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Language In Clarissa, Evelina And Pride And Prejudice

Language In Clarissa, Evelina And Pride And Prejudice

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uncanny perception is pivotal to <strong>Evelina</strong>'s identity and<br />

the cause of <strong>Evelina</strong>fs frequent misidentifications (315).<br />

First, Willoughby and Lovel identify her as a pretty<br />

bastard, then the Branghtons identify her as one of their<br />

own. However, most troubling is Villarsf identification<br />

of <strong>Evelina</strong> as his and not her father's. Though she was<br />

bequeathed to him, and he does have the power of her<br />

guardianship, he still knows her identity and has the<br />

documents to prove it. Had he truly considered her his<br />

own, would he not have given her his name? <strong>In</strong>stead, he<br />

gives her the anagram of Anville, not only an anagram of<br />

her name, but another for " a villein."<br />

Likewise, Mrs. Selwyn' s name implies that she had to<br />

offer her feminine side in order to win a place in<br />

society after the death of her husband. <strong>In</strong> the end, she<br />

does win. Willoughby, Mirvan, and Lovel use Madame Duval<br />

as proof of <strong>Evelina</strong>'s lack of birthright, placing her low<br />

on the marriage scale. Burney uses Mrs. Selwyn, another<br />

country gentlewoman, as the agent of <strong>Evelina</strong>'s future<br />

happiness. She successfully solves the mystery of<br />

<strong>Evelina</strong>fs birth, confronting Sir John Belmont with the<br />

truth and bringing <strong>Evelina</strong> to her rightful place in<br />

society. Barbara Zonitch aptly confirms that in order<br />

for a woman to defend herself against the dominant male

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