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XII DECORATIVE ART 261<br />

separately from that <strong>of</strong> the Kenyah-Klemantan <strong>tribes</strong><br />

whose tatu is much more original in design.<br />

<strong>The</strong> men <strong>of</strong> such Kenyah <strong>tribes</strong> as the Lepu Jalan,<br />

Lepu Tau, Lepu Apong, etc., if tatued at all, are tatued<br />

in the Kayan manner, that is, with some form <strong>of</strong> dog design<br />

on the forearms and thighs, and with rosettes or stars on the<br />

shoulders and breasts. <strong>The</strong> dog design is usually known<br />

as usang orange the prawn pattern ; the teeth <strong>of</strong> the dog<br />

are held to represent the notched border <strong>of</strong> the prominent<br />

rostrum characteristic <strong>of</strong> the prawns <strong>of</strong> the genus Palceman^<br />

that occur so plentifully in the fresh -water streams <strong>of</strong><br />

<strong>Borneo</strong>. An extreme modification <strong>of</strong> the dog design to<br />

form a prawn is shown in PI. 137, Fig. 9; PI. 136, Fig. 4,<br />

is a dog design, and is so termed. PL 136, Fig. 10, is<br />

known as toyu, a crab ; A is the mouth, ba ; B<br />

katip ; C the back, likut ; D<br />

the claw,<br />

is termed Izpan katip^<br />

the tail, zkong. PI.<br />

jaws <strong>of</strong> the centipede.<br />

136, Fig. 9,<br />

All these<br />

are tatued on the flexor<br />

the outside <strong>of</strong> the thigh.^<br />

surface <strong>of</strong> the forearm<br />

An example <strong>of</strong> a star<br />

or on<br />

design<br />

termed<br />

Fig. 7.<br />

usong dian^ durian pattern, is shown in PI. 141,<br />

<strong>The</strong> women <strong>of</strong> these <strong>tribes</strong> tatu in the same way,<br />

and employ the same designs as the Kayans, except that<br />

they never tatu on the thighs. Amongst the Baram<br />

Kenyahs there appears to be very little ceremonial connected<br />

with the process <strong>of</strong> tatuing.<br />

iii. Kenyah-Klemantan'^ Tatu.<br />

Amongst this rather heterogeneous assemblage <strong>of</strong> <strong>tribes</strong><br />

considerable diversity <strong>of</strong> tatu design is found. <strong>The</strong> men<br />

are seldom tatued, but when they are it is in the Kayan<br />

manner. <strong>The</strong> Peng or Pnihing <strong>of</strong> the Koti basin have an<br />

elaborate system <strong>of</strong> male tatu, but it seems to be dying out<br />

the only examples that we have met are shown on PI. 141,<br />

Figs. 2 and 3. <strong>The</strong>se represent the arms <strong>of</strong> Peng men;<br />

unfortunately we have no information as to the significance<br />

<strong>of</strong> the designs. <strong>The</strong> only other Peng design that we are<br />

acquainted with is a large disc tatued on the calf <strong>of</strong> the leg.<br />

Dr. Nieuwenhuis states that Peng women are tatued with<br />

isolated dog designs on the arms and legs like the men <strong>of</strong><br />

Kayan <strong>tribes</strong> [9, p. 461].<br />

^ For other examples <strong>of</strong> modified asii designs employed by Kenyah <strong>tribes</strong>,<br />

see E, B. Haddon (4, pp. 117, 118),<br />

'^ By this name we denote those Kenyah <strong>tribes</strong> which stand nearest to the<br />

Klemantans and furthest from the Kayans in respect <strong>of</strong> customs. Cf.<br />

Chap. XXI.<br />

;

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