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130. - Collection Point® | The Total Digital Asset Management System

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40 Structure and the Book ofZechariah<br />

say a little about their methods, criteria and results. 1<br />

Lundbom's thesis is a response to Muilenburg's call for rhetorical<br />

criticism. 2 He appreciates previous work done in literary criticism and<br />

attempts to build on it and to go beyond it. 3 He believes that inclusio<br />

and chiasmus are the features that control the structure of the book of<br />

Jeremiah and presents some persuasive examples, for example, '"QT<br />

VPQT: the first words of 1.1 and the last words of 51.64 which enclose<br />

the whole of the book of Jeremiah up to the historical appendix in<br />

1. J.R. Lundbom, Jeremiah: A Study in Ancient Hebrew Rhetoric (Missoula,<br />

MT: Scholars Press, 1975); W.L. Holladay, <strong>The</strong> Architecture of Jeremiah 1-20<br />

(Lewisburg, PA: Bucknell University Press, 1976); idem, Jeremiah, I (Hermeneia;<br />

Philadelphia: Fortress Press, 1986). <strong>The</strong> introduction to Holladay's Commentary is<br />

to appear in volume 2, as is his bibliography. <strong>The</strong>re is surprisingly little cross reference<br />

to Lundbom's work, or even his own. He notes both works in the his commentary<br />

(p. 125), but he has obviously changed his views of Jeremiah between<br />

1976 and 1986. Although he speaks of inclusios as integrating factors, the detailed<br />

results are quite different in a number of particulars. For example, in Architecture he<br />

wrote about: 2.2-3 = seed oracle; 2.5-37, 3.1-5,12b-14, 19-25 = harlotry cycle; and<br />

4.1-6.30, 8.4-10a, 13 = foe cycle (pp. 30-34, 35-54, 55-101). In the commentary<br />

he talks in terms of: 2.4-9, 3.1-2, 4-5, 12, 14-15, 18b, 19, 21a, 22-23, 24-25*, 4.1-<br />

2 = early recension to the north (* = poetic core); 2.1-3, 10-25, 29-37, 3.13, 21b,<br />

4.3-4 = additions in the First Scroll; and 2.26-28, 3.3, 20 = additions in the Second<br />

Scroll (pp. 62-77).<br />

He does not seem to offer an explanation of how his two systems are related,<br />

although he acknowledges the parallels between 4.5-6.30 and 8.14-10.25 discovered<br />

in Architecture, pp. 108-109 (Holladay, Jeremiah, p. 133 n. 1). It is disconcerting<br />

that McKane does not include Lundbom's book, nor Holladay's Architecture<br />

of Jeremiah, in the bibliography of his commentary.<br />

A book that promises to further our understanding of at least part of the book of<br />

Jeremiah, with regard to the structure intended by the redactors, is A.R. Diamond,<br />

<strong>The</strong> Confessions of Jeremiah in Context: Scenes of Prophetic Drama (JSOTSup, 45;<br />

Sheffield: JSOT Press, 1987). In dealing with the 'Confessions' he considers both<br />

Typical Form' (which relates primarily to results obtained by form critics) and<br />

'Particular Form' which attempts to present (briefly) the structure of individual<br />

sections, noting progression of thought, key words, literary devices such as chiasmus,<br />

etc. It is this that I have sought to investigate more rigorously. His interaction<br />

with Lundbom and Holladay is surprisingly small. Diamond deals much more fully<br />

with 'Redaction', 'Setting', 'Interpretation'and the implications of his exegetical<br />

results for the meaning of the parts studied in their historical and literary context.<br />

2. Lundbom, Jeremiah, pp. 1-2.<br />

3. Lundbom, Jeremiah, pp. 2-16.

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