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Paralanguage Kinesics

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LING/ANTH 203<br />

Week 7<br />

The features of language<br />

•Suprasegmental features:<br />

-<strong>Paralanguage</strong><br />

-Nonverbal communication:<br />

kinesics, proxemics<br />

•Design features of language<br />

<strong>Paralanguage</strong><br />

• Vocal cues that are not directly part of<br />

language (not “language within the circle”)<br />

• Includes: tone, pitch, speed, loudness,<br />

breathiness, whining, whispering<br />

Proxemics<br />

• how people perceive and use space<br />

• US proxemics:<br />

Intimate (0-1.5’)/personal(1.5-4’)/social (4-12’)/public (12’+)<br />

• Control of space & social power<br />

• Cross-cultural variation<br />

Suprasegmental features<br />

• Features that span more than one “segment”<br />

of language (not linked to a particular sound<br />

or word)<br />

• (Later we will talk about how language is<br />

made of segments, and about segmental<br />

features)<br />

<strong>Kinesics</strong><br />

• body movement and facial expression<br />

• Includes: eye contact, eyebrow position,<br />

mouth position, whether or not teeth are<br />

showing, walking style<br />

Suprasegmental vs. Linguistic<br />

Meanings<br />

* When your words and your kinesics and/or<br />

paralanguage are contradictory—the<br />

nonverbal signals tend to override the<br />

verbal ones.<br />

1


What are linguistic “segments”?<br />

• sounds (phonemes), which are the building<br />

blocks of words<br />

• words, which are the building blocks of<br />

sentences<br />

• This brings us to…<br />

The DESIGN FEATURES of LANGUAGE<br />

Non-discrete, continuous variation<br />

• Examples of continuous (non-discrete)<br />

variation: loudness, intensity, frequency<br />

• bee dance is based on variation on a<br />

continuum<br />

--richness of food source is denoted by the<br />

liveliness of the dance<br />

--direction denoted by angle of diagonal<br />

dance path<br />

Design feature of language #1:<br />

Discreteness<br />

• Sounds differentiated into segments, “chunks”<br />

-categorical disntinction<br />

• Variation not continuous, not just variation on a<br />

scale.<br />

• Examples: --3 vervet monkey calls<br />

--differences between phonemes a, e, i, o, u, etc.<br />

• It is possible to shift between saying these vowels<br />

without a break, but mentally there is a clear<br />

division between them (demonstrate)<br />

2

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