Edith W. Clowes.pdf
Edith W. Clowes.pdf
Edith W. Clowes.pdf
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
NOTES<br />
Simulacrum as S(t)imulation? 343<br />
1 Epstein is citing Viacheslav Kuritsyn, "Postmodernizm: Novaia pervobytnaia kul'tura."<br />
Novyi mir 2(1992): 227, 232.<br />
2 Nonetheless, as Svetlana Boym makes abundantly clear in her new book, Common-<br />
places, a culture of kitsch has certainly emerged in the last few decades, one that such<br />
artists as Larisa Zvezdochetova make use of in their work.<br />
WORKS CITED<br />
Baudrillard, Jean. The Baudrillard Reader. Ed. M. Poster. Stanford: Stanford UP, 1988.<br />
Boym, Svetlana. Commonplaces. Cambridge: Harvard UP, 1994.<br />
<strong>Clowes</strong>, <strong>Edith</strong> W. Russian Experimental Fiction: Resisting Ideology after Utopia. Princeton:<br />
Princeton UP, 1993.<br />
Epstein, Mikhail. "After the Future: On the New Consciousness in Liturature," South Atlan-<br />
tic Quarterly. 90.2(Spring, 1991): 409-444.<br />
."The Origins and Meaning of Russian Postmodernism," unpublished manuscript.<br />
. "Posle karnavala ili vechnyi Venichka," Zolotoi vek (Moscow), 4 (1993), 84-92.<br />
. "Relativistic Patterns in Totalitarian Thinking." Kennan Institute for Advanced Rus-<br />
sian Studies. Occasional Paper, 243.<br />
Groys, Boris. The Total Art of Stalinism. Princeton: Princeton UP, 1991.<br />
Tupitsyn, Margarita. Margins of Soviet Art: Socialist Realism to the Present. Milan: Giancarlo<br />
Politi Editore, 1989.
Change language