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The pagan tribes of Borneo - Get a Free Blog Here

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DECORATIVE ART 245<br />

the body. A paper embodying most <strong>of</strong> the facts<br />

hitherto ascertained has been published by one <strong>of</strong><br />

us (C. H.) in conjunction with Mr. R. Shelford,<br />

formerly curator <strong>of</strong> the Sarawak Museum, who has<br />

paid special attention to the subject ; we therefore<br />

reproduce here the greater part <strong>of</strong> the substance <strong>of</strong><br />

that paper/ with some slight modifications, and we<br />

desire to express our thanks to Mr. Shelford^ for<br />

his kind permission to make use <strong>of</strong> the paper in<br />

this way.<br />

<strong>The</strong> great diversity <strong>of</strong> <strong>tribes</strong> in <strong>Borneo</strong> involves, in a<br />

study <strong>of</strong> their tatu and tatuing methods, a good deal <strong>of</strong><br />

research and much travel, if first-hand information on the<br />

subject is to be obtained. Between us we have covered<br />

a considerable area in <strong>Borneo</strong> and have closely crossquestioned<br />

members <strong>of</strong> nearly every tribe inhabiting<br />

Sarawak on their tatu, but we cannot claim to have<br />

exhausted the subject by any means ; there are <strong>tribes</strong> in<br />

the interior <strong>of</strong> Dutch <strong>Borneo</strong> and in British North <strong>Borneo</strong><br />

whom we have not visited, and concerning whom our<br />

knowledge is <strong>of</strong> the scantiest.<br />

<strong>The</strong> practice <strong>of</strong> tatu is so widely spread throughout<br />

<strong>Borneo</strong> that it seems simpler to give a list <strong>of</strong> the <strong>tribes</strong><br />

that do not tatu, than <strong>of</strong> those who do. We can divide<br />

such a list into two sections : the first including those <strong>tribes</strong><br />

that originally did not tatu, though nowadays many<br />

individuals are met with whose bodies are decorated with<br />

designs copied from neighbouring <strong>tribes</strong> ; the second<br />

including the <strong>tribes</strong> (mostly Klemantan) that have given<br />

up the practice <strong>of</strong> tatu owing to contact with Mohammedan<br />

and other influences.<br />

A. I. Punan.<br />

2. Maloh.<br />

3. Land Dyak.<br />

^ "Materials for a Study <strong>of</strong> Tatu in <strong>Borneo</strong>," by Charles Hose and R.<br />

vShelford, J. R.A.I, vol. xxxvi. <strong>Here</strong> also we have to thank the Council<br />

<strong>of</strong> the Royal Anthropological Institute for permission to republish part <strong>of</strong><br />

this paper, and to reproduce the plates and figures accompanying it. <strong>The</strong><br />

reference figures <strong>of</strong> this section refer to the bibliographical list at the end <strong>of</strong><br />

this chapter.<br />

^ Since these pages were printed we have had to mourn tlie loss <strong>of</strong> our<br />

friend and fellow-worker, cut <strong>of</strong>f in the early summer <strong>of</strong> a life strenuously<br />

devoted to scientific research.

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