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Teiresias, the seer of Oedipus the King - Leeds International ...

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HANNA M. ROISMAN, TEIRESIAS, THE SEER OF OEDIPUS THE KING<br />

change it. Much <strong>the</strong> same rationale inheres in <strong>Teiresias</strong>’ subsequent explanations<br />

<strong>of</strong> why he will not reveal all that he knows. I quote <strong>the</strong>m again: ‘Of <strong>the</strong>mselves<br />

things will come’ (341) and, ‘It is not destined that you should fall by me, since<br />

Apollo ... is sufficient’ (376f.). 15 The first says that <strong>the</strong>re is no point in making<br />

painful disclosures when <strong>the</strong> truth will emerge in due course—a ra<strong>the</strong>r strange<br />

claim for a <strong>seer</strong> whose trade is in knowledge, but o<strong>the</strong>rwise not unreasonable. The<br />

second expands on <strong>the</strong> first with <strong>the</strong> claim that revelation is pointless because it<br />

can do nothing to change fate.<br />

In o<strong>the</strong>r words, <strong>Teiresias</strong> splits knowledge from revelation and highlights <strong>the</strong><br />

pointlessness <strong>of</strong> telling what he knows. This un<strong>seer</strong>like conduct raises <strong>the</strong><br />

question <strong>of</strong> what value knowledge has in a world in which destiny is inexorable—<br />

in a world where knowledge cannot change <strong>the</strong> course <strong>of</strong> events or even alleviate<br />

suffering. 16 This inherent contradiction between a fixed and irrevocable destiny<br />

and <strong>the</strong> idea <strong>of</strong> knowledge as a value seems to have exercised Sophocles and his<br />

audience in much <strong>the</strong> same way that generations <strong>of</strong> Christian philosophers would<br />

subsequently be wracked by <strong>the</strong> inherent contradiction between <strong>the</strong> omniscient<br />

and omnipotent Christian God and man’s free will. 17<br />

The play leaves <strong>the</strong> question deliberately unresolved. Knowledge is treated in<br />

<strong>the</strong> play as a most ambiguous good. 18 <strong>Oedipus</strong>’ knowledge <strong>of</strong> <strong>the</strong> world,<br />

exemplified in his solving <strong>the</strong> riddle <strong>of</strong> <strong>the</strong> Sphinx, saves Thebes from siege and<br />

death, so it is clearly <strong>of</strong> benefit. Yet this same knowledge also leads directly to his<br />

election as king and, with that, to his incestuous marriage with his mo<strong>the</strong>r, <strong>the</strong><br />

Theban queen, and all <strong>the</strong> terrible devastation that follows. <strong>Oedipus</strong>’ belatedly<br />

acquired self-knowledge, his learning that he is <strong>the</strong> source <strong>of</strong> <strong>the</strong> plague in<br />

Thebes, enables him to remove himself and thus put an end to his people’s<br />

suffering. But it also leads to his self-blinding and <strong>the</strong> destruction <strong>of</strong> <strong>the</strong> House <strong>of</strong><br />

Labdacus. 19<br />

The commonplace scholarly wisdom is that <strong>Oedipus</strong>’ self-knowledge came<br />

too late and that his knowledge <strong>of</strong> <strong>the</strong> world was insufficient without self-<br />

15 It is <strong>the</strong>refore no surprise that <strong>Oedipus</strong> declares at <strong>the</strong> end that ‘it was Apollo, friends, Apollo’<br />

(1329), who caused his blinding. He was told by <strong>Teiresias</strong> that Apollo would be his ultimate bane.<br />

See Parker (1999) 16f., who maintains that such attributions <strong>of</strong> divine involvement occur<br />

especially in situations <strong>of</strong> extreme emotion, usually <strong>of</strong> anguish. He does not connect <strong>Oedipus</strong>’<br />

exclamation with <strong>Teiresias</strong>’ statements but with <strong>the</strong> fact that ‘as no one could deny, what Apollo<br />

had decreed had come to pass’. Winnington-Ingram (1980) 176-8 discusses <strong>the</strong> question: ‘Why<br />

does <strong>Oedipus</strong> attribute <strong>the</strong> accomplishments <strong>of</strong> his evils including ... his own act <strong>of</strong> self-blinding to<br />

Apollo?’ (178).<br />

16 Lattimore (1975) 108f.: ‘It is not that <strong>the</strong> gods will not help or inform <strong>Oedipus</strong>—<strong>the</strong>y cannot;<br />

<strong>the</strong>ir knowledge and very existence are too alien from his ... <strong>Teiresias</strong> represents <strong>the</strong> gods <strong>of</strong> <strong>the</strong><br />

<strong>Oedipus</strong> Tyrannus and dramatizes this alienation.’<br />

17 Cf. Winnington-Ingram (1980) 153f.<br />

18 Cf. Socrates’ remark in <strong>the</strong> Apology that all ‘human knowledge is <strong>of</strong> little or no value’<br />

(¢nqrwp…nh s<strong>of</strong>…a Ñl…gou tinÕj ¢x…a stˆn kaˆ oÙdenÒj, 23a). The idea that human<br />

knowledge is imperfect was common in Greek thought long before Plato wrote down Socrates’<br />

expression <strong>of</strong> it.<br />

19 Cf. Hoey (1969) 298: ‘It seems to emerge that in <strong>the</strong> <strong>Oedipus</strong> Rex <strong>the</strong> two great annihilative<br />

agencies are knowledge and generation.’<br />

8

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