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130. - Collection Point® | The Total Digital Asset Management System

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4. Connections Between Sections ofZechariah 1—14 251<br />

One possibility which does not show up in the table is that<br />

'measuring line' is a significant motif (in 1.16 the word used is mp<br />

[hapax legomenon] and not *?3n). If so, we should suppose that the<br />

editor who added the end of ch. 1 intended a connection with the<br />

third vision. However, there is little verbal repetition, so that we could<br />

as well argue that this was not a conscious intention. Zech. 11.7, 14,<br />

'bands' or 'union', may be discounted from this discussion.<br />

330 is not distinctive enough for our purposes. <strong>The</strong> form in 2.9 is<br />

different from the others, and that which surrounds is also different:<br />

'fire', 'her cities', 'peoples' (12.2; 14.14). In Zech. 14.10 the verb<br />

form is completely different.<br />

It is of particular interest to enquire whether we can confirm that V2<br />

is intended to be parallel to V6 or VI, and similarly for V3. We may<br />

say that such evidence as there is from this method of investigation<br />

supports the linking of V2 with V7 ('lift up' only), and V3 with V6<br />

('length and breadth', 'go forth' [2x], 'in the midst'), but (less plausibly)<br />

also with V7 ('where?', 'go forth' [4x], and 'in the midst' [2x]). We<br />

should, however, also remember that V2 and V3 are strongly linked<br />

by the whole introductory formula mio *rj> n« KCKT n:m, so that there<br />

are grounds for treating VV2, 3, 6 and 7 together in some sense. 1<br />

This question is discussed by several scholars. For example,<br />

Meyers: 2 the visions are labelled 1-7; ch. 3 is called a 'prophetic<br />

vision'. In my terminology they put the following visions parallel:<br />

VI and V8 (e.g. horses)<br />

V2 and V7 (e.g. internal structure, two parts each)<br />

V3 and V6 (e.g. direct inclusion of oracular material)<br />

Inverse order can be established on stylistic grounds. This establishes<br />

the central two as a pair. Stylistic contrast, rather than stylistic correspondence,<br />

characterizes these.<br />

<strong>The</strong> correspondence is also established by the scope of the visions:<br />

VI and V8: Universal. God's omniscience/omnipotence<br />

V2 and V7: International. Judah, the empires/Yehud, Persia<br />

V3 and V6: National. Jerusalem's territory/self-rule of Yehud<br />

V4 + V5: Jerusalem. Leadership, temple<br />

1. Note also that VV1-4 are linked by the phrase 'choose Jerusalem' (1.17;<br />

2.16; 3.2).<br />

2. Haggai, Zechariah, pp. liv-lvi.

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