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246 PAGAN TRIBES OF BORNEO chap.<br />

B. 4. Malanau.<br />

5. Miri.<br />

6. Dali.<br />

7. Narom.<br />

8. Sigalang ] /^Q^n-rlver <strong>tribes</strong> <strong>of</strong> Ukit stock).<br />

^ ^<br />

9. biduan )<br />

10. Tutong.<br />

11. Balait.<br />

12. Bekiau (traces <strong>of</strong> a former practice <strong>of</strong> tatu<br />

occasionally found).<br />

13. Bisaya.<br />

14. Kadayans.<br />

<strong>The</strong> patterns once employed by the <strong>tribes</strong> included in<br />

the second section <strong>of</strong> this list, most <strong>of</strong> which have adopted<br />

Malay dress and to some extent Malay customs, are lost<br />

beyond recall. <strong>The</strong> Land Dayaks display absolute<br />

ignorance <strong>of</strong> tatu, and aver that they never indulged in<br />

the practice. Maloh and Punan men ornamented with<br />

but they<br />

Kayan tatu designs we have <strong>of</strong>ten encountered ;<br />

have no designs <strong>of</strong> their own, and attach no special<br />

significance to their borrowed designs.^<br />

We may note here that the ornamentation <strong>of</strong> the body<br />

by means <strong>of</strong> raised scars and keloids is not known in<br />

<strong>Borneo</strong>. Both men and women <strong>of</strong> several <strong>tribes</strong> will test<br />

their bravery and indifference to pain by setting fire to a<br />

row <strong>of</strong> small pieces <strong>of</strong> tinder placed along the forearm, and<br />

the scars caused by these burns are <strong>of</strong>ten permanent, but<br />

should not be mistaken for decorative designs. Carl Bock<br />

(2, PI. 1 6) 2 figures some Punan women with rows <strong>of</strong><br />

keloids on the forearms, but states (p. 71) that these are<br />

due to a form <strong>of</strong> vaccination practised by these people.<br />

<strong>The</strong> Kayans are, with one or two exceptions, the most<br />

tatued race in <strong>Borneo</strong>, and perhaps the best tatued from an<br />

artistic point <strong>of</strong> view ; the designs used in the tatu <strong>of</strong> the<br />

men have been widely imitated, and much ceremonial is<br />

connected with the tatu <strong>of</strong> the women, an account <strong>of</strong> which<br />

we give below. Generally speaking, the true Klemantan<br />

designs are quite simple, and it is noteworthy that<br />

although theKenyah <strong>tribes</strong> most nearly akin to Kayans have<br />

^ Nieuwenhuis also notes (9, p. 451) that men in the course <strong>of</strong> their travels<br />

amongst other <strong>tribes</strong> permit themselves to be tatued with the patterns in vogue<br />

with their hosts.<br />

^ <strong>The</strong>se figures refer- to the bibliography printed at the end <strong>of</strong> this chapter,<br />

vol. i., p. 280.

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