Language In Clarissa, Evelina And Pride And Prejudice
Language In Clarissa, Evelina And Pride And Prejudice Language In Clarissa, Evelina And Pride And Prejudice
Austen's ironic pairing of Collins with Lucas is two-fold. Charlotte has no dowry or portion and little hope of marrying well, though her father has a title and assumes the lifestyle of the landed gentry. Her future husband falls into an estate and a good living by being in the right place and the right time, not through merit or title. His good fortune does not work in his favor as does the accident of title on Sir William, for Collins becomes even more supercilious than he was before his inheritance. Charlotte, without a voice or future, turns to Collins for comfort and security, knowing the social consequences for herself and her family. Mr. Bennet reflects privately on the marriage of Charlotte Lucas, consoling himself that the young woman whom he used to consider sensible, "was as foolish as his wife, and more foolish than his daughter" (107). Jane Bennet, however, remarks that Charlotte's marrying Collins is a "most eligible match," since Charlotte is the oldest daughter in a large family without much of a portion (115). Elizabeth fails to see what Jane does-that the Bennet daughters are in much the same position. Inheritance practice and its language bring out the worst in Collins. Ivor Morris declares that Collins's
"name has become a byword for a silliness all of his own-a felicitous blend of complacent self-approval and ceremonious servility" (1) . Austen describes Collins as originally filled with humility, but his consequent feelings of "early and unexpected prosperity" made him "altogether a mixture of pride and humility" (61). Unlike Sir Lucas or Mr. Bingley, who have risen to the occasion of their worth, Collins only sinks further into the baser qualities that make up the greatest portion of his personality. Morris says it best regarding Collins, calling hi, "the living expression and microcosm of all those things against which [Austen] must in her personal life come to terms" (160). The language of his inheritance and his living consume Collins. He is incapable of speaking without making mention of either. His communication is so severely disrupted by his inheritance that he becomes an ugly personification of what he cannot articulate. At the same time, Austen makes it clear that a womanf s job is to marry well. Charlottef s marriage to Collins shows that Austen understood there were ups and downs in the marriage market, and not all young women were endowed with enough talent, beauty, charm or portion to make an excellent match. Many women like Charlotte
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"name has become a byword for a silliness all of his<br />
own-a felicitous blend of complacent self-approval and<br />
ceremonious servility" (1) . Austen describes Collins as<br />
originally filled with humility, but his consequent<br />
feelings of "early and unexpected prosperity" made him<br />
"altogether a mixture of pride and humility" (61).<br />
Unlike Sir Lucas or Mr. Bingley, who have risen to the<br />
occasion of their worth, Collins only sinks further into<br />
the baser qualities that make up the greatest portion of<br />
his personality. Morris says it best regarding Collins,<br />
calling hi, "the living expression and microcosm of all<br />
those things against which [Austen] must in her personal<br />
life come to terms" (160). The language of his<br />
inheritance and his living consume Collins. He is<br />
incapable of speaking without making mention of either.<br />
His communication is so severely disrupted by his<br />
inheritance that he becomes an ugly personification of<br />
what he cannot articulate.<br />
At the same time, Austen makes it clear that a<br />
womanf s job is to marry well. Charlottef s marriage to<br />
Collins shows that Austen understood there were ups and<br />
downs in the marriage market, and not all young women<br />
were endowed with enough talent, beauty, charm or portion<br />
to make an excellent match. Many women like Charlotte