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Language In Clarissa, Evelina And Pride And Prejudice

Language In Clarissa, Evelina And Pride And Prejudice

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silence about <strong>Evelina</strong> and Burney that has continued until<br />

just recently.<br />

Watt mentions Frances Burney five times in The Rise<br />

of the Novel. He sandwiches her between Defoe and<br />

Sterne. Yet, <strong>Evelina</strong> is not mentioned at all. None of<br />

Burney's works is discussed. However, when Watt<br />

discusses Burney in relation to Austen, he admits Austen<br />

finished the work that Burney began (298). <strong>In</strong> his last<br />

chapter, Watt suggests that both Burney and Austen are<br />

key to the legacy of female authorship. Watt admits that<br />

Burney was "no inconsiderable figure in bringing together<br />

the divergent directions which the geniuses of Richardson<br />

and Fielding has imposed upon the novel" (296).<br />

Nevertheless, <strong>Evelina</strong>, as wildly popular as Pamela and<br />

Robinson Crusoe, remains unexamined in The Rise of the<br />

Novel. <strong>In</strong>deed, even Virginia Woolf declared that,<br />

"Austen should have laid a wreath upon the grave of Fanny<br />

Burney . . ." (72).<br />

Marjorie Dobbin, however, effectively fills in some<br />

of the lingering silence surrounding Burneyr s works.<br />

Dobbin posits that eighteenth-century novels written by<br />

women were instruments of social criticism, and women's<br />

situations at the time were a good choice for such<br />

criticism (43) . Certainly, <strong>Evelina</strong> raises many questions

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