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Language In Clarissa, Evelina And Pride And Prejudice

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the passing cultural values and the progress of society.<br />

Madame Duval fights her age through clownish makeup and<br />

inappropriate dress and manners. She assumes a young<br />

lover, but not another husband. Lady Catherine is<br />

subtler, taking on many of the characteristics of her<br />

deceased husband, assuming his role and placing herself<br />

in the patriarchal position of authority and power. Both<br />

understand that another marriage means losing their<br />

money, their voice and their power. Lady de Bourgh,<br />

Madame Duval and Mrs. Selwyn make us realize that the<br />

eighteenth century viewed power in women as something to<br />

make them masculine; money is a masculine form of power,<br />

turning women into men or monsters.<br />

Not only the women invite comparison, however.<br />

There can be no more inviting or striking comparison than<br />

between Villars and Wickham. Personalities aside, their<br />

backgrounds and youthful aspirations and predicaments are<br />

much the same. Lawrence Stone proposes that the number<br />

of bachelors among the younger children of upper-class<br />

families was growing in the eighteenth century, and if<br />

they could not marry a fortune, they were pushed out of<br />

the family into one of the professions (243). Both<br />

Villars and Wickham are pushed out into professions. Mr.<br />

Villars goes willingly; Wickham does not. Both men,

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