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36<br />

in egg-shaped jars of large size, "3 inch to i inch<br />

thick, 10 to 13 inches wide, and at least 20 inches<br />

high, or more probably 24 inches. The jars had a<br />

flat base 6 inches across, and a mouth 3^ inches wide<br />

with a broad flat lip. The mouth of the jar was<br />

closed by a flat pad of infusible clay and sand ; and<br />

it was then set, mouth down, on the base of another<br />

jar, and clay wiped round the junction to lute them<br />

together. It was essential for the frit to be kept free<br />

of iron, which would turn the blue to green if it com-<br />

bined with it. To protect the pills a lining of blue<br />

frit was therefore put into the jars, -15 to 35 inch<br />

thick ; and<br />

this lining, though discoloured from half<br />

to three-quarters through, was thick enough not to<br />

alter throughout during the heating. The pieces of<br />

frit jar are thus lined with the most brilliant blue<br />

coating, which makes them conspicuous on the rubbish<br />

mounds.<br />

68. We now turn to the varieties of glazed ware<br />

which was made here ; and, unless exception is stated,<br />

the specimens arc from the Helul factory of the ist<br />

cent. B.C.<br />

PI. xiii. The numbers here refer to the consecu-<br />

tive numbers of the fragments on the following plates.<br />

The whole vase and bowl are restorations from the<br />

pieces, to give an idea of the appearance of the forms<br />

when complete. The fragments here are probably<br />

of the Ptolemaic age, and most of them were not<br />

found at Kom Helul, where the wasters are all of the<br />

coarser wares.<br />

PI. xiv. 1-24 are pieces of lamps with the dc<br />

spout, which began in the Julian age, and may have<br />

lasted in brown pottery down to about 200 A.D.<br />

i^Mem. /, pi. xlvii). These are probably not later<br />

than Augustus, as no such glazed lamps were in use<br />

at 50 A.D. {Meydum and Meviphis, pi. xl) ; and they<br />

probably preceded the rougher pottery ones which<br />

were then made. The colouring is plain blue on<br />

moulded relief, from i to 12; and with the addition<br />

of lumpy yellow spots on the handles, 13 to 24.<br />

These shew how early the use of yellow slip spots<br />

arose, which are so common on Roman glazed figures.<br />

The pieces 25-43 are of full blue glazing, over<br />

reliefs, the hollows of which are filled with black.<br />

They are apparently all pieces of jars like that<br />

restored on pi. xiii.<br />

PI. XV. These are all of plain blue upon relief<br />

moulding. 54 shews part of an animal. 55 bears<br />

a bold wreath of parallel sprays. 56 is part of a<br />

bowl, restored on pi. xiii. 59-72 are pieces of jars<br />

with animals of coarse work, and rather dry glazing,<br />

THE POTTERY KILNS AT MEMI'MIS<br />

like Man. I, I, 15. The lips on that plate, 9, 10,<br />

II, shew the form of the pieces 74 and 75. 76-81<br />

are pieces of large thin jars with a bold spray<br />

pattern.<br />

PI. xvi. These are all high-modelled reliefs of<br />

animals. 82, 84, and 8$ have green glaze over<br />

purple details. 83 shews a donkey bearing water-<br />

jars, in purple relief on light blue. 87 is a plain<br />

green-blue ma eye. 88-98 are of plain Prussian<br />

blue, dark in tint, verging sometimes toward indigo.<br />

93, 99-110 have a yellow-green colouring, with rich<br />

Prussian blue coating over it, running dark in the<br />

hollows. 111-123 are similar, but with a purple-<br />

blue covering. This combination of dark blue over<br />

yellow-green is the richest colouring of any found<br />

here.<br />

PI. xvii. 124-145 are all of manganese purple,<br />

rather light, upon a white ground. That this white<br />

is not merely decomposed blue is shewn by 137, 139,<br />

and some others, which have a light blue lining,<br />

unaltered and in perfect condition ; thus the pieces<br />

have not been exposed to damp, or other influences,<br />

which would bleach the blues. 146 is blue over<br />

a relief surface, as also are 148-153, except 150,<br />

which is blue on black, like 154-159. 160 and 161<br />

are greeny blue on relief<br />

PI. xviii. 162, 163, 172 are white with the hollows<br />

brown, which looks like an original colour, and not<br />

decomposed. Probably it is a manganese colour.<br />

The small pieces with fine decoration, 165-190, do<br />

not photograph clearly, and therefore the more<br />

important are given in coloured hand copies on<br />

pi. xiii, with the same numbers. These were from<br />

various sites at Memphis. Some numbers are re-<br />

peated here, where both sides of the same fragment<br />

are shewn. The pieces 191-195, 197-203 are reliefs,<br />

mostly green on white, like the pieces in Mem. II,<br />

x.xvii, II, which have been very successfully restored<br />

in the Ashmolean Museum. 196, 201-211 are pieces<br />

of white relief with dark brown ground, evidently<br />

manganese colour as it runs toward purple. 204<br />

and 205 are parts of wings from a figure.<br />

PI. xix. The large blue glazed heart, 218, was<br />

the only perfect object found at Kom Helul ; it had<br />

been thrown aside because of a slight adherence<br />

on one face ; it is now in the Cairo Museum. The<br />

brown pottery lamp with Bes and his consort, and<br />

the relief head, 220, were found in the high waste<br />

of Kom el Qalama. 221 is a piece of a glazed vase,<br />

shewing the cast of the core of coiled straw, on<br />

which it was modelled. 222-225 are forms of glazed

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