03.04.2013 Views

Wiener Silber Manufactur

Wiener Silber Manufactur

Wiener Silber Manufactur

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>Wiener</strong> <strong>Silber</strong> manufactur<br />

Office Schwarzenbergstraße 1–3/2<br />

2<br />

1010 Vienna, Austria<br />

manufacture Boschanstraße 3/Halle 1<br />

2483 Ebreichsdorf – Weigelsdorf<br />

Austria<br />

Phone +43 2254 - 728 50<br />

fax +43 2254 - 728 50 10<br />

email office@wienersilbermanufactur.com<br />

Shop Spiegelgasse 14<br />

1010 Vienna, Austria<br />

Phone +43 1 - 513 05 00<br />

fax +43 1 - 513 05 01<br />

email shop@wienersilbermanufactur.com<br />

www.wienersilbermanufactur.com<br />

<strong>Wiener</strong> <strong>Silber</strong> manufactur<br />

Steeped in tradition to create Something new<br />

Inspired by the vision of an innovative company, though rich in<br />

tradition, Georg Stradiot founded the <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />

in 2008, a brand whose roots go back to 1882.<br />

DeSiGn<br />

<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> has an archive of 11,000 original<br />

designs, including works of masters of the <strong>Wiener</strong> Werkstätte<br />

such as Josef Hoffmann, Kolo Moser, Otto Prutscher and Oswald<br />

Haerdtl. It was in their creative period that Vienna became the<br />

artistic and intellectual centre of Europe.<br />

<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> reissues original designs, including<br />

masterpieces like Josef Hoffmann's revolutionary cutlery No. 135<br />

from 1902, or a sugar bowl designed by Kolo Moser, which<br />

Gustav Mahler gave to his wife Alma on their first Christmas Eve<br />

together in 1902.<br />

In cooperation with national and international contemporary<br />

designers like Thomas Feichtner, Tino Valentinitsch, Rainer Scharf,<br />

Claesson–Koivisto–Rune, Marco Dessi or Tomás Alonso, all of<br />

whom have a worldwide reputation, <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />

brings out state-of-the-art design of the highest quality.<br />

Silver<br />

<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> uses a special alloy that contains 94%<br />

by mass of silver (Sterling silver, by comparison, only contains<br />

92.5% of silver). The high value of raw materials ensures that the<br />

product value will increase over the years. In addition, the silverware<br />

is exceptionally easy to clean, since it is dishwasher-proof<br />

and extremely resistant to tarnishing.


craftSmanShiP<br />

Apart from the high quality of silver, exquisite craftsmanship is the<br />

main quality criterion. In fact every piece of the <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />

product range, which includes cutlery, tea sets, candelabra,<br />

bowls etc., is produced by hand in the south of Vienna.<br />

teamWOrk<br />

With a staff of 20 highly qualified members, including three<br />

master silversmiths, <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> has a team of<br />

specialists who are deeply committed to producing the finest<br />

of silverware.<br />

hallmark<br />

Every product that leaves our house is adorned with a four-leaf<br />

clover, the symbol and hallmark of <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong>.<br />

The four-leaf clover is also available as a lovely little pendant.<br />

WeiGhtS anD meaSureS<br />

All dimensions specified in this catalog may vary slightly.<br />

YOur WiSheS, Our Service<br />

The articles shown in this catalog represent the standard product<br />

range of <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong>, while its entire portfolio is of<br />

course much wider.<br />

Many designs that are not presented here can be manufactured<br />

by request. This includes custom-made engravings.<br />

Moreover, <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> offers a repair and cleaning<br />

service.<br />

<strong>Wiener</strong> <strong>Silber</strong> manufactur<br />

DeliverY timeS<br />

Most of the products shown in the catalog are in stock and can<br />

be delivered immediately. In case of special orders, delivery time<br />

is approximately 6 weeks.<br />

Our ShOP in the heart Of vienna<br />

Everyone is warmly welcome to visit the exquisite <strong>Wiener</strong> <strong>Silber</strong><br />

<strong>Manufactur</strong> Shop at Spiegelgasse 14, in Vienna's first district,<br />

where architect Michael Embacher made sure only the finest<br />

materials were used. The clever color concept, technical equipment<br />

and a sophisticated combination of historical and contemporary<br />

forms create a wonderful atmosphere that reflects the soul of<br />

<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong>.<br />

"Art and craftsmanship of the silversmith have a<br />

long tradition in Vienna. We are proud of being<br />

a part of this tradition."<br />

Georg Stradiot, Owner of <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />

3


CUTLERY


Josef Hoffmann BD-135<br />

Oswald Haerdtl BD-192<br />

Hofburg BVC-189<br />

Geigenkasten BVC-193<br />

Otto Prutscher BD-179<br />

Schönbrunn BVC-177<br />

Mirabell BVC-190<br />

<strong>Wiener</strong> Wamperl BVC-101<br />

Otto Prutscher Faden BD-181<br />

Belvedere BVC-185<br />

Eselsrücken BVC-104<br />

Cutt KB-401<br />

cutlerY<br />

7


DeSiGner cutlerY<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 203 97<br />

Dinner fork - 02 l 214 92<br />

Dinner knife - 03 l 232 45<br />

Dessert spoon - 09 l 165 67<br />

Dessert fork -10 l 178 56<br />

Dessert knife -11 l 198 31<br />

Coffee or tea spoon -13 l 140 41<br />

Mocca spoon -14 l 100 14<br />

Pastry fork -15 l 153 34<br />

Fish fork -17 l 203 67<br />

Fish knife -19 l 218 73<br />

Fruit fork -21 l 155 36<br />

Fruit knife, silver blade -22 l 160 41<br />

Fruit spoon -24 l 153 42<br />

Ice cream spoon -25 l 132 39<br />

Long drink spoon<br />

Butter knife, small,<br />

-26 l 195 74<br />

silver blade -28 l 145 52<br />

Cold meat fork -29 l 210 61<br />

Roast fork -30 l 245 124<br />

Roast spoon<br />

Butter knife, large,<br />

-31 l 233 145<br />

silver blade<br />

Butter knife, large,<br />

-33 l 168 62<br />

silver blade<br />

Ice cream<br />

-34 l 168 73<br />

serving spoon -35 l 216 114<br />

Fish serving fork -37 l 230 141<br />

Fish serving knife -39 l 240 115<br />

Potato serving spoon -42 l 230 152<br />

Fruit serving spoon -43 l 225 113<br />

8<br />

Josef Hoffmann<br />

1902<br />

Hoffmann cutlery No. 135<br />

BD-135<br />

Hoffmann Cutlery No. 135


Sugar Tongs | Cake Server I<br />

Asparagus Tongs No. 135<br />

Fish Cutlery Nr. 135<br />

DeSiGner cutlerY<br />

item item no. Size Weight<br />

annex mm g<br />

Salad serving spoon<br />

Salad serving spoon,<br />

-47 l 228 152<br />

long -47 l l 280 152<br />

Salad serving fork<br />

Salad serving fork,<br />

-48 l 228 149<br />

long -48 l l 280 149<br />

Salt and spice spoon -51 l 88 12<br />

Sandwich serving fork -52 l 150 36<br />

Sandwich server -53 l 180 74<br />

Gravy ladle<br />

Cheese knife,<br />

-54 l 195 107<br />

small, silver blade -58 l 145 52<br />

Asparagus tongs -60 l 175 245<br />

Soup ladle, large -61 l 375 410<br />

Soup ladle, small -62 l 305 290<br />

Cake server -64 l 250 115<br />

Serving spoon -67 l 228 152<br />

Lemon fork -68 l 105 37<br />

Sugar sprinkling spoon -69 l l 170<br />

Sugar tongs<br />

Ice cream serving knife,<br />

-70 l 100 62<br />

silver blade -85 l 230 115<br />

Mixed pickles fork -86 l 250 68<br />

Mixed pickles spoon -87 l 250 75<br />

Oyster fork -93 l 145 39<br />

Josef Hoffmann's famous cutlery No. 135 was designed a year<br />

before the founding of the <strong>Wiener</strong> Werkstätte. It marked a revolution<br />

in the history of silverware, since it involved a departure from<br />

historicism in favor of clear lines, an uncompromising allegiance<br />

to functionality.<br />

The original sets were produced for the Kohn, Wittgenstein and<br />

Mautner Markhof families. Today, we treasure the original dies<br />

as some of our most priceless possessions. They are used when<br />

special people are looking for something exceptional – for<br />

products of pure perfection.<br />

9


DeSiGner cutlerY<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 210 95<br />

Dinner fork - 02 l 205 80<br />

Dinner knife - 03 l 215 40<br />

Pastry fork -15 l 150 40<br />

Coffee or tea spoon -13 l 145 40<br />

This richly rounded set of cutlery was designed by Otto Prutscher<br />

in the 1930s. The slightly curved upper face of the handles is<br />

characteristic of his work from the 1930s. The contrast between<br />

the soft organic forms and the material's shimmering hardness<br />

constitutes this pattern's particular appeal. The pieces rest solidly<br />

and comfortably in the hand.<br />

10<br />

Otto Prutscher<br />

1930s<br />

Prutscher cutlery<br />

BD-179<br />

Prutscher Cutlery


"Faden" Cutlery by Prutscher<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Otto Prutscher<br />

1920s<br />

DeSiGner cutlerY<br />

"Faden" cutlery by Prutscher<br />

BD-181<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 210 85<br />

Dinner fork - 02 l 200 75<br />

Dinner knife - 03 l 215 36<br />

Pastry fork -15 l 140 34<br />

Coffee or tea spoon -13 l 135 32<br />

Purity of form is the particular feature of Otto Prutscher's cutlery.<br />

This early masterpiece of Viennese Art Deco is clearly in the<br />

tradition of Josef Hoffmann, but is also imbued with the spirit of a<br />

new age. The handles appear to be lined by a thread that runs<br />

along the edges. While in the forks and spoons the thread stops<br />

just before the bottom of the handles, it runs all around the bottom<br />

ends of the knives' rounded handles. The understated elegance of<br />

this design is absolutely timeless.<br />

11


DeSiGner cutlerY<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 195 78<br />

Dinner fork - 02 l 195 65<br />

Dinner knife - 03 l 213 30<br />

Pastry fork -15 l 150 30<br />

Coffee or tea spoon -13 l 135 40<br />

The advent of espresso in the 1950s brought new life to Vienna's<br />

coffeehouse scene. Inspired by the light-heartedness of the Italian<br />

way of life, architect Oswald Haerdtl designed the interiors<br />

of numerous cafés in the style of the time, including the famous<br />

Arabia Espresso at Vienna's Kohlmarkt. The design of his cutlery<br />

reflects the positive, buoyant mood of the epoch. Its fine, deeply<br />

engraved fluting quotes from classical forms of decoration and is<br />

enriched by contemporary Italian influences.<br />

12<br />

Oswald Haerdtl<br />

1956<br />

Haerdtl cutlery<br />

BD-192<br />

Haerdtl Cutlery


Name "Cutt" des Cutlery Produktes<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Thomas Feichtner<br />

2006<br />

"Cutt" cutlery<br />

KB-401<br />

DeSiGner cutlerY<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 192 85<br />

Dinner fork - 02 l 192 80<br />

Dinner knife - 03 l 195 42<br />

Pastry fork -15 l 130 42<br />

Coffee or tea spoon -13 l 130 45<br />

Fish fork -17 l 192 92<br />

Fish knife -19 l 192 89<br />

The "Cutt" cutlery set is exemplary of Thomas Feichtner's experi-<br />

mental approach. Designed in 2006, it challenges the functional<br />

and ergonomic requirements on cutlery, and yet it surprises with its<br />

functionality once it gets used. Individual surfaces folded to shape<br />

a bowl-like cavity turn out to be the body of the spoon or fork.<br />

The set was initially manufactured on a small scale by <strong>Wiener</strong><br />

<strong>Silber</strong> <strong>Manufactur</strong>; meanwhile "Cutt" has found its way into various<br />

cutlery and design collections.<br />

13


claSSic cutlerY<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon -01 l 210 95<br />

Dinner fork -02 l 210 75<br />

Dinner knife -03 l 240 35<br />

Pastry fork -15 l 140 27<br />

Coffee or tea spoon -13 l 135 28<br />

Vienna's Schönbrunn Palace was eponymous for this pattern.<br />

Forms inspired by the Baroque introduced the glory and grandeur<br />

of the imperial court to the dining tables of the upper middle class.<br />

Today this pattern remains an expression of the joyous celebration<br />

of dining; it embodies luxury and classiness, the joie de vivre of<br />

an epoch.<br />

14<br />

Archive<br />

Undated<br />

"Schönbrunn" cutlery<br />

BVC-177<br />

"Schönbrunn"


"Belvedere"<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Archive<br />

Undated<br />

"Belvedere" cutlery<br />

BVC-185<br />

claSSic cutlerY<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 210 89<br />

Dinner fork - 02 l 205 73<br />

Dinner knife - 03 l 250 35<br />

Pastry fork -15 l 145 30<br />

Coffee or tea spoon -13 l 135 35<br />

With its lightness and easy elegance the "Belvedere" cutlery<br />

dovetails with both traditional interiors and modern settings. Its<br />

continuous ornamentation and delicate curves at the bottom of the<br />

handles reflect the opulence of the Baroque, introducing an air of<br />

the savoir vivre of those bygone days to the modern dining table.<br />

15


claSSic cutlerY<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 200 95<br />

Dinner fork - 02 l 195 75<br />

Dinner knife - 03 l 240 35<br />

Pastry fork -15 l 140 35<br />

Coffee or tea spoon -13 l 135 38<br />

The "Hofburg" cutlery is a modernized version of a design that<br />

was used by the Imperial family until 1918. It was initially produced<br />

in 1881 for the Prague residence of Crown Prince Rudolf<br />

and his newly-wed wife Stéphanie of Belgium. In 1902, Stéphanie<br />

commissioned silver manufacturer Alexander Sturm to produce a<br />

new set for the wedding of her daughter, Archduchess Elisabeth.<br />

Until today, "Hofburg" has been the official state cutlery of the<br />

Czech Republic. And it is still used in Austrian embassies throughout<br />

the world.<br />

16<br />

Archive<br />

Undated<br />

"Hofburg" cutlery<br />

BVC-189<br />

"Hofburg"


Name "Mirabell" des Produktes<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Archive<br />

Undated<br />

"Mirabell" cutlery<br />

BVC-190<br />

claSSic cutlerY<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 203 88<br />

Dinner fork - 02 l 200 72<br />

Dinner knife - 03 l 215 30<br />

Pastry fork -15 l 140 32<br />

Coffee or tea spoon -13 l 130 30<br />

In 1606, Prince-Archbishop Wolf Dietrich von Raitenau had Mirabell<br />

Palace in Salzburg built as a gift for his true love, Salome<br />

Alt. The romance of this story is reflected in the "Mirabell" pattern.<br />

With trefoil ends to the handles and encircling grooves, it borrows<br />

from the sensuous lines of the Baroque.<br />

17


claSSic cutlerY<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 195 75<br />

Dinner fork - 02 l 196 70<br />

Dinner knife - 03 l 225 35<br />

Pastry fork -15 l 140 30<br />

Coffee or tea spoon -13 l 135 32<br />

The "Geigenkasten" cutlery, named after the violin shape of the<br />

handle, is one of our most traditional silver tableware patterns.<br />

Its form and functionality were already highly appreciated in the<br />

Baroque era, when a refined dining etiquette required that the<br />

spoon and fork be held with three dainty fingers. In the 1970s,<br />

the concept was revived by adapting the pattern to suit modern<br />

ways of dining. This cutlery is a "must have" on any wedding gift<br />

list. It harmonizes extremely well with any china service and offers<br />

a sufficiently large area to engrave coats of arms or monograms.<br />

18<br />

Archive<br />

Undated<br />

"Geigenkasten" cutlery<br />

BVC-193<br />

"Geigenkasten"


"<strong>Wiener</strong> Wamperl"<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Archive<br />

Undated<br />

"<strong>Wiener</strong> Wamperl" cutlery<br />

BVC-101<br />

claSSic cutlerY<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon -01 l 210 80<br />

Dinner fork -02 l 205 70<br />

Dinner knife -03 l 250 44<br />

Pastry fork -15 l 145 30<br />

Coffee or tea spoon -13 l 142 34<br />

The gentle elegance of the "<strong>Wiener</strong> Wamperl" ("Viennese pot-bel-<br />

ly") exudes the cheery functionality of Biedermeier culture. Empress<br />

Elisabeth chose this cutlery in 1895 for her Kammermeierei (private<br />

dairy farm) in Schönbrunn, and Emperor Franz Joseph I had it set<br />

in various hunting lodges until 1918. Berndorf-based Arthur Krupp<br />

used this pattern to manufacture cutlery in the newly developed<br />

German silver (alpacca). Today, we produce this typical Biedermeier<br />

cutlery in solid silver. Its austerity makes it harmonize with<br />

any place setting or ambiance and look more modern than many<br />

a contemporary set.<br />

19


claSSic cutlerY<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 210 95<br />

Dinner fork - 02 l 202 65<br />

Dinner knife - 03 l 250 42<br />

Pastry fork -15 l 142 30<br />

Coffee or tea spoon -13 l 140 35<br />

When Empress Elisabeth was residing at the legendary Achil-<br />

leion, her summer palace on the Greek island of Corfu, the table<br />

was laid with this cutlery. Its form is a variation on the "<strong>Wiener</strong><br />

Wamperl"; it derives its name from the prominent ridge along<br />

the handle that gives this pattern its unmistakable appearance.<br />

"Eselsrücken" is a functional and aesthetically pleasing Biedermeier<br />

cutlery pattern that has always been one of the most popular<br />

models in our classic range.<br />

20<br />

Archive<br />

Undated<br />

"Eselsrücken" cutlery<br />

BVC-104<br />

"Eselsrücken"


Cutlery<br />

30<br />

25<br />

20<br />

15<br />

10<br />

5<br />

cm<br />

30<br />

25<br />

20<br />

15<br />

10<br />

5<br />

cm<br />

30<br />

25<br />

20<br />

15<br />

10<br />

5<br />

cm<br />

Dinner<br />

spoon /<br />

fork /<br />

knife<br />

Fish serving<br />

fork /<br />

knife<br />

Sugar<br />

tongs /<br />

spoon<br />

Fish<br />

fork /<br />

knife<br />

Dessert<br />

spoon /<br />

fork /<br />

knife<br />

Sandwich<br />

server /<br />

serving fork<br />

Cheese /<br />

Butter<br />

knife<br />

Gravy<br />

ladle,<br />

small<br />

Bouillon<br />

spoon<br />

Cold<br />

meat<br />

fork<br />

Milk<br />

laddle<br />

Fruit<br />

fork /<br />

knife<br />

Long<br />

drink<br />

spoon<br />

Serving cutlery is available for all <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> cutlery sets.<br />

The sets and components shown above are exemplary.<br />

The sizes and serving cutlery may vary according to the set.<br />

Coffee /<br />

tea<br />

spoon<br />

Ice<br />

cream<br />

serving<br />

spoon<br />

Asparagus<br />

serving<br />

tongs<br />

Serving cutlery is available for all <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> cutlery<br />

sets. The sets and components shown above are exemplary.<br />

The sizes and serving cutlery may vary according to the set.<br />

Mocca<br />

spoon<br />

Ice<br />

cream<br />

spoon<br />

Soup ladle,<br />

small /<br />

large<br />

Pastry<br />

fork<br />

Fruit<br />

spoon<br />

Rice<br />

spoon<br />

Butter<br />

knife<br />

small<br />

Crab<br />

fork /<br />

knife<br />

Carving<br />

fork /<br />

knife<br />

Roast<br />

fork /<br />

spoon<br />

Salad<br />

serving<br />

spoon /<br />

fork<br />

Cake server Porridge<br />

spoon /<br />

pusher<br />

Spice<br />

spoon<br />

Pastry<br />

tongs<br />

Tea<br />

strainer<br />

cutlerY<br />

Potato<br />

serving<br />

spoon<br />

Infant<br />

fork /<br />

knife<br />

Lemon<br />

fork<br />

21


SuGar tOnGS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

Size | mm<br />

Weightw | g<br />

22<br />

Oswald Haerdtl<br />

Undated<br />

Sugar tongs by Haerdtl (above)<br />

BD-6884<br />

l 80<br />

26<br />

Otto Prutscher<br />

Undated<br />

Sugar tongs by Prutscher (below)<br />

BD-6802<br />

l 90<br />

38<br />

Josef Hoffmann<br />

1902<br />

Sugar tongs, set No. 135<br />

BD-135<br />

-70<br />

l 100<br />

60<br />

These three models are reissued after original drawings from our<br />

archives. Oswald Haerdtl restricts himself to stringent reduction,<br />

whereas Otto Prutscher plays with softly curved organic elements.<br />

The sugar tongs by Josef Hoffmann are part of cutlery set No. 135,<br />

designed in 1902.<br />

Sugar Tongs by Haerdtl | Prutscher<br />

Sugar Tongs No. 135


"Sisi" Sugar Sprinkling Spoon<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

"Sisi" sugar sprinkling spoon<br />

BVC-104<br />

-69/KL<br />

l 146<br />

40<br />

"SiSi" SPOOn<br />

With a shell-shaped, finely perforated bowl and an imperial<br />

crown engraved on the handle, the "Sisi" sugar sprinkler is a<br />

masterpiece of the silversmith's craft. Along with the "<strong>Wiener</strong><br />

Wamperl" this sifting spoon formed part of Sisi's silverware at<br />

the Kammermeierei dairy in Schönbrunn.<br />

23


ACCESSORIES<br />

SILVER<br />

POTPOURRI


PenDantS<br />

Four-Leaf Clover Pendant<br />

26<br />

Designer<br />

Year of design<br />

item<br />

<strong>Manufactur</strong><br />

2009<br />

Four-leaf clover pendant<br />

item item no. finish Size Weight<br />

annex mm g<br />

KAT-2098 polished 15 2<br />

KAT-2099 polished 25 5<br />

KAT-2099 -m martelé 25 5<br />

KAT-2100 polished 35 9,5<br />

KAT-2100 -m martelé 35 9,5<br />

KAT-2101 polished 50 20<br />

KAT-2101 -m martelé 50 20<br />

The four-leaf clover pendant is the logo of <strong>Wiener</strong> <strong>Silber</strong> Manu-<br />

factur. It is available in various sizes, with a brightly polished or<br />

martelé finish.


Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

Size | mm<br />

Weight | g<br />

The Dandy Penguin, designed by Tino Valentinitsch, was given<br />

to all gentlemen at the 2008 Vienna Opera Ball as a gift.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

Size | mm<br />

Weight | g<br />

Tino Valentinitsch<br />

2008<br />

Dandy Penguin bookmark<br />

KDA-2007<br />

-PG<br />

l 85<br />

9<br />

Tino Valentinitsch<br />

2008<br />

Poodle Princess bookmark<br />

KDA-2010<br />

-PD<br />

l 85<br />

8<br />

Here comes the female counterpart, the Poodle Princess, to keep<br />

company with the Dandy Penguin.<br />

Dandy Penguin Bookmark<br />

Poodle Princess Bookmark<br />

Silver POtPOurri<br />

27


OXeS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Pillbox -2<br />

28<br />

<strong>Manufactur</strong>, Karl Schmidt<br />

2005<br />

Pillbox | Cigarette tin<br />

KD-10018<br />

-1.2 -2 -9<br />

50 50 50<br />

h 12 h 20 h 90<br />

47 70 150<br />

Pillbox -1,2<br />

Pillbox -9 | Cigarette Tin


Box with a Gemstone<br />

Candy Box<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

<strong>Manufactur</strong>, Karl Schmidt<br />

2007<br />

Box with a gemstone<br />

KD-10138<br />

-10<br />

Moss agate / Onyx / Lapis lazuli /<br />

Amethyst / Silver knob<br />

100<br />

h 70<br />

370<br />

bOXeS<br />

This classical Biedermeier-style box is available in different sizes.<br />

It has no soldered seams, since both the lid and the tin are each<br />

turned from a single piece. The lid knob can be made of different<br />

types of semiprecious gemstones, at the customer's option.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

Candy box<br />

KD-6128<br />

120<br />

h 65<br />

430<br />

29


OXeS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

finish<br />

Size | mm<br />

Weight | g<br />

This cigarette box, wrought by hand, has a martelé look and is<br />

decorated with two lapis lazuli stones.<br />

30<br />

<strong>Manufactur</strong>, Karl Schmidt<br />

2005<br />

Cigarette box with lapis lazuli<br />

KD -10111<br />

martelé<br />

l 70 I b 70 I h 110<br />

500<br />

Cigarette Box with Lapis Lazuli


Coral Sugar Box<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Kolo Moser<br />

1902<br />

Sugar box<br />

KD-3078<br />

item Size Weight<br />

mm g<br />

Coral sugar box b 135 I l 110 I h 90 620<br />

Onyx sugar box b 135 I l 110 I h 90 800<br />

Monogrammed sugar box b 135 I l 110 I h 90 625<br />

Onyx Sugar Box Monogrammed Sugar Box<br />

bOXeS<br />

What composer Gustav Mahler had in mind as a Christmas<br />

present for his young wife Alma was a silver box, adorned with<br />

corals, so he had it designed by Kolo Moser and manufactured<br />

by Alexander Sturm. It became a Christmas present that was<br />

nothing less than a love declaration in the shape of a silver box.<br />

Today, Moser's original draft is in our archives, where it serves<br />

as a reference for our beautiful, hand-made sugar box.<br />

31


Ottle StOPPerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Weight | g<br />

Designed by Josef Hoffmann, this highly decorative bottle stop-<br />

per has an integrated cork and is available in a polished or<br />

martelé look.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

32<br />

Josef Hoffmann<br />

Undated<br />

"Bell" bottle stopper<br />

KCT-10005<br />

-m<br />

polished martelé<br />

50 50<br />

50 50<br />

Josef Hoffmann<br />

1951<br />

Bottle stopper<br />

KCT-6774<br />

h 56<br />

60<br />

Josef Hoffmann also designed a napkin ring (KTK-6752) and<br />

a silver beaker (KCT-6272) to go with this bottle stopper.<br />

"Bell" Bottle Stopper<br />

Bottle Stopper


"Sphere" Bottle Stopper<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Weight | g<br />

Archive<br />

Undated<br />

bOttle StOPPerS<br />

"Sphere" bottle stopper<br />

KCT-4191<br />

k k-m -m<br />

polished martelé polished martelé<br />

40 40 50 50<br />

55 55 70 70<br />

This bottle stopper is available in two sizes, with a polished or<br />

martelé finish.<br />

33


eakerS<br />

Designer<br />

Year of design<br />

item<br />

art-nt<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

polished -8 58 h 83 140<br />

martelé -8m 58 h 83 140<br />

polished -10 70 h 100 170<br />

martelé -10m 70 h 100 170<br />

polished -14 70 h 140 205<br />

martelé -14m 70 h 140 205<br />

34<br />

Archive<br />

Undated<br />

Beaker<br />

KCT-1909<br />

These beakers are available in different sizes and with a highly<br />

polished or martelé finish. They can be obtained with a goldplated<br />

or silver interior.<br />

Beaker


Schnapps Beaker<br />

Beaker with a Cast Base<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

1926<br />

Schnapps beaker<br />

KCT-5363<br />

-5<br />

polished<br />

34<br />

h 50<br />

40<br />

Archive<br />

Undated<br />

Beaker with a cast base<br />

KCT-7001<br />

62<br />

h 80<br />

130<br />

beakerS<br />

This beaker is manufactured according to original drawings from<br />

our archive.<br />

35


eakerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

With its simple geometric construction, pragmatic expression and<br />

clean all-round finish, this fine beaker is a perfect representative of<br />

the <strong>Wiener</strong> Werkstätte. It is crafted to an original design by Josef<br />

Hoffmann and goes nicely with the napkin ring (KTK-6752) and<br />

bottle stopper (KCT-6774).<br />

36<br />

Archive<br />

Undated<br />

"Alt Wien" beaker<br />

KCT-7003<br />

-U<br />

60<br />

h 78<br />

140<br />

Josef Hoffmann<br />

1930s<br />

Chased beaker<br />

KCT-6272<br />

68<br />

h 78<br />

120<br />

"Alt Wien" Beaker<br />

Chased Beaker


Christening Beaker<br />

Beaker with Handle<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Archive<br />

Undated<br />

Christening beaker<br />

KCT-7009<br />

beakerS<br />

item item no. ø mm Size Weight<br />

annex mm g<br />

Christening beaker 65 h 65 60<br />

Beaker with handle -H 65 h 66 85<br />

This attractive, bell-shaped beaker is available with or without a<br />

handle. It has a rolled rim and is well-proportioned, which makes<br />

it lie comfortably in the hand.<br />

37


eakerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

38<br />

Archive<br />

Undated<br />

Travel folding beaker<br />

KCT-5379<br />

-8<br />

58<br />

h 90<br />

140<br />

This folding beaker is not only a popular gift and functional travel<br />

companion, but is in fact a masterpiece of Viennese silver craftsmanship.<br />

There are five telescoped sections hidden under the lid.<br />

Travel Folding Beaker


Sugar Tongs by Haerdtl | Prutscher<br />

Sugar Tongs No. 135<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

Size | mm<br />

Weight | g<br />

Oswald Haerdtl<br />

Undated<br />

SuGar tOnGS<br />

Sugar tongs by Haerdtl (above)<br />

BD-6884<br />

l 80<br />

26<br />

Otto Prutscher<br />

Undated<br />

Sugar tongs by Prutscher (below)<br />

BD-6802<br />

l 90<br />

38<br />

Josef Hoffmann<br />

1902<br />

Sugar tongs, set No. 135<br />

BD-135<br />

-70<br />

l 100<br />

60<br />

The strictly geometrical sugar tongs by Josef Hoffmann are part of<br />

cutlery set No. 135, designed in 1902. The fan-shaped grooves<br />

on Oswald Haerdtl's sugar tongs are typical of 1950s design,<br />

whereas Otto Prutscher's design is inspired by more organic forms<br />

like those of buds and leaves. All three models are reissued after<br />

original drawings from our archives.<br />

39


"SiSi" SPOOn<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

Size | mm<br />

Weight | g<br />

Along with the "Eselsrücken" cutlery, this sifting spoon formed part<br />

of Sisi's silverware at the Kammermeierei dairy in Schönbrunn. This<br />

is why the sugar sprinkler has an imperial crown engraved on the<br />

back of its handle. It is still made by hand but has slightly altered<br />

dimensions.<br />

40<br />

Archive<br />

Undated<br />

"Sisi" sugar sprinkling spoon<br />

BVC-104<br />

-69/KL<br />

l 146<br />

40<br />

"Sisi" Sugar Sprinkling Spoon


Spherical Salt<br />

and Pepper Shakers<br />

Egg-Shaped Salt<br />

and Pepper Shakers<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Salt anD PePPer ShakerS<br />

<strong>Manufactur</strong>, Karl Schmidt<br />

2006<br />

Spherical salt shaker<br />

KTK-10126<br />

Spherical pepper shaker<br />

KTK-10127<br />

42<br />

h 43<br />

55<br />

<strong>Manufactur</strong>, Karl Schmidt<br />

2007<br />

Egg-shaped salt and pepper shakers<br />

KTK-10132<br />

35<br />

h 40<br />

45<br />

41


Salt anD PePPer ShakerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size|mm<br />

Weight |g<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

42<br />

<strong>Manufactur</strong>, Karl Schmidt<br />

2005<br />

Salt shaker<br />

KTK-10049<br />

-7<br />

30<br />

h 75<br />

57<br />

Pepper shaker<br />

KTK-10050<br />

-7<br />

30<br />

h 75<br />

54<br />

Salt and Pepper Shakers


Napkin Ring, Court-Shaped<br />

Napkin Ring,<br />

Circular / with a Stone<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

Napkin ring, court-shaped<br />

KTK-6160<br />

46<br />

h 32<br />

43<br />

naPkin rinGS<br />

This unpretentious napkin ring goes nicely with any cutlery set.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

Napkin ring, circular / with a stone<br />

KTK-9854<br />

Napkin ring, circular<br />

KTK-9855<br />

50<br />

h 30<br />

50<br />

This napkin ring is available with various semiprecious stones or<br />

in a puristic, highly modern version.<br />

43


naPkin rinGS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

44<br />

<strong>Manufactur</strong><br />

2009<br />

Napkin ring, oval (left)<br />

KTK-9851<br />

l 60 I b 30 I h 25<br />

60<br />

<strong>Manufactur</strong><br />

2009<br />

Napkin ring, egg cup (right)<br />

KTK-9852<br />

40–50<br />

b 40<br />

90<br />

The circular napkin ring can also be used as an egg cup.<br />

Oval Napkin Ring<br />

Napkin Ring | Egg Cup


Napkin Ring with a Rolled Rim<br />

Napkin Ring, Oval, Court-Shaped<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

naPkin rinGS<br />

Napkin ring with a rolled rim<br />

KTK-9856<br />

-0<br />

50<br />

h 33<br />

40<br />

With its simple, rolled rim, this napkin ring goes nicely with both<br />

plain and classically shaped cutlery.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

Napkin ring, oval, court-shaped<br />

KTK-6179<br />

l 46 I b 32 I h 32<br />

30<br />

45


naPkin rinGS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Here is a wonderful example of Josef Hoffmann's formal language:<br />

the napkin ring consists of three rows of little humps that<br />

reflect and refract the light. It goes nicely with Hoffmann's beaker<br />

(KCT-6272) and bottle stopper (KCT-6774).<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

46<br />

Josef Hoffmann<br />

Undated<br />

Napkin ring<br />

KTK-6752<br />

l 52 I b 40<br />

42<br />

Archive<br />

Undated<br />

"Chippendale" napkin ring<br />

KTK-6200<br />

l 55 I b 40<br />

40<br />

The "Chippendale" napkin ring is highly decorative, especially<br />

as a supplement to unpretentious cutlery.<br />

Napkin Ring<br />

"Chippendale" Napkin Ring


"Belvedere" Napkin Ring<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

finish<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

naPkin rinGS<br />

"Belvedere" napkin ring<br />

KTK-7001<br />

With or without gold-plated interior<br />

l 54 I b 30 I h 35<br />

40<br />

Available with or without a gold-plated interior, the "Belvedere"<br />

napkin ring tops off the "Belvedere" cutlery set (BVC-185).<br />

47


OWlS<br />

künstler<br />

entwurfsjahr<br />

artikel<br />

art-nr<br />

art-nr annex<br />

ausführung<br />

ø mm<br />

Größe | mm<br />

Gewicht | g<br />

Josef Hoffmann refined the classical round bowl form into a nice<br />

composition of eight leaves, linked to form a bowl. The result is<br />

a fan-shaped martelé bowl that requires the highest perfection in<br />

craftsmanship.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designed by Josef Hoffmann in 1932, this silver bowl looks as<br />

modern as ever.<br />

48<br />

Josef Hoffmann<br />

Undated<br />

Martelé silver bowl<br />

KSC-6092<br />

-16<br />

martelé<br />

160<br />

h 65<br />

340<br />

Josef Hoffmann<br />

1932<br />

Silver Bowl<br />

KSC-6488<br />

-12 -16<br />

120 160<br />

h 40 h 50<br />

140 300<br />

Martelé Silver Bowl<br />

Silver Bowl


"Pumpkin" Bowl, Martelé<br />

Name Bowl with des Rounded ProduktesFeet<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

"Pumpkin" bowl, martelé<br />

KSC-6617<br />

Oswald Haerdtl<br />

Undated<br />

Bowl with rounded feet<br />

KSC-6493<br />

-20<br />

martelé<br />

200<br />

h 65<br />

365<br />

bOWlS<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

martelé -12 120 h 30 100<br />

martelé -14 140 h 45 160<br />

martelé -18 180 h 45 195<br />

martelé -20 200 h 60 300<br />

martelé -23 230 h 65 500<br />

This beautiful bowl with a martelé finish is available in different sizes.<br />

Designed by Oswald Haerdtl, this bowl opens like a lotus flower.<br />

Its ball feet carry a corpus with a delicate martelé finish.<br />

49


OWlS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

The base of this bowl by Otto Prutscher makes it look as if it were<br />

floating. Available with a polished or martelé finish.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. ø mm Size Weight<br />

annex mm g<br />

-10 100 h 25 166<br />

-14 140 h 35 340<br />

-18 180 h 50 527<br />

Josef Hoffmann designed this smooth, well-proportioned bowl in<br />

1902, inspired by the purism of traditional Japanese tableware,<br />

but its balance and timeless simplicity still conforms with contemporary<br />

aesthetics. The bowl is available in various sizes.<br />

50<br />

Otto Prutscher<br />

Undated<br />

Bowl with a base<br />

KSC-6098<br />

-18 -18<br />

polished martelé<br />

180 180<br />

h 35 h 35<br />

500 500<br />

Josef Hoffmann<br />

Undated<br />

Bowl with a pedestal<br />

KSC-6419<br />

Bowl with a Base<br />

Bowl with a Pedestal


CHILDREN


chilDren<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

54<br />

Archive<br />

Undated<br />

Baby's rattle "Sad & Happy"<br />

KB-5103<br />

l 155 I b 45<br />

70<br />

This fine little rattle, crafted by hand, has a laughing face on one<br />

side and a crying face on the other.<br />

Archive<br />

Undated<br />

"Pear" rattle<br />

KB-7006<br />

l 140 I b 40<br />

45<br />

Name Baby's des Rattle Produktes "Sad & Happy"<br />

"Pear" Rattle


"Spinning Top" Teething Ring<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

"Spinning Top" teething ring<br />

KB-5130<br />

55<br />

h 60<br />

50<br />

chilDren<br />

55


Place SettinGS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

The porridge bowl has two small handles and is a perfect supplement<br />

to our infant cutlery sets.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

56<br />

Archive<br />

Undated<br />

Porridge bowl<br />

KSC-6165<br />

160<br />

h 29<br />

200<br />

Archive<br />

Undated<br />

"Geigenkasten" porridge set<br />

BVC-193<br />

item Size Weight<br />

mm g<br />

Porridge spoon l 145 32<br />

Porridge pusher l 110 30<br />

Porridge cutlery sets are available in all our cutlery designs.<br />

Porridge Bowl<br />

"Geigenkasten" Porridge Set


Prutscher Baby Cutlery<br />

"Faden" Children's Cutlery<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Our baby cutlery is available in all designs, for instance in this<br />

design by Otto Prutscher.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Otto Prutscher<br />

1930s<br />

Prutscher baby cutlery<br />

BD-179<br />

item Size Weight<br />

mm g<br />

Baby spoon l 110 30<br />

Baby fork l 110 30<br />

Otto Prutscher<br />

1920s<br />

"Faden" children's cutlery<br />

BD-181<br />

item Size Weight<br />

mm g<br />

Children's spoon l 180 68<br />

Children's fork l 175 51<br />

Children's knife l 185 24<br />

Place SettinGS<br />

Our children's cutlery is available in all designs, for instance in the<br />

"Faden" design by Otto Prutscher.<br />

57


chriSteninG beakerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. ø mm Size Weight<br />

annex mm g<br />

"Bell"<br />

christening beaker<br />

Beaker with a<br />

65 h 65 60<br />

handle -H 65 h 66 85<br />

This beaker resembles a little bell. It is attractively proportioned,<br />

has an ergonomic design and a comfortable, rolled rim. Available<br />

with or without a handle.<br />

58<br />

Archive<br />

Undated<br />

"Bell" christening beaker<br />

KCT-7009<br />

"Bell" Christening Beaker<br />

Beaker with a Handle


Christening Beaker<br />

with a Cast Base<br />

"Alt Wien" Christening Beaker<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

chriSteninG beakerS<br />

Archive<br />

Undated<br />

Christening beaker with a cast base<br />

KCT-7001<br />

62<br />

h 80<br />

130<br />

This christening beaker has a decorative, cast base. Available<br />

with or without a base.<br />

Archive<br />

Undated<br />

"Alt Wien" christening beaker<br />

KCT-7003<br />

-U<br />

60<br />

h 78<br />

140<br />

59


chriSteninG beakerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

60<br />

Josef Hoffmann<br />

1930s<br />

Christening beaker, martelé<br />

KCT-6272<br />

68<br />

h 78<br />

120<br />

This fine beaker is crafted to a design by Josef Hoffmann. Its geometric<br />

construction, reduced in form, pragmatic in expression and<br />

with an all-round clean finish, is a perfect example of the qualities<br />

of the <strong>Wiener</strong> Werkstätte. It goes nicely with Hoffmann's napkin<br />

ring (KTK-6752) and bottle stopper (KCS-6774).<br />

Christening Beaker, Martelé


Pillbox<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

<strong>Manufactur</strong>, Karl Schmidt<br />

2005<br />

Pillbox<br />

KD-10018<br />

-2<br />

50<br />

h 20<br />

70<br />

bOXeS<br />

The pill box can optionally be engraved. It is an ideal storage box<br />

for precious little things.<br />

61


TABLEWARE


canDle hOlDerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

This sculptural and voluminous girandole is typical of Otto<br />

Prutscher's use of organic forms. Four tender arms meander<br />

around a proud center, enthroned upon a solid base.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

Size | mm<br />

Weight | g<br />

The smaller version of Otto Prutscher's girandole has only two<br />

arms, but is just as charming.<br />

64<br />

Otto Prutscher<br />

1930s<br />

4-branched girandole with a central light<br />

KK-6381<br />

-4M<br />

320<br />

h 250<br />

1085<br />

Otto Prutscher<br />

Undated<br />

2-Branched Candelabrum<br />

KK-6382<br />

-2a<br />

h 140<br />

430<br />

4-Branched Girandole<br />

with a Central Light<br />

2-Branched Candelabrum


Four-Light Candelabrum<br />

Pair of Candlesticks<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Otto Prutscher<br />

Undated<br />

Four-light candelabrum<br />

KK-6383<br />

martelé<br />

150<br />

h155<br />

605<br />

Otto Prutscher<br />

Undated<br />

Pair of candlesticks<br />

KK-6385<br />

143<br />

h 315<br />

900<br />

canDle hOlDerS<br />

Towering and aiming high: Otto Prutscher's candlesticks are rooted<br />

in a solid circular base, and yet they show some organic elements<br />

characteristic of his work.<br />

65


canDle hOlDerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. ø mm Size Weight<br />

annex mm g<br />

2-branched<br />

candelabrum "Classic" -2<br />

2-branched candelabrum<br />

"Classic" with<br />

h 120 310<br />

a central light<br />

3-branched candelabrum<br />

"Classic" with<br />

-2m h 155 360<br />

a central light<br />

4-branched candelabrum<br />

"Classic" with<br />

-3m 250 h 160 460<br />

a central light -4m 250 h 270 1070<br />

These classical candelabra are variations on historical girandoles.<br />

With their playful details and rococo curves, they create a solemn<br />

atmosphere in any environment when their full glory unfolds in the<br />

candlelight.<br />

66<br />

Archive<br />

Undated<br />

2-branched candelabrum "Classic"<br />

KK-7166<br />

2-Branched Candelabrum<br />

"Classic"<br />

2-Branched Candelabrum<br />

with a Central Light


3-Branched Candelabrum<br />

with a Central Light<br />

4-Branched Girandole<br />

with a Central Light<br />

canDle hOlDerS<br />

67


canDle hOlDerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

68<br />

Archive<br />

Undated<br />

"Classic" candle holder<br />

KK-7169<br />

70–90<br />

h 60<br />

130<br />

"Classic" Candle Holder


"Chippendale" Tray<br />

Oval Tray<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

"Chippendale" tray<br />

KT-7612<br />

Various sizes<br />

Various sizes<br />

Various sizes<br />

Archive<br />

Undated<br />

Oval tray<br />

KT-1427<br />

Various sizes<br />

Various sizes<br />

Various sizes<br />

This simple, timeless tray is available in various sizes.<br />

tr aYS<br />

The classical "Chippendale" tray is available in various sizes and<br />

shapes (circular, oval or rectangular).<br />

69


tr aYS<br />

Designer<br />

Year of design<br />

The bone-like pattern on the rim of this tray by Otto Prutscher gives<br />

it a rather unusual, though very charming appearance. Available<br />

in various sizes.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

A tray like this may look simple to the eye, but it actually is a pretty<br />

sophisticated artifact that requires great craftsmanship: on its large,<br />

smooth surfaces any imperfection immediately catches the eye.<br />

Available in various sizes.<br />

70<br />

Otto Prutscher<br />

Undated<br />

item<br />

Tray with a bone-patterned rim<br />

item no. KT-6584<br />

item no. annex -20 -30 -35<br />

Size | mm l 190 I b 160 l 290 I b 200 l 330 I b 280<br />

<strong>Manufactur</strong><br />

Undated<br />

Rectangular tray<br />

KT-6596 G<br />

Various sizes<br />

Various sizes<br />

Various sizes<br />

Tray with<br />

a Bone-Patterned Rim<br />

Rectangular Tray


Underplate<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Weight | g<br />

<strong>Manufactur</strong><br />

Undated<br />

This underplate is available in various sizes.<br />

unDerPlateS<br />

Underplate<br />

KU-76375<br />

-28U -31GL -33GL<br />

280 310 330<br />

620 950 1060<br />

71


MASTERPIECES


maSterPieceS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

polished -15 150 h 130 250<br />

martelé -16m 160 h 140 293<br />

martelé -21m 210 h 150 390<br />

polished -25 250 h 190 1020<br />

martelé -25m 250 h 190 890<br />

With its long pole and a ball on each end, this fruit bowl by Otto<br />

Prutscher is characteristic of the artist's poetic, playful approach, and it<br />

fires our imagination: does it resemble a drop of water that drips into a<br />

basin? Its finely hammered surface breaks up the lights into thousands<br />

of glittering reflections. The bowl is available in various sizes in a polished<br />

or martelé finish, with a silver or semiprecious stone ball at the top.<br />

Fruit Bowl with<br />

a Semiprecious Stone<br />

74<br />

Otto Prutscher<br />

Undated<br />

Fruit bowl<br />

KSC-6089<br />

Fruit Bowl -16m<br />

Fruit Bowl -25m


Name Centerpiece des Produktes with Lapis Lazuli<br />

Martelé Centerpiece<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Josef Hoffmann<br />

1902<br />

Josef Hoffmann<br />

Undated<br />

Martelé centerpiece<br />

KSC-6072<br />

-19<br />

190<br />

h 90<br />

380<br />

maSterPieceS<br />

Centerpiece with lapis lazuli<br />

KSC-2331-24<br />

.1 .2 .3<br />

240 240 245<br />

h 180 h 120 h 85<br />

1134 965 780<br />

This sculptural centerpiece is made to an early design by Josef<br />

Hoffman. Its pure, long-legged physique and the smooth surface<br />

of its base are revolutionary. Its only adornment consists of four<br />

semiprecious stones. Designed in 1902, this centerpiece became<br />

a major work of 20th century Viennese design. Available in different<br />

heights, with malachites, lapis lazuli or onyx stones.<br />

The gleaming lines and concentric circles on this martelé bowl by<br />

Josef Hoffmann make the light dance in a vibrant rhythm. The vertical<br />

and horizontal composition of this centerpiece represents a use<br />

of forms that is typical of the 1930s.<br />

75


maSterPieceS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ausführung<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

When this bowl was created in the early 1930s, Oswald Haerdtl<br />

was running Josef Hoffmann's studio. The bowl gives us an idea<br />

of how close their collaboration was, although a new momentum<br />

comes into play in this design by Haerdtl: the grooves and ridges<br />

make the light flicker and shimmer. Similar patterns of fluting can<br />

be found on his 1950s cutlery (e.g. Flatware 192).<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

The ellipsoidal container of this 1920s bonbonnière by Otto<br />

Prutscher rests on a delicate eight-shafted pole decorated with four<br />

stylized, sharp-edged wings at mid-height. The polished hemispherical<br />

foot reflects the central ellipsoid, which hovers over it like<br />

a spaceship. There are rosettes and buds added to the connecting<br />

points that even enhance the unorthodox character of this design.<br />

76<br />

Oswald Haerdtl<br />

1930s<br />

Martelé bowl<br />

KSC-6654<br />

-F<br />

martelé<br />

295<br />

h 85<br />

850<br />

Otto Prutscher<br />

1920s<br />

Silver ball bonbonnière<br />

KV-6221<br />

130<br />

h 320<br />

530<br />

Martelé Bowl<br />

Silver Ball Bonbonnière


Jug with a Gold-Plated Interior<br />

Vase<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

Size | mm<br />

Weight | g<br />

Otto Prutscher<br />

1930s<br />

maSterPieceS<br />

Jug with a gold-plated interior<br />

KV-6909<br />

-m<br />

martelé polished<br />

h 250 h 250<br />

940 940<br />

Relief coating of hollowware has always been one of the most<br />

difficult techniques for a silversmith. This jug, designed by Otto<br />

Prutscher in the 1930s, captures the light in its protruding elements<br />

and reflects its surroundings. Its manufacturing requires total mastery<br />

of the material, and yet the vivacious elegance of the object<br />

conceals all the difficulty involved in its production.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Otto Prutscher<br />

1930s<br />

Vase<br />

KV-6409<br />

105<br />

h 255<br />

960<br />

Otto Prutscher developed this elegant vase from the design of a<br />

calyx. When made of silver, the vase seems to metamorphose: its<br />

contours begin to dance and animate the object. The tender outlines<br />

start moving as colorful reflections flicker across the surface.<br />

77


maSterPieceS<br />

Coral Sugar Box<br />

Onyx Sugar Box Monogrammed Sugar Box<br />

78<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Kolo Moser<br />

1902<br />

Coral sugar box<br />

KD-3078<br />

item Size Weight<br />

mm g<br />

Coral sugar box b 135 I l 110 I h 90 620<br />

Onyx sugar box b 135 I l 110 I h 90 800<br />

Monogrammed sugar box b 135 I l 110 I h 90 625<br />

What composer Gustav Mahler had in mind as a Christmas<br />

present for his young wife Alma was a silver box, adorned with<br />

corals, so he had it designed by Kolo Moser and manufactured<br />

by Alexander Sturm. It became a Christmas present that was<br />

nothing less than a love declaration in the shape of a silver box.<br />

Today, Moser's original draft is in our archives, where it serves as<br />

a reference for our beautiful, hand-made sugar box.


Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Otto Prutscher<br />

Undated<br />

Trophy<br />

KV-6280<br />

120<br />

h 260<br />

500<br />

Otto Prutscher designed this trophy in the style of the classical<br />

base–stem–cup pattern. The chalice is divided into two sections,<br />

with an attractive double curve in the outlines. The buds on the<br />

stem and on the tip of the lid are a reference to the organic world<br />

of plants, which is typical of Prutscher.<br />

Trophy<br />

maSterPieceS<br />

79


maSterPieceS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

80<br />

Tokyo<br />

1904<br />

Japanese teapot<br />

KTS-9821 KTS-9820<br />

60 132<br />

h 80 h 140<br />

250 760<br />

The design of this teapot was commissioned by famous Japanese<br />

Admiral Togo Heihachiro, who defeated the Russian fleet in 1905.<br />

It is available in two sizes, with different handles.<br />

Japanese Teapot<br />

Japanese Teapot


TEA AND<br />

COFFEE SETS


tea anD cOffee SetS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

finish<br />

item item no. ø mm Size Weight<br />

annex mm g<br />

Teapot -Tk 150 h 200 810<br />

Cream jug -RaK 90 I 140 h 80 I h 100 260<br />

Sugar bowl -Zv 90 h 80 260<br />

Tray -Ta 400 1550<br />

The great talent of architect and product designer Otto Prutscher<br />

was his ability to tell stories by means of forms. In this case,<br />

Prutscher's art imitates a quartet of pumpkins. With martelé surfaces<br />

and hand-carved handles of macassar wood that look like<br />

stalks, this set is available with an optional gold-plated interior.<br />

84<br />

Otto Prutscher<br />

1930s<br />

Four-part pumpkin service<br />

KTS-7502<br />

martelé<br />

Pumpkin Service


Designer Otto Prutscher<br />

Year of design 1947<br />

item<br />

item no.<br />

Four-part travel service<br />

KTS-9800<br />

item item no. Size Weight<br />

annex mm g<br />

Teapot -Tk h 165 I l 260 w. handle I b 125 850<br />

Cream jug -RaK h 80 I l 135 w. handle I b 70 172<br />

Sugar bowl -Zv h 100 I l 190 w. handle I b 90 415<br />

Tray -Ta l 400 I b 226 855<br />

Otto Pruscher designed what he called his "Travel Service" for the<br />

first great Austrian Art Exhibition in 1947, held in Vienna. In formal<br />

terms it relates to the elegant models of the 1930s: compact, oval<br />

forms, integrated lids, polished, reflective silver surfaces that contrast<br />

with the volutes of the precious black wood handles. Details<br />

like silver rivets convey a touch a functionalism.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Otto Prutscher<br />

1935/38<br />

Bud service<br />

KTS-6909<br />

item item no. Size Weight<br />

annex mm g<br />

Teapot -Tk h 105 I l 110 I b 130 700<br />

Cream jug -RaK h 80 I l 70 I b 160 215<br />

Sugar bowl -Zv h 70 I l 75 I b 90 200<br />

Convex, humped forms were a favorite motif in Renaissance and<br />

Baroque silverware. Continuous lines, irregular curvatures and<br />

the relation between the decoration and the overall form … Otto<br />

Prutscher delved into ornamentation and translated historic shapes<br />

into his own formal language. Transferring the lines drawn on paper<br />

onto the hard metal and giving them a three-dimensional form<br />

still demands utmost mastery of craftsmanship today.<br />

Travel Service<br />

Bud Service<br />

tea anD cOffee SetS<br />

85


tea anD cOffee SetS<br />

Classic Tea or Coffee Set<br />

85 / 1<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Archive<br />

About 1900<br />

Classic tea or coffee set<br />

KTS-4701<br />

item item no. Size Weight<br />

annex mm g<br />

Coffee pot -Kk h 235 862<br />

Tea pot -Tk h 220 1212<br />

Milk jug -Mk h 110 306<br />

Sugar bowl -Zd h 155 546<br />

Timeless features, proven functionality, lasting value … If you love<br />

classic elegance, you will love this tea set, which is one of our top<br />

sellers. For generations, this ensemble has been an expression of<br />

stylish living and exclusive domestic culture.


MODERN DESIGN


mODern DeSiGn<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

The "Viennese Pot" is defined by edges that have an effect of<br />

dynamics instead of making the pot look heavy and bulky. The<br />

tapered spout seems to almost make the teapot tip over, but the<br />

handle made of Swiss pine provides counterbalance. The sophisticated<br />

handle, which is actually a continuation of two surfaces,<br />

allows perfect one-handed pouring without spilling.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Thomas Feichtner's "Fruit Bowl" has in fact nothing in common<br />

with the round objects you normally put fruits on. Instead, it is<br />

a sophisticated interplay of internal and external surfaces. It appears<br />

as if the fruit might fall out through the openings in the legs,<br />

but it actually gets wedged and is thus caught. This is both an<br />

intended irritation and the most significant functional element<br />

of the fruit bowl.<br />

88<br />

Thomas Feichtner<br />

2008<br />

"Viennese Pot"<br />

KDA- 0110 -WK<br />

180–350<br />

h 200<br />

800<br />

Thomas Feichtner<br />

2010<br />

Fruit bowl<br />

KDA-0100-OS<br />

180<br />

h 160<br />

800<br />

"Viennese Pot"<br />

"Fruit Bowl"


"Cutt" Cutlery Set<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Thomas Feichtner<br />

2006<br />

"Cutt" cutlery set<br />

KB-401<br />

mODern DeSiGn<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 192 85<br />

Dinner fork - 02 l 192 80<br />

Dinner knife - 03 l 195 42<br />

Pastry fork -15 l 130 42<br />

Coffee or tea spoon -13 l 130 45<br />

Fish fork -17 l 192 92<br />

Fish knife -19 l 192 89<br />

The "Cutt" cutlery set is exemplary of Thomas Feichtner's experi-<br />

mental approach. Designed in 2006, it challenges the functional<br />

and ergonomic requirements on cutlery, and yet it surprises with its<br />

functionality once it gets used. Individual surfaces folded to shape<br />

a bowl-like cavity turn out to be the body of the spoon or fork.<br />

The set was initially manufactured on a small scale by <strong>Wiener</strong><br />

<strong>Silber</strong> <strong>Manufactur</strong>; meanwhile "Cutt" has found its way into various<br />

cutlery and design collections.<br />

89


mODern DeSiGn<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

This charming piece designed by Viennese graphic and product<br />

designer Sebastian Menschhorn is reminiscent of a flower in<br />

bloom. The cut-out style geometric elements allude to the<br />

<strong>Wiener</strong> Moderne.<br />

90<br />

Sebastian Menschhorn<br />

2006<br />

"Flora" centerpiece<br />

KSC-10021<br />

-16<br />

165<br />

h 160<br />

620<br />

"Flora" Centerpiece


"Frame" Tray<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Marco Dessi<br />

2011<br />

"Frame" Tray<br />

KDA-DES<br />

mODern DeSiGn<br />

item item no. ø mm Size Weight<br />

annex mm g<br />

Tray silver<br />

Tray silver /<br />

-02 330 l 280 I b 280 2000<br />

Persex -01 330 l 280 I b 280 630<br />

A clever design by young designer Marco Dessi: "Frame" not<br />

only combines two different geometric figures – the circle and<br />

the square – but also two materials, namely silver and (colored)<br />

Perspex. To facilitate washing this piece, the silver frame can be<br />

easily detached. An object that is both striking and great fun!<br />

"Frame" was created for the context of the WIEN PRODUCTS<br />

Collection 2011 and was chosen by the press as its favorite piece.<br />

90 / 1


mODern DeSiGn<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. ø mm Size Weight<br />

annex mm g<br />

Teapot -Tk 140 h 60 530<br />

Sugar bowl -Zv 80 h 40 115<br />

Milk jug -Mk 55 h 120 185<br />

Spoon -L l 100 17<br />

Tray -Ta 300 750<br />

Those who know Thomás Alonso, whose design often looks like<br />

light, three-dimensional drafts made of simple wood, probably<br />

won't associate his work with silver. This made our collaboration<br />

for the VIENNA DESIGN WEEK 2011 all the more fascinating.<br />

True to the motto "functionality of the pattern", Alonso designed this<br />

plain tea service with a fluted pattern on the underside of the set<br />

and on the upper side of the tray so as to make them engage with<br />

each other. The set looks witty, yet at the same time harmonious.<br />

90 / 2<br />

Tomás Alonso<br />

2011<br />

Tea service<br />

KDA-AL01<br />

Tea Service


"Vindobona" Vase Series<br />

The Vindobona Collection is the result of a collaboration between<br />

<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> and J. & L. Lobmeyr for the VIENNA<br />

DESIGN WEEK 2010. In creating this series of vases, the aim<br />

of Swedish architect and designer trio Claesson–Koivisto–Rune<br />

was to produce design icons of the dining culture. In fact the<br />

process of manufacture was very ambitious too, for it required<br />

the utmost skill from the silversmiths, the glass blowers and all<br />

engravers involved.<br />

Designer<br />

Year of design<br />

Claesson Koivisto Rune<br />

2010<br />

mODern DeSiGn<br />

item<br />

"Tulips" Vase<br />

item no.<br />

KDA-0201-MR<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

polished 74–160 h 100 325<br />

brushed -b 74–160 h 100 325<br />

martelé -m 74–160 h 100 325<br />

gold-plated -g 74–160 h 100 325<br />

item<br />

"Poppies" Vase<br />

item no.<br />

KDA-0200-WR<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

polished 74–195 h 55 325<br />

brushed -b 74–195 h 55 325<br />

martelé -m 74–195 h 55 325<br />

gold-plated -g 74–195 h 55 325<br />

item<br />

"Lily" Vase<br />

item no.<br />

KDA-0202-HR<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

polished 74–65 h 185 440<br />

brushed -b 74–65 h 185 440<br />

martelé -m 74–65 h 185 440<br />

gold-plated -g 74–65 h 185 440<br />

item<br />

"Tumbler" Mug<br />

item no.<br />

KDA-0203-M<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

polished 74–70 h 70 163<br />

brushed -b 74–70 h 70 163<br />

martelé -m 74–70 h 70 163<br />

gold-plated -g 74–70 h 70 163<br />

item<br />

"Crown" Protection Ring<br />

item no.<br />

KDA-0204-R<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

polished 74 36<br />

gold-plated -g 74 36<br />

91


mODern DeSiGn<br />

"Tulips" Vase<br />

"Lily" Vase<br />

92<br />

"Poppies" Vase<br />

"Tumbler" Mug


"Crown" Protection Ring<br />

mODern DeSiGn<br />

93


mODern DeSiGn<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

models item no. Size<br />

annex mm<br />

Clar 0 h 21<br />

Ginko 1 h 21<br />

Rothschild 2 h 21<br />

Powolny 3 h 21<br />

Nobis 4 h 21<br />

Örsta 5 h 21<br />

J. & L. Lobmeyr have produced 6 designs of glasses. The<br />

protection ring is available in a polished or gold-plated<br />

silver finish.<br />

94<br />

Claesson Koivisto Rune<br />

2010<br />

Lobmeyr glasses & "Crown" protection ring<br />

KDA-0205<br />

Glasses & Protection Ring<br />

"Ginko" Glass


"Rothschild" Glass "Nobis" Glass<br />

"Powolny" Glass "Örsta" Glass<br />

mODern DeSiGn<br />

95


DESIGN BY<br />

JOSEF HOFFMANN


hOffmann<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Weight | g<br />

Designed by Josef Hoffmann, this highly decorative bottle<br />

stopper has an integrated cork and is available in a polished<br />

or martelé look.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Josef Hoffmann also designed a napkin ring (KTK-6752) and<br />

a silver beaker (KCT-6272) to go with this bottle stopper.<br />

98<br />

Josef Hoffmann<br />

Undated<br />

"Bell" bottle stopper<br />

KCT-10005<br />

-m<br />

polished martelé<br />

50 50<br />

50 50<br />

Josef Hoffmann<br />

1951<br />

Bottle stopper<br />

KCT-6774<br />

h 56<br />

60<br />

"Bell" Bottle Stopper<br />

Bottle Stopper


Name Chased des Beaker Produktes<br />

Napkin Ring<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Josef Hoffmann<br />

1930s<br />

Chased beaker<br />

KCT-6272<br />

68<br />

h 78<br />

120<br />

Josef Hoffmann<br />

Undated<br />

Napkin ring<br />

KTK-6752<br />

52<br />

l 52/b 40<br />

42<br />

hOffmann<br />

With its simple geometric construction, pragmatic expression and<br />

clean all-round finish, this fine beaker is a perfect representative of<br />

the <strong>Wiener</strong> Werkstätte. It is crafted to an original design by Josef<br />

Hoffmann and goes nicely with the napkin ring (KTK-6752) and<br />

bottle stopper (KCT-6774).<br />

This napkin ring is a wonderful example of Josef Hoffmann's<br />

formal language: it consists of three rows of little humps that reflect<br />

and refract the light. The ring goes nicely with Hoffmann's beaker<br />

(KCT-6272) and bottle stopper (KCT-6774).<br />

99


hOffmann<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

100<br />

Josef Hoffmann<br />

Undated<br />

Martelé silver bowl<br />

KSC-6092<br />

-16<br />

martelé<br />

160<br />

h 65<br />

340<br />

Josef Hoffmann refined the classical round bowl form into a nice<br />

composition of eight leaves, linked to form a bowl. The result is<br />

a fan-shaped martelé bowl that requires the highest perfection in<br />

craftsmanship.<br />

Josef Hoffmann<br />

1932<br />

Silver bowl<br />

KSC-6488<br />

-12 -16<br />

120 160<br />

h 40 h 50<br />

140 300<br />

Designed by Josef Hoffmann in 1932, this silver bowl looks as<br />

modern as ever.<br />

Name Martelé des Silver Produktes Bowl<br />

Name Silver Bowl des Produktes


Name Bowl with des a Produktes Pedestal<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Josef Hoffmann<br />

Undated<br />

hOffmann<br />

Bowl with a pedestal<br />

KSC-6419<br />

-10 -14 -18<br />

100 140 180<br />

h 25 h 35 h 50<br />

166 340 527<br />

Josef Hoffmann designed this smooth, well-proportioned bowl in<br />

1902, inspired by the purism of traditional Japanese tableware,<br />

but its balance and timeless simplicity still conform with contemporary<br />

aesthetics. The bowl is available in various sizes.<br />

101


hOffmann<br />

Martelé Centerpiece<br />

Centerpiece with Lapis Lazuli<br />

102<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Josef Hoffmann<br />

Undated<br />

Martelé centerpiece<br />

KSC-6072<br />

-19<br />

190<br />

h 90<br />

380<br />

The gleaming lines and concentric circles on this martelé bowl by<br />

Josef Hoffmann make the light dance in a vibrant rhythm. The vertical<br />

and horizontal composition of this centerpiece represents a use<br />

of forms typical of the 1930s.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Josef Hoffmann<br />

1902<br />

Centerpiece with lapis lazuli<br />

KSC-2331-24<br />

.1 .2 .3<br />

240 240 245<br />

h 180 h 120 h 85<br />

1134 965 780<br />

This sculptural centerpiece is made to an early design by Josef<br />

Hoffman. Its pure, long-legged physique and the smooth surface<br />

of its base are revolutionary. Its only adornment consists of four<br />

semiprecious stones. Designed in 1902, this centerpiece became<br />

a major work of 20th century Viennese design. It is available in<br />

different heights, with malachites, lapis lazuli or onyx stones.


Hoffmann Cutlery No. 135<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Josef Hoffmann<br />

1902<br />

Hoffmann Cutlery No. 135<br />

BD-135<br />

hOffmann<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 203 97<br />

Dinner fork - 02 l 214 92<br />

Dinner knife - 03 l 232 45<br />

Pastry fork -15 l 153 34<br />

Coffee or tea spoon -13 l 140 41<br />

Josef Hoffmann's famous cutlery No. 135 was designed a year<br />

before the founding of the <strong>Wiener</strong> Werkstätte. It marked a revolution<br />

in the history of silverware, since it involved a departure from<br />

historicism in favor of clear lines, an uncompromising allegiance<br />

to functionality.<br />

The original sets were produced for the Kohn, Wittgenstein and<br />

Mautner Markhof families. Today we treasure the original dies as<br />

some of our most priceless possessions. They are used when special<br />

people are looking for something exceptional – for products<br />

of pure perfection.<br />

103


hOffmann<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

Asparagus<br />

annex mm g<br />

serving tongs -60 l 175 245<br />

Sugar tongs -70 l 100 62<br />

Cake server -64 l 250 115<br />

Sugar Tongs No. 135<br />

104<br />

Josef Hoffmann<br />

1902<br />

Asparagus serving tongs No. 135<br />

BD-135<br />

Asparagus Serving<br />

Tongs No. 135<br />

Cake Server No. 135


hOffmann<br />

item no.<br />

length i mm<br />

Weight i g<br />

item no.<br />

length i mm<br />

Weight i g<br />

item no.<br />

length i mm<br />

Weight i g<br />

106<br />

dinner Spoon<br />

bd -135- 01<br />

203<br />

97<br />

fiSh Serving fork<br />

Sugar tongS<br />

bd -135-37<br />

230<br />

141<br />

bd -135-70<br />

100<br />

62<br />

dinner fork<br />

bd -135- 02<br />

214<br />

92<br />

fiSh Serving knife<br />

bd -135-38<br />

240<br />

115<br />

dinner knife<br />

bd -135- 03<br />

232<br />

45<br />

Sugar Sifting Spoon<br />

fiSh fork<br />

bd -135- 69L<br />

170<br />

80<br />

deSSert Spoon<br />

bd-135-17<br />

203<br />

67<br />

bd -135- 09<br />

165<br />

67<br />

fiSh knife<br />

deSSert fork<br />

bd-135-19<br />

218<br />

73<br />

bd-135-10<br />

178<br />

56<br />

Sandwich Server<br />

bd -135-53<br />

180<br />

74<br />

deSSert knife<br />

bd-135-11<br />

188<br />

31<br />

coLd meat fork<br />

bd -135-28<br />

210<br />

61<br />

Sandwich Serving fork<br />

bd -135-52<br />

150<br />

36<br />

Long drink Spoon<br />

fruit fork<br />

bd -135-21<br />

155<br />

36<br />

bd -135-26<br />

195<br />

74<br />

fruit knife<br />

bd -135-22<br />

160<br />

41<br />

aSparaguS tongS<br />

coffee / tea Spoon<br />

ice cream Serving Spoon<br />

bd -135- 60<br />

175<br />

245<br />

bd -135-13<br />

140<br />

41<br />

bd-135-35<br />

216<br />

114<br />

ice cream Serving knife<br />

Soup LadLe, SmaLL<br />

mocca Spoon<br />

bd-135-14<br />

100<br />

14<br />

bd -135-85<br />

230<br />

115<br />

bd -135- 62<br />

305<br />

290<br />

Soup LadLe, Large<br />

bd-135-15<br />

153<br />

34<br />

ice cream Spoon<br />

paStry fork<br />

bd -135-25<br />

132<br />

39<br />

bd -135 - 61<br />

375<br />

410


item no.<br />

length i mm<br />

Weight i g<br />

item no.<br />

length i mm<br />

Weight i g<br />

item no.<br />

length i mm<br />

Weight i g<br />

Serving Spoon<br />

SaLad Serving fork<br />

bd -135- 67<br />

228<br />

152<br />

bd -135-48<br />

228<br />

149<br />

butter knife, SmaLL<br />

bd -135-28<br />

145<br />

52<br />

SaLad Serving Spoon<br />

bd -135-47<br />

228<br />

152<br />

roaSt Serving fork<br />

bd -135-30<br />

245<br />

124<br />

butter knife, Large<br />

bd -135-33<br />

168<br />

62<br />

SaLad Serving fork, Long<br />

roaSt Serving Spoon<br />

bd -135-31<br />

233<br />

145<br />

bd -135-48L<br />

280<br />

149<br />

SaLad Serving Spoon, Long<br />

cheeSe knife, SmaLL<br />

bd -135-58<br />

145<br />

52<br />

bd -135-47L<br />

280<br />

152<br />

gravy LadLe<br />

bd -135-54<br />

195<br />

107<br />

cheeSe knife, Large<br />

bd -135-34<br />

168<br />

73<br />

Spice / SaLt Spoon<br />

bd -135-51<br />

88<br />

12<br />

mixed pickLeS fork<br />

fruit Serving Spoon<br />

cake Server<br />

bd -135-86<br />

250<br />

68<br />

bd -135-43<br />

225<br />

113<br />

bd -135- 64<br />

250<br />

115<br />

mixed pickLeS Spoon<br />

bd -135-87<br />

250<br />

75<br />

oySter fork<br />

hOffmann<br />

potato Spoon<br />

bd -135-93<br />

145<br />

39<br />

bd -135-42<br />

230<br />

152<br />

Lemon fork<br />

bd -135- 68<br />

105<br />

37<br />

107


DESIGNERS<br />

108


109


DeSiGnerS<br />

Josef Hoffmann<br />

110<br />

JOSef hOffmann (Pirnitz 1870–1956 vienna)<br />

Josef Hoffmann's ideal was the Gesamtkunstwerk, an all-embrac-<br />

ing artwork. He united – and impersonated – art, architecture,<br />

craftsmanship and design. In 1903, together with his like-minded<br />

colleague Kolo Moser, Hoffmann founded the <strong>Wiener</strong> Werkstätte.<br />

They designed the Purkersdorf Sanatorium and the Stoclet House<br />

in Brussels, two masterpieces of the <strong>Wiener</strong> Moderne. Our archives<br />

contain many groundbreaking drawings by Josef Hoffmann.<br />

Designs like his landmark pattern No. 135 are among the most<br />

popular in our range.


Kolo Moser<br />

kOlO mOSer (vienna 1868–1918)<br />

DeSiGnerS<br />

Like Josef Hoffmann, painter, graphic artist and craftsman Kolo<br />

Moser was greatly inspired by the English Arts and Crafts Movement,<br />

which was the first to propagate the idea of the total work<br />

of art. He was the co-founder of both the <strong>Wiener</strong> Secession and<br />

the <strong>Wiener</strong> Werkstätte, for which he designed mostly furniture,<br />

lamps and fashion accessories. At Gustav Mahler's request, Kolo<br />

Moser designed a magnificent little casket, which Mahler gave<br />

to his wife Alma. We still produce this masterpiece today after<br />

Moser's original draft.<br />

111


DeSiGnerS<br />

Otto Prutscher<br />

112<br />

OttO PrutScher (vienna 1880–1949)<br />

Otto Prutscher, a student of Josef Hoffmann, was one of the most<br />

influential personalities in early 20th century architecture. As an<br />

architect, his name remains inseparably linked to Red Vienna's<br />

housing complexes. He also worked as a designer for Kohn<br />

manufacturers of bentwood furniture and the <strong>Wiener</strong> Werkstätte.<br />

Prutscher has left an extensive collection of drawings for silver<br />

cutlery, tea and coffee services, candlesticks and other silverware<br />

accessories, which is preserved in our archives. <strong>Wiener</strong><br />

<strong>Silber</strong> <strong>Manufactur</strong> is now producing some of the highlights of<br />

his design work, including his famous "Pumpkin" service from<br />

the 1930s.


Oswald Haerdtl<br />

OSWalD haerDtl (vienna 1899–1959)<br />

DeSiGnerS<br />

Oswald Haerdtl studied under Kolo Moser and worked together<br />

with Josef Hoffmann. He was one of the key Austrian architects<br />

and designers of the inter-war and post-war periods. His magnum<br />

opus is the Wien Museum on Karlsplatz. Apart from furniture,<br />

lamps, chinaware and glasses, Haerdtl also designed cutlery and<br />

objects made of silver. <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> has reissued his<br />

pattern No. 192 and a martelé dish. Many of Haerdtl's original<br />

design drafts are preserved in our archives.<br />

113


DeSiGnerS<br />

Thomas Feichtner<br />

114<br />

thOmaS feichtner<br />

Thomas Feichtner (born in 1970) has won various international de-<br />

sign awards such as the IF Design Award, the Swiss Design Prize,<br />

the German Design Prize, the red dot design award, the European<br />

Design Award and the Josef Binder Award. His work focuses on<br />

artistic aspects and takes an experimental approach. Feichtner<br />

designs products for traditional crafters but always tries to look at<br />

things from an unconventional perspective. <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />

produces his "Cutt" cutlery.


Sebastian Menschhorn<br />

SebaStian menSchhOrn<br />

DeSiGnerS<br />

Sebastian Menschhorn (born in 1971) studied under Paulo Piva<br />

and Toshiyuki Kita at the University of Applied Arts in Vienna.<br />

With a profound knowledge of the history of culture and art he<br />

translates patterns, forms and functions into design objects and<br />

graphics. His contemporary, yet timeless designs are thus rooted<br />

in history but nevertheless tell new stories.<br />

115


DeSiGnerS<br />

Rainer Scharf<br />

116<br />

rainer Scharf<br />

Rainer Scharf (born 1970) opened his studio 24hdesign in Vienna<br />

in 2003. He was Senior Designer at Philips Design and worked<br />

for Audi and KTM. Rainer Scharf lives in London and designs consumer<br />

electronics and furniture, as well as interiors for airlines and<br />

shops for the design studio forpeople. For <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />

he designed the Turkish coffee pot "Cezve", a contribution to<br />

the WIEN PRODUCTS Collection 2010.


Tino Valentinitsch<br />

tinO valentinitSch<br />

DeSiGnerS<br />

Tino Valentinitsch (born in 1972) studied industrial design in<br />

Essen, Germany. During his studies he worked in Milan for Aldo<br />

Cibic, co-founder of "Memphis", and drew designs for Koziol. In<br />

addition to his work for the avant-garde sportswear label Y-3 he<br />

has also designed perfume bottles for Versace, as well as shoes,<br />

bags and home accessories for Helmut Lang. Since he has been<br />

working for the New York-based agency Pandiscio Co., Tino<br />

Valentinitsch focuses on the fields of luxury products and brand<br />

design. He creates brands, designs furniture, consumer goods<br />

and packaging, as well as interiors and exhibitions. For <strong>Wiener</strong><br />

<strong>Silber</strong> <strong>Manufactur</strong>, Tino Valentinitsch designed the "Lockenschale"<br />

("Curls Bowl") in 2011.<br />

117


DeSiGnerS<br />

Claesson, Koivisto, Rune<br />

118<br />

mårten claeSSOn, eerO kOiviStO, Ola rune<br />

Since 1995, Mårten Claesson, Eero Koivisto and Ola Rune have<br />

been working under a joint Stockholm-based label. In addition to<br />

their architectural projects they produce designs for manufacturers<br />

such as Cappellini and iittala. The Vindobona series, which was<br />

a joint project with <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> and glass producer<br />

J. & L. Lobmeyr, was presented on the occasion of the VIENNA<br />

DESIGN WEEK 2010. The trio has received numerous awards<br />

and honors. For instance, they were the first Swedish architects to<br />

be shown in the international category at the Venice Architecture<br />

Biennale (2004).


Marco Dessi<br />

marcO DeSSi<br />

DeSiGnerS<br />

After an apprenticeship in the technical field, Marco Dessí (born<br />

1976 in Merano, Italy) studied industrial design at the University<br />

of Applied Arts Vienna. Some of his student projects already<br />

drew international attention.<br />

In 2007 Marco Dessí founded his own design studio. His approach<br />

of tinkering with shapes and possibilities until they feel<br />

light and intuitive again, leads to products that suggest both the<br />

radically contemporary and aesthetic longevity.<br />

We produce his "Frame" tray, designed for the WIEN PRODUCTS<br />

Collection 2011.<br />

119


DeSiGnerS<br />

Tomás Alonso<br />

120<br />

tOmáS alOnSO<br />

Tomás Alonso, born in Vigo, Spain, in 1974, graduated from<br />

the Royal College of Art in London. In 2006 he co-founded the<br />

design collective OKAYstudio with five other recent graduates<br />

from the RCA.<br />

His work has been widely published and exhibited, from Aram<br />

Gallery or Whitechapel Gallery in London to exhibitions in Italy,<br />

Spain, France, Canada and Japan. His work is part of the permanent<br />

collection of the Design Museum in London. He has also<br />

received numerous international awards including the first prize in<br />

the Promosedia International Design Competition 2008 with his<br />

"chair No. 7".<br />

Our coorporation with Tomás Alonso for VIENNA DESIGN WEEK<br />

2011 yielded a wonderful silver tea service.


IMPRINT<br />

Executive partner: Georg Stradiot<br />

Art director: Dr Barbara Kamler-Wild<br />

Text: Dr Barbara Kamler-Wild, Irene Marenzi, Charlotte Pott-Pálffy,<br />

Reinhard Söbbing, Mag (FH) Eva Thiery-Metlewicz<br />

Edited by: Irene Marenzi, Charlotte Pott-Pálffy<br />

Concept, design and illustrations: Perndl+Co, Regula Widmer, Aleksandra Gustin, Claudette Hanzl<br />

Photos: Greg Dillon, Elwoods, Klaus Fritsch, Irina Gavrich, Renée del Messier, Klaus Pichler<br />

121

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!