Paralanguage Kinesics
Paralanguage Kinesics
Paralanguage Kinesics
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LING/ANTH 203<br />
Week 7<br />
The features of language<br />
•Suprasegmental features:<br />
-<strong>Paralanguage</strong><br />
-Nonverbal communication:<br />
kinesics, proxemics<br />
•Design features of language<br />
<strong>Paralanguage</strong><br />
• Vocal cues that are not directly part of<br />
language (not “language within the circle”)<br />
• Includes: tone, pitch, speed, loudness,<br />
breathiness, whining, whispering<br />
Proxemics<br />
• how people perceive and use space<br />
• US proxemics:<br />
Intimate (0-1.5’)/personal(1.5-4’)/social (4-12’)/public (12’+)<br />
• Control of space & social power<br />
• Cross-cultural variation<br />
Suprasegmental features<br />
• Features that span more than one “segment”<br />
of language (not linked to a particular sound<br />
or word)<br />
• (Later we will talk about how language is<br />
made of segments, and about segmental<br />
features)<br />
<strong>Kinesics</strong><br />
• body movement and facial expression<br />
• Includes: eye contact, eyebrow position,<br />
mouth position, whether or not teeth are<br />
showing, walking style<br />
Suprasegmental vs. Linguistic<br />
Meanings<br />
* When your words and your kinesics and/or<br />
paralanguage are contradictory—the<br />
nonverbal signals tend to override the<br />
verbal ones.<br />
1
What are linguistic “segments”?<br />
• sounds (phonemes), which are the building<br />
blocks of words<br />
• words, which are the building blocks of<br />
sentences<br />
• This brings us to…<br />
The DESIGN FEATURES of LANGUAGE<br />
Non-discrete, continuous variation<br />
• Examples of continuous (non-discrete)<br />
variation: loudness, intensity, frequency<br />
• bee dance is based on variation on a<br />
continuum<br />
--richness of food source is denoted by the<br />
liveliness of the dance<br />
--direction denoted by angle of diagonal<br />
dance path<br />
Design feature of language #1:<br />
Discreteness<br />
• Sounds differentiated into segments, “chunks”<br />
-categorical disntinction<br />
• Variation not continuous, not just variation on a<br />
scale.<br />
• Examples: --3 vervet monkey calls<br />
--differences between phonemes a, e, i, o, u, etc.<br />
• It is possible to shift between saying these vowels<br />
without a break, but mentally there is a clear<br />
division between them (demonstrate)<br />
2