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The pagan tribes of Borneo - Get a Free Blog Here

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276 PAGAN TRIBES OF BORNEO chap.<br />

p. 88] is termed trong, the ^%% plant. On the breast and<br />

shoulders some forms <strong>of</strong> rosette or star design are tatued in<br />

considerable pr<strong>of</strong>usion ; they are known variously as<br />

bunga trough the ^%%<br />

plant flower, tandan buahy bunches<br />

<strong>of</strong> fruit, lukut, an antique bead, and ringgit salilang. A<br />

four-pointed star, such as that shown in Fig. 64, is termed<br />

buah andu^ fruit <strong>of</strong> Plukenetia corniculata ; since this fruit<br />

is quadrate in shape with pointed angles, it is evident that<br />

the name has been applied to the pattern because <strong>of</strong> its<br />

resemblance to the fruit. Furness figures examples <strong>of</strong><br />

these designs and also Ling Roth [7, p. 88]. We figure<br />

(Figs. 75, ^6, yy) three designs for the<br />

throat known sometimes as katak^ frogs,<br />

sometimes as tali gasieng, thread <strong>of</strong> the<br />

spinning wheel, and no doubt other meaningless<br />

names are applied to them. Two<br />

<strong>of</strong> the figures (Figs. 75, yy) are evidently<br />

modifications <strong>of</strong> the Bakatan gerowit<br />

design, but here they are represented<br />

with the tatu pigment, whilst with the<br />

Fig 77<br />

Bakatans the design is in the natural<br />

colour <strong>of</strong> the skin against a background<br />

<strong>of</strong> pigment, i.e. the Dayak design is the positive <strong>of</strong> the<br />

Bakatan negative. Furness figures two examples <strong>of</strong> the<br />

throat design, one with a transverse row <strong>of</strong> stars cutting<br />

across it; the same authority also figures a design for the<br />

ribs known as tali sabit, waist chains, consisting <strong>of</strong> two<br />

stars joined by a double zigzag line. <strong>The</strong> same design is<br />

sometimes tatued on the wrist, when it is known as lukut^<br />

antique bead ; it is also tatued on the throat [7, p. 88],<br />

and attention has already been drawn to the probable<br />

derivation <strong>of</strong> this design also from a Bakatan model.<br />

It is only very seldom that Sea Dayak women tatu, and<br />

then only in small circles on the breasts [7, p. 83] and on<br />

the calves <strong>of</strong> the legs.<br />

As a conclusion to the foregoing account <strong>of</strong> Bornean<br />

tatu we add a table which summarises in the briefest<br />

possible manner all our information ; its chief use perhaps<br />

will lie in showing in a graphic manner the blanks in our<br />

knowledge that still remain.<br />

We do not consider that tatu can ever be <strong>of</strong> much value<br />

in clearing up racial problems, seeing how much evidence<br />

there is <strong>of</strong> interchange <strong>of</strong> designs and rejection <strong>of</strong> indigenous

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