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The pagan tribes of Borneo - Get a Free Blog Here

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272 PAGAN TRIBES OF BORNEO chap.<br />

74, and PI. 143, Figs. 7, 8. <strong>The</strong> central part <strong>of</strong> the<br />

forearm design is an anthropomorphic derivative, judging<br />

by the name tegulun ; the lines are termed kilang^ and<br />

kanak and gerowit are also conspicuous ; gerowit is also the<br />

name <strong>of</strong> the design for the metacarpals ; the two stars<br />

joined by a line on the wrist are termed lukut^ and it is<br />

possible that their significance is the same as that <strong>of</strong> the<br />

Kayan lukut tatued in the same place by men, but we<br />

have no evidence that this is the case.<br />

Nieuwenhuis figures [9, PI. 80] a Bakatan tatued on<br />

the chest in the typical manner.<br />

<strong>The</strong> only other designs, apparently <strong>of</strong> Kalamantan<br />

— __—___^.i_.^_«__^ origin, are those figured<br />

— by Ling Roth [7, p. Zj\<br />

Three <strong>of</strong> these are after<br />

drawings by Rev. W.<br />

Crossland, and are<br />

labelled "tatu marks on<br />

arm <strong>of</strong> Kapuas Kayan<br />

captive woman." <strong>The</strong><br />

designs are certainly<br />

Fig. 74.<br />

not <strong>of</strong> Kayan origin<br />

the woman had in all<br />

probability been brought<br />

captive to Sarawak,<br />

where Mr. Crossland saw<br />

her, and it is unfortunate<br />

that exact informa-<br />

tion concerning the tribe<br />

to which she belonged<br />

was not obtained. <strong>The</strong><br />

designs, if accurately<br />

copied, are so extremely unlike all that are known to<br />

us that we are not able to hazard even a guess at their<br />

provenance or meaning. <strong>The</strong> other design figured on<br />

the same page is copied from Carl Bock ; it occurred on<br />

the shoulder <strong>of</strong> a Punan, and is said by Mr. Crossland<br />

to be commonly used by the Sea Dayaks <strong>of</strong> the Undup.<br />

We met with a similar example <strong>of</strong> it (PI. 138, Fig. 7)<br />

on an Ukit tatued in the Kayan manner, but could get<br />

no information concerning it, and suppose that it is not<br />

an Ukit design. Hein [6, Fig. 90] figures the same<br />

design, and Nieuwenhuis [8, p. 240] alludes to a similar.<br />

We may note here that the designs figured on page 89<br />

;

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