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4. Odissi<br />

Sundarkand (Rescuing of Sita)<br />

After a brief summary of the s<strong>to</strong>ry, Hanuman<br />

arrives in Lanka <strong>to</strong> rescue Sita. He locates Sita in a<br />

grove, and observes how Ravana woos Sita <strong>to</strong> marry<br />

him. Sita is in constant prayer for Rama <strong>to</strong> rescue her.<br />

Hanuman drops Rama's signet ring and reveals his<br />

identity as Ram's messenger. Sita is rejoiced! Hanuman then burns<br />

down Lanka. Taking Sita’s ornament as proof, Hanuman returns <strong>to</strong><br />

Rama. Hanuman’s soldiers make a bridge over the ocean <strong>to</strong> reach Lanka.<br />

Rama and Ravana enter a fierce battle. Ravana perishes. Good presides<br />

over evil as stated in the Gita sloka, “Yada Yada Hi Dharmasya.”<br />

From “Sundarkand,” the fifth chapter of Tulsidas's Ramcharitmanas.<br />

Choreographed by Mala Desai & Juhi Pant based in Mayadhar Raut Odissi<br />

dance technique. Dancers: Mala Desai • Juhi Pant • Shivani Sharma •<br />

Tarini Karwal • Stephanie Lalitha Cosme • Nisha Patel • Naome Sajnani •<br />

Saumya Valasareddy • Ayesha Patel. Presented by Odra Disha<br />

Collaborations at Pragati with students from Mala’s School of Odissi<br />

Dance and Juhi Pant. Tel: (516) 773-2894, Email: malaodissi@gmail.com,<br />

Web: https://sites.google.com/site/malasodissi/<br />

5. Kuchipudi & Bharatha Natyam<br />

• “<strong>Sri</strong> Ramachandra Kripalu” (Kuchipudi): This is a popular Tusidas<br />

bhajan in praise of Lord Rama. Raga: Maand, Tala: Misra Chapu.<br />

Dancers: Sahityasri Thapi • Sreshta Paranji • Sadhana Paranji<br />

• Ramayana Sabdam (Kuchipudi): Raga: Mohana, Tala: Adi. Dancers:<br />

Sreshta Paranji • Shreya Kalva • Sahitysri Thapi • Vianna Sinnan<br />

• Mangalam (Bharatha Natyam): Ragam: Madhyamavathi, Talam Adi.<br />

Special Thanks To<br />

Prema & Mohan Aier • Ranjana & Chitti Moorthy • Priya & C.S.<br />

Venkatakrishnan • Vardhini & Anantha Desikan • Surekha & Shiva<br />

Keerthy • Malini <strong>Sri</strong>devan & <strong>Sri</strong>devan Krishnaswamy • Kamini &<br />

Bhadresh Acharya • Suguna Arunachalam & Arunachalam Reddy •<br />

Pallavi Moorthy • Jayashree Pradeep, Hair & Makeup • Uma Dandapani,<br />

MC • Sreenadh Jonnavithula, Audio • Shruti Laya • Sarigama<br />

International, Video • India Center of Westchester • Sulekha.com •<br />

Prakash Swamy, The Indian Express • P.S. 115 • Dosa Hutt, Flushing, NY.<br />

<strong>Sri</strong> Bharatha <strong>Kamalalaya</strong>, Inc. (non-profit)<br />

Dance School of Padmabhushan Kamala Lakshmi Narayanan<br />

proudly presents<br />

Jaya Jaya Sree Rama!<br />

A presentation of the Indian epic Ramayana in Bharathanatyam,<br />

Kathak, Kuchipudi and Odissi dance styles.<br />

Saturday, November 24, 2012<br />

3:30pm<br />

P.S. 115 Audi<strong>to</strong>rium, Floral Park, NY 11004


1. Bharatha Natyam<br />

• Thodaya Mangalam (invocation)<br />

• “Jaya Jaya Rama” (Ragam: Behag, Talam: Adi)<br />

• Dance by Guru Kamala Lakshmi Narayanan<br />

• Pushpanjali (Ragam: Vijaya Vasantam, Talam: Adi)<br />

• Ramayana (From its Beginning through Exile in<br />

Forest):<br />

Young Rama and Lakshmana accompany Sage Viswamitra in<strong>to</strong><br />

the forest where they fight the demons who have been harassing the<br />

sages. Ahalya, the wife of a sage who was cursed <strong>to</strong> become a s<strong>to</strong>ne,<br />

regains her human form after she is brushed by Rama’s foot. Sita sees<br />

Rama for the first time from her balcony. At Sita’s swayamvara,<br />

Ravana tries <strong>to</strong> lift Lord Shiva’s mighty bow, but fails. Rama lifts<br />

Shiva’s bow, strings and breaks it. Rama and Sita are married. After<br />

the marriage, Parasurama challenges Rama <strong>to</strong> string Vishnu’s bow. In<br />

Ayodhya, plans are underway for the coronation of Rama. Servant<br />

Mandara poisons the mind of Queen Kaikeyi. She insists that King<br />

Dasaratha banish Rama <strong>to</strong> the forest and crown her son, Bharatha, as<br />

king. King Dasaratha swoons in shock. Lakshmana is outraged. Sita<br />

insists that she accompanies Rama <strong>to</strong> the forest. Together, Rama,<br />

Sita and Lakshmana leave for the forest. The people of Ayodhya<br />

express their dismay at Rama’s departure.<br />

• Thillana (Ragam: Palini, Talam: Adi)<br />

Dancers: Guru Kamala Lakshmi Narayanan • Pooja Aier • Rubica Aier •<br />

Pallavi Moorthy • Shreya Desikan • Komal Keerthy • Ambika<br />

Venkatakrishnan • Poorni Arunachalam • Sruthi <strong>Sri</strong>devan • Rucha<br />

Acharya<br />

Orchestra: T.V. Krishna, Nattuvangam • Kamini Dandapani, Vocal •<br />

Sandhya Manjunatha, Vocal • Murali Balachandran, Mridangam •<br />

Sandhya Anand, Violin<br />

Choreographed by Padmabhushan Kamala Lakshmi Narayanan, Artistic<br />

Direc<strong>to</strong>r of <strong>Sri</strong> Bharatha <strong>Kamalalaya</strong>, 41 Pentmoor Drive, Mastic, NY,<br />

11950, Web: www.sribharatakamalalaya.org, Email:<br />

kamala.natyam@gmail.com, Phone: 631-281-2654.<br />

••• Intermission •••<br />

2. Kathak<br />

Maricha Vadham (Golden Deer)<br />

Exiled in the forest, Sita sees a golden deer. She<br />

asks Rama <strong>to</strong> catch the deer for her. The deer is<br />

actually Maricha, a rakshasa in disguise, who strives<br />

<strong>to</strong> help Ravana <strong>to</strong> kidnap Sita. While chasing the<br />

deer, Rama concludes from its behavior that it is<br />

unnatural and evil and kills it. In its death, the deer cries out <strong>to</strong> Sita and<br />

Lakshmana for help, mimicking Rama's voice. Sita asks Lakshmana <strong>to</strong><br />

go on a search for Rama. When Lakshmana reluctantly leaves <strong>to</strong> look for<br />

Rama, Ravana succeeds in kidnapping Sita.<br />

Performed by Sowmya Viswanath. Choreographed by Janaki Patrik,<br />

Artistic Direc<strong>to</strong>r of The Kathak Ensemble & Friends, New York, NY, Web:<br />

www.kathakensemble.com, Email: janakipatrik@aol.com. From the<br />

Ramayana of Valmiki. Sanskrit slokas chanted by Dr. P. Jayaraman, Music<br />

composed by Pt. Hariprasad Chaurasia.<br />

3. Kuchipudi<br />

Shabari Pratiksha (The Long Wait of Sage Shabari)<br />

In the forest, Shabari, an elderly female sage, keeps fruits ready for<br />

Rama. In spite of being born in<strong>to</strong> a low caste, she receives a boon that<br />

she would attain moksha (salvation) when Lord Rama takes food from<br />

her hand. She does not know when the Lord will visit, but has been<br />

patiently setting aside the choicest of fruits for the Lord for many years.<br />

She would bite the fruits first <strong>to</strong> see if they were sweet or sour. She<br />

wanted <strong>to</strong> give only the sweet ones <strong>to</strong> the Lord. One day, Rama and<br />

Lakshmana come <strong>to</strong> her hermitage on their quest for Sita. She serves<br />

them fruits and water, washes their feet, and demonstrates the nine<br />

methods of devotion. Rama blesses her and thus Shabari ascends <strong>to</strong><br />

Vaikuntha (heaven) with Rama as witness. Shabari is henceforth known<br />

for being a symbol of patience and devotion.<br />

Raga: Malika, Tala: Adi. Presented by<br />

Sadhana Paranji, Artistic Direc<strong>to</strong>r of<br />

Sadhanalaya School of Dance, New York, Web:<br />

www.sadhanalaya.com, Email:<br />

sadhanaparanji@yahoo.com, Tel: 718.380.6287.

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