Historical studies
Historical studies
Historical studies
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36<br />
in egg-shaped jars of large size, "3 inch to i inch<br />
thick, 10 to 13 inches wide, and at least 20 inches<br />
high, or more probably 24 inches. The jars had a<br />
flat base 6 inches across, and a mouth 3^ inches wide<br />
with a broad flat lip. The mouth of the jar was<br />
closed by a flat pad of infusible clay and sand ; and<br />
it was then set, mouth down, on the base of another<br />
jar, and clay wiped round the junction to lute them<br />
together. It was essential for the frit to be kept free<br />
of iron, which would turn the blue to green if it com-<br />
bined with it. To protect the pills a lining of blue<br />
frit was therefore put into the jars, -15 to 35 inch<br />
thick ; and<br />
this lining, though discoloured from half<br />
to three-quarters through, was thick enough not to<br />
alter throughout during the heating. The pieces of<br />
frit jar are thus lined with the most brilliant blue<br />
coating, which makes them conspicuous on the rubbish<br />
mounds.<br />
68. We now turn to the varieties of glazed ware<br />
which was made here ; and, unless exception is stated,<br />
the specimens arc from the Helul factory of the ist<br />
cent. B.C.<br />
PI. xiii. The numbers here refer to the consecu-<br />
tive numbers of the fragments on the following plates.<br />
The whole vase and bowl are restorations from the<br />
pieces, to give an idea of the appearance of the forms<br />
when complete. The fragments here are probably<br />
of the Ptolemaic age, and most of them were not<br />
found at Kom Helul, where the wasters are all of the<br />
coarser wares.<br />
PI. xiv. 1-24 are pieces of lamps with the dc<br />
spout, which began in the Julian age, and may have<br />
lasted in brown pottery down to about 200 A.D.<br />
i^Mem. /, pi. xlvii). These are probably not later<br />
than Augustus, as no such glazed lamps were in use<br />
at 50 A.D. {Meydum and Meviphis, pi. xl) ; and they<br />
probably preceded the rougher pottery ones which<br />
were then made. The colouring is plain blue on<br />
moulded relief, from i to 12; and with the addition<br />
of lumpy yellow spots on the handles, 13 to 24.<br />
These shew how early the use of yellow slip spots<br />
arose, which are so common on Roman glazed figures.<br />
The pieces 25-43 are of full blue glazing, over<br />
reliefs, the hollows of which are filled with black.<br />
They are apparently all pieces of jars like that<br />
restored on pi. xiii.<br />
PI. XV. These are all of plain blue upon relief<br />
moulding. 54 shews part of an animal. 55 bears<br />
a bold wreath of parallel sprays. 56 is part of a<br />
bowl, restored on pi. xiii. 59-72 are pieces of jars<br />
with animals of coarse work, and rather dry glazing,<br />
THE POTTERY KILNS AT MEMI'MIS<br />
like Man. I, I, 15. The lips on that plate, 9, 10,<br />
II, shew the form of the pieces 74 and 75. 76-81<br />
are pieces of large thin jars with a bold spray<br />
pattern.<br />
PI. xvi. These are all high-modelled reliefs of<br />
animals. 82, 84, and 8$ have green glaze over<br />
purple details. 83 shews a donkey bearing water-<br />
jars, in purple relief on light blue. 87 is a plain<br />
green-blue ma eye. 88-98 are of plain Prussian<br />
blue, dark in tint, verging sometimes toward indigo.<br />
93, 99-110 have a yellow-green colouring, with rich<br />
Prussian blue coating over it, running dark in the<br />
hollows. 111-123 are similar, but with a purple-<br />
blue covering. This combination of dark blue over<br />
yellow-green is the richest colouring of any found<br />
here.<br />
PI. xvii. 124-145 are all of manganese purple,<br />
rather light, upon a white ground. That this white<br />
is not merely decomposed blue is shewn by 137, 139,<br />
and some others, which have a light blue lining,<br />
unaltered and in perfect condition ; thus the pieces<br />
have not been exposed to damp, or other influences,<br />
which would bleach the blues. 146 is blue over<br />
a relief surface, as also are 148-153, except 150,<br />
which is blue on black, like 154-159. 160 and 161<br />
are greeny blue on relief<br />
PI. xviii. 162, 163, 172 are white with the hollows<br />
brown, which looks like an original colour, and not<br />
decomposed. Probably it is a manganese colour.<br />
The small pieces with fine decoration, 165-190, do<br />
not photograph clearly, and therefore the more<br />
important are given in coloured hand copies on<br />
pi. xiii, with the same numbers. These were from<br />
various sites at Memphis. Some numbers are re-<br />
peated here, where both sides of the same fragment<br />
are shewn. The pieces 191-195, 197-203 are reliefs,<br />
mostly green on white, like the pieces in Mem. II,<br />
x.xvii, II, which have been very successfully restored<br />
in the Ashmolean Museum. 196, 201-211 are pieces<br />
of white relief with dark brown ground, evidently<br />
manganese colour as it runs toward purple. 204<br />
and 205 are parts of wings from a figure.<br />
PI. xix. The large blue glazed heart, 218, was<br />
the only perfect object found at Kom Helul ; it had<br />
been thrown aside because of a slight adherence<br />
on one face ; it is now in the Cairo Museum. The<br />
brown pottery lamp with Bes and his consort, and<br />
the relief head, 220, were found in the high waste<br />
of Kom el Qalama. 221 is a piece of a glazed vase,<br />
shewing the cast of the core of coiled straw, on<br />
which it was modelled. 222-225 are forms of glazed