations of witchcraft made<br />

against each man. In each case, a range<br />

of masculine social and cultural roles<br />

became implicated in accusations of<br />

witchcraft, making it possible to explore<br />

how beliefs in witches interacted<br />

with early modern English gender cultures<br />

to support the religious, legal,<br />

and cultural logic of the male witch.<br />

The result is an approach to early modern<br />

English witchcraft prosecution<br />

that includes, rather than problematizes,<br />

the male witch.


Petrarch’s Humanist<br />

Writing and Carthusian<br />

Monasticism<br />

The Secret Language<br />

of the Self<br />

Demetrio S. Yocum<br />

approx. x + 277 p., 30 b/w ills., 156 x 234 mm,<br />

<strong>2012</strong>, MCS 26, HB,<br />

ISBN 978-2-503-54419-9,<br />

approx. € 80<br />

Publication date scheduled for October <strong>2012</strong><br />

MedieVAl church StudieS<br />

By shedding light on the role played by<br />

Carthusian spirituality and practices<br />

in Petrarch’s life and work and following<br />

a common line of philosophical<br />

and theological development through<br />

his writings, this book argues that<br />

there still are lessons to be learned in<br />

Cyprus and the Renaissance<br />

(1450-1650)<br />

Benjamin Arbel,<br />

Evelien Chayes,<br />

Harald Hendrix (eds.)<br />

approx. 420 p., 31 b/w ills., 156 x 234 mm,<br />

<strong>2012</strong>, MEDNEX 1, PB,<br />

ISBN 978-2-503-54192-1,<br />

€ 85<br />

Publication date scheduled for October <strong>2012</strong><br />

MediterrAneAn nexuS<br />

(1100-1700)<br />

This collection of thirteen essays by<br />

leading scholars in the field is the<br />

product of an international research<br />

project on early modern Cypriot<br />

culture. Preliminary versions of the<br />

essays have been discussed during an<br />

expert meeting of the contributors<br />

(November 2009, at the University of<br />

Cyprus).<br />

The present collection is the first of<br />

its kind centered on intellectual exchanges<br />

during the Renaissance period,<br />

deepening their source-based<br />

documentary study, as well as our<br />

knowledge of the island’s culture<br />

and heritage in relation to political,<br />

scholarly and religious life in Western<br />

countries. The volume assures considerable<br />

range and also offers new<br />

and ground-breaking discoveries,<br />

both about the relationship between<br />

religion and literature, theology and<br />

spirituality.<br />

Of the long line of renowned antischolastic<br />

intellectuals who were attracted<br />

to Carthusian circles, Petrarch<br />

was undoubtedly the first. By revealing<br />

the Carthusian imprint on Petrarch’s<br />

thought as well as elements of<br />

Carthusian spirituality present in his<br />

texts, this book argues that Carthusianism<br />

was an essential component<br />

of Petrarch’s Christian humanism and<br />

hermeneutics of the self. An interdisciplinary<br />

approach, involving parallel<br />

readings of Petrarchan texts, early monastic<br />

and Carthusian primary sources,<br />

together with more recent theological<br />

reflections, offers new insights into<br />

the role of Carthusianism in the intellectual<br />

debate on spirituality and the<br />

position of the individual within this<br />

order. Through Petrarch and his liter-<br />

insights and perspectives: linguistics<br />

(Baglioni), the political deployment<br />

of Cypriot cultural heritage and its<br />

antiquities in archeology and art<br />

(Calvelli; Parlato), intellectual networks<br />

interweaving Cypriot, Italian<br />

and French intellectuals (Nicolaou-<br />

Konnari; Pro caccioli; Chayes; Parlato),<br />

Cypriot engagement in contemporary<br />

philosophical debates and<br />

the reception of Greek philosophical<br />

manuscripts taken from Cyprus<br />

(Grivaud; Prins), Cypriot contribution<br />

to contemporary Italian literature,<br />

the representation of the island<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Early Modern Studies<br />

ary works, the Carthusian milieu ultimately<br />

shaped not only Renaissance<br />

humanism but also our understanding<br />

of the relationship between ‘self ’, God,<br />

and others.<br />

in sixteenth and seventeenth-century<br />

Italian literature and historiography<br />

(Cosentino; Girotto; Nicolaou-Konnari;<br />

Schabel), Italian heterodoxy and<br />

Inquisition in relation to catholic reformation<br />

and counter-reformation<br />

on Cyprus (Skoufari; Chayes), the<br />

description of Cypriot wildlife in Renaissance<br />

sources and an attempt to<br />

reconstruct the islands’s wildlife during<br />

that period (Arbel).<br />

neW SerieS:<br />

MediterrAneAn<br />

nexuS (1100-1700)<br />

This series of monographs on the<br />

history and literature of the Mediterranean<br />

world will emphasise<br />

exchange and cross-fertilisation<br />

between the great linguistic and<br />

intellectual units of early modern<br />

times, from Byzantium, the<br />

Ottoman Empire, the Levant,<br />

and the Balkans, across to Italy,<br />

France, and the Mediterranean<br />

archipelago, wherein met cultures,<br />

armies and written sources:<br />

Greek, Persian, Hebrew, Arabic,<br />

Armenian and Latin. The<br />

period is distinguished by changing<br />

templates of dominance, division<br />

and conflict.<br />

29


30<br />

Insupportable mais<br />

fascinant<br />

Jean Calvin, ses amis,<br />

ses ennemis et les autres<br />

Jean-François Gilmont<br />

approx. viii + 292 p., 37 ill. couleur,<br />

150 x 250 mm,<br />

<strong>2012</strong>, NUGER 13, PB,<br />

ISBN 978-2-503-54513-4,<br />

approx. € 70<br />

Publication prévue pour octobre <strong>2012</strong><br />

nugæ huMAniSticæ SuB<br />

Signo erASMi<br />

Après avoir pratiqué Jean Calvin pendant<br />

plus de quarante-cinq ans, surtout<br />

dans sa production imprimée, Jean-<br />

François Gimont propose un portrait<br />

du réformateur dessiné à travers ses relations<br />

sociales. Il cerne son action sur<br />

la société de son temps. Cet homme a<br />

en effet exercé une emprise exceptionnelle<br />

sur son entourage, proche et lointain.<br />

Au cours des âges, il continue à<br />

provoquer tout à la fois une fascination<br />

La cause en est cachée<br />

Études offertes à Paulette<br />

Choné par ses élèves,<br />

ses collègues et ses amis<br />

Sylvie Taussig (éd.)<br />

approx. 300 p., 150 x 210 mm,<br />

<strong>2012</strong>, STSA 20, PB,<br />

ISBN 978-2-503-54495-3,<br />

approx. € 85<br />

Publication prévue pour octobre <strong>2012</strong><br />

leS StyleS du SAVoir<br />

Dans une quarantaine de communications<br />

dont un tiers furent prononcées<br />

lors d’un colloque organisé au<br />

château de Bussy-Rabutin (Côte d’or)<br />

le 7 octobre 2010, des historiens, phi-<br />

inconditionnelle et des rejets définitifs.<br />

Pour tenter d’expliquer le rayonnement<br />

de cet homme insupportable<br />

mais fascinant, le projet est né de<br />

réunir une galerie de portraits qui<br />

montrent les attitudes parfois contradictoires<br />

de Calvin et de son entou-<br />

losophes, philologues, historiens de<br />

l’art, de la littérature et des spectacles,<br />

tous spécialistes français et étrangers<br />

de la première modernité, s’attachent<br />

à comprendre les manières dont s’est<br />

établie « la circulation vivante des<br />

symboles » dans une civilisation hantée<br />

par la question de l’origine des<br />

signes. Ils démontrent avec une grande<br />

cohérence la fécondité substantielle<br />

des premiers travaux de Paulette Choné,<br />

qui esquissèrent à propos de la Lorraine<br />

ducale et évêchoise au tournant<br />

de 1600 les principes d’une « histoire<br />

totale ». Ils illustrent la valeur de la<br />

diversité dans des enquêtes rendues<br />

solidaires par une phénoménologie<br />

historique raffinée. Ils rappellent que<br />

l’utilité spirituelle de l’art dépend de la<br />

présence magistrale.<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Early Modern Studies<br />

rage. Les relations de multiples personnages<br />

avec le réformateur mettent<br />

en lumière une diversité des approches<br />

et des contacts, positifs ou négatifs.<br />

Il n’y a pas seulement les amis fidèles,<br />

ni ceux qui sont devenus des ennemis<br />

mortels. Entre les deux, il y a<br />

d’autres rencontres, que ce soit avec<br />

de nobles princesses ou d’humbles<br />

tâcherons de la Réforme. Ici, le maladroit<br />

Mulot bénéfice d’une indulgence<br />

inouïe, tandis que là, Marie<br />

d’Ennetières fait éclater la misogynie<br />

du réformateur. Et ainsi de suite<br />

dans une cinquantaine de rencontres.<br />

La recherche, fondée sur les sources<br />

contemporaines, offre des images<br />

contrastées. Les qualités éminentes<br />

qui caractérisent le réformateur n’empêchent<br />

pas de dénoncer ses défauts,<br />

dont certains sont tout aussi éminents.<br />

Cette volonté d’éviter tant la calvinolâtrie<br />

que la clavinophobie donne à ces<br />

êtres du passé un visage plus humain.<br />

Ces pères de la Réforme mélangent<br />

projets grandioses et mesquineries tout<br />

comme les hommes d’aujourd’hui.


Fragmenta 4 (2010)<br />

Adrian VI: A Dutch Pope<br />

in a Roman Context<br />

approx. 220 p., 160 x 240 mm,<br />

<strong>2012</strong>, FRAG 4, PB,<br />

ISBN 978-2-503-54536-3,<br />

Publication date scheduled for October <strong>2012</strong><br />

fr AgMen tA<br />

JournAl<br />

http://brepols.metapress.com/journals<br />

Multiple subscription options<br />

& pay-per-view available<br />

Table of Contents<br />

C.G. Santing, Adrian of Utrecht.<br />

The Formation of the Historiographical<br />

Image of the Dutch Pope<br />

– M. Gielis and G. Gielis, Adrian<br />

of Utrecht (1459-1523) as Professor<br />

at the University of Louvain and<br />

as a Leading Figure in the Church<br />

in the Netherlands – R. Fagel, The<br />

Dean of Louvain in Spain. Adrian<br />

of Utrecht (1515-1522): A Career<br />

in the Service of a Habsburg Prince<br />

– M. Graulich, Papacy in Theory<br />

and Practice. The Office and Power<br />

of the Pope according to the Theological<br />

Work of Adrian VI and his<br />

Plans for a Reform of the Church<br />

– H. Hulscher, The Pontificate of<br />

Adrian VI (9 January 1522- 14<br />

September 1523) – S. de Blaauw,<br />

Divini cultus devotissimus. Adrian<br />

VI and Papal Ritual – J. Touber,<br />

Willem van Enckenvoirt and<br />

the Dutch Network in Rome in<br />

the First Quarter of the Sixteenth<br />

Century – M.-Ch. Le Bailly, “A<br />

vulgo amabatur, a magnatibus<br />

vero habebatur in odio”. Adrian<br />

VI through the Eyes of his Fellow<br />

Countryman Cornelius de Fine –<br />

A. Gnann, Cardinal Wilhelm van<br />

Enckenvoirt as Patron of the Arts<br />

in Rome – F. Scholten, Maxime<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Early Modern Studies<br />

aversatvr splendorem: the Funeral<br />

Monument for Pope Adrian<br />

VI – V. Lini, Brief Comments on<br />

the Restoration of the Monument of<br />

Adrian VI in S. Maria dell’Anima<br />

in Rome<br />

31


Socio-econoMic hiStory<br />

Landscapes or Seascapes?<br />

The History of the Coastal<br />

Environment in the North<br />

Sea Area Reconsidered<br />

Guus Borger, Adri de Kraker,<br />

Tim Soens, Erik Thoen,<br />

Dries Tys (eds.)<br />

approx. 450 p., 130 colour ills., 156 x 234 mm,<br />

<strong>2012</strong>, CORN 13, PB,<br />

ISBN 978-2-503-54058-0 (print),<br />

ISBN 978-2-503-54695-7 (online),<br />

approx. € 75<br />

Publication date scheduled for November <strong>2012</strong><br />

coMpArAtiVe rurAl hiStory<br />

of the north SeA AreA<br />

Part of BREPOLS<br />

MISCELLANEA ONLINE<br />

Essays in Medieval Studies<br />

Collection 2013<br />

This volume contains the proceedings<br />

of the conference which took<br />

Friendship and Social<br />

Networks in Scandinavia<br />

c. 1000-1800<br />

Jón Viðar Sigurðsson,<br />

Thomas Småberg (eds.)<br />

approx. x + 347 p., 156 x 234 mm,<br />

<strong>2012</strong>, EER 5, HB,<br />

ISBN 978-2-503-54248-5 (print),<br />

ISBN 978-2-503-54260-7 (online),<br />

approx. € 95<br />

Publication date scheduled for October <strong>2012</strong><br />

eArly europeAn reSeArch<br />

Part of BREPOLS<br />

MISCELLANEA ONLINE<br />

Essays in Medieval Studies<br />

Collection 2013<br />

This book discusses the impact of various<br />

social networks on Scandinavian<br />

society from a longue durée perspective,<br />

from the Viking Age to the nineteenth<br />

century.<br />

place in Ghent in April 2010. New<br />

research questions, methodological<br />

and technological innovations and an<br />

increasing emphasis on interdisciplinary<br />

and comparative approaches significantly<br />

altered our comprehension<br />

Friendship, patron-client relationships,<br />

and social networks played a fundamental<br />

role in Scandinavian society<br />

from the Viking Age through to the Industrial<br />

Era. Personal ties were essential<br />

to Viking chieftains for building their<br />

power base, and such ties were equally<br />

crucial for early modern merchants,<br />

who used their personal bonds to create<br />

trade networks. Furthermore, social<br />

networks connected medieval men and<br />

women to the saints and to God.<br />

The articles in this book emphasize the<br />

strong correlation between political<br />

developments such as the emergence<br />

of the state and the evolution of friendships<br />

and social networks. They also<br />

highlight radical changes in the importance<br />

and contexts of friendship that<br />

occurred between the Viking Age and<br />

the late eighteenth century. During this<br />

period, friendships became far more<br />

than community-based social relationships,<br />

but rather tools for the elite in social<br />

positioning and wealth acquisition.<br />

This volume highlights the major significance<br />

of friendships and patron-<br />

32 F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Socio-Economic History<br />

of the historical interaction between<br />

man and nature in the extremely variable<br />

environment of the coastal plain.<br />

Much more than before, coastal development<br />

is now explained from a permanent<br />

and complex interaction between<br />

human and physical evolutions.<br />

Moreover the coastal area is no longer<br />

isolated from its spatial context, but<br />

considered in its entire relationship<br />

with the sea on the one hand and with<br />

the inland areas on the other hand.<br />

These connections between human<br />

and physical evolutions and between<br />

the coastal region, the inland areas and<br />

the sea were at the heart of the international<br />

and interdisciplinary conference<br />

on the coastal development in<br />

the North Sea Area. Compared to the<br />

earlier conferences, the regional scope<br />

is significantly enlarged: although<br />

a lot of attention is still paid to the<br />

coastlands of the Low Countries, a systematic<br />

comparison with other North<br />

Sea Areas like Northern Germany and<br />

Southern England will be made.<br />

client relationships to political and<br />

cultural life in medieval, early modern,<br />

and modern society. It covers social networks<br />

in Iceland, Norway, Denmark,<br />

and Sweden, each of which are characterized<br />

by different societal features,<br />

ranging from the free-state republic of<br />

early medieval Iceland to the early modern<br />

kingdom of Denmark.


Rural Economy and Society<br />

in North-Western Europe,<br />

500-2000<br />

The Agro-Food Market:<br />

Production, Distribution<br />

and Consumption<br />

Leen Van Molle,<br />

Yves Segers (eds.)<br />

approx. 450 p., 178 x 254 mm,<br />

<strong>2012</strong>, RES, HB,<br />

ISBN 978-2-503-53048-2,<br />

approx. € 90<br />

Publication date scheduled for October <strong>2012</strong><br />

rurAl econoMy And<br />

Society in north-WeStern<br />

europe, 500-2000<br />

Rural Societies and<br />

Environments at Risk<br />

Ecology, Property Rights<br />

and Social Organisation<br />

in Fragile Areas (Middle<br />

Ages-Twentieth Century)<br />

Bas van Bavel,<br />

Erik Thoen (eds.)<br />

approx. 350 p., 156 x 234 mm,<br />

<strong>2012</strong>, RURHE 9, PB,<br />

ISBN 978-2-503-54416-8,<br />

approx. € 70<br />

Publication date scheduled for October <strong>2012</strong><br />

rurAl hiStory in europe<br />

This book discusses the relationship<br />

between ecology and rural society in<br />

fragile environments of the past. Rural<br />

land use in these areas entailed an<br />

inherent vulnerability, for instance<br />

because of their poor soils, aridity or<br />

their location in mountain areas, near<br />

the sea or in severe climatic conditions.<br />

The various chapters analyse how societies<br />

coped with this vulnerability by<br />

way of the organization of property<br />

rights to land. These rights formed the<br />

Agriculture and nourishment are,<br />

from early times and up to now, crucial<br />

elements in the development of<br />

market systems. Shortage and surplus<br />

gave shape to different forms of exchange<br />

and sale, to the dynamics of<br />

supply and demand, and to expanding<br />

interconnections between regions and<br />

social groups. Farmers learned to adapt<br />

their production to market conditions<br />

and to the shifting needs and tastes of<br />

a growing and demanding public. But<br />

the path from a self-supporting way<br />

of life to the present forms of market<br />

integration in the complex, global<br />

world was far from uniform and linear.<br />

Food production, market structures<br />

and market mechanisms changed over<br />

time and differed between regions and<br />

countries of the North Sea area. This<br />

volume aims at exploring and unravel-<br />

framework which shaped the use of<br />

the land and were a main constituent<br />

of the relationship between mankind<br />

and ecology in these fragile areas. To<br />

a large extent, therefore, they determined<br />

– and still determine - the<br />

success or failure of rural societies<br />

to cope with the challenges posed by<br />

their environment. In their turn, however,<br />

these property rights were shaped<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Socio-Economic History<br />

ling the complexity of the agro-food<br />

market, from the field to the table.<br />

within a wider social and political context,<br />

in which political and ideological<br />

considerations, and special interests,<br />

also played their part. As a result, the<br />

organization of these rights was not always<br />

geared towards sustainability, as<br />

demonstrated in these chapters, which<br />

discuss and analyse long-term developments<br />

in several parts of Northwestern,<br />

Central and Southern Europe.<br />

Bas van Bavel is professor of economic<br />

and social history of the<br />

Middle Ages, head of the section of<br />

Economic and Social History, and<br />

coordinator of the knowledge centre<br />

Institutions of the Open Society at<br />

Utrecht University (the Netherlands).<br />

Erik Thoen is ordinary professor<br />

at Ghent University (Belgium)<br />

specialised in rural and environmental<br />

history. He is co-ordinator<br />

of the CORN rural history network<br />

(Comparative Rural History of the<br />

North Sea Area).<br />

33


34<br />

Food & History -<br />

9.2 (2011)<br />

Inventorying Food Heritage:<br />

Achievements, Methods, and<br />

Perspectives<br />

Inventorier le patrimoine alimentaire<br />

: acquis, méthodes et<br />

perspectives<br />

vi + 327 p., 3 b/w ills., 170 x 240 mm,<br />

<strong>2012</strong>, FOOD 9.2, PB,<br />

ISBN 978-2-503-53632-3<br />

Available<br />

food & hiStory, europeAn<br />

inStitute of food hiStory<br />

JournAl<br />

http://brepols.metapress.com/journals<br />

Multiple subscription options<br />

& pay-per-view available<br />

Table of Contents<br />

Ancient and Medieval Food<br />

Studies : Études sur l’alimentation<br />

antique et médiévale :<br />

Salvatore Gaspa, Bread for Gods<br />

and Kings: On Baked Products in<br />

Profane and Cultic Consumption<br />

of Ancient Assyria – Christophe<br />

Hugoniot, Les ombres de Mécène.<br />

À propos de la cena Nasidieni<br />

d’Horace (S., II, 8) – Paul Erdkamp,<br />

Jews and Christians at the Dinner<br />

Table: A Study in Social and Religious<br />

Interaction – Francesca Tasca,<br />

Una bevanda di apostasia: il comos<br />

mongolico nell’Itinerarium di frate<br />

Guglielmo di Rubrouck<br />

Dossier: inventorier le patrimoine<br />

alimentaire: asquis, methods<br />

et perspectives :<br />

Loïc Bienassis, Quelle carte pour<br />

quel territoire ? Impossibles et nécessaires<br />

: les inventaires du patrimoine<br />

alimentaire – Antonella Cam-<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Socio-Economic History<br />

panini, De l’hymne au territoire<br />

à l’apologie des terroirs. Une brève<br />

histoire des inventaires culinaires<br />

italiens depuis l’Unification (1861)<br />

– Erik Thévenod-Mottet & Carine<br />

Cornaz Bays, Un Inventaire,<br />

pour quoi faire ? La valorisation<br />

de l’Inventaire du Patrimoine culinaire<br />

suisse – Stéphane Boisseaux,<br />

Territorialités politiques, politiques<br />

publiques : une approche institutionnelle<br />

des produits alimentaires<br />

typiques. Le cas de la Suisse – Lucile<br />

Garçon & Rami Zurayk, L’œil et<br />

la bouche. Le goût du paysage pour<br />

préserver le patrimoine alimentaire<br />

libanais – Brigitte Sébastia, Revaloriser<br />

les millets en Inde : les produits<br />

biologiques et écologiques au bénéfice<br />

de l’environnement et de la santé –<br />

Chantal Crenn, La fabrique de<br />

l’identité culinaire nationale dans<br />

les écrits sur l’alimentation et la cuisine<br />

sénégalaises : du regard colonial<br />

à celui de Youssou NDour<br />

Review Articles / Comptes rendus<br />

– Upcoming Issues / prochains<br />

numéros – Food History - A Bibliographic<br />

Database / Bibliographie<br />

d’histoire de l’alimentation<br />

– Submission of Articles / Envois<br />

d’articles


lAte Antiquity & pAtriSticS<br />

Anthropologie de<br />

l’Antiquité<br />

Anciens objets,<br />

nouvelles approches<br />

Evelyne Scheid-Tissinier,<br />

Pascal Payen (éd.)<br />

approx. 420 p., 17 ill. n/b, 156 x 234 mm,<br />

<strong>2012</strong>, ASH 1, PB,<br />

ISBN 978-2-503-54697-1,<br />

approx. € 85<br />

Publication prévue pour octobre <strong>2012</strong><br />

Antiquité et ScienceS<br />

huMAineS<br />

Les diverses contributions réunies dans<br />

ce livre sont nées d’une collaboration<br />

et d’une proximité intellectuelle entre<br />

deux institutions de recherche : l’équipe<br />

PLH–ERASME qui travaille, Toulouse,<br />

dans les domaines de la réception<br />

de l’Antiquité et de l’anthropologie historique,<br />

depuis sa création en 1998, et<br />

le centre ANHIMA (Anthropologie et<br />

Histoire des mondes antiques), qui réunit,<br />

à Paris, des chercheurs engagés dans<br />

tous les domaines et toutes les périodes<br />

de l’Antiquité. Ce rapprochement s’est<br />

traduit par l’organisation de deux journées<br />

d’étude internationales, qui se sont<br />

tenues à Toulouse, en mars 2010, et par<br />

la création d’une nouvelle collection :<br />

« Antiquité et sciences humaines. La<br />

traversée des frontières », accueillie par<br />

les éditions <strong>Brepols</strong>. Ces initiatives témoignent<br />

de la vitalité et du renouvellement<br />

dont ont bénéficié et continuent<br />

de bénéficier les perspectives anthropologiques.<br />

Une vitalité qui se manifeste par la<br />

multiplicité des points de vue et des<br />

domaines abordés dont je ne mentionnerai<br />

que quelques exemples : – l’aptitude<br />

à redéfinir les concepts les mieux<br />

connus, comme le fait Vincent Azoulay<br />

à propos du don, – l’application d’un<br />

autre concept tout aussi connu, la pra-<br />

tique des rites de passage, à un domaine<br />

nouveau, celui de l’archéologie gallo–<br />

romaine. Ce qui permet à Ton Derks,<br />

d’insérer dans leur contexte historique<br />

des conduites sociales jusqu’alors<br />

mal interprétées, – la prise en compte<br />

des déplacement de catégories entre<br />

hommes et femmes, masculin et féminin,<br />

qu’apportent les études de genre<br />

mises en perspective par Violaine<br />

Sébillotte, – l’exploration d’un certain<br />

nombre de domaines nouveaux,<br />

parmi lesquels, celui des émotions que<br />

j’ai moi–même abordé, ou celui de la<br />

perception des couleurs dont Adeline<br />

Grand–Clément s’est attachée à éclairer<br />

la logique.<br />

L’ensemble des incursions ainsi menées<br />

dans l’Antiquité (grecque, romaine,<br />

phénicienne, gallo-romaine), fait émerger<br />

une richesse qui n’est jamais figée<br />

et qui fait écho aux propos de Jean-<br />

Pierre Vernant dans la Préface rédigée<br />

en 1968, pour l’édition des études<br />

de Louis Gernet réunies sous le titre<br />

« Anthropologie de la Grèce antique ».<br />

Pour définir les approches qui avaient<br />

été celles de ce savant, Vernant écrivait :<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Late Antiquity & Patristics<br />

« On ne saurait comprendre leur dynamisme<br />

que si on s’interroge, non certes<br />

sur l’Homme, mais sur les mentalités<br />

particulières des hommes, des groupes<br />

humains qui les ont mis en œuvre, si on<br />

cherche à pénétrer ce que furent leurs<br />

modes de penser, leurs cadres et outils<br />

intellectuels, leurs formes de sensibilité<br />

et d’action, leurs catégories psychologiques<br />

au sens que Mauss donnait à ce<br />

terme. »<br />

Cette prise en compte des différences<br />

qui nous séparent des hommes de l’Antiquité,<br />

l’attention sans faille portée aux<br />

spécificités qui marquent l’ensemble de<br />

leurs représentations et de leurs comportements<br />

dans tous les domaines de<br />

la vie sociale, politique, religieuse, culturelle,<br />

la conscience aussi des mutations<br />

qui se sont opérées sur la longue durée<br />

qui est la nôtre, c’est somme toute ce<br />

que chacun des auteurs de ce volume,<br />

dans le domaine de recherche qui lui est<br />

propre, a tenté de mettre en œuvre.<br />

nouVelle collection<br />

Antiquité et ScienceS<br />

huMAineS<br />

À partir des années 1950, les recherches<br />

portant sur l’Antiquité,<br />

qu’on l’appelle « classique »<br />

ou non, associent de plus en plus<br />

à leur démarche les méthodes et<br />

les apports de l’anthropologie.<br />

L’objet de cette collection est<br />

de tracer le cheminement d’une<br />

nouvelle anthropologie de l’Antiquité,<br />

en devenir, et de formuler<br />

quelques-unes des questions<br />

qu’elle permet de poser, dans<br />

des domaines précisément circonscrits,<br />

de manière à renouveler<br />

à la fois les approches et les<br />

connaissances.<br />

35


36<br />

Les ‘domus ecclesiae’:<br />

aux origines des palais<br />

épiscopaux<br />

Sylvie Balcon-Berry,<br />

François Baratte,<br />

Jean-Pierre Caillet,<br />

Dany Sandron (éd.)<br />

approx. 300 p., 220 x 280 mm,<br />

<strong>2012</strong>, BAT 23, PB,<br />

ISBN 978-2-503-54402-1 (print),<br />

ISBN 978-2-503-54424-3 (online),<br />

approx. € 85<br />

Publication prévue pour octobre <strong>2012</strong><br />

BiBliothèque de<br />

l’Antiquité tA r diVe<br />

Part of BREPOLS<br />

MISCELLANEA ONLINE<br />

Essays in Medieval Studies<br />

Supplement <strong>2012</strong><br />

Potestas populi<br />

Participation populaire et<br />

action collective dans les villes<br />

de l’Afrique romaine tardive<br />

(vers 300-430 apr. J.-C.)<br />

Júlio César C. Magalhães<br />

de Oliveira<br />

approx. 370 p., 220 x 280 mm,<br />

<strong>2012</strong>, BAT 24, PB,<br />

ISBN 978-2-503-54646-9,<br />

approx. € 75<br />

Publication prévue pour octobre <strong>2012</strong><br />

BiBliothèque de<br />

l’Antiquité tA r diVe<br />

Comparée à l’intérêt scientifique porté<br />

sur la politique populaire dans la Grèce<br />

classique ou dans la Rome républicaine,<br />

l’étude de la plèbe urbaine sous l’Empire<br />

romain tardif a été remarquablement négligée,<br />

malgré les discussions récurrentes<br />

Table des matières<br />

S. Balcon-Berry, F. Baratte, J.-P.<br />

Caillet et D. Sandron, Introduction<br />

Le cas de la France : J. F. Reynaud,<br />

Aux origines du Palais épiscopal de<br />

Lyon – W Berry, La domus ecclesiae<br />

de Reims : aux sources du Palais du<br />

Tau ? – S. Balcon-Berry et W. Berry,<br />

Autun, de la domus ecclesiae au<br />

palais épiscopal – A. de Montjoye,<br />

Grenoble : du premier complexe cathédral<br />

à la résidence épiscopale (IV e -<br />

XIII e siècles) – B. Boissavit-Camus,<br />

La domus ecclesiae de Poitiers – Y.<br />

Esquieu, Les résidences de l’évêque<br />

de Viviers, V e -XV e siècles – C ; Barra<br />

et F. Paone, Marseille : la demeure<br />

épiscopale durant l’Antiquité tardive<br />

et son déplacement au Moyen Âge,<br />

contributions de l’archéologie (1995-<br />

2010)<br />

sur la violence urbaine dans la période.<br />

Ce livre est une tentative de répondre<br />

à ce défi pour le contexte spécifique des<br />

provinces romaines d’Afrique du Nord,<br />

du début du IV e siècle à la conquête<br />

vandale. Son objectif principal est de<br />

comprendre les formes et les conditions<br />

de la participation populaire et de l’action<br />

collective dans les villes africaines<br />

de la période, en les replaçant dans le<br />

contexte plus large des activités économiques,<br />

des relations sociales et des traditions<br />

culturelles de la plèbe. L’auteur<br />

a souhaité proposer une réflexion sur<br />

les logiques propres de la foule à partir<br />

d’un certain nombre d’épisodes d’intervention<br />

populaire révélés par des sources<br />

ecclésiastiques africaines, dont les lettres<br />

et les sermons de saint Augustin. Ces<br />

études de cas sont cependant précédées<br />

d’une analyse plus générale des sources<br />

textuelles et archéologiques concernant<br />

les expériences formatrices de la vie plébéienne:<br />

le monde du travail, les conditions<br />

d’habitation et les réseaux de sociabilité.<br />

Ce contexte plus large est destiné<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Late Antiquity & Patristics<br />

Les domus ecclesiae en dehors de<br />

la France : Ch. Bonnet, Les résidences<br />

épiscopales de Genève aux premiers<br />

temps chrétiens – P. Liverani,<br />

L’episcopio lateranense dalle origini<br />

all’Alto Medioevo – C. Rizzardi, Le<br />

residenze dei vescovi di Ravenna dal<br />

tardo antico all’alto medioevo – J.-P.<br />

Caillet, Le cas de Caricin Grad (Serbie)<br />

et le problème de l’identification<br />

de certains « palais épiscopaux » de<br />

l’Antiquité tardive – P. Chevalier et<br />

I. Matejčić, L’episcopium de Poreč –<br />

F. Baratte, Les domus ecclesiae : le<br />

cas de l’Afrique romaine, vandale et<br />

byzantine – S. Gai, Les palais épiscopaux<br />

en Saxe occidentale autour<br />

de l’an mil et les caractères topographiques<br />

et architecturaux du siège<br />

épiscopal de Paderborn (Westphalie)<br />

J. Guyon et C. Sapin, Conclusion<br />

à fournir une meilleure compréhension<br />

des bases à partir desquelles les membres<br />

de la plèbe urbaine pouvaient établir des<br />

liens de solidarité horizontaux et entretenir<br />

une culture politique qui prescrivait<br />

et légitimait leurs formes d’action<br />

collective.<br />

Júlio César C. Magalhães de<br />

Oliveira a fait ses études de licence<br />

et de master en Histoire dans<br />

l’université brésilienne de Campinas<br />

(état de São Paulo), avant de<br />

poursuivre ses recherches de thèse<br />

en France de 2002 à 2006. Il est<br />

docteur en Histoire et archéologie<br />

des mondes anciens de l’Université<br />

Paris Ouest Nanterre La Défense<br />

et professeur adjoint d’Histoire Ancienne<br />

à l’Université de Londrina<br />

(état du Paraná, Brésil).


« Soyez des changeurs<br />

avisés »<br />

Controverses exégétiques<br />

dans la littérature apocryphe<br />

chrétienne<br />

Rémi Gounelle,<br />

Gabriella Aragione (éd.)<br />

approx. 250 p., 145 x 205 mm,<br />

Centre d’Analyse et de Documentation<br />

Patristiques, <strong>2012</strong>, CBP 12, PB,<br />

Ref. 02010267,<br />

approx. € 40<br />

Publication prévue pour novembre <strong>2012</strong><br />

cAhierS de BiBliA pAtriSticA<br />

Between Personal and<br />

Institutional Religion<br />

Self, Doctrine, and Practice<br />

in Late Antique Eastern<br />

Christianity<br />

Brouria Bitton-Ashkelony,<br />

Lorenzo Perrone (eds.)<br />

approx. x + 400 p., 156 x 234 mm,<br />

<strong>2012</strong>, CELAMA 15, HB,<br />

ISBN 978-2-503-54131-0,<br />

approx. € 115<br />

Publication date scheduled for October <strong>2012</strong><br />

culturAl encounterS in<br />

lAte Antiquity And the<br />

Middle AgeS<br />

Part of BREPOLS<br />

MISCELLANEA ONLINE<br />

Essays in Medieval Studies<br />

Collection 2013<br />

The shift from Late Antiquity to Early<br />

Byzantium seen in the light of the mutual<br />

relations between personal and<br />

institutional religion.<br />

Les contributions réunies dans ce volume<br />

étudient l’autorité et la fonction<br />

des Ecritures juives dans des contextes<br />

de controverse. Les débats sur les<br />

contenus et les méthodes exégétiques,<br />

le recours à un personnage qui devient<br />

le référent identitaire d’un groupe<br />

donné ainsi que la transposition d’un<br />

thème de son milieu d’origine à un<br />

autre sont révélateurs du rôle déterminant<br />

que les données scripturaires ont<br />

joué dans la définition des frontières<br />

identitaires, que ce soit dans des situations<br />

de vraie polémique ou de simple<br />

confrontation. La première section est<br />

This book addresses change and continuity<br />

in late antique Eastern Christianity,<br />

as perceived through the lens of<br />

the categories of institutional religion<br />

and personal religion. The interaction<br />

between personal devotion and public<br />

identity reveals the creative aspects<br />

of a vibrant religious culture that al-<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Late Antiquity & Patristics<br />

consacrée à la littérature pseudo-clémentine<br />

(G. B. Bazzana, H. Rhee, M.<br />

Vielberg, D. Côté); la seconde s’intéresse<br />

à la fonction de quelques personnages<br />

bibliques et à la réception de<br />

traditions exégétiques (C. Gianotto, B.<br />

Pouderon, L. Vianès).<br />

Ces sept contributions ont été présentées<br />

à l’occasion du troisième colloque<br />

international sur la littérature<br />

apocryphe chrétienne, consacré à la<br />

« Littérature apocryphe chrétienne<br />

et les Ecritures juives » (Strasbourg,<br />

14-16 janvier 2010).<br />

tered the experience of Christians on<br />

both a spiritual and an institutional<br />

level. A close look at the interrelations<br />

between the personal and the institutional<br />

expressions of religion in this<br />

period attests to an ongoing revision<br />

of both the patristic literature and the<br />

monastic tradition. By approaching<br />

the period in terms of ‘revision’, the<br />

contributors discuss the mechanism<br />

of transformation in Eastern Christianity<br />

from a new perspective, discerning<br />

social and religious changes while<br />

navigating between the dynamics of<br />

personal and institutional religion.<br />

Recognizing the creative aspects inherent<br />

to the process of ‘revision’, this<br />

volume re-examines several aspects<br />

of personal and institutional religion,<br />

revealing dogmatic, ascetic, liturgical,<br />

and historiographical transformations.<br />

Attention is paid to the expression of<br />

the self, the role of history and memory<br />

in the construction of identity, and<br />

the modification of the theological<br />

discourse in late antique culture. The<br />

book also explores several avenues of<br />

Jewish-Christian interaction in the institutional<br />

and public sphere.<br />

37


38<br />

L’Écriture de la<br />

controverse chez<br />

Grégoire de Nysse<br />

Matthieu Cassin<br />

430 p., 165 x 250 mm,<br />

Institut d’Études Augustiniennes,<br />

<strong>2012</strong>, EAA 192, PB,<br />

ISBN 978-2-85121-255-9<br />

approx. € 60<br />

Disponible<br />

collection deS étudeS<br />

AuguStinienneS : Antiquité<br />

Le Contre Eunome, qui date des années<br />

378-383, est la principale œuvre théologique<br />

de Grégoire (vers 335 – après<br />

394), évêque de Nysse en Cappadoce.<br />

Cependant, cet ouvrage fondamental<br />

pour la théologie trinitaire, loin d’être<br />

un traité systématique, est un écrit de<br />

In Paciani episcopi<br />

Barcinonensis opera<br />

silva studiorum<br />

Angel Anglada Anfruns<br />

approx. 475 p., 160 x 240 mm,<br />

<strong>2012</strong>, IPM 52, HB,<br />

ISBN 978-2-503-53427-5,<br />

approx. € 95<br />

Publication date scheduled for October <strong>2012</strong><br />

inStruMentA pAtriSticA<br />

et MediAeVAliA<br />

The study and the production of a<br />

critical edition of the works of Pacian,<br />

bishop of Barcelona (fourth century),<br />

have been the life’s work of Angel Anglada<br />

Anfruns. He has published many<br />

articles in miscellanies and high ranked<br />

journals since the 1960s, and also some<br />

in less-accessible periodicals. Updated<br />

versions of these contributions, most<br />

controverse, qui réfute pas à pas un<br />

ouvrage perdu composé par Eunome.<br />

La présente étude propose une analyse<br />

détaillée des modalités de la polémique,<br />

et en particulier des outils hérésiologiques<br />

et des pratiques littéraires.<br />

En effet, les attaques nysséennes contre<br />

Eunome ont souvent été prises pour<br />

argent comptant par la critique. Dans<br />

la mesure où l’explication de l’Écriture<br />

constitue l’un des enjeux majeurs du<br />

débat et l’un des lieux essentiels de la<br />

pensée théologique de Grégoire, une<br />

seconde partie est consacrée à l’exégèse<br />

dans ces traités et à l’analyse des<br />

sources et des interlocuteurs de Grégoire<br />

en la matière. Le Contre Eunome<br />

constitue une étape majeure tant dans<br />

l’évolution des modalités de l’écriture<br />

théologique dans l’Antiquité tardive<br />

que dans le développement de la théologie<br />

patristique.<br />

of which are written in Spanish, have<br />

now been gathered for the first time<br />

in a volume entitled Silva studiorum.<br />

They deal with the manuscript trans-<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Late Antiquity & Patristics<br />

mission and the history of the printed<br />

versions of Pacian’s opera, the syntactic<br />

structure (particularly the clausulae)<br />

and particular problematic passages in<br />

the bishop’s writings. The volume concludes<br />

with an index of the passages<br />

which have been discussed in detail.<br />

The articles offer a general view of the<br />

reception of Pacian’s works down the<br />

ages and list the author’s arguments<br />

behind specific editorial decisions. It<br />

is the perfect companion volume to<br />

the edition of Pacian’s complete works<br />

published in Corpus Christianorum,<br />

Series latina 69B (<strong>2012</strong>).<br />

Angel Anglada-Anfruns is emeritus<br />

professor of Latin Language<br />

and Literature at the Universitat<br />

de Valencia.


Associated Regional<br />

Chronologies for the<br />

Ancient Near East and<br />

the Eastern Mediterranean<br />

The Chronology of<br />

the Island of Cyprus in<br />

the Third Millennium BC<br />

Edgar Peltenburg (ed.)<br />

approx. 250 p., 210 x 295 mm,<br />

<strong>2012</strong>, ARCANE 3, PB,<br />

ISBN 978-2-503-53498-5,<br />

approx. € 100<br />

Publication date scheduled for November <strong>2012</strong><br />

ArcAne<br />

egyptology, neAr eAStern<br />

& orientAl StudieS<br />

Caesar in the City of<br />

Amun: Egyptian Temple<br />

Construction and Theology<br />

in Roman Thebes<br />

David Klotz<br />

xviii + 476 p., 216 x 280 mm,<br />

Fondation Egyptologique Reine Élisabeth,<br />

<strong>2012</strong>, MRE 15, PB,<br />

ISBN 978-2-503-54515-8,<br />

€ 95<br />

Available<br />

MonogrAphieS reine<br />

éliSABeth<br />

Thebes (modern Luxor) was a popular<br />

tourist destination during the Roman<br />

Period, receiving the likes of Strabo,<br />

Germanicus, and Hadrian. Yet while<br />

its international fame rested on its<br />

royal tombs and the Memnon colossus,<br />

Thebes was also a vibrant religious<br />

center with over a dozen active<br />

temples. The purposefully archaizing<br />

inscriptions and architecture attracted<br />

both Egyptians and Romans in search<br />

Table of Contents<br />

Introduction<br />

Stratigraphy in a Non-Tell Archaeological<br />

Environment – Hand-<br />

Made Ceramics – Architectural<br />

Developments – The Early Phase of<br />

the Island’s Metalwork – Figurines<br />

and Other Small Objects – Lithics<br />

and the Ground Stone Industry –<br />

Burials and Funerary Customs – A<br />

Radiocarbon Framework - Conclusions<br />

Credits<br />

Bibliography<br />

Index<br />

of ancient traditions and millennial<br />

wisdom, influencing intercultural and<br />

multilingual texts produced in the<br />

region, including Gnostic, Hermetic,<br />

and magical writings.<br />

This book surveys epigraphic and archaeological<br />

evidence for temple con-<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Egyptology, Near Eastern & Oriental Studies<br />

struction and renovation throughout<br />

the Theban nome during the Roman<br />

Period, studying the new inscriptions<br />

within their ritual and theological<br />

contexts. It also contains the first comprehensive<br />

treatment of the greater<br />

Theban Pantheon during the Graeco-<br />

Roman era, cataloguing over fifty local<br />

divinities and establishing their roles<br />

in various cosmogonies and mythological<br />

traditions. The concluding<br />

chapter reconstructs the religious life<br />

of the district, tracking annual festival<br />

processions which united the multiple<br />

temples and their communities.<br />

David Klotz is a lecturer and postdoctoral<br />

associate at Yale University.<br />

He has published widely on<br />

temples and private statues from<br />

Graeco-Roman Egypt, and he directs<br />

the Yale University Nadura<br />

Temple Project in Kharga Oasis.<br />

39


40<br />

Die Erforschung des<br />

Tocharischen und die<br />

alttürkische Maitrisimit<br />

Desmond Durkin-<br />

Meisterernst, Yukiyo Kasai,<br />

Abdurishid Yakup (Hg.)<br />

420 p., 160 x 240 mm,<br />

<strong>2012</strong>, SRS 17, PB,<br />

ISBN 978-2-503-54611-7,<br />

approx. € 80<br />

Publication date scheduled for October <strong>2012</strong><br />

Silk roAd StudieS<br />

This volume contains the proceedings<br />

of a small conference held by the Turfan<br />

Study Group (Turfanforschung)<br />

of the Berlin Brandenburg Academy<br />

of Sciences and Humanities, Berlin, in<br />

April 2008 on the 100 th anniversary of<br />

E. Sieg and W. Siegling’s article ‘Tocharisch,<br />

die Sprache der Indoskythen.<br />

Vorläufige Bemerkungen über eine<br />

bisher unbekannte indogermanische<br />

Literatursprache› which marks the<br />

beginning of the new subject ‹Tochar-<br />

A Commentary on Coedès’<br />

Texts of Greek and Latin<br />

Authors on the Far East<br />

John Sheldon<br />

xviii + 321 p., 160 x 240 mm,<br />

<strong>2012</strong>, SAA 5, PB,<br />

ISBN 978-2-503-54602-5,<br />

approx. € 65<br />

Publication date scheduled for October <strong>2012</strong><br />

StudiA AntiquA<br />

AuStrAlienSiA<br />

This is a companion volume to Texts<br />

of Greek and Latin Authors on the Far<br />

East (<strong>Brepols</strong> 2010) originally compiled<br />

by George Coedès and recently<br />

translated by John Sheldon. There are<br />

nearly one hundred different authors<br />

whose writings have been quoted in<br />

the text volume. All these authors<br />

are introduced and all quotations are<br />

placed in context and given detailed<br />

ian studies›. This forgotten Indo-European<br />

language was just re-emerging<br />

in texts gathered by the various scientific<br />

expeditions to Eastern Central<br />

Asia at the beginning of the 20 th century.<br />

On the basis of a colophon in the<br />

Old Turkish text Maitrisimit, F. W. K.<br />

Müller had already in 1907 suggested<br />

the name ‘Tocharian’ which, despite<br />

misgivings, continues to be used today<br />

for texts in two distinct but closely related<br />

varieties, ‘A’ and ‘B’. The volume<br />

is in part devoted to aspects of the<br />

history of the study of Tocharian and<br />

to details of the languages themselves<br />

but also to palaeography and cataloguing<br />

the Tocharian fragments in Ber-<br />

literary, linguistic and historical commentary<br />

by Dr Sheldon. The Greek<br />

and Latin texts have been re-examined<br />

and a number of suggestions for<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Egyptology, Near Eastern & Oriental Studies<br />

lin. The colophon to the Old Turkish<br />

Maitrisimit is the starting point for the<br />

second theme of the volume: The interaction<br />

between Tocharian and Old<br />

Turkish Buddhist texts, a currently<br />

much discussed phenomenon. The<br />

contributions here range from a description<br />

of newly found Old Turkish<br />

fragments, to a discussion of parallel<br />

Tocharian and Old Turkish passages,<br />

aspects of the cult of Maitreya, the<br />

question of Buddhist doctrinal schools<br />

in Central Asia, the possible connection<br />

of Buddhist dramatical texts<br />

with the Chinese bianwen literature,<br />

the Old Turkish ‘New Day’ and other<br />

aspects of this and similar narrative<br />

religious texts. The book includes an<br />

extensive documentation of Tocharian<br />

and Old Turkish fragments in the Berlin<br />

Turfan Collection to illustrate the<br />

Tocharian fragments for which a C14dating<br />

is now available and Tocharian<br />

palaeography as well as fragments containing<br />

passages of text common to the<br />

Tochrian A Maitreyasamitinataka and<br />

the Old Turkish Maitrisimit.<br />

improved readings are made in the<br />

Commentary. In a number of places<br />

traditional interpretations of the ancient<br />

geography of the Far East have<br />

been superseded mainly owing to an<br />

improved understanding of the text.<br />

This volume, which should be used in<br />

conjunction with the text volume, will<br />

be a useful, at times an essential, tool<br />

for future researchers in this field.<br />

Previously published:<br />

Texts of Greek and Latin<br />

Authors on the Far East<br />

From the 4 th C. B.C.E.<br />

to the 14th C. C.E.<br />

John Sheldon (eds.)<br />

cl + 185 p., 4 b/w ills., 160 x 240 mm,<br />

2011, SAA 4, PB,<br />

ISBN 978-2-503-53366-7,<br />

€ 65


coMpArAtiVe religiouS StudieS<br />

La Baraïta de-Niddah<br />

Un texte juif pseudo-talmudique<br />

sur les lois religieuses<br />

relatives à la menstruation<br />

Evyatar Marienberg<br />

228 p., 156 x 234 mm,<br />

<strong>2012</strong>, BEHE 157, PB,<br />

ISBN 978-2-503-54537-0,<br />

approx. € 70<br />

Publication prévue pour octobre <strong>2012</strong><br />

BiBliothèque de l’école<br />

deS hAuteS étudeS,<br />

ScienceS religieuSeS<br />

En hébreu rabbinique, le terme niddah<br />

désigne la femme au moment de<br />

ses règles, le sang menstruel en soi, ou<br />

la période d’impureté liée à la menstruation.<br />

Une réglementation stricte<br />

concerne la femme niddah dans la loi<br />

religieuse juive (halakhah) ; notamment,<br />

les relations conjugales sont<br />

interdites pendant cette période.<br />

Penser l’icône en<br />

Inde ancienne<br />

Gérard Colas<br />

approx. 300 p., 156 x 234 mm,<br />

<strong>2012</strong>, BEHE 158, PB,<br />

ISBN 978-2-503-54538-7,<br />

approx. € 70<br />

Publication prévue pour octobre <strong>2012</strong><br />

BiBliothèque de l’école<br />

deS hAuteS étudeS,<br />

ScienceS religieuSeS<br />

Les systèmes de pensée indiens ignorèrent<br />

largement l’icône religieuse<br />

jusqu’au XII e siècle de notre ère<br />

environ, malgré l’importance croissante<br />

qu’elle prit dans la religion dès<br />

avant l’ère chrétienne, qu’il s’agisse<br />

du védisme tardif, de l’hindouisme,<br />

du bouddhisme ou du jaïnisme.<br />

Pourtant l’icône occasionna des débats<br />

dans une civilisation qui était<br />

encline aux discussions critiques.<br />

La société harappéenne (vallée de l’In-<br />

Parmi les nombreux textes qui traitent<br />

des questions liées à la menstruation,<br />

la Baraïta de-Niddah est de loin le plus<br />

étrange. Écrit en hébreu, il est difficile<br />

à dater et à localiser : peut-être peut-on<br />

le situer en Palestine, dans la seconde<br />

moitié du premier millénaire de l’ère<br />

chrétienne. Précédemment, il n’a été<br />

publié qu’une fois, en 1890. La présente<br />

édition, accompagnée d’une traduction<br />

française, voudrait permettre un accès à<br />

ce texte fascinant aux hébraïsants ainsi<br />

qu’aux non-spécialistes.<br />

Prétendant à un statut de texte législatif<br />

classique, cette pseudo-Baraïta (texte<br />

contemporain de la Mishna, mais qui<br />

n’a pas été reçu dans le recueil officiel)<br />

a eu un statut ambigu dans la tradition<br />

rabbinique. Sans aucun souci de chronologie<br />

par rapport aux personnages<br />

dont elle cite les propos, elle est en fait<br />

un recueil de croyances populaires,<br />

où se mêlent des considérations qui se<br />

veulent médicales, des observations<br />

naturelles étonnantes et, surtout, une<br />

peur extrême de la femme menstruée.<br />

dus, vers 2500-1800 av. J.-C.) connaissait<br />

un iconisme qui est aujourd’hui<br />

d’une interprétation difficile. Le védisme<br />

ancien, qui lui succéda, associe<br />

les dieux non à des représentations<br />

plastiques, mais à leur révélation par<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Comparative Religious Studies<br />

Ce texte constitue un document particulièrement<br />

remarquable, qui devrait<br />

susciter l’intérêt aussi bien des ethnologues<br />

et des sociologues que des<br />

spécialistes de l’histoire des rapports<br />

hommes/femmes et des religions.<br />

la parole du Veda. Les milieux qui<br />

se réclament du védisme pourraient<br />

avoir connu une sorte de crise de<br />

conscience iconologique du IV e au II e<br />

siècle avant notre ère environ. L’icône<br />

matérielle devint progressivement<br />

l’objet d’un consensus social, en dépit<br />

des réserves, du scepticisme, voire des<br />

critiques que l’on émit à son égard<br />

dans certains cercles. Elle remplit ainsi<br />

un rôle unificateur analogue à celui<br />

qu’eurent dans l’Europe médiévale<br />

des concepts comme celui de Dieu.<br />

Cet ouvrage, qui ne traite pas d’histoire<br />

de l’art, examine la pensée fragmentaire<br />

de l’icône en Inde ancienne<br />

jusqu’au XII e siècle : parfois conçue<br />

comme étant un être vivant ou un sujet<br />

juridique, parfois suscitant des résistances<br />

théoriques (notamment dans le<br />

bouddhisme ancien, en contraste avec<br />

la relique), inscrite dans le réseau des<br />

signes divinatoires favorables, emplie<br />

de conscience divine au moyen du<br />

rite, l’icône est restée jusqu’à présent<br />

une composante majeure de la société<br />

indienne.<br />

41


42<br />

Die Rede der lebendigen<br />

Seele<br />

Werner Sundermann<br />

approx. 220 p., 210 x 297 mm,<br />

<strong>2012</strong>, BTT 30, PB,<br />

ISBN 978-2-503-54627-8,<br />

approx. € 75<br />

Publication date scheduled for October <strong>2012</strong><br />

Berliner turfAntexte<br />

The ‘Speech of the Living Soul’ (gōwišn<br />

ī grīw zīndag) is the only Middle Persian<br />

verse-cycle extensively preserved<br />

in the Turfan Collection in Berlin. It<br />

constitutes an important Manichaean<br />

text dedicated to the central Manichaean<br />

concept of the Living Soul,<br />

the light trapped in the material world<br />

which desires to return to its proper<br />

place in the paradise of light and which<br />

the Manichaeans have a duty to save.<br />

The fact that the language of the text<br />

ISSN 2031-5929<br />

is Middle Persian rather than Parthian<br />

suggests that it may have been made<br />

during Mani’s lifetime though perhaps<br />

not by Mani himself. A small part of<br />

a Sogdian translation is also preserved.<br />

This edition presents 252 verses of the<br />

text on the basis of 54 fragments, some<br />

of which have never been published<br />

before. The fragments reveal extensive<br />

passages of a carefully composed and<br />

elegant text but it has not been possible<br />

to establish the overall sequence<br />

of the preserved parts of the text.<br />

The German-language edition comprises<br />

an extensive introduction to<br />

the contents of the text, a description<br />

of the fragments, a critical edition of<br />

the individual fragments, a complied<br />

text presenting the Middle Persian<br />

and Sogdian fragments with a German<br />

translation on facing pages, notes,<br />

a glossary, a bibliography, an English<br />

translation of the complied text and<br />

five plates showing selected fragments.<br />

AnnAli di scienze religiose<br />

International Journal of Religious Scholarship<br />

with an Annotated Bibliography of Ambrosian Studies<br />

http://brepols.metapress.com/content/121188/<br />

Annali di Scienze Religiose is a periodical<br />

stemming from the research<br />

activities of the Department of<br />

Religious Science at the Università<br />

Cattolica di Milano (Catholic<br />

University of the Sacred Heart in<br />

Milan) which apply a multidisciplinary<br />

approach to religious<br />

phenomena and focus particular<br />

attention on the three monotheistic<br />

religions and religions of the<br />

ancient Mediterranean world. It<br />

features contributions from Italian<br />

and foreign scholars writing in the<br />

main European languages and Arabic.<br />

Each issue is subdivided into a<br />

monographic section which gives<br />

its name to the subtitle of the issue,<br />

a section on conferences with texts<br />

that employ a scientific approach<br />

in dealing with a wide range of historical<br />

and comparative topics, and<br />

lastly, a section regarding studies<br />

presenting timely contributions on<br />

specific themes. Every issue ends<br />

with the Ambrosian Bibliography,<br />

an annual survey of publications<br />

regarding the person and works of<br />

Ambrose of Milan.<br />

Bibliografia Ambrosiana 2005 – 2006<br />

a cura di Paolo Bernardini<br />

Il nome “Ambrosius” o i nomi di autori moderni (in tondo) seguiti dall’anno e dal<br />

numero progressivo (es.: “Zelzer 2004 nr. 237”), rimandano ai titoli censiti in questo<br />

o nei precedenti bollettini della presente Bibliografia Ambrosiana. L’indicazione (in<br />

maiuscoletto) “Visonà 345” rimanda, invece, alle pp. del volume Cronologia ambrosiana.<br />

Bibliografia ambrosiana (1900-2000), a cura di G. Visonà, Milano, Biblioteca Ambrosiana<br />

– Roma, Città Nuova, 2004 (Tutte le opere di Sant’Ambrogio. Sussidi 25/26). Le Epistulae<br />

di Ambrogio sono citate di norma secondo la nuova numerazione di Zelzer (CSEL). Nel<br />

caso che il singolo autore le citi con la numerazione dei Maurini, questa è indicata tra<br />

quadre (es.: Ep. 62 [Mau. 19])<br />

2005 241. Ambrosius Mediolanensis, De fide (ad Gratianum) = Über<br />

den Glauben (an Gratian), 3 voll., übersetzt und eingeleitet<br />

von Christoph Markschies, Turnhout, <strong>Brepols</strong>, 2005 (Fontes<br />

Christiani, 47/1-3), 1-248, 249-584, 585-868 pp.<br />

La nuova traduzione di Markschies si basa sul testo dell’edizione<br />

di Faller, dalla quale dipendono pure l’apparato e l’annotazione.<br />

L’ampia introduzione contiene una presentazione generale della<br />

vita dell’Autore (pp. 9-27), con particolari accenni alla controversia<br />

ariana, poi una sintesi delle opere con una proposta di datazione<br />

(pp. 27-41), quindi una trattazione dei maggiori problemi relativi<br />

all’opera: redazione (pp. 45-52), reazioni suscitate (pp. 52-54),<br />

contenuti e teologia (pp. 54-67), fonti (pp. 68-82) e, infine, recezione<br />

dell’opera nei florilegi tra V e VII secolo (pp. 99-129). Nel complesso<br />

i tre volumi curati da Markschies hanno il merito di riproporre il<br />

ruolo di Ambrogio all’interno del panorama teologico patristico,<br />

anche se non producono un sostanziale avanzamento nella<br />

rivalutazione della sua originalità di pensiero rispetto agli studi<br />

precedenti (fra cui lo stesso Markschies 1995 [cfr Visonà 548-549])<br />

e non sono esenti da imperfezioni, sia nella traduzione che nella<br />

parte introduttiva (come segnalato dalle recensioni).<br />

Rec.: «Adamantius», XII, (2006), pp. 581-583 (Yves-Marie Duval);<br />

«Revue d’Histoire Ecclésiastique», CI, (2006), fasc. 1, pp. 393-394<br />

(Jean-Marie Auwers).<br />

242. Ambrosius Mediolanensis, Political Letters and Speeches.<br />

Letters, Book Ten, Including the Oration on the Death of Theodosius I;<br />

Letters outside the Collection (Epistulae extra collectionem); Letter<br />

30 to Magnus Maximus; The Oration on the Death of Valentinian<br />

II, translated, with an introduction and notes, by John H.W.G.<br />

Liebeschuetz, with the assistance of Carole Hill, Liverpool, Liverpool<br />

University Press, 2005 (Translated Texts for Historians, 43), 424 pp.<br />

La traduzione di lettere di Ambrogio non è nuova in inglese (se ne<br />

trovano fin dalla fine dell’Ottocento: Selected Works and Letters, ed.<br />

doi 10.1484 / j.asr.1.100831<br />

ASR3_bib.indd 259 28/04/2011 9:51:38<br />

Every issue ends with the Ambrosian Bibliography.<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / Comparative Religious Studies<br />

Will interest: Students of Manichaeism;<br />

of Central Asian history and<br />

cultures; of comparative religion; of<br />

Iranian languages and literatures.<br />

Editor:<br />

Gian Luca Potestà (Università Cattolica del Sacro Cuore, Milano)<br />

Università Cattolica del Sacro Cuore Milano Dipartimento di Scienze Religiose<br />

La rivista nasce dalle attività di ricerca del Dipartimento<br />

di Scienze religiose dell’Università Cattolica<br />

di Milano, secondo un approccio multidisciplinare<br />

al fenomeno religioso, con particolare<br />

attenzione ai tre monoteismi e alle religioni del<br />

mondo mediterraneo antico. Ospita contributi di<br />

studiosi italiani e stranieri nelle principali lingue<br />

europee ed in arabo, suddivisi in una sezione monografica<br />

che determina il sottotitolo del fascicolo,<br />

una sezione di conferenze, con testi che affrontano<br />

con approccio scientifico temi di ampio respiro<br />

storico o comparativo, e infine una sezione di studi<br />

che presentano contributi puntuali su temi specifici.<br />

Conclude ogni fascicolo la bibliografia ambrosiana,<br />

rassegna annuale delle pubblicazioni relative<br />

alla figura e alle opere di Ambrogio di Milano.


hiStory of Science<br />

Janus Cornarius et la<br />

redécouverte d’Hippocrate<br />

à la Renaissance<br />

Marie-Laure Monfort<br />

approx. 350 p., 156 x 234 mm,<br />

<strong>2012</strong>, DDA 95, HB,<br />

ISBN 978-2-503-53803-7,<br />

approx. € 65<br />

Publication prévue pour octobre <strong>2012</strong><br />

de diVerSiS ArtiBuS<br />

Johann Haynpol de Zwickau, dit Janus<br />

Cornarius (ca. 1500-1558), a publié<br />

près d’une cinquantaine d’ouvrages,<br />

consistant essentiellement en traductions<br />

latines des grands auteurs médicaux<br />

grecs, Hippocrate et Galien entre<br />

autres, mais aussi des Pères grecs et<br />

cArtogrAphy<br />

Barcelone, Gênes et<br />

Marseille<br />

Cartographies et images,<br />

XVI e -XIX e siècle<br />

Guenièvre Fournier-<br />

Antonini<br />

approx. 800 p., 75 ill. n/b, 75 ill. couleur,<br />

210 x 270 mm, <strong>2012</strong>, TO 10, HB,<br />

ISBN 978-2-503-54492-2, € 180<br />

Publication prévue pour octobre <strong>2012</strong><br />

Prix de lancement : € 150<br />

valable jusqu’au 31 octobre <strong>2012</strong><br />

terrAruM orBiS<br />

Pour la première fois, une histoire<br />

comparée est appliquée à la cartographie<br />

urbaine. En collectant méticuleusement<br />

les vues et plans de Barcelone,<br />

Gênes et Marseille conservés dans<br />

les principaux fonds cartographiques<br />

même de l’œuvre complète de Platon,<br />

auxquelles les spécialistes continuent à<br />

se référer. Sa traduction d’Hippocrate<br />

parue en 1546 représente une importante<br />

contribution au progrès médical<br />

de la Renaissance, parce qu’elle s’accompagne<br />

d’une réorganisation originale<br />

de la matière médicale autour de<br />

la question des fièvres pestilentielles.<br />

Les écrits personnels de Janus Cornarius,<br />

qui est par ailleurs probablement<br />

le modèle historique du personnage<br />

de Panurge, dévoilent aussi son rôle<br />

de tout premier plan dans la diffusion<br />

de la théorie copernicienne. L’ouvrage<br />

présente les données textuelles conduisant<br />

à ces deux découvertes significatives<br />

et offre la première bibliographie<br />

exhaustive des éditions cornariennes,<br />

ainsi que la traduction des principaux<br />

écrits de Janus Cornarius ayant trait à<br />

Hippocrate.<br />

euro péens, l’auteur analyse l’évolution<br />

des productions et des usages<br />

des images, depuis leur apparition<br />

dans la littérature humaniste jusqu’à<br />

l’émergence de la photographie. Qu’il<br />

s’agisse de plans ornant les galeries<br />

cartographiques, de représentations<br />

éditées dans des atlas ou diffusés sur<br />

le marché de l’estampe, de cartes<br />

F orthcoming T itles <strong>Autumn</strong> <strong>2012</strong> / History of Science / Cartography<br />

militaires ou de plans d’aménagement<br />

urbain, les images traduisent les dynamiques<br />

de conception graphique et<br />

mentale des villes méditerranéennes.<br />

En éclairant les formes de pratiques cartographiques,<br />

ce livre propose d’aborder<br />

les représentations urbaines par<br />

l’évolution des rapports à la ville, telle<br />

qu’elle peut être perçue, vécue et imaginée,<br />

dans les milieux intellectuels très<br />

divers dont elles proviennent.<br />

Guenièvre Fournier-Antonini<br />

est docteur en histoire moderne de<br />

l’École des hautes études en sciences<br />

sociales, ancienne boursière de<br />

l’École française de Rome, récompensée<br />

par le John Brian Harley<br />

Fellowship Research. Commissaire<br />

de l’exposition La ville figurée<br />

organisée au musée d’histoire de<br />

la ville de Marseille en 2005, elle a<br />

publié l’ouvrage du même nom aux<br />

éditions Parenthèses.<br />

43


44<br />

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Publication date scheduled for October <strong>2012</strong><br />

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Series: Medieval Women: Texts and Contexts 24<br />

Publication date scheduled for October <strong>2012</strong><br />

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Series: Studies in the Early Middle Ages 11<br />

Publication date scheduled for October <strong>2012</strong><br />

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The Performance of Christian and Pagan Storyworlds.<br />

Non-Canonical Chapters of the History of Nordic Medieval<br />

Literature<br />

Series: Medieval Identities: Socio-Cultural Spaces 3<br />

Publication date scheduled for October <strong>2012</strong><br />

p. 11<br />

Guus Borger, Adri de Kraker, Tim Soens, Erik Thoen, Dries Tys (eds.)<br />

Landscapes or Seascapes?<br />

The History of the Coastal Environment in the North Sea Area<br />

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Series: Comparative Rural History of the North Sea Area 13<br />

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Between Personal and Institutional Religion.<br />

Self, Doctrine, and Practice in Late Antique Eastern Christianity<br />

Series: Cultural Encounters in Late Antiquity and the Middle Ages 15<br />

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p. 37


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