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130. - Collection Point® | The Total Digital Asset Management System

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1. Investigating Structure 59<br />

3. We should seek confirmatory evidence of some sort, including<br />

the purpose and/or effect of the supposed structure.<br />

4. Superimposed structures should not be posited unless there is<br />

strong independent evidence for this intention.<br />

Conclusions<br />

In considering the work done by scholars on literary structures, my<br />

purpose has been to throw light on the question: how can we discern<br />

the structure, if any, intended by the author or editor of the text in<br />

question?<br />

We have examined several examples of work done in this area,<br />

including independent work on the same text by different scholars. In<br />

the latter case we have been concerned to ask why the analyses differ,<br />

and whether the differences are significant or whether they point to<br />

basically the same insights. If our aim is to discern the author/editor's<br />

intention then the results obtained by different investigators ought to<br />

agree in essence.<br />

It seems to me that the same basic conclusions have been forced<br />

upon us throughout this present chapter. <strong>The</strong>y may be summarized as<br />

follows:<br />

1. Repetitions of the same word or root may be used by a writer to<br />

indicate a correspondence between one part of a unit and another. But:<br />

a. <strong>The</strong>re may be other reasons for repetition.<br />

b. Very common words have little significance in this regard.<br />

c. We should not, without good reason, accept some words as<br />

significant, while ignoring others.<br />

d. It should be possible to suggest the reason for a writer's<br />

arrangement.<br />

e. Alternative theories need to be considered.<br />

2. A writer might well have had in mind connections between one<br />

part and another, progressions of thought, similar type of content, and<br />

so forth, which are not reflected in the use of identical words or roots.<br />

We may indeed acknowledge that thematic connections such as the<br />

above are more important than merely identical words. Yet it would<br />

be strange for a writer to avoid using certain words more than once,<br />

if he wanted to draw the reader's attention to the correspondence.<br />

<strong>The</strong>re is certainly scope for further research in this area, but at

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