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<strong>The</strong> <strong>hidden</strong><br />

<strong>lagoon</strong><br />

Between archaeology<br />

and nature across<br />

Venetian lands


<strong>The</strong> <strong>hidden</strong> <strong>lagoon</strong><br />

Between archaeology<br />

and nature across Venetian lands<br />

COMUNITÀ EUROPEA<br />

“Progetto cofi nanziato d<strong>al</strong>l’Unione Europea me<strong>di</strong>ante il Fondo Europeo <strong>di</strong> Sviluppo Region<strong>al</strong>e<br />

INIZIATIVA COMUNITARIA INTERREG III A It<strong>al</strong>ia/Slovenia 2000/2006 - PROGETTO “COAST<br />

TO COAST” sezione TURISTICO/AMBIENTALE E CULTURALE” (co<strong>di</strong>ce progetto BAVEN 222071)<br />

“Project co-fi nanced by the European Union through the Fondo Europeo <strong>di</strong> Sviluppo Region<strong>al</strong>e<br />

(Region<strong>al</strong> Development European Fund), COMMUNITY INITIATIVE INTERREG III A<br />

It<strong>al</strong>y/Slovenia 2000/2006 “COAST TO COAST” PROJECT, TOURISM/ENVIRONMENT<br />

AND CULTURE section (project code BAVEN 222071)<br />

“Projekt sofi nanciran s sredstvi Evropskega sklada za region<strong>al</strong>ni razvoj Evropske unije<br />

POBUDA SKUPNOSTI INTERREG III A It<strong>al</strong>ija/Slovenila 2000/2006 – PROJEKT “COAST<br />

TO COAST” TURISTIČNO/OKOLJSKA IN KULTURNA sekcija” (koda projekta BAVEN 222071)<br />

Comune <strong>di</strong><br />

Jesolo<br />

Comune <strong>di</strong><br />

Caorle<br />

Comune <strong>di</strong><br />

Eraclea<br />

PROVINCIA<br />

DI VENEZIA<br />

Comune <strong>di</strong><br />

Concor<strong>di</strong>a Sagittaria<br />

Comune <strong>di</strong><br />

Quarto d’Altino<br />

We wish to thank:<br />

Parco Region<strong>al</strong>e Veneto del Delta del Po, <strong>Provincia</strong> <strong>di</strong> Venezia e APT <strong>della</strong> <strong>Provincia</strong> <strong>di</strong> Venezia, Comune <strong>di</strong> Jesolo,<br />

Comune <strong>di</strong> Caorle, Comune <strong>di</strong> Eraclea, Comune <strong>di</strong> Concor<strong>di</strong>a Sagittaria, Comune <strong>di</strong> Quarto d’Altino


Venetian lands<br />

tReViso<br />

MestRe<br />

Sile<br />

QuARto<br />

D’AltiNo<br />

VeNeZiA<br />

Piave<br />

QuARto D’AltiNo<br />

toRCello<br />

• Hortus Altini<br />

• <strong>The</strong> <strong>lagoon</strong> and<br />

Trep<strong>al</strong>ade<br />

Nature Reserve<br />

CAVAlliNo<br />

sAN DoNÀ<br />

Di piAVe<br />

Livenza<br />

eRACleA<br />

liDo<br />

Di Jesolo<br />

Jesolo<br />

eRACleA<br />

Jesolo<br />

• Lagoon of Mort<br />

• W<strong>al</strong>king and<br />

scouting…<br />

in Eraclea<br />

eRACleA<br />

MARe<br />

• Jesolo and<br />

its <strong>lagoon</strong><br />

• <strong>The</strong> fi sh farms<br />

poRtoGRuARo<br />

CoNCoRDiA<br />

sAGittARiA<br />

CAoRle<br />

Tagliamento<br />

CoNCoRDiA sAGittARiA<br />

• From clay to ceramic<br />

• Vasa Rubra<br />

• Weapons and<br />

equipment in<br />

the roman world<br />

MAR<br />

ADRIATICO<br />

VeNeto<br />

CAoRle<br />

• V<strong>al</strong>levecchia<br />

• Fishing: boats and<br />

trades in the sea,<br />

the rivers and the<br />

<strong>lagoon</strong>s<br />

provincia<br />

<strong>di</strong> Venezia<br />

Veneto<br />

it<strong>al</strong>ia<br />

BiBioNe<br />

slovenija


Index<br />

Foreword 7<br />

<strong>The</strong> environment 8<br />

Jesolo 13<br />

Eraclea 19<br />

Caorle<br />

Quarto d’Altino 31<br />

Concor<strong>di</strong>a Sagittaria 37<br />

In the surroun<strong>di</strong>ng areas 42<br />

25<br />

Foreword<br />

It has been quite some time since Veneto Region is committed in supporting and promoting projects which<br />

develop the <strong>di</strong><strong>al</strong>ogue and collaboration among Institutions, with the purpose to v<strong>al</strong>orise environment<strong>al</strong>,<br />

historic<strong>al</strong>, and cultur<strong>al</strong> assets of the Countries that overlook High Adriatic in an integrated way.<br />

<strong>The</strong> “Coast to Coast” project, fi nanced with the community’s Initiative Program Interreg IIIA It<strong>al</strong>y-Slovenia<br />

(2000-2006), is suitable for this v<strong>al</strong>orisation, since it concerns the coast<strong>al</strong> areas and <strong>al</strong>so the near-by<br />

hinterland of Veneto, Friuli Venezia Giulia, and Slovenia, and aims at promoting the historic<strong>al</strong>-archaeologic<strong>al</strong><br />

and natur<strong>al</strong>istic aspects, by pointing out the particular and millenary relations of men with the environment,<br />

<strong>lagoon</strong>, water streams, and sea. This current publication, “La Laguna Nascosta (<strong>The</strong> Hidden Lagoon)”,<br />

highlights sceneries, places, and tra<strong>di</strong>tions of the eastern part of Veneto that only a few people, up to now,<br />

have the possibility and the luck to know and visit.<br />

At the same time, the coor<strong>di</strong>nating subject of the entire project, Ente Parco Region<strong>al</strong>e Veneto del Delta del<br />

Po (Veneto Del Delta del Po Region<strong>al</strong> Park Body), is committed in the development of relations - based<br />

on environment<strong>al</strong>, historic<strong>al</strong>, and tourist an<strong>al</strong>ogies - that strengthen more and more, the collaborations<br />

with the territories that overlook High Adriatic’s coasts. In particular, the cooperation with Slovenia,<br />

which involved SLOVENETA D.O.O., Komen, Capo<strong>di</strong>stria, Pirano, Portorose, and Izola municip<strong>al</strong>ities in the<br />

partner project, constitutes a further step towards the v<strong>al</strong>orisation and integrated promotion of Slovenian<br />

and Venetian territories.<br />

Wishing that the above mentioned project guidelines may fi nd further development and may <strong>al</strong>so be shared<br />

in the new 2007-2013 community’s programming cycle, together with the course of the collaboration with<br />

Slovenian and Friulan partners, I invite the readers to a pleasant re<strong>di</strong>scovery of our territories.<br />

This publication is the result of the EC project “Coast to Coast” within the INTERREG III A It<strong>al</strong>y-Slovenia<br />

program aiming to enhance the tourism, environment and cultur<strong>al</strong> offer in the areas stretching<br />

out between the delta of the river Po and the Slovenian side thus concerning the whole Province of Venice<br />

and the Venetian coast in particular. <strong>The</strong>se pages are the account of some less known aspects peculiar<br />

to such lands which can be of great interest due to their historic<strong>al</strong>, archaeologic<strong>al</strong> and natur<strong>al</strong>istic<br />

signifi cance.<br />

Our purpose is to highlight hereby the tourism related features accor<strong>di</strong>ng to a specifi c perspective such<br />

as the one resulting from a view of our territory as seen by young people. <strong>The</strong>se areas are in fact linked<br />

by a common history, starting before roman times up until the Middle Age, as well as by the environment<br />

<strong>di</strong>splaying similar features <strong>al</strong>so thanks to the presence of water streams, sea and <strong>lagoon</strong>s.<br />

This guide aims to introduce the gener<strong>al</strong> features peculiar to both the inland and the coast<strong>al</strong> areas of the<br />

Province of Venice, with speci<strong>al</strong> attention to those referring to settlements such as Jesolo, Eraclea, Caorle,<br />

Quarto d’Altino and Concor<strong>di</strong>a Sagittaria, <strong>al</strong>ong with every possible new fi n<strong>di</strong>ng. Some recommended<br />

activities are <strong>al</strong>so listed: nature w<strong>al</strong>ks, fl ower- and anim<strong>al</strong>-watching and going in search of history, of<br />

human interventions as well as of loc<strong>al</strong> tra<strong>di</strong>tions.<br />

So… enjoy your holidays!<br />

Councilman responsible for Tourism of Province of Venice<br />

Danilo Lunardelli<br />

Region<strong>al</strong> Councillor<br />

Economic<strong>al</strong> and Institution<strong>al</strong> Policies Department<br />

Attorney Fabio Gava<br />

President of Province of Venice<br />

Davide Zoggia<br />

6 7


<strong>The</strong> environment<br />

From coast to coast,<br />

where land meets the sea<br />

In ancient times the upper Adriatic coast was marked by a succession of <strong>lagoon</strong>s from<br />

Ravenna to Aquileia, interrupted only by the delta of the rivers Po, A<strong>di</strong>ge, Brenta,<br />

Piave and Tagliamento. It was therefore possible to sail <strong>al</strong>l the way from Ravenna to<br />

Altino through inner streams fl owing across the <strong>lagoon</strong>s.<br />

However the <strong>lagoon</strong> is not only a unique place from the natur<strong>al</strong>istic point of view: its<br />

uniqueness is <strong>al</strong>so due to the fact that here was built and fl ourished the city of Venice.<br />

History and nature connect Venice to <strong>al</strong>l the following centres – Jesolo, Caorle, Quarto<br />

d’Altino, eraclea and Concor<strong>di</strong>a sagittaria – whose speci<strong>al</strong> aspects we wish to ighlight<br />

hereby.<br />

<strong>The</strong> areas in subject were <strong>al</strong>ready inhabited during the pre-roman and roman periods,<br />

and they were important since representing the bond between land and water, north<br />

and south and between east and west…re<strong>al</strong> “colonisation” of the coasts, however,<br />

actu<strong>al</strong>ly took place due to the barbarian invasions (especi<strong>al</strong>ly the Huns led by Attila<br />

during the IV century a.C. as well as the Longobards during the VI cent.) that forced<br />

the inhabitants of Altino, Oderzo, <strong>al</strong>ong with the inland populations, to seek refuge in<br />

the islands of the <strong>lagoon</strong> which could have been better defended, as then happened for<br />

many centuries, from the incursions of the invaders.<br />

Caorle, Torcello, M<strong>al</strong>amocco, Chioggia, Grado and Meli<strong>di</strong>ssa (Eraclea) <strong>al</strong>ong with<br />

Ri<strong>al</strong>to and then Venice represented the core of the new “maritime Venice” and lived<br />

on tra<strong>di</strong>ng and fi shing, establishing strong links with the East. Over the time some<br />

geographic<strong>al</strong> features have changed, streams caused fl oods and then created sandbanks<br />

thus often turning islands into peninsulas and today into beach resorts…<br />

In the near inland, instead, there were large woods (plain forests) of which nowadays<br />

only sm<strong>al</strong>l parts have survived near the areas hereby mentioned.<br />

<strong>The</strong> Republic of Venice and its gradu<strong>al</strong> programme of drainage during the last few<br />

centuries rendered this land habitable and today the historic<strong>al</strong> and territori<strong>al</strong><br />

relationships of these centres, between nature and archaeology, are being brought to<br />

light <strong>al</strong>so thanks to the “Coast to Coast” project.<br />

<strong>The</strong> Lagoons<br />

Lagoons are humid areas where a regular exchange between earth and water takes<br />

place, they are located near river deltas and sh<strong>al</strong>low and sandy sea shores. <strong>The</strong> largest<br />

<strong>lagoon</strong> in It<strong>al</strong>y is the Venetian one <strong>di</strong>vided into North and South <strong>lagoon</strong>. To be<br />

mentioned are <strong>al</strong>so: Caorle and Bibione <strong>lagoon</strong> as well as that of Marano, in the Friuli<br />

region, and those at the delta of the river Po. <strong>The</strong> Venetian <strong>lagoon</strong> is a very speci<strong>al</strong> natur<strong>al</strong><br />

area that had a quite important role in history and art: the city of Venice in fact was built on<br />

the islands of the <strong>lagoon</strong>, where the inhabitants of the mainland had fl ed from barbarian<br />

invasions, from the IV to the VII century a.C. Lagoons are environments full of life, in constant<br />

evolution; furthermore, just like <strong>al</strong>l humid areas, they are very important on the ecologic<strong>al</strong><br />

point of view, due to the possibility to protect birds as well as to maintain a close relationship<br />

between sea and its shores.<br />

8 9


10<br />

<strong>The</strong>y feature sh<strong>al</strong>low and brackish waters<br />

that sometimes, depen<strong>di</strong>ng on tides, fl ood<br />

the sandy areas c<strong>al</strong>led barene and velme<br />

(marshes) while the upper areas are c<strong>al</strong>led<br />

motte. <strong>The</strong>y are crossed by sm<strong>al</strong>l inner water<br />

streams c<strong>al</strong>led ghebi; the sheets of water<br />

are c<strong>al</strong>led either v<strong>al</strong>li (v<strong>al</strong>leys) or ciari<br />

(clear). <strong>The</strong> area where the <strong>lagoon</strong> fl ows<br />

into the sea is c<strong>al</strong>led bocche (mouths).<br />

Sometimes <strong>lagoon</strong> areas involve <strong>di</strong>rect human<br />

intervention such as embankments or <strong>di</strong>gging, or simply the wedging in of bricole, wooden<br />

stakes driven in the bottom of the can<strong>al</strong>s in order to in<strong>di</strong>cate the inner navigable water ways,<br />

or sometimes involving only fi shing or hunting. Lagoons feature speci<strong>al</strong> vegetation that<br />

changes accor<strong>di</strong>ng to the water type: <strong>al</strong>ong the river mouths, where water is fresh, there<br />

are high reed thickets that become lower towards the area of the re<strong>al</strong> <strong>lagoon</strong>. In the middle<br />

marsh zones spots of lilac colour are due to s<strong>al</strong>t marsh grass (limonium) and sea lavender.<br />

In the areas that get fl ooded more often we can fi nd pickle-weed and eelgrass, low plants<br />

whose roots, however, consolidate the soil; in the less frequently fl ooded areas grows the<br />

cord grass. In the motte and on the islands we can fi nd tamarisks, sea wheat grass and<br />

santonica. <strong>The</strong> <strong>lagoon</strong> environment is inhabited by a great variety of anim<strong>al</strong>s: molluscs,<br />

insects, reptiles and sm<strong>al</strong>l mamm<strong>al</strong>s. Birds here can fi nd food quite easily either by “fi shing”<br />

in sh<strong>al</strong>low waters or by eating insects. Cormorants, fi shing birds, can be seen resting on the<br />

bricole <strong>al</strong>lowing their feathers to dry, as well as svassi (grebes), <strong>di</strong>ving ducks (where water<br />

is deeper) and <strong>di</strong>fferent kinds of herons, like the grey heron or the sm<strong>al</strong>ler white one c<strong>al</strong>led<br />

egret. Birds often nest or stop here while migrating elsewhere. For instance the more and<br />

more often in the <strong>lagoon</strong>s around Venice or Jesolo we can see pink fl amingos that, due to<br />

glob<strong>al</strong> warming, are forced to migrate north. Due to the <strong>lagoon</strong>’s sh<strong>al</strong>low waters sailing is<br />

performed by means of boats with a fl at bottom. Many parts of the <strong>lagoon</strong> area, about 15%,<br />

are devoted to fi sh-farms, where various types of fi sh are bred accor<strong>di</strong>ng to a “controlled”<br />

system and are afterwards caught to be brought to our tables.<br />

<strong>The</strong> Rivers<br />

Rivers are another <strong>di</strong>stinguishing element of the province of Venice and of its history.<br />

<strong>The</strong> most important historic<strong>al</strong> events took place near rivers or near their mouths, and<br />

nowadays their natur<strong>al</strong> and environment<strong>al</strong> aspects are quite interesting. Furthermore<br />

the history of the Province is strictly connected to rivers’ life <strong>al</strong>so due to the fact that<br />

the Republic of Venice has implemented, during the past centuries, many works in<br />

order to change the course of the rivers and to make life in the <strong>lagoon</strong> safer and<br />

he<strong>al</strong>thier. Over <strong>al</strong>l we wish to remind here the river piave, renowned for the battles that<br />

took place <strong>al</strong>ong its banks during World War I, which is a river fl owing <strong>al</strong>l the way to the<br />

Dolomites with an impetuous course and then fl owing into sea between Jesolo and<br />

Eraclea. Its course was deviated by the Republic of Venice in order to avoid coarser<br />

se<strong>di</strong>ments brought by the river to pile up off shore in the <strong>lagoon</strong>. <strong>The</strong>re is <strong>al</strong>so a completely<br />

<strong>di</strong>fferent and quieter river originating much more down below where the plain area starts<br />

and the water is surfacing: it’s the river sile, fl owing near Quarto d’Altino, which is the<br />

longest spring river in Europe. River lemene instead links Concor<strong>di</strong>a and Portogruaro to<br />

Caorle and its <strong>lagoon</strong>.<br />

11


12<br />

View of Jesolo Lido<br />

Jesolo<br />

A golden strip between<br />

fresh and brackish waters<br />

Jesolo is one of the most renowned seaside resorts in it<strong>al</strong>y: there are 15 km of soft<br />

sandy beach, hundreds of hotels and restaurants and thousands of amusements, of<br />

shopping and sport activities, in other words a great variety of ways to soci<strong>al</strong>ize.<br />

In ancient times the area where Jesolo is located used to be a <strong>lagoon</strong> with some<br />

scattered islands. <strong>The</strong> largest island was c<strong>al</strong>led equilium by the Romans: probably it<br />

owes its name to the horses that were <strong>al</strong>ready bred by loc<strong>al</strong> ancient inhabitants, the<br />

Venetians. This area has undergone a much<br />

faster development at the occasion of the<br />

arriv<strong>al</strong> of the refugees fl eeing to the islands<br />

due to the barbarian invasions. <strong>The</strong> ancient<br />

Christians <strong>al</strong>so built a church in Equilium,<br />

of which nowadays only some mosaics<br />

survive, and afterwards a basilica, to which<br />

churches and monasteries nearby were<br />

dependent. Its decadence was due to the<br />

rivers fl oo<strong>di</strong>ng the area (Sile and Piave)<br />

and rendering it uninhabitable as well<br />

Ruins of the ancient<br />

C<strong>al</strong>igo tower, me<strong>di</strong>ev<strong>al</strong> garrison.<br />

13


Swinging bridge<br />

on the river Sile - Jesolo<br />

View on the Sile - Piave Vecchia<br />

as causing the <strong>lagoon</strong> to be fi lled up by se<strong>di</strong>ments. During the latest centuries reclaiming<br />

works started in the whole area c<strong>al</strong>led Cavazuccherina. However in year ‘900 the area was<br />

completely drained: the beach was then linked to the mainland and therefore many hotels<br />

started to be built <strong>al</strong>ong with helio-therapeutic institutes for the sun therapy: sun and sand<br />

<strong>al</strong>ong with the io<strong>di</strong>ne of the sea breeze were deemed to have benefi ci<strong>al</strong> properties. <strong>The</strong><br />

ancient name “Jesolo” was reinstated. Nowadays there are many reasons to go to Jesolo:<br />

beach life, w<strong>al</strong>ks <strong>al</strong>ong the lively roads, but <strong>al</strong>so getting to know the nature and the <strong>lagoon</strong><br />

nearby as well as the <strong>di</strong>scovery of the historic<strong>al</strong> spots located in Jesolo Paese, such as those<br />

in the area of the “ancient w<strong>al</strong>ls”, and where most certainly were located the churches and<br />

the Cathedr<strong>al</strong> of st. Mary, or <strong>al</strong>so visiting the exhibition housed in the loc<strong>al</strong> Town H<strong>al</strong>l.<br />

in-depth<br />

Jesolo and its <strong>lagoon</strong><br />

<strong>The</strong> <strong>lagoon</strong> of Venice… extends down to Jesolo !! You may notice that the road to<br />

Jesolo runs <strong>al</strong>ong <strong>lagoon</strong> areas as well as <strong>al</strong>ong a very important can<strong>al</strong>, the idrovia<br />

Veneta, fl owing from the <strong>lagoon</strong> of Venice to the mouths of river Isonzo.<br />

Within the <strong>lagoon</strong> of Jesolo, as in others, are carried out very important economic<strong>al</strong><br />

activities: yet in the past fi shing and hunting were performed and s<strong>al</strong>t-pits were<br />

exploited. <strong>The</strong> fi sh-farms still exist and particularly important is Dragojesolo area as<br />

large as 1000 hectares. It is a matter of a “framed” <strong>lagoon</strong> hence supporting the<br />

bree<strong>di</strong>ng and fi shing of fi sh, seafood and molluscs, but it is <strong>al</strong>so a greatly important<br />

area due to the other types of fauna. Dragojesolo can be reached by simply taking a<br />

w<strong>al</strong>k from old Jesolo Paese <strong>al</strong>ong S<strong>al</strong>si Street towards Lio Maggiore, another <strong>lagoon</strong><br />

resort: evocative landscapes and great horizons. A few steps away, where the water is<br />

fresher, live turtles, tree-frogs and green toads, while on the lands above sea level<br />

hares and hedgehogs can be seen. However the largest community of anim<strong>al</strong>s is the<br />

birds related one: pink fl amingos transit here while migrating, there are sever<strong>al</strong> herons<br />

(the purple one as well as the egret), wild ducks, the fen-hawk and the kingfi sher.<br />

Many other types of birds are still to be <strong>di</strong>scovered.<br />

Dragojesolo fi sh farm, Northern Lagoon stretch between Jesolo old town centre and Jesolo Lido<br />

14 15


Hence the possibility of birdwatching. A good support to improve our knowledge in<br />

Jesolo is <strong>al</strong>so the Museum of Natur<strong>al</strong> History. Here many anim<strong>al</strong>s of this area and of the<br />

whole of Europe are <strong>di</strong>splayed: over 20.000 pieces with a great number of birds, in ad<strong>di</strong>tion<br />

to many tools used in daily life in the <strong>lagoon</strong> areas and in the fish-farms (therefore <strong>al</strong>so for<br />

fishing and hunting) as well as tools to look after birds in captivity such as cages, troughs,<br />

and instruments used to reproduce the birds singing.<br />

In ad<strong>di</strong>tion to this there is a p<strong>al</strong>aeontology related section with skeletons, images and<br />

full-size models of <strong>di</strong>nosaurs and of the fauna of the Mesozoic era. This section will be<br />

further enlarged and enriched in the next few years. Currently there are sever<strong>al</strong><br />

accurate models of land and sea mamm<strong>al</strong>s as well as of the great predators at the top of<br />

the food chain, living and non-living species, and of the fauna of the whole Veneto<br />

region and <strong>al</strong>most <strong>al</strong>l of the p<strong>al</strong>earctic are<strong>al</strong>.<br />

A natur<strong>al</strong>istic <strong>di</strong>dactic laboratory is available to let visitors experience the use of<br />

materi<strong>al</strong>s such as clay and papier-mache to create reproductions of the fauna peculiar<br />

to the region and to the <strong>lagoon</strong> of Venice.<br />

<strong>The</strong> lighthouse in Cav<strong>al</strong>lino<br />

curious facts<br />

<strong>The</strong> fish farms<br />

(We have mentioned Dragojesolo area but let’s have a look at some further details…)<br />

Lagoon is a landscape influenced by <strong>di</strong>rect human intervention: for instance bricole<br />

and peocere too, in other words the poles and nets used to breed mussels (peoci).<br />

This activity, however, is far more complex and it’s achieved especi<strong>al</strong>ly through the<br />

fish-farms c<strong>al</strong>led “v<strong>al</strong>leys”: in this case the word “v<strong>al</strong>ley” comes from the Latin v<strong>al</strong>lum<br />

which means w<strong>al</strong>l or barrier, since these are areas separated from the <strong>lagoon</strong> by sm<strong>al</strong>l<br />

embankments or screens built by humans as well as limited by dams c<strong>al</strong>led chiaviche.<br />

Fishing hut<br />

<strong>The</strong>se sheets of sh<strong>al</strong>low water rich in fish-<br />

food, are devoted to the bree<strong>di</strong>ng of some<br />

types of fish (sea breams, eels, mullets) in<br />

ad<strong>di</strong>tion to molluscs and seafood. Young<br />

fish are c<strong>al</strong>led avannotti or novellame: they<br />

go with the stream and the percentage of<br />

s<strong>al</strong>t in the water and they dwell in these<br />

“controlled” and protected areas. Young fish<br />

are often caught in the sea (for example by the fishermen in Caorle) and then<br />

transferred to the farms. When fish are grown up and able to go back to the open sea,<br />

they are enclosed in the lavorieri, a kind of triangle shaped enclosures, where they are<br />

then caught. In the past, life in the fish-farms was hard, with little food available and a lot of<br />

humi<strong>di</strong>ty: fishermen would often spend part of the year living in the Cason da pesca (fishing<br />

hut). <strong>The</strong>re were <strong>al</strong>so many Cason da caccia (hunting huts) and hunting barrels, but these<br />

were used mostly by the lords, the great land owners. <strong>The</strong>re were various occupations: a very<br />

important activity was the maintenance of the boat (kept in covered shelters c<strong>al</strong>led cavane)<br />

but <strong>al</strong>so the weaving of nets, cutting the reeds and preparing the nasse, sorts of baskets used<br />

to catch the eels. Reeds were used to manufacture various types of accessories (chairs etc.)<br />

<strong>al</strong>so for people living in the mainland. Some evidences regar<strong>di</strong>ng life in the fish-farms are on<br />

<strong>di</strong>splay in the Municip<strong>al</strong> Museum of Jesolo as well as in other exhibitions held in this area<br />

(Museum of Reclaiming Works of S. Donà, Nature Reserve of Averto fish-farm).<br />

info<br />

MuNiCipAlity of Jesolo<br />

www.comune.jesolo.ve.it<br />

library - tel. (+39)0421 359147 - biblioteca@jesolo.it<br />

Apt <strong>della</strong> provincia <strong>di</strong> Venezia (tourism promotion Agency) - iAt <strong>di</strong> Jesolo - Piazza Brescia, 13<br />

Lido <strong>di</strong> Jesolo - tel. (+39) 0421 370601 - info@aptjesoloeraclea.it - www.turismo.provincia.venezia.it<br />

Municip<strong>al</strong> Natur<strong>al</strong> History Museum - via Bafile, 172 - Lido <strong>di</strong> Jesolo - tel. (+39) 0421 382248<br />

16 17


18<br />

View on Eraclea Mare<br />

Eraclea<br />

<strong>The</strong> Doges’ pinewood<br />

today eraclea is a quiet and green coast<strong>al</strong> town. In ancient times the island of<br />

Meli<strong>di</strong>ssa (its ancient name), inhabited since the fi rst centuries of our era, became the<br />

more and more important due to the<br />

infl ux of populations from the mainland<br />

(especi<strong>al</strong>ly from Oderzo, where an important<br />

roman community had settled) seeking<br />

refuge in the islands from the barbarians.<br />

eraclea owes its name to the emperor of the<br />

Eastern Roman Empire with whom it had<br />

close relationships.<br />

During the VII-VIII centuries, <strong>al</strong>ong with<br />

other villages such as Torcello, Caorle,<br />

Chioggia and Grado, Eraclea became part<br />

of an important network of islands of the<br />

<strong>lagoon</strong> of the north Adriatic sea that<br />

represented the fi rst settlements of Venice.<br />

Achieving full defence from neighbours and<br />

Scenic view of the sea and of Eraclea Mare pinewood<br />

19


pirates, though, was very <strong>di</strong>ffi cult hence the decision to appoint a commander c<strong>al</strong>led “Doge”<br />

who was considered the fi rst Venetian governor.<br />

<strong>The</strong> town changed again name and was c<strong>al</strong>led Cittanova. Wars and fl oods taking place before<br />

year 1000 weakened Eraclea that rapidly declined.<br />

Only from year 1800 the area was drained thus being revived, afterwards the town was c<strong>al</strong>led<br />

Grisolera remin<strong>di</strong>ng the swamp reeds. During the past century the town took back its ancient<br />

and aristocratic name and the tourism sector started to develop. Vestiges of the past can still<br />

be seen in some areas and are partly housed in the loc<strong>al</strong> Museum of Reclaiming Works of<br />

s. Donà <strong>di</strong> piave.<br />

Reclaiming works Museum interiors in San Donà <strong>di</strong> Piave<br />

(Last but not least; here in the Piave area took place many cruci<strong>al</strong> battles of World War<br />

i, so many sites are full of memories <strong>al</strong>though they have been repeatedly destroyed).<br />

Lagoon of Mort<br />

in-depth<br />

Lagoon of Mort<br />

Waters often played games with Eraclea, a town enclosed between the <strong>lagoon</strong> and<br />

important rivers such as the tumultuous river Piave fl owing down from the Dolomites.<br />

<strong>The</strong> best example is undoubtedly the Lagoon of Mort, a sm<strong>al</strong>l <strong>lagoon</strong> thought to have<br />

formed about 70 years ago when the river Piave broke its banks and the fi n<strong>al</strong> part of its<br />

course has therefore undergone some changes. Thus the actu<strong>al</strong> sheet of water was<br />

formed: it is surrounded by sand and mud and its environment is ide<strong>al</strong> for both fauna<br />

and fl ora as well as for relaxing w<strong>al</strong>ks and bird- or plant-watching. In the inner area the<br />

“fossil dunes” (ie ancient dunes of sand that became stable thanks to the action of the plant<br />

roots and therefore wind can no longer interact) are covered with pine trees. Almost <strong>al</strong>l<br />

the luxuriant plants of the Adriatic area date back to the past century when these have been<br />

used to separate the cultivated areas of the inland and the marine areas. Nowadays these are<br />

quiet corners full of shade. At a not too far <strong>di</strong>stance a vegetation peculiar to the s<strong>al</strong>ty and<br />

sandy areas can be found such as marram grass. When w<strong>al</strong>king closer to the water we can<br />

see reed thickets, common reed (phragmites) and other <strong>lagoon</strong> plants such as the pickle-<br />

weed. To be mentioned are <strong>al</strong>so a couple of interesting plants growing here: the orchid<br />

(mountain and swamp types) and a steppe plant, the spear-leaved dogbane (Apocynum<br />

Venetum), thus proving that once weather here was similar to the steppe one, very windy<br />

and dry. <strong>The</strong> vegetation of the <strong>lagoon</strong> beds includes seagrass (Zostera marina) as well as<br />

20 21


sever<strong>al</strong> types of <strong>al</strong>gae. In the dune area live leverets, weasels and other sm<strong>al</strong>l mamm<strong>al</strong>s<br />

such as rodents in ad<strong>di</strong>tion to reptiles and amphibians. <strong>The</strong> whole area is populated by<br />

sever<strong>al</strong> types of migratory birds. Many <strong>di</strong>fferent types of birds either transit or make a<br />

stop here like wild ducks, te<strong>al</strong>s, garganeys, pintail ducks, whistle ducks, pochards as well<br />

as grebes and other birds of the ducks’ family. Birds like the Kentish plover, the river<br />

nighting<strong>al</strong>e, the zitting cisticola nest here and now and then the grey and purple herons, the<br />

egret and some birds of prey such as the buzzard or the honey buzzard stop here.<br />

Part of the <strong>lagoon</strong> related environment has been replicated at the environment<strong>al</strong><br />

education Centre. <strong>The</strong> Environment<strong>al</strong> Education Centre of Eraclea is housed in an old<br />

loc<strong>al</strong> buil<strong>di</strong>ng known as the ex-kiln. As a matter of fact it’s a drying-house where goods used<br />

to be dried out, amongst which fruits and vegetables for the It<strong>al</strong>ian troops during World<br />

War I. As many other sites in this area it’s a sample of “industri<strong>al</strong> archaeology”. Nowadays<br />

it lays deep in the greenery, a few meters from the sea and next to a natur<strong>al</strong> path crossing<br />

the pine-wood and the dunes.<br />

Environment<strong>al</strong> Education Territori<strong>al</strong> Centre near the old kiln – Eraclea Mare<br />

Martin Pescatore<br />

curious facts<br />

W<strong>al</strong>king and scouting…<br />

in Eraclea<br />

What’s birdwatching and what can be seen in the <strong>lagoon</strong>. Birdwatching consists of observing<br />

birds within their natur<strong>al</strong> habitat. It’s an ecologic<strong>al</strong> activity that started to develop in It<strong>al</strong>y<br />

only recently and that takes place mostly in areas rich in waters or in <strong>lagoon</strong>s: from the delta of<br />

the river Po to the <strong>lagoon</strong> of Venice, Jesolo and to the other fi sh-farm areas. Birds can be watched<br />

while w<strong>al</strong>king across the fi sh-farm area and reed thickets, by stopping in huts or watch-towers<br />

(<strong>al</strong>ong equipped paths) or while sailing on a boat. We would recommend the use of binoculars<br />

and cameras to enjoy better watching. More expert watchers can <strong>al</strong>so use binoculars with a<br />

tripod thus managing to watch more <strong>di</strong>stant birds. In order to perform a good watching session<br />

noticed since anim<strong>al</strong>s are quite frightened by visitors.<br />

info<br />

it is advisable to gather in sm<strong>al</strong>l groups,<br />

wear comfortable shoes, move with extreme<br />

care, avoid wearing gaudy colours (hence<br />

camoufl aging with surroun<strong>di</strong>ng nature)<br />

and use a good protection against insects<br />

and humi<strong>di</strong>ty…. Along the path, if possible<br />

guided by an expert escort, you will be able<br />

to spot some signs of the presence of birds:<br />

tracks, feathers, egg shells, tracks on the trees<br />

or <strong>al</strong>so their singing and rustling. the best<br />

seasons are springtime and f<strong>al</strong>l. However<br />

it is advisable to go watch birds very early in<br />

the morning: indeed it is during the early morning hours that birds living near the water fl y out<br />

to seek food. In ad<strong>di</strong>tion to this it would be useful to try and keep the sun behind own shoulders,<br />

so that birds can be in the light, as well as to w<strong>al</strong>k sideways: it’s important to try and avoid being<br />

MuNiCipAlity of eRACleA<br />

www.comune.eraclea.ve.it<br />

library - tel. (+39)0421 234330 - biblioteca@comune.eraclea.ve.it<br />

Apt <strong>della</strong> provincia <strong>di</strong> Venezia (tourism promotion Agency) - iAt <strong>di</strong> eraclea - via Marinella 56<br />

Eraclea Mare - tel. (+39) 0421 66024 - info@aptjesoloeraclea.it - www.turismo.provincia.venezia.it<br />

environment<strong>al</strong> education Centre of eraclea - via degli Abeti 2 - Eraclea Mare<br />

tel. (+39) 0421 66024<br />

limosa Cooperative - www.limosa.it - tel. (+39) 041 932003<br />

22 23


24<br />

Caorle<br />

Caorle<br />

Life at sea<br />

between history and nature<br />

Caorle is a coast<strong>al</strong> town offering to tourists not only nice beaches and amusements, but<br />

<strong>al</strong>so an interesting historic<strong>al</strong> centre and an large <strong>lagoon</strong> area where natur<strong>al</strong>istic areas<br />

with huts can be found. <strong>The</strong> historic<strong>al</strong> centre of Caorle reminds of the city of Venice and<br />

the island of Burano due to the lively c<strong>al</strong>li (streets) and campielli (sm<strong>al</strong>l squares) and to<br />

the multi-coloured houses overlooking the port. Furthermore an ancient bell tower, next<br />

to the cylindric<strong>al</strong> Cathedr<strong>al</strong> dating back to year 1000, stands out in the town centre.<br />

<strong>The</strong> town, in fact, has been an important centre for fi shing and trade since ancient times and<br />

especi<strong>al</strong>ly during the Middle Age.<br />

History is sometimes emerging from the sea: ancient boats, amphorae and other<br />

remains will soon be <strong>di</strong>splayed in the Museum of sea archaeology currently under<br />

preparation.<br />

If you fi nd yourself in the centre of Caorle, leaving from the typic<strong>al</strong> church of the<br />

Virgin of the Angel overlooking the waves, you will certainly enjoy w<strong>al</strong>king <strong>al</strong>ong the<br />

colourful narrow streets but <strong>al</strong>so <strong>al</strong>ong the seashore and the cliff. However surprises in<br />

this town are not over yet: if you get to the cliff <strong>al</strong>ong the sea you will notice that the<br />

rocks have been sculpted portraying various imaginary fi gures thus turning this place<br />

into an open air art g<strong>al</strong>lery to which every year new masterpieces are added during the<br />

25


Hut in F<strong>al</strong>conera <strong>di</strong> Caorle, located in front of the old house of Guar<strong>di</strong>a <strong>di</strong> Finanza<br />

Scogliera Viva festiv<strong>al</strong>. <strong>The</strong> <strong>lagoon</strong> of Caorle (linked to the Bibione one nearby) is a speci<strong>al</strong><br />

place: water from rivers such as the Lemene here meets with the sea thus creating a unique<br />

landscape. Here next to nature lay <strong>al</strong>so many signs of the life of humans, such as the<br />

fishermen huts, made of straw and reed, c<strong>al</strong>led casoni caorlotti slightly stan<strong>di</strong>ng out<br />

from the reed thickets on the sm<strong>al</strong>l islands connected to the mainland and creating a<br />

re<strong>al</strong>ly unique landscape. <strong>The</strong> <strong>lagoon</strong> is lapping on the sm<strong>al</strong>l town of S. Gaetano a little<br />

beyond the fish-farms such as V<strong>al</strong>le Zignago and V<strong>al</strong>le Grande.<br />

Out and… deep down the sea there is a very speci<strong>al</strong> environment rich in fish: the<br />

tegnue, a rocky sea bed where the fishermen’s nets used to get entangled (hence the<br />

name “tenute” ie held) located offshore in the upper Adriatic, especi<strong>al</strong>ly out of Caorle<br />

and Chiogga. Amongst these speci<strong>al</strong> rocks, formed by marine organisms such as <strong>al</strong>gae<br />

piling up on the sea bed for ages, there are <strong>di</strong>fferent kinds of marine life: sponges, sea<br />

anemones, shell fish (such as the lobster), and fish like the sm<strong>al</strong>l cods.<br />

in-depth<br />

V<strong>al</strong>levecchia<br />

If you manage to travel a few kilometres further on you will enjoy plunging in a<br />

unique environment surprisingly free from buil<strong>di</strong>ngs. Don’t miss Brussa and V<strong>al</strong>levecchia!<br />

V<strong>al</strong>levecchia is an extremely speci<strong>al</strong> place, a nature reserve where where it is possible to w<strong>al</strong>k<br />

for as long as 4 km on the sand in the pine-wood. It’s a matter of a large island overlooking the<br />

sea surrounded by can<strong>al</strong>s and rivers and linked to the mainland by a bridge. About a hundred<br />

years ago it used to be a fish-farm that has been afterwards drained. Currently many actions<br />

have been planned for this area in an attempt to bring it back to the origin<strong>al</strong> con<strong>di</strong>tions by<br />

restoring the wood, the field shrubs, the moist areas peculiar to the <strong>lagoon</strong> environment and<br />

managing to preserve the cultivated area accor<strong>di</strong>ng to ecologic<strong>al</strong> standards. <strong>The</strong>refore it’s<br />

a place enabling us to improve our knowledge (<strong>al</strong>so in the natur<strong>al</strong>istic education centre)<br />

and where it’s possible to take w<strong>al</strong>ks in the pine-wood as well as to swim….<strong>al</strong>so it’s worth<br />

<strong>di</strong>scovering the richness of the <strong>lagoon</strong> and of the open spaces, and to locate the <strong>hidden</strong> huts.<br />

V<strong>al</strong>levecchia is currently managed by Veneto Agricoltura and it’s a speci<strong>al</strong>ly protected<br />

zone (Zps) appointed as “site of communitarian importance” (siC), therefore this<br />

area is deemed important on the ecologic<strong>al</strong> point of view by Europe too.<br />

26 27<br />

V<strong>al</strong>levecchia


Parade Caorlina boat during<br />

the Madonna dell’Angelo feast<br />

that took place in Caorle on<br />

15.09.05. <strong>The</strong> Bishop of Venice<br />

curious facts<br />

Fishing: boats and trades in the<br />

sea, the rivers and the <strong>lagoon</strong>s<br />

In Caorle it is possible to practise fi shing-tourism: a day at sea on fi shermen’s boats<br />

going fi shing as well as enjoying eating the fi sh <strong>al</strong>ready caught. A coast<strong>al</strong> town has its own<br />

boats too. <strong>The</strong> Caorlina boat owes its name to Caorle, it’s a slender but spacious fi shing<br />

and cargo boat peculiar to the rivers and <strong>lagoon</strong>s and whose existence has been testifi ed<br />

since the XVI century. <strong>The</strong> main feature of the Caorlina refers to the shape of its fore and<br />

aft, which are stretching out high and are of the same length thus enabling rapid changes of<br />

<strong>di</strong>rection. It looks like a gondola and can have more than one rower. It can <strong>al</strong>so be dragged<br />

ashore (from the <strong>al</strong>zaie) when sailing across the can<strong>al</strong>s or in case of sailing to the sea sails<br />

could be used. However the Caorlina wasn’t and isn’t used only in Caorle: if needed it was<br />

operating as supporting boat for the fi shing activity both at sea or in the <strong>lagoon</strong> (mostly for<br />

fi shing with fi xed nets), however this boat was <strong>al</strong>so used in rivers. <strong>The</strong> greengrocers of<br />

the islands of Venice would sail on the Caorline early in the morning to go to the<br />

market in Ri<strong>al</strong>to and they would be racing with each other to get there fi rst and enjoy<br />

the privilege of being able to <strong>di</strong>splay own products in the best place. <strong>The</strong> shipyards for<br />

these boats, as well for the bigger boats such as the burci, are usu<strong>al</strong>ly located <strong>al</strong>ong the<br />

river Sile towards Treviso. Nowadays some of this coloured boats can be seen <strong>al</strong>ong the water<br />

streams of the province of Venice during sport competitions and festiv<strong>al</strong>s (p<strong>al</strong>ii remieri) or<br />

at the occasion of historic<strong>al</strong> celebrations (historic<strong>al</strong> regatta). fishing in the rivers, just<br />

like in can<strong>al</strong>s or <strong>di</strong>tches of the Venetian countryside, was a daily practise and quite popular<br />

amongst loc<strong>al</strong>s who where therefore able to secure what was often their sole source of<br />

nourishment. fish were caught by means of ru<strong>di</strong>ment<strong>al</strong> but effi cient tools whose<br />

manufacturing belongs to the cultur<strong>al</strong> legacy of the populations inhabiting the areas <strong>al</strong>ong<br />

the river. One of the most interesting tools that can still be seen in the <strong>lagoon</strong> areas is the<br />

bilancia (square fi shing net), a tool composed of a square net pulled by iron arches<br />

weighed at both ends by some lead b<strong>al</strong>lasts replacing the bamboo canes used in the<br />

Fishing square net<br />

on the river Livenza<br />

past. <strong>The</strong> sides of the square nets can measure one or more metres thus stretching out<br />

for the whole size of the river or can<strong>al</strong>. <strong>The</strong> net is then lowered in water from either the<br />

shores or a boat so to get it to lay on the river bed. After a certain lapse of time it gets<br />

quickly raised so to catch the fi sh transiting above the net and attracted by the baits<br />

arranged on this purpose. <strong>The</strong> pulling system is operated either by a pole to whose<br />

end a rope is tightly bound or by a pulley.<br />

Bunch of vine wood: this fi shing method implemented in rivers and in <strong>lagoon</strong>s was<br />

quite popular in the past when technology still <strong>di</strong>dn’t offer other <strong>al</strong>ternatives. Our<br />

grandfathers used to bind together some freshly cut vine-shoots thus obtaining large<br />

bundles, sometimes they would arrange baits inside the bundles.<br />

Placed in water the bunch would constitute a fake lair for eels and after a few days it<br />

would be quickly pulled out the water thus catching the eels that were trapped inside.<br />

To catch the fi sh a kind of funnel-shaped nets (once made of wicker) c<strong>al</strong>led nasse (or<br />

bertavelli) were <strong>al</strong>so used: once the fi sh was in, it was impossible to come out again<br />

and fi shermen were forced to release the fi sh by pulling them by the tail.<br />

info<br />

MuNiCipAlity of CAoRle<br />

www.comune.caorle.ve.it<br />

library - tel. (+39)0421 219255 - biblioteca@comune.caorle.ve.it<br />

Apt <strong>della</strong> provincia <strong>di</strong> Venezia (tourism promotion Agency) - iAt <strong>di</strong> Caorle<br />

C<strong>al</strong>le delle Liburniche 16 - Caorle - tel. (+39) 0421 81085<br />

info@caorleturismo.it - www.turismo.provincia.venezia.it<br />

Angelo Scola onboard<br />

28 the Caorlina.<br />

29


30<br />

Cycle path on the river Sile<br />

Polychrome glazed vessel<br />

Nation<strong>al</strong> Archaeologic<strong>al</strong><br />

Museum of Altino<br />

Quarto d’Altino<br />

A crossroads<br />

of history and nature<br />

In the heart of the upper Adriatic sea, a few kilometres far from Venice, is located the<br />

ancient Altinum, a roman town, whose utmost fl ourishing took place between the I and<br />

the II century a.C.<br />

Overlooking the <strong>lagoon</strong>, it enjoyed a privileged position: inner <strong>lagoon</strong> routes were<br />

setting courses across the Adriatic; a close network of roads connected the town to the<br />

major city centres of Venetia, while navigable water ways, such as rivers Sile and<br />

Piave, enabled to reach the piedmont areas.<br />

<strong>The</strong> town, built on natur<strong>al</strong> sm<strong>al</strong>l hills and crossed by sever<strong>al</strong><br />

can<strong>al</strong>s, was surrounded by a w<strong>al</strong>l and had an imposing door-<br />

berthing place on the northern side. <strong>The</strong>re were public<br />

buil<strong>di</strong>ngs and residenti<strong>al</strong> areas with domus embellished by<br />

mosaic fl oors. Along the roads hea<strong>di</strong>ng out of the town<br />

there were ample necropolis where over 2000 precious<br />

funerary dowries have been found. Nearby there were<br />

large villas, partly intended for the otium of the we<strong>al</strong>thy<br />

owners, and partly housing some production plants making<br />

them autonomous as well as prosperous.<br />

31


32<br />

Northern door-berthing place:<br />

a reconstruction assumption<br />

(watercolour by Elena DePoli)<br />

<strong>The</strong> village of Altino is currently composed of a sm<strong>al</strong>l settlement surrounded by cultivated<br />

areas, the actu<strong>al</strong> town centre instead, grown around Quarto d’Altino town, has been moved<br />

north. In 1960 the Nation<strong>al</strong> Archaeologic<strong>al</strong> Museum of Quarto d’Altino has been built<br />

on the ancient roman site housing a variety of fi nds from <strong>di</strong>gs of about 2000 tombs. <strong>The</strong> fi nds<br />

include stone sculptures such as monuments and funerary stele with inscriptions, heads<br />

depicting fem<strong>al</strong>e and m<strong>al</strong>e subjects <strong>al</strong>ong with funerary dowries inclu<strong>di</strong>ng both terra-cotta<br />

and glass pottery, adornment objects and coins. Furthermore some mosaics coming from<br />

the settlements are <strong>al</strong>so on <strong>di</strong>splay in the museum rooms. Two large archaeologic<strong>al</strong> sites<br />

open to public visits are located outside the Museum buil<strong>di</strong>ng. One of the two sites hosts a<br />

staircase enabling access to the berthing place on the can<strong>al</strong> as well as a stretch of road paved<br />

with trachytic basoli and lined with ruins of houses and mosaic fl oorings. <strong>The</strong> second site<br />

<strong>di</strong>splays the sandstone block foundations of the monument<strong>al</strong> door-berthing place with two<br />

square towers and a centr<strong>al</strong> courtyard that was once overlooking a water stream.<br />

Due to the extraor<strong>di</strong>nary we<strong>al</strong>th of fi nds housed in the Museum’s warehouse soon the<br />

Museum itself will be moved to two large buil<strong>di</strong>ngs nearby dating back to ‘800 which have<br />

been suitably restored and equipped for the new exhibition. Such a remarkable facility will<br />

<strong>al</strong>so house a variety of items inclu<strong>di</strong>ng sever<strong>al</strong> sm<strong>al</strong>l statues and bronze lamina recently<br />

found during some archaeologic<strong>al</strong> investigations carried out in the museum area where a<br />

shrine, dating from pre-roman and roman times, has been <strong>al</strong>so unearthed.<br />

in-depth<br />

Spanish broom<br />

(from G. Negri,<br />

Illustrated Herb<strong>al</strong>)<br />

Box-tree<br />

(from G. Negri,<br />

Illustrated Herb<strong>al</strong>)<br />

Hortus Altini.<br />

From veget<strong>al</strong> fi nds to restoration<br />

of the ancient environment.<br />

Ancient sources and data obtained as a result of the p<strong>al</strong>eo-botanic<strong>al</strong><br />

investigations carried out on sever<strong>al</strong> fi n<strong>di</strong>ngs from excavations,<br />

gave us an idea of loc<strong>al</strong> landscape during roman times. Towards<br />

north an expanse of woods of mainly oaks and hornbeams, with<br />

ash trees, elms, maple and beech trees, was stretching out to crops<br />

of cere<strong>al</strong>s, mile, barley and spelt. <strong>The</strong>re were fruit trees such as<br />

cherry and plum trees, peach and hazelnut trees as well as fi g trees.<br />

W<strong>al</strong>l-nut trees were grown both for their fruits and their v<strong>al</strong>uable<br />

wood; the vineyards supplied wine for the tables of Altino.<br />

Box-wood foot<br />

from a piece<br />

of furniture<br />

(I cent. A.C.)<br />

Towards south the landscape was<br />

characterized by marshes covered<br />

with fen-grass and fl owers where can<strong>al</strong>s, bordered with reed<br />

and carex thickets, once fl owed. Pine-trees were stan<strong>di</strong>ng out<br />

and were quite appreciated thanks to their sm<strong>al</strong>l and copious<br />

fruits, while the renowned brooms from Altino (Grazio’s <strong>al</strong>tinates<br />

genistae) are blots in the landscape with their colours. Around<br />

the town the necropolis looked like gardens with hedges of<br />

evergreen boxtrees and bushes of wild roses: ...ut... largius rosae<br />

et esc[ae]...ponerentur, hands down the stele of Lucius Ogius<br />

Patroclus from Altino who had made a donation thus granting<br />

plenty of roses to be spread on his grave.<br />

Sole of fem<strong>al</strong>e<br />

sand<strong>al</strong> made<br />

of box-wood<br />

(I cent. a.C.)<br />

Wild rose<br />

(from G. Negri,<br />

Illustrated Herb<strong>al</strong>)<br />

Oak-tree<br />

(from G. Negri,<br />

Illustrated<br />

Herb<strong>al</strong>)<br />

33


curious facts<br />

<strong>The</strong> <strong>lagoon</strong><br />

and Trep<strong>al</strong>ade nature reserve<br />

If w<strong>al</strong>king or cycling <strong>al</strong>ong the green paths <strong>al</strong>ong the water streams fl owing across<br />

Quarto d’Altino area towards the <strong>lagoon</strong>, we will meet trep<strong>al</strong>ade and portegran<strong>di</strong><br />

villages. Many of these areas are located in the natur<strong>al</strong> region<strong>al</strong> park of the river sile.<br />

<strong>The</strong> Sile is the longest spring river in Europe:<br />

it doesn’t originate in the mountains but<br />

in the belt area, near Treviso, between<br />

mountain and plain areas where, due to ground<br />

mo<strong>di</strong>fi cations and slant, water is surfacing<br />

thus creating for instance the fontanassi.<br />

<strong>The</strong> water stream is quiet and clear as well<br />

as easily navigable both with motorboats<br />

and canoes or kayaks.<br />

Trep<strong>al</strong>ade owes its name to the presence,<br />

in the past, of three poles used as a barrier<br />

for boats carrying goods to Venice and that<br />

were therefore compelled to pay a toll or a<br />

Birdwatching hut<br />

fee to pass. Nowadays in Trep<strong>al</strong>ade there is a natur<strong>al</strong>istic oasis: everything here has been kept<br />

the same and the ancient landscape, recently destroyed by agricultur<strong>al</strong> development, has been<br />

restored. A great variety of anim<strong>al</strong>s live here un<strong>di</strong>sturbed in the bushes or in the fen-reed area:<br />

Trep<strong>al</strong>ade nature reserve<br />

M<strong>al</strong>lard<br />

sever<strong>al</strong> birds of <strong>di</strong>fferent types manage to feed themselves with insects and with fruit of the<br />

hedges such as dog-roses and wild plums.<br />

You will be able to identify, both kept in cages or fl ying free, some of the birds peculiar to our<br />

areas such as the butcherbird, the blackcap, the blackbird, the red woodpecker, the great<br />

titmouse and the kingfi sher in ad<strong>di</strong>tion to <strong>al</strong>l those anim<strong>al</strong>s living by the water such as the<br />

egret, the wild duck, the sheldrake, <strong>al</strong>ong with frogs and turtles. <strong>The</strong> wood nearby hosts hares,<br />

hedgehogs and weasels.<br />

info<br />

MuNiCipAlity of QuARto D’AltiNo<br />

www.comune.quartod<strong>al</strong>tino.ve.it<br />

library - tel. (+39)0422 823769 - biblioteca@comunequartod<strong>al</strong>tino.it<br />

Apt <strong>della</strong> provincia <strong>di</strong> Venezia (tourism promotion Agency) - iAt <strong>di</strong> Venezia<br />

tel. (+39)041 5298711 - info@turismovenezia.it - www.turismo.provincia.venezia.it<br />

trep<strong>al</strong>ade Nature Reserve - tel. (+39) 0422 789041 - www.oasitrep<strong>al</strong>ade.com<br />

Nation<strong>al</strong> Archaeologic<strong>al</strong> Museum - via S. Eliodoro, 37 - Quarto d’Altino - tel. (+39) 0422 829008<br />

34 35


36<br />

Bishop P<strong>al</strong>ace<br />

Concor<strong>di</strong>a<br />

Sagittaria<br />

From roman memories<br />

to the routes across eastern Venice<br />

A typic<strong>al</strong> town located on the banks of the river lemene, fl owing fi rst to the <strong>lagoon</strong>s and<br />

then to sea, whose centre is rich in history. As a matter of fact it’s the site of the ancient Julia<br />

Concor<strong>di</strong>a, one of the most important sites of the Triveneto, located on the Annia road at<br />

the crossroads with Postumia. <strong>The</strong> town centre was built around a network of roads, whose<br />

decumanus maximus (the main road <strong>al</strong>ong the east-west axis crossing the cardo, ie the<br />

north to south hinge) can still be seen today, and was embellished with w<strong>al</strong>ls, doors and a<br />

theatre, both public and private spas and some rich domus. <strong>The</strong> town became a defensive<br />

bulwark under the Romans as well as quite renowned for the manufacturing of arrows (the<br />

word Sagittaria was added up to its name in the last century in order to rec<strong>al</strong>l this feature<br />

peculiar to the town). <strong>The</strong> town had <strong>al</strong>so a quite important role during the Christian period<br />

and by the end of the IV century it became the Bishop See. Between the V and VII century<br />

a.C. the inhabitants of Concor<strong>di</strong>a fl ed to Caorle due to barbarian invasions. Nowadays many<br />

evidences of the roman and late-ancient era are still to be seen such as the remains of streets,<br />

w<strong>al</strong>ls, door a bridge, spas and water wells, warehouses, a theatre as well as the military buri<strong>al</strong>-<br />

ground… Many fi nds, however, are on <strong>di</strong>splay in the Nation<strong>al</strong> Archaelogic<strong>al</strong> Museum<br />

of portogruaro (such as remains of mosaic fl ooring, inscriptions and funerary urns of the<br />

roman period), but there is <strong>al</strong>so a very interesting exhibition of fi nds (such as amphorae,<br />

pottery dating back to <strong>di</strong>fferent eras, pillars, ancient water pipes) at the Town H<strong>al</strong>l. Very<br />

37


interesting are <strong>al</strong>so the stratifications, dating back to <strong>di</strong>fferent ages, that follow one another<br />

in the town centre around s. stephen’s Cathedr<strong>al</strong> which is housing many paintings and<br />

ancient remains. To w<strong>al</strong>k down the stairs or a few metres ahead means stepping back in<br />

time. <strong>The</strong> whole p<strong>al</strong>eo-christian area (ie dating back to the early Christian age) was built<br />

above a large roman domus, dating from the I century a.C., in order to host the relics of<br />

the Apostles. Currently there are still some remains of the Trichora Martyrum dating back<br />

to 350 a.C. as well as of the Basilica, built a few decades later and housing some mosaics.<br />

<strong>The</strong> well-preserved baptistery<br />

(dating back to year 1100 ca.) is a<br />

typic<strong>al</strong> example of romanic-byzantine<br />

art with its ancient frescos depicting<br />

holy accounts. It is possible to follow<br />

an historic<strong>al</strong> itinerary starting from<br />

Car<strong>di</strong>n<strong>al</strong> Costantini Square (near the<br />

Cathedr<strong>al</strong>) and then hea<strong>di</strong>ng towards<br />

north <strong>al</strong>ong the roman w<strong>al</strong>ls to end up<br />

in the archaeologic<strong>al</strong> area de<strong>di</strong>cated to<br />

them as well as in the spa site. If we continue towards Mazzini Street and then Clau<strong>di</strong>a Street<br />

we will end up where the ancient town door and the car<strong>di</strong>ne road were.<br />

We can then either continue towards the roman bridge or turn onto the archaeologic<strong>al</strong> <strong>di</strong>gs<br />

where houses, water wells and a theatre have been found.<br />

S. Stephen Cathedr<strong>al</strong><br />

Cathedr<strong>al</strong> apse<br />

in-depth<br />

From clay to ceramic<br />

Clay, the raw materi<strong>al</strong> used to manufacture bricks, roofing tiles, pots, mugs, <strong>di</strong>shes, bowls<br />

and glasses, is a rock whose peculiar feature is “plasticity”: thanks to this feature the<br />

potter can easily mould clay when it’s still moist. Plasticity <strong>di</strong>sappears with cooking, thus<br />

delivering a product with good endurance qu<strong>al</strong>ities and with the desired shape.<br />

Once cooked, clay is c<strong>al</strong>led ceramic. <strong>The</strong> potter used to mould clay with his hands, giving<br />

it the shape of the object he wished to create: a <strong>di</strong>sh, a bowl and so on. This process c<strong>al</strong>led<br />

foggiatura (shaping) could be either handwork (in this case the technique was c<strong>al</strong>led a<br />

colombino - fig. 1) or achieved by means of a potter’s wheel, a tool composed by a bat, a<br />

flat <strong>di</strong>sc, revolving freely around a vertic<strong>al</strong> axe wedged in the ground. <strong>The</strong> potter would place<br />

a sm<strong>al</strong>l b<strong>al</strong>l of soft clay on the turntable that he was continuously turning while moul<strong>di</strong>ng the<br />

clay with his hands: at this stage the object would gradu<strong>al</strong>ly get its shape.<br />

Once the ware had been moulded it was <strong>al</strong>lowed to air dry for a few days and then duly<br />

cooked. <strong>The</strong> simplest technique to cook pottery was c<strong>al</strong>led a cumulo (heap - fig. 2): the<br />

dry and raw vessels were arranged in layers, one on top of the other, and then covered with<br />

earth. Fuel was then placed in the middle of the pile and around it and set on fire: in a very<br />

short time the temperature would reach 500° degrees and the vessels would cook thus<br />

hardening.<br />

A more advanced system was the one c<strong>al</strong>led a fornace (kiln - fig. 3): the kiln was a sm<strong>al</strong>l<br />

construction with thick w<strong>al</strong>ls, composed of two superimposed layers. Firewood was put<br />

in the lower one, holes in the ceiling would <strong>al</strong>low combustion smoke to blow towards the<br />

upper layer. <strong>The</strong> vessels to be cooked were then stacked and arranged on the upper layer.<br />

Within a few hours the inside temperature in the kiln would get to 800-900° degrees which<br />

were needed to cook the pottery, afterwards the cooling process would then start.<br />

fig. 1<br />

fig. 3<br />

fig. 4 fig. 5<br />

38 39<br />

fig. 2


fi g. 6<br />

Vasa Rubra: the se<strong>al</strong>ed earth<br />

Scholars were using the name “se<strong>al</strong>ed earth” to classify the production of fi ne ceramic for<br />

tableware in roman times, whose peculiar features were: a shiny surface and a mostly red-<br />

orange colour obtained through a speci<strong>al</strong> cooking process. <strong>The</strong> name “se<strong>al</strong>ed earth” has<br />

very ancient roots: sigillum, in Latin, is in fact short for signum whose meaning is “statue”.<br />

<strong>The</strong>refore the term “se<strong>al</strong>ed” includes, strictly speaking, <strong>al</strong>l the ceramics whose surface is<br />

decorated with “sm<strong>al</strong>l fi gures” created by using a matrix and are then imprinted in the<br />

negative or laid on (fi g. 6). However scholars nowadays include by convention in<br />

such a production <strong>al</strong>so ceramics featuring a smooth and glazed surface.<br />

<strong>The</strong> roman city of Arretium (Arezzo) was the most ancient and<br />

important production centre of “se<strong>al</strong>ed earth” : the ancient populations<br />

were yet using the defi nition vasa rubra (red vessels) for the ceramics<br />

manufactured in Arezzo, since these were featuring a shiny cor<strong>al</strong>-red clay<br />

coating. <strong>The</strong> potters from Arezzo used to emboss their name on ware as<br />

their brand, a kind of “stamp” that was guaranteeing the qu<strong>al</strong>ity of the product.<br />

Sometimes some symbols, such as sm<strong>al</strong>l p<strong>al</strong>ms, crowns, asterisks, were added to the<br />

name, but some other times these would replace the name itself. <strong>The</strong> embossed names were<br />

enclosed in a frame with a speci<strong>al</strong> shape (fi g. 4-5); rectangles with or without frame, circles,<br />

crescents. Extremely recurrent, especi<strong>al</strong>ly as from 15th a.C., was the footprint (planta pe<strong>di</strong>s)<br />

shape, the hand shaped frame (planta manus) instead was more rare to fi nd. Around the end<br />

of the I century b.C. the vessels from Arezzo had become so famous to be requested not only<br />

in the whole of the It<strong>al</strong>ian peninsula, but in G<strong>al</strong>lia (Gaul), Spain and Northern Africa too. Many<br />

productions were then launched imitating the se<strong>al</strong>ed earth of Arezzo. As a matter of fact a kind<br />

of se<strong>al</strong>ed earth, very similar to the one manufactured in Arezzo, and c<strong>al</strong>led nord it<strong>al</strong>ica (from<br />

northern It<strong>al</strong>y), was manufactured in the Padana area as from the end of the I century b.C. until<br />

the II century a.C. <strong>The</strong> production centres were many, but are <strong>di</strong>ffi cult to locate. Characterized by<br />

clear and dusty glazed clay this production is <strong>di</strong>vided into plain and decorated. Important is<br />

the production of vessels with two handles and a high edge, decorated in the lowest section<br />

(fi g. 7). <strong>The</strong>ir main manufacturer was Sarius, a potter<br />

of the Padana area, owner of an atelier where<br />

his slaves were in charge of decorating the<br />

vessels.From the I century a.C. G<strong>al</strong>lia and<br />

northern Africa, Tunisia in particular,<br />

achieved a production of vessels that spread<br />

<strong>al</strong>l over the roman world! So the circulation of<br />

ware was <strong>al</strong>ready lively at the time and its production<br />

started sprea<strong>di</strong>ng from It<strong>al</strong>y to other areas.<br />

fi g. 7<br />

curious facts<br />

Weapons and equipment<br />

in the roman world<br />

Arrows, c<strong>al</strong>led sagittae, were manufactured at Julia Concor<strong>di</strong>a, hence its name<br />

Sagittaria. Here iron coming from the north<br />

was used to manufacture sharp points for<br />

the arrows belonging to the equipment of<br />

the roman legions <strong>al</strong>ong with other weapons<br />

such as gla<strong>di</strong>us, a short sword, or pilum, a javelin.<br />

It should be noted that the manufacturing of<br />

weapons in the roman world was carefully<br />

organized. For instance the bow factories<br />

were located far away from the arrow<br />

factories thus preventing <strong>al</strong>l possible enemies from taking possession of the whole<br />

weapon, but only of parts of it that would be useless if separated from one another.<br />

<strong>The</strong> <strong>di</strong>gs have provided a great amount of ceramics dating from between the I and the<br />

VII century, mostly fragments of daily life tools. Since very ancient times men have<br />

used clay to manufacture bricks for the houses they were dwelling in as well as pottery<br />

used to cook with or eat food on. Pots were c<strong>al</strong>led olle, and were used to cook soups that could<br />

<strong>al</strong>so be preserved. <strong>The</strong>se were made of ceramic enriched with elements helping <strong>di</strong>ffuse the heat<br />

and cook food. Bread and fl at bread were cooked in large and low pans without handles, while<br />

frying pans were used for frying food or for omelettes just like nowadays.<br />

Ceramic objects are fragile and break easily, however their fragments scattered on the<br />

ground can last undamaged for many centuries: this is why the archaeologists usu<strong>al</strong>ly fi nd so<br />

many fragments while <strong>di</strong>gging. Ceramic fragments act as “leader fossils” helping establish<br />

the date of the layers that have been dug out. Some of the fi nds of Concor<strong>di</strong>a are peculiar and<br />

can be placed within the “se<strong>al</strong>ed earth” or the “red vessels” range: by examining them we can<br />

become acquainted with an interesting story.<br />

info<br />

MuNiCipAlity of CoNCoRDiA sAGittARiA<br />

Concor<strong>di</strong>a Municip<strong>al</strong> Archaeologic<strong>al</strong> Museum interiors<br />

www.input.ve.it/concor<strong>di</strong>a<br />

library - tel. (+39)0421 270442 - concords@provincia.venezia.it<br />

Apt <strong>della</strong> provincia <strong>di</strong> Venezia (tourism promotion Agency) - iAt <strong>di</strong> Caorle - C<strong>al</strong>le delle Liburniche 16<br />

Caorle - tel. (+39) 0421 81085 - info@caorleturismo.it - www.turismo.provincia.venezia.it<br />

Concor<strong>di</strong>a Municip<strong>al</strong> Archaeologic<strong>al</strong> Museum - Piazza Matteotti, 5 - Concor<strong>di</strong>a Sagittaria<br />

tel. (+39) 0421 275582<br />

40 41


In the<br />

surroun<strong>di</strong>ng areas<br />

<strong>The</strong> island and the city,<br />

under the sign of Venice<br />

Torcello<br />

<strong>The</strong> island of Torcello is extremely important for the history of Venice as it represents<br />

a connection through time and space… It was in this sm<strong>al</strong>l island of the <strong>lagoon</strong>, in fact, located<br />

near the mainland and the mouths of the river Sile that the inhabitants of Altino sought refuge<br />

from the VII to the VII century. Many buil<strong>di</strong>ngs in Torcello were built with stones c<strong>al</strong>led <strong>al</strong>tinelle<br />

coming from the abandoned town of Altino. <strong>The</strong> island was densely populated and houses,<br />

churches and cloisters were built, even if afterwards a settlement c<strong>al</strong>led Rivo<strong>al</strong>tus, the modern<br />

Ri<strong>al</strong>to in the centre of Venice, became more important.<br />

Nowadays it’s a peaceful and historic<strong>al</strong> site and some of<br />

its noteworthy attractions are: “Attila’s throne” (an<br />

ancient stone chair), the “devil’s bridge” (one of the<br />

few origin<strong>al</strong> bridges remained, ie without sp<strong>al</strong>lette or<br />

shelters), the church of santa fosca, the Museum of<br />

the province housing many archaeologic<strong>al</strong> remains<br />

and above <strong>al</strong>l the Cathedr<strong>al</strong>, founded in 639 and restored<br />

in 1000 ca., with its great mosaic depicting the<br />

last Judgement rec<strong>al</strong>ling the mosaics of Byzantium.<br />

Torcello<br />

Portogruaro<br />

Portogruaro is a typic<strong>al</strong> Venetian town, with its gothic and renaissance buil<strong>di</strong>ngs but<br />

<strong>al</strong>so with many peculiar features: the me<strong>di</strong>aev<strong>al</strong> crenellated town H<strong>al</strong>l, the water well<br />

with its ornament<strong>al</strong> pulleys, the w<strong>al</strong>ks <strong>al</strong>ong river Lemene to enjoy the view of the<br />

mills, the town museum. Furthermore noteworthy is <strong>al</strong>so the main collection of<br />

archaeologic<strong>al</strong> remains of the area and, especi<strong>al</strong>ly, of Concor<strong>di</strong>a which is hosting the<br />

Nation<strong>al</strong> Museum of Concor<strong>di</strong>a.<br />

Here mosaics, remains of stone monuments but <strong>al</strong>so coins, bronze artefacts, pottery, precious<br />

stones and amber ware can be seen.<br />

<strong>The</strong> museum’s shape rec<strong>al</strong>ls that of the ancient Christian basilicas in order to remind of the<br />

Basilica of Concor<strong>di</strong>a.<br />

In ad<strong>di</strong>tion to the above Portogruaro, like some other towns nearby, is a “wine town” due to the<br />

presence of many DOC vineyards in the countryside and in the lands around it. To be mentioned<br />

are <strong>al</strong>so many other loc<strong>al</strong> speci<strong>al</strong>ties.<br />

info<br />

toRCello<br />

Archaeologic<strong>al</strong> Museum - tel. (+39) 041 730761<br />

www.sbmp.provincia.venezia.it/mir/musei/torcello/home.htm<br />

MuNiCipAlity of poRtoGRuARo<br />

www.comune.portogruaro.ve.it<br />

iAt <strong>di</strong> portogruaro - Via Martiri <strong>della</strong> Libertà 19 - tel. (+39) 0421 73558<br />

www.turismo.provincia.venezia.it<br />

portogruaro Nation<strong>al</strong> Concor<strong>di</strong>ese Archaelogic<strong>al</strong> Museum - via del Seminario, 26<br />

Portogruaro - tel. (+39) 0421 72674<br />

We WisH to tHANK<br />

the project Management<br />

Giuseppe Zuccon<br />

publishing secretary and organization offi ce<br />

Anna Boscolo<br />

Paola Basso<br />

Word processing and documentary researches<br />

Maria Carla Furlan<br />

Graphic Design<br />

Achab Triveneto s.r.l.<br />

Cartography<br />

Berica E<strong>di</strong>trice s.n.c.<br />

MANy tHANKs Also to<br />

Soprintendenza Archeologica del Veneto<br />

Giovanna Sandrini e Francesca Ferrarini<br />

Francesca Veronese<br />

W<strong>al</strong>ter Coledan<br />

Roberta Manzi<br />

pHotoGRApHs<br />

Archivio APT <strong>della</strong> <strong>Provincia</strong> <strong>di</strong> Venezia<br />

Archivio del Museo Archeologico Nazion<strong>al</strong>e <strong>di</strong> Altino<br />

Archivio dell’Associazione Ornitologica Basso Piave Onlus<br />

Andrea Borrione<br />

Elio e Stefano Ciol<br />

Pierluigi Benetello<br />

MB Multime<strong>di</strong>a<br />

42 Portoguaro<br />

43


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