Language In Clarissa, Evelina And Pride And Prejudice

Language In Clarissa, Evelina And Pride And Prejudice Language In Clarissa, Evelina And Pride And Prejudice

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"authority," Clarissa herself may not have had to suffer as she does at the hands of her father and brother. She tells Anna that her mother "never thought to oppose" her husband, and though he and the rest of the family value her, "she has purchased that value by her compliances" (L13 82). Money, either married or inherited, means power for men, while money for women, either through marriage or through portions, means compliance and subjugation to a "mild authority." Mrs. Harlowe's realm as a mother is to keep the house running smoothly, raise and educate her children. Inheritance language choked the Harlowe household into silence, and Mrs. Harlowe was among the first to feel its disruptive power. Richardson hints at the decline in her "domestic authority" in a letter to Aaron Hill: Such a character as the Mother's, I have known: an excellent woman, kept down by the violent and overbearing temper of a Husband; and even of a son joining with his Father; and neither of them having half her own Sense, and no good qualities at all. By Lovelace's sending his unopen'd Letter to her, as you put it, and her privately giving it to her daughter, I saw a

necessity to alter her whole Character from what I had drawn it . . . .(Correspondence 79) Mrs. Harlowe is Clarissa's model. She is what good women become when they obey their patriarchal masters, suffering under an obedience often not coming easily or unencumbered. Highlighting her uneasiness, Richardson casts Mrs. Harlowe as ill during the beginning of the family upheaval. Charlotte Harlowe is often in tears as she tries to persuade her daughter to comply with family wishes that she marry Solmes. Clarissa relates that her mother opposes sending Clarissa to Scotland to care for her brother's newly-acquired estate, "because, having relieved [Mrs. Harlowe], as she is pleased to say, of the household cares (for which my sister, you know, has no turn) they must again devolve upon her if I go" (L6 56). Mrs. Harlowe is a woman of exceptional birth whose marriage into the Harlowe family has tempered her resolve. Clarissa sums up her mother's place in the family in a postscript to Anna, saying, "Sir Oliver's observation, who knew the world perfectly well, [was] that fear was a better security than love for a woman's good behaviour to her husband" (L41 187). Further, Dr. Gregory and other conduct writers are adamant that a woman must always retain herself as keeper

necessity to alter her whole Character from<br />

what I had drawn it . . . .(Correspondence 79)<br />

Mrs. Harlowe is <strong>Clarissa</strong>'s model. She is what good<br />

women become when they obey their patriarchal masters,<br />

suffering under an obedience often not coming easily or<br />

unencumbered. Highlighting her uneasiness, Richardson<br />

casts Mrs. Harlowe as ill during the beginning of the<br />

family upheaval. Charlotte Harlowe is often in tears as<br />

she tries to persuade her daughter to comply with family<br />

wishes that she marry Solmes. <strong>Clarissa</strong> relates that her<br />

mother opposes sending <strong>Clarissa</strong> to Scotland to care for<br />

her brother's newly-acquired estate, "because, having<br />

relieved [Mrs. Harlowe], as she is pleased to say, of the<br />

household cares (for which my sister, you know, has no<br />

turn) they must again devolve upon her if I go" (L6 56).<br />

Mrs. Harlowe is a woman of exceptional birth whose<br />

marriage into the Harlowe family has tempered her<br />

resolve. <strong>Clarissa</strong> sums up her mother's place in the<br />

family in a postscript to Anna, saying, "Sir Oliver's<br />

observation, who knew the world perfectly well, [was]<br />

that fear was a better security than love for a woman's<br />

good behaviour to her husband" (L41 187).<br />

Further, Dr. Gregory and other conduct writers are<br />

adamant that a woman must always retain herself as keeper

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