130. - Collection Point® | The Total Digital Asset Management System
130. - Collection Point® | The Total Digital Asset Management System 130. - Collection Point® | The Total Digital Asset Management System
3. The Structure of Individual Sections of Zechariah 181 verses...' l It is unfortunately achieved by a discriminating choice of words: 'Jerusalem' also occurs after 'horses'; repeated roots are not accounted for. Perhaps we could improve on this by noting the following. rro is repeated twice, and three things are 'cut off: chariot from Ephraim, horse from Jerusalem, battle bow. Three adjectives are used to describe the king: p-rre, tftfti and '3i>. Three expressions are used to describe the king's mount: "nnn, ~PJ> and rvun» p. The word DDT is used of the king riding on his humble ass, and the same root gives the noun 'chariot' which is to be cut off. Perhaps some resonance is intended between D'U 1 ? D'frtf and D'a •frtfni. It seems that there is a satisfying rhythm and balance to these two verses. Lamarche treats 9.11-10.1 as a unit 2 and sees the following patterns: 9.11-12 9.17b-10.1 Strophes of three vers a v. 11 (...DJ) 9.17b each: promises b v.!2a 10.la and exhortation a 1 v. 12b (. . .DJ) lO.lb Verses 13-17a are regarded as two strophes each with four vers: 13a
182 Structure and the Book ofZechariah that this is the intended structure of the editor, for example, by showing that this is a more satisfactory scheme than its possible rivals. Even if 'battle' and 'intervention of Yahweh' are the right way of describing the sections so named, it is by no means clear that the central pattern, xxyy yx'yx", is a regular or pleasing structure. We noted above that the strongest verbal correspondences between vv. 13 and 16 are with vv. 10 and 9 respectively, but these are just outside Lamarche's section. The same method is used by Lamarche throughout his book, and there seems little point in making the same criticisms for each section. We shall, therefore, confine further criticism to points that are specific to the section in question. Lacocque's scheme is slightly different here. He takes vv. 11-17 together and sets out the following pattern: a lla blood alliance a' 15 blood banquet b lib out of the pit b 1 16a divine salvation c 12a the stronghold c' 16b God's field d 12b promise of prosperity d' 17 prosperity Verses 13-14 are an incise: a Judah (south) b Ephraim (north) 1 Zion (east) 2 Yavan (west) b' God's lightning (north) a 1 God comes from Teman (south) This is surely fanciful. There are no words in common between any two parallel sections; 'blood' in v. 15 comes from the LXX; v. 15a is four times as long as v. lla; the word 'prisoners' occurs in both lib and 12a but this is ignored; D3 at the beginning of vv. 11 and 12b, which Lamarche made use of, is ignored; there is no warrant for taking 'Zion' to represent the east; lightning is apparently associated with the north by appeal to the god of thunder at Ugarit. 1 There seems to be no way of justifying this plan. Lacocque does not argue his case. 1. Lamarche, Zacharie 9-14, pp. 160-61.
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3. <strong>The</strong> Structure of Individual Sections of Zechariah 181<br />
verses...' l It is unfortunately achieved by a discriminating choice of<br />
words: 'Jerusalem' also occurs after 'horses'; repeated roots are not<br />
accounted for. Perhaps we could improve on this by noting the<br />
following.<br />
rro is repeated twice, and three things are 'cut off: chariot from<br />
Ephraim, horse from Jerusalem, battle bow.<br />
Three adjectives are used to describe the king: p-rre, tftfti and '3i>.<br />
Three expressions are used to describe the king's mount: "nnn, ~PJ><br />
and rvun» p.<br />
<strong>The</strong> word DDT is used of the king riding on his humble ass, and the<br />
same root gives the noun 'chariot' which is to be cut off.<br />
Perhaps some resonance is intended between D'U 1 ? D'frtf and D'a •frtfni.<br />
It seems that there is a satisfying rhythm and balance to these two<br />
verses.<br />
Lamarche treats 9.11-10.1 as a unit 2 and sees the following<br />
patterns:<br />
9.11-12 9.17b-10.1 Strophes of<br />
three vers<br />
a v. 11 (...DJ) 9.17b each: promises<br />
b v.!2a 10.la and exhortation<br />
a 1 v. 12b (. . .DJ) lO.lb<br />
Verses 13-17a are regarded as two strophes each with four vers:<br />
13a